Estudio de Estilo-The life and work of Sabicas contradicts the widespread idea that you have to be Andalusian to play flamenco. Sabicas an exceptional guitarist and composer in the history of flamenco lived most of his life in America. This long 'exile' explains without doubt why Sabicas was the first flamenco guitarist essentially playing solo concerts. His large concert discography exceeds that of Paco de Luc a and Manolo Sanlúcar. This is one of two volumes that focus on Sabicas varied works. This volume (Temas Flamencos) covers the fundamentals of Buler as fandangos the Siguiriyas the Soleares etc. The first volume (Temas De Concierto) isfocused on Sabicas works inspired by the Iberian folklore or some marginal forms of flamenco repertoire.

Estudio de Estilo-The life and work of Sabicas contradicts the widespread idea that you have to be Andalusian to play flamenco. Sabicas an exceptional guitarist and composer in the history of flamenco lived most of his life in America. This long 'exile' explains without doubt why Sabicas was the first flamenco guitarist essentially playing solo concerts. His large concert discography exceeds that of Paco de Lucía and Manolo Sanlúcar. This is one of two volumes that focus on Sabicas varied works. This volume (Temas De Concierto) is focused on Sabicas works inspired by the Iberian folklore or some marginal forms of flamenco repertoire. Thesecond volume (Temas Flamencos) covers the fundamentals of Bulerías fandangos the Siguiriyas the Soleares etc.

Johnny Winter Style-The American Blues Guitar in 6 Weeks course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand blues soloing at a manageable easy to follow pace.Week two focuses on the style of Johnny Winter and includes: Blues scale patterns repetitious phrasing building licks using hammer ons and pull offs playing 'in the pocket' using triplets using pentatonic scale sequencing to create blues licks.The DVD is presented by Steve Trovato who is best known as a world class country guitarist but is equallyproficient in a wide range of popular Guitar styles. He has written a number of bestselling Guitar tuition books and maintains a full time position in the Guitar Department at the University of Southern California.

John Fahey transformed the world of the acoustic flat-top steel-string Guitar by bringing it to the concert stage as a respected solo instrument. Blind Joe Death: Volume 1 looks at theimportant people and genres that shaped him as a composer. This volume focuses on Side 1 of the original 1967 Blind Joe Death LP a collection of mostly traditional music that was adapted for solo Guitar. HintsofHints of Fahey's early influences endured throughout his career as a composer yet early on and in Blind Joe Death a unique voice is coming into focus one that is not afraid to explore theavant-garde with journeys into collage and expressionism.Six extensively edited solos from Blind Joe Death are included in Volume 1: 'On Doing an Evil Deed Blues ' 'St. Louis Blues ' 'Poor Boy a LongWays from Home ' 'Uncloudy Day ' 'John Henry' and 'In Christ There Is No East or West.' Within these transcriptions Andrew Lardner has provided admirers of John Fahey's body of work with theessential keys to launch their own journeys into replicating the sounds and style of Fahey's landmark solos from Blind Joe Death.

Jimi Hendrix Style-The American Blues Guitar in 6 Weeks course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand blues soloing at a manageable easy to follow pace.Week five focuses on the style of Jimi Hendrix and includes: Learn a blues scale pattern learn the Jimi Hendrix vibrato learn the 'blues rake' learn how to use phrase repetition.The DVD is presented by Steve Trovato who is best known as a world class country guitarist but is equally proficient in a wide range of popular Guitar styles. He has written anumber of bestselling Guitar tuition books and maintains a full time position in the Guitar Department at the University of Southern California.

Par OKAZAKI MILES. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): 'Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player 'could' do, rather than what the player 'should' do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives. This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins withthe properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetricalscales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking, ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described/ Méthode / Guitare

This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument intermediate players can use it for training and theoretical work and advanced players can explore the sections on advanced theory extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm.Part 1 (pitch) begins withthe properties of string harmonics and tuning systems. It then moves methodically through pitch information beginning with locating all versions of a single pitch building pentatonic heptatonic and all possible symmetricalscales. This is followed by a study of intervals with all possible locations of every two pitches and a long study that moves through every possible fingering of three pitches with a series of exercises to master triadicsyntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation.Part 2 (rhythm) begins with a complete course in 'Symmetrical Picking ' a methodbased on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation with a focus on efficiency accuracy speed dynamics and groove. It is followed by a study of legato playing working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse againstpulse playing two simultaneous tempos.The book concludes with a study of polyrhythm playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts and hundreds ofillustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described

50 Hits Arranged for Guitar with Riffs, Chords, Lyrics and More. Easy-to-play songs specially arranged for use with any guitar looping pedal are the focus of this extensive collection. All 50 songs inside were picked for having the best looping opportunities, with the collection spanning a wide range of styles for both acoustic and electric guitar. Lead-sheet arrangements include guitar riffs, strumming patterns, bass lines, percussion effects, and lyrics to help you create professional-sounding performances. All guitar parts are written in tab for ease of use and ndash - no note reading necessary. Songs include: All Along the Watchtower - Billie Jean - Creep - Happy - I'm Your Hoochie Coochie Man - Knockin' on Heaven's Door- Learning to Fly - Radioactive - Smells like Teen Spirit - Twist and Shout - Use Somebody - Viva La Vida - What I Got - Yellow Ledbetter - and more. Easy-to-play songs specially arranged for use with any guitar looping pedal are the focus of this extensive collection. All 50 songs inside were picked for having the best looping opportunities, with the collection spanning a wide range of styles for both acoustic and electric guitar. Lead-sheet arrangements include guitar riffs, strumming patterns, bass lines, percussion effects, and lyrics to help you create professional-sounding performances. All guitar parts are written in tab for ease of use - no note reading necessary. / Pop and rock / Recueil / Guitare et Vocal

This course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand metal soloing at a manageable pace.Week four includes: E flat Tuning: Complete song breakdown with technique lessons focusing on triplets pedal tones down picking and palm muting and a metal guitar jam track.

Week 2-This course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand blues soloing at a manageable easy tofollow pace. Three licks in the style of a featured artist are taught each week to help you towards playing in real musical situations and develop an ear for the differences between players. With the Electric Blues in 6 Weeksguitar course the material is presented to you in easy to absorb sections which progress in a sensible logical order. Stick with this course and I guarantee you will improve. Week two includes: Phrasing and manipulation gracenotes 1 2 3 & 4 note combinations three licks in the style of Gary Moore.

This course is designed to focus your practice towards realistic goals achievable in six weeks. Each week provides you with techniques concepts and licks to help you play and understand metal soloing at a manageable pace.Week one includes: Standard Tuning: drop picking and palm muting triplets and left hand muting alternate picking chord variations practice routines getting a metal tone four metal jam tracks.

The Essential Piano Singles collection is a series of collectible classic songs in a Piano and Vocal format and easy-to-play arrangements. Sam Smith's Stay With Me is presented here in this innovative design, with downloadable audio tracks, performance hints and interesting song background notes. This is the best possible way to play and sing this all-time classic tune.All the titles in the Essential Piano Singles series come with instantly-downloadable audio that includes demonstrations at full and half-tempo. You'll be able to gradually build up your accuracy and speed, eventually playing the song perfectly. Not only this, but separate audio mixes for the left and right hand will let you focus on one particular part of your playing, while the metronome track lets you rehearse at the correct tempo.In a special six-panel, gatefold card booklet, Stay With Me is presented without the need for page-turns. To make this the best guide to learning this fantastic song, some performance hints and tips have been included, while the fascinating background notes will give you some information about the song before you start trying to play it.This stylish Essential Piano Singles edition of Sam Smith's worldwide smash-hit Stay With Me makes learning and playing as convenient and easy as possible. With an invaluable download card and some added extras, this is all you'll need to learn one of the all-time great songs. / Piano/Vocal/Guitare (PVG)