Par KEYS ALICIA. Empire State Of Mind (Alicia Keys/Jay Z) arranged for upper voices with piano accompaniment. This arrangement is part of the popular Choir Rocks! series which offers flexible arrangements of contemporary pop hits. All pieces are written for soprano and alto, with an optional third part of limited range for baritone or low alto with straightforward piano accompaniments perfect for the amateur pianist. Also includes chord symbols./ Feuillet / Piano, Chant et Guitare

Par DOVE JONATHAN. Into Thy Hands contains two prayers of St. Edmund, beautifully set for a cappella choir by Jonathan Dove. Technically, this piece is well within the grasp of most choirs and would make a memorable concert work, anthem or introit. The Choral Signature Series introduces a wealth of new or recently written choral music to choirs in search of fresh repertoire. The series draws in a rich diversity of living composers and includes both lighter and more challenging contemporary works, offering a thrilling array of varied styles. / Musique religieuse / Recueil / Piano, Chant et Guitare

Accessible and practical arrangements from two popular shows with bags of style. These choral arrangments provide around twenty minutes of fun and interesting repertoire for the mixed voice choir. The pieces can be used to add variety to a concert programme and are sure to be a hit with both choirs and audiences alike.

The ?organ plus brass? series presents original works and arrangements for organ and brass choir specially tailored to meet the needs of amateur ensembles and non-professional organists. The pieces may be played by any constellation of brass ensemble. Volume IV contains arrangements of church music by Charles Villiers Stanford, both chorale-based and freely composed. The original works for choir and organ can be appropriately transferred to the festive scoring for brass ensemble and organ. - Repertoire for brass ensemble and organ - Suitable for amateur ensembles and non-professional church musicians - A variety of instrumental parts allow many performance options Edition no.: BA 11204 ISMN: 9790006558629 Volume / Series: organ plus brass 4 Editor: Klomp, Carsten / Petersen, Heiko Arranger: Klomp, Carsten Language(s) of text: German, English Product format: Performance score(s), Wind instruments score Includes the following individual parts: Wind instruments, Organ Binding: Stapled Pages / Format: 25/12 S. - 30,0 x 23,0 cm

You Raise Me Up , written by Secret Garden's Rolf Løvland and Irish novelist Brendan Graham, achieved its unique success mainly through being recorded by so many artists - around 150 of them to date. Originally intended as an instrumental entitled 'Silent Story' Løvland's melody only acquired lyrics after the Norwegian composer invited Graham - whose novels he knew - to turn it into a song for Secret Garden's 2002 album Once In A Red Moon . It was sung on the album by Irish vocalist Brian Kennedy and although it enjoyed some success in both Ireland and Norway, the song's eventual path to legendary status only began when Josh Groban took it to the number one spot on Billboard's Adult Contemporary Chart in 2004. Groban performed the song at several high-profile events in the US (including Super Bowl XXXVIII, Oprah Winfrey's 50th birthday celebration, and on The Ellen DeGeneres Show where he was accompanied by the African Children's Choir). Westlife raised the song's profile further when they made it the debut single from their album, Face To Face. It was to become an all-purpose inspirational anthem featured at everything from the 2009 Nobel Peace Prize concert to series 4 of The X-Factor in the UK. Daniel O'Donnell, Aled Jones, Katherine Jenkins, Il Divo, Russell Watson and The Mormon Tabernacle Choir have now all performed it, helping to turn Løvland and Graham's uplifting song into a global phenomenon and a 21st century classic. / Piano/Vocal/Guitare (PVG)

Par HARVEY JONATHAN. Predominantly hushed and serene, Plainsongs for Peace and Light proved to be Jonathan Harvey’s final work. It sees Harvey re-examining the very fundamentals of his craft – superimposing lines of plainsong, relishing the simple clash of note againstnote and creating rich, otherworldly sonorities through an elaborate use of canon. Harvey was a composer who always embraced and sought-out the very latest in musical technologies but the simplicity of the a cappella choir became something of aconstant to which he returned throughout his life. Writing in Tempo, Paul Conway noted this work’s ‘understated but extremely affecting, numinous power’. The piece is for mixed voices of SATB in 16 parts. Plainsongs for Peace and Light for unaccompanied mixed voices sees Harvey re-examining the very fundamentals of his craft - superimposing lines of plainsong, relishing the simple clash of note against note and creating rich, otherworldly sonorities through an elaborate use of canon. Harvey was a composer who always embraced and sought-out the very latest in musical technologies but the simplicity of the a cappella choir became something of a constant to which he returned throughout his life. / Musique contemporaine / Recueil / Piano, Chant et Guitare

(Part - Guitar)-Acallam na Senórach by Tarik O'Regan was co-commissioned by the National Chamber Choir of Ireland The DeBartolo Performing Arts Center at University of Notre Dame Indiana and Peak Performances at Montclair State University Montclair New Jersey.First performed on 25 November 2010 at St Ann’s Church Dublin by the National Chamber Choir of Irelandwith Stewart French (Guitar) directed by Paul Hillier.The Guitar part was edited by Stewart French.Tarik O'Regan on the music:In writing this musical setting of Acallam na Senórach I was drawn to the evenness of the dialogue. Instead of St Patricksimply converting the pagan warriors he is encouraged to listen to Ca lte’s stories and poems of an earlier time in which the saint delights.This secular/sacred osmosis is maintained unwaveringly throughout the entire text. By the end of the narrative one has witnessed not only the arrival of a new religion in Ireland but also a richly-recounted secular narrative map of the entire island: the peaceful and enriching shaking of two great hands.In preparing the libretto (the sung text) I have focused on only a few of the shorter constituent tales. This decision was born of the practical constraints of duration. I have however kept the skeleton albeit smaller of the overall frame in place. Finally for the sake of simplicity Ois n is removed from the primary narrative.The characters are not assigned specific voices. The narrative as a whole is carried by a persistently changing combination of voices and guitar. The one exception is Cas Corach the musician of the s d (underworld) who is most closely embodied throughout this setting in the solo interludes for guitar.The music itself is not ethnographically inclined; that is I have not attempted to reconstruct theories on Irish music of the period from which Acallam stems. However the score generally and especially in the guitar writing is imbued with an air

Ravi et Bobby, le duo dynamique de l'emploi très populaire pour un Cowboy, mélangent musicalité stupéfiante et la chanson de fine pointe écrit créer l'incarnation absolue de musique extrême. Apprendre comment ils utilisent les échelles de mineur naturels et conduire des techniques comme le marteau-ons et pull-offs, cueillette de trémolo - et comment ils déchiqueter riffs avec cueillette remplaçante. Ils révèlent les secrets de leur son sombre avec des triades diminuées, riffs lourds et des ruptures brutales. Voir comment deux guitares créer des séquences intenses et harmonies a diminué. Vous jouerez les exemples avec des enregistrements de studio JFAC réelles. À la fin de ce programme, vous trouverez possèdent un arsenal sur la façon de jouer la mâchoire-largage guitare métallique. / Guitare / niveau : Débutant / Dvd

Veteran worship leader and songwriter Tommy Walker presents an incredible worship experience on his CD featuring a 50-member gospel choir and an audience of over 700 worshiping voices. Blending soulful grooves pop production andcaptivating lyrics his album is a worshipful journey in the wonder and majesty of Christ. Our matching folio features 12 songs presented with full version piano/vocal arrangements chord charts and overhead lyric masters. Songsinclude: Dwelling Place • Heavenly Touch • Just Worship • Prepare Ye the Way • Thank You for Loving Me • Your Word Will Be the Last Word • and more. 7″ x 10″

C'est la partie de guitare facultatif au travail vocal bien connu de Schubert ' tiré à part de la budget ' de notre volume principal des oeuvres de Schubert pour Male Voice Choir avec accompagnement de guitare - Réf. ECH 548. / Choeur D'Hommes Et Guitare

The New Decade Series provides great synopses of the musical decades, including the most iconic songs from each era presented for Piano, Vocal and Guitar. Songs of the 1950s includes hits from Elvis Presley, Perry Como, Cliff Richard and many more! 1. Ain’t That a Shame [Pat Boone] 2. All I Have to Do Is Dream [Everly Brothers] 3. All Shook Up [Elvis Presley] 4. At the Hop [Danny and the Juniors] 5. Blue Suede Shoes [Elvis Presley] 6. Bo Diddley [Buddy Holly] 7. Bye Bye Love [Everly Brothers] 8. Cara, Mia [David Whitfield] 9. Chantilly Lace [Big Bopper] 10. Diana [Paul Anka] 11. Dream Lover [Bobby Darin] 12. Earth Angel [Crew Cuts] 13. The Garden of Eden [Frankie Vaughan] 14. Give Me Your Word [Tennessee Ernie Ford] 15. Great balls of fire [Jerry Lee Lewis] 16. The Great Pretender [The Platters] 17. The Happy Wanderer (Val-De-Ri Val-De-Ra) [Obernkirchen Children's Choir] 18. Heartbreak Hotel [Elvis Presley] 19. Here In My Heart [Al Martino] 20. Hold My Hand [Don Cornell] 21. Hound Dog [Elvis Presley] 22. I Believe [Frankie Laine] 23. I Need Your Love Tonight [Elvis Presley] 24. I’ll Be Home [Pat Boone] 25. It Doesn’t Matter Anymore [Buddy Holly] 26. It’s All In the Game [Tommy Edwards] 27. It’s Only Make Believe [Conway Twitty] 28. Jailhouse Rock [Elvis Presley] 29. Just Walking In the Rain [Johnnie Ray] 30. Lipstick On Your Collar [Connie Francis] 31. Little Darlin’ [Diamonds] 32. Little Things Mean a Lot [Kitty Kallen] 33. Living Doll [Cliff Richard and the Shadows] 34. Magic Moments [Perry Como ] 35. Mambo Italiano [Rosemary Clooney and The Mellomen] 36. Maybe Baby [Crickets] 37. Memories Are Made Of This [Dean Martin] 38. Mona Lisa [Conway Twitty] 39. My Prayer [The Platters] 40. No Other Love [Ronnie Hilton] 41. Oh! My Pa-pa (Oh Mein Papa) [Eddie Calvert] 42. Peggy Sue [Buddy Holly] 43. (You’ve Got) Personality [Anthony Newley] 44. Peter Gunn [Duane Eddy] 45. Pretend [Nat King Cole] 46. Put your head on my shoulder [Paul Anka] 47. Que Sera, Sera (Whatever Will Be, Will Be) [Doris Day] 48. Rose-Marie [Slim Whitman] 49. Sea of Love [Marty Wilde] 50. See You Later, Alligator [Bill Haley and His Comets] 51. Shake, Rattle and Roll [Bill Haley and His Comets] 52. Singing the Blues [Guy Mitchell] 53. Sixteen Tons [Tennessee Ernie Ford] 54. Smoke gets in your eyes [The Platters] 55. Splish Splash [Charlie Drake] 56. Stupid Cupid [Connie Francis] 57. Such a Night [Johnnie Ray] 58. Tammy [Debbie Reynolds] 59. Teddy Bear [Elvis Presley] 60. Tequila [The Champs] 61. That’ll Be the Day [The Crickets] 62. That’s Amore (That’s Love) [Dean Martin] 63. Three Coins In the Fountain [Frank Sinatra] 64. Volare (Parish Version) [Dean Martin] 65. Wake Up Little Susie [Everley Brothers] 66. Wear My Ring Around Your Neck [Elvis Presley] 67. What Do You Want to Make those Eyes At Me For [Emile Ford and the Checkmates] 68. Where Is Your Heart (The Song from Moulin Rouge) [Mantovani] 69. A White Sport Coat (And a Pink Carnation) [King Brothers] 70. Who’s Sorry Now [Connie Francis] 71. Why Do Fools Fall In Love [Frankie Lymon and The Teenagers] 72. A Woman In Love [Frankie Laine] 73. You Belong to Me [Jo Stafford] 74. Young Love [Tab Hunter] / Piano voix guitare / Hal Leonard

Suite Parisienne was composed in 1979 by Bryan Kelly. It is scored for Brass Quintet and is written in five movements.Kelly (b. 1934) is a prolific contemporary British composer and pedagogue. He studied under Gordon Jacob and Herbert Howells at the Royal College of Music and later with Nadia Boulanger in Paris. He held positions at the Royal Scottish Academy of Music the RCM and several other institutions in Europe America and the Middle East. Much of his music is for choir both secular and sacred but a large portion is also for chamber groups with works for almost every woodwind and brass instrument.