Par . Le nouveau programme de guitare classique RSL vise à prendre en compte les goûts de plus en plus variés des jeunes en intégrant le travail de compositeurs confirmés et émergents, et en se positionnant à l\'avant-garde d\'un vaste et riche patrimoine musical allant de la période baroque à l\'époque contemporaine. Le répertoire se fonde sur quatre principes clés : des compositeurs issus d\'ethnies diverses, la représentation équitable des genres, la reconnaissance de l\'histoire et de la tradition de la pédagogie de la guitare, et la possibilité pour les élèves de se sentir à l\'aise dans l\'étude de la musique dans un environnement populaire et classique. Les recueils RSL Classical Guitar contiennent tout ce dont un élève a besoin pour se préparer à un examen : dix morceaux de répertoire variés de différents compositeurs, des exercices techniques et des exemples de tests de base, notamment la lecture à vue (ou des tests facultatifs d\'improvisation et d\'interprétation), des tests d\'écoute et des questions générales sur la musicalité. / Date parution : 2022-09-14/ Recueil / Guitare

24 Favourite Pieces Arranged For The Moderately Advanced Guitarist. Par COLES PAUL. 'From Folk to Classical 2” is a mouth-watering collection of 24 arrangements for classical guitar by Paul Coles. The classical pieces include many favourites, including a few you would not expect to hear on the guitar, such as 'Habanera” from 'Carmen” and Saint-Saën's famous 'Swan” but they really work! Traditional folk numbers are not neglected, with 'Michael Row the Boat” and 'Londonderry Air” among the best known. The arrangements are for moderately advanced players (UK grade 5-6) and Paul has offered fingering help for both left and right hands. It follows Book 1 (UE 21673) which was published in 2017 (Grades 3-4). Try it, perhaps as a warm up for Book 2 if you don't already know it and then try Paul's '26 Melodic Studies” (UE 21670) or his 'Momentos Españoles” (UE 21671)./ Recueil / Guitare

A wonderful collection of pieces by some of the greatest and most pioneering composers for the Classical Guitar. Selected and arranged by Jerry Willard for performers of an early intermediate level, the anthology comes complete with a CD of professional performances so you can hear the pieces, and then play them yourself! / Guitare

2-CD Set-Performed by Christian Reichert primo guitar; Beata Bedkowska-Huang secondo guitar Accompaniment: Christian Reichert primo guitar; Beata Bedkowska-Huang secondo guitar These three long-form duets by Spanish classical guitar master Fernando Sor feature beautifully crafted melodies artfully orchestrated between the two guitars and a technical approachability for all intemediate-level guitarists. The three works presented here all come from the late 1820s and 1830s. The Divertissement is in three-movement form whereas both L'Encouragement and Souvenir de Russie take the form of an introduction followed by a theme with variations capped off with a dance-like finale. ThisMusic Minus One edition presents a sparkling performance of these duets from virtuosi Christian Reichert and Beata Bedkowska-Huang. Listen to their technique either from the combined recording or from one of the solo parts presented separately; then you join either Mr. Reichert or Ms. Bedkowska-Huang to make your own beautiful music! Featuring music for players of nearly all levels every guitarist will revel in a celebration of the classical guitar at its zenith. Includes an expansive newly engraved authoritative performance edition of the music score featuring both guitar parts with performance suggestions from Christian Reichert and edited by both Mr. Reichert and Ms. Bedkowska-Huang and printed on high-quality ivory paper; plus a CD containing the complete performance of the pieces in digital stereo; a second compact disc containing accompaniments to each piece first minus the primo guitar part then presented again minus the secondo part.

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope

Guitar Play-Along-Performed by Christian Reichert guitar Accompaniment: Plovdiv Symphony Orchestra Conductor: Nayden Todorov Manuel Ponce's legendary Concierto del Sur remains one of the undisputed masterworks for guitar and orchestra and is arguably the greatest guitar concerto to emerge from Latin America. It is a vital part of the modern guitarist's repertoire. The concerto's unconventional melodic style and distinctly Latin American feel predominate integrating a near-perfect balance between guitar and orchestra. The writing for the guitar is brilliant forthright and leaves a strong impression on both player and audience. This Music Minus One edition presents a bravura performance of this20th-century classic from virtuoso guitarist Christian Reichert. Study his technique then you stand center-stage with the Plovdiv Symphony Orchestra under Maestro Nayden Todorov for your own Latin spectacular! Includes an authoritative newly engraved solo part printed on high-quality acid-free ivory paper containing the solo guitar part; a digital stereo compact disc featuring a complete performance of the concerto with orchestra and soloist and a second performance minus you the soloist; and a second compact disc containing a full-speed version of the complete version as well as a special -20% slow-tempo version of the accompaniment for practice purposes. The concerto is voluminously indexed for your practice and performance convenience.

Chet Atkins was a master in many aspects of the Guitar. One of his greatest skills was his uncanny talent of discovering songs which would 'work' as fingerstyle arrangements and then using his musical genius to forge theminto enduring masterpieces. National Fingerstyle Guitar champion Pat Kirtley has assembled a collection of favourites from Chet's 'Golden Era' -- some of the best of Chet Atkins' vintage classic tunes -- and teaches you thesecrets of how it's done and how to get the feel of the originals in this double DVD.Pat chose these tunes his own favourites from Chet's vast collection carefully dissecting them and then putting them back together stepby step so the guitarist can not only learn to play them but also gets a sense of the feel and history of each unique selection. Pat teaches you note by note and phrase by phrase six of Chet's greatest arrangements. Usingsplit-screen you can study both the left and right hands in detail. A printed tab/music booklet is included as well as a PDF file of the booklet on each DVD.Every tune here is a winner a true Chet Atkins classic and eachone is guaranteed to be a standout solo Guitar performance piece. These challenging arrangements will provide hours of pleasurable fingerstyle fun as you learn to 'pick it like Chet!'

The ragtime and early jazz music pioneers during the first decades of the last century didn???t know that the sounds they created would echo in the music that people loved for years to come. They started an American music traditionthat is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist I never thought that playing back-up in a jazz band was for me. I???d rather do something with thesesongs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music with a steady left hand playing bass notes and chords togetherwith the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classicalragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all thenotes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make myarrangements not too difficult to play so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though is to make the tune soundlike Guitar music not Piano music played on the Guitar.

Guitar Lore is a compendium of techniques considered essential for the virtuoso guitarist. It first covers left hand position and then right hand pick hold and stroke. Topics covered are the development of a system of jazz chords, chord scales, rhythm studies, sequences both diatonic and chromatic, arpeggios through extensions, scale fingerings in multiple octaves, interval studies, exotic scales, and technical studies of all different types including double stops. Chuck Anderson took dictation from master of modern guitar Dennis Sandole to create this volume.

The Guitar Prep Test is an ideal introduction to the ABRSM exam experience: it gives students a goal to work towards and a certificate on the day ? something to be really proud of. Candidates play three short tunes from memory as well as choosing two pieces to play (one of which can be a duet). There are then four listening games to complete. The Guitar Prep Test book has been completely refreshed for use from January 2019 onwards with five new pieces (including two duets) three short tunes and examples of listening games to help candidates prepare. With easy-to-follow instructions and entertaining illustrations preparing for the Guitar Prep Test hasnever been more fun!

Facilement identifiable par son ISBN 9790201840918 cette pièce Piano Concertos II No. 4 and 5 (with critical report) appartient à la collection désormais incontournable Küthen, Hans-Werner.Composée pour Piano par le célèbre compositeur Beethoven Ludwig Van ce sont les éditions Henle qui on eu l'honneur d'imprimer cette partition. / Piano / Edition Complète

Une approche moderne pour guitare classique de compléments. Ce livre contient 32 accords de duo guitare classique pour usage récréatif ou d'enseignement. La séquence des pièces est basée sur la difficulté de la première partie de la guitare. Cependant, le niveau de difficulté est indiqué au début de chaque pièce pour les deux parties. L'accompagnement audio permet aux joueurs de la pratique et de jouer chaque pièce en duo. accompagnement audio de 45 minutes. / Guitare / Partition Cd

Pat Donohue is recognised worldwide as a virtuoso fingerstyle jazz guitarist with a genre-blending fusion of techniques. The overall theme of these lessons is to show the roots of classic Jazz; leading on to how to arrange a jazzcomposition and then how to improvise around the arrangement using various techniques. In this second lesson Donohue builds on the skills developed in Volume one and introduces three more classic arrangements. An exhaustivelesson the DVD holds archival footage of the featured songs including Fats Waller performing ‘Ain’t Misbehavin’ in 1941. A 24 page PDF booklet of the music accompanies these 78 detailed and practical minutes of Jazz classicswhich will aid and improve your playing.