Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE CARBAJO REEB. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CHARPAGNE DOMINIQUE. / Niveau : Intermédiaire / Répertoire / Guitare Seule

Par CARBAJO CHARPAGNE / DALLE AVE. / Niveau : Facile / Répertoire / Guitare Seule

P/V/G Vocal Selections-11 songs from the Broadway production of this story of the Founding Fathers of the United States and their courageous fight for independence. Includes: Sit Down John · The Lees of Old Virginia · Mama Look Sharp · Is Anybody There' · and more.

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

Enjoy the stunning evocative melodies of the rich Irish tradition with this special set of classical Guitar solos. John Loesberg presents a unique collection of arrangements featuring many traditional harp melodies and dance tunes. The book boasts no less than 27 pieces many of which are suitable for elementary guitar students. However also featured are several compositions by the 17th century harpist/composer O'Carolan which are ideal for more advanced guitarists. An accompanying CD of demonstrations perfectly illustrates the music providing listeners with a useful guide to Irish phrasing and performance.

In this book three time National Flatpicking Guitar Champion Steve Kaufman presents rousing Guitar solos on 24 gospel favourites. Each song is shown with a melody part in notation and tablature lyrics anaccompaniment part in tablature and a stirring flat- picking solo in notation and tablature.This recording is designed for listening first and second as an instructional tool. All 24 songs are played through three times atleast. The first time is as it appears in the book and the two versions that follow are improvised versions. Making this both a listening tool and an ear training tool. Recorded Digital to Analog in true stereo sound. Thisrecording can be used with either Flatpickin' the Gospels or Autoharping the Gospels. Audio and Video download available online.

Par KAUFMAN STEVE. Dans ce livre, trois fois National Flatpicking guitare Champion Steve Kaufman présente secouant les solos de guitare sur 24 favoris de gospel. Chaque chanson est montré avec une partie de la mélodie en notation et tablature, paroles, une partie de l'accompagnement en tablature et un solo de cueillette à plat émouvant dans la notation et de tablature. Cet enregistrement est conçu pour l'écoute d'abord et, deuxièmement, comme un outil pédagogique. Tous les 24 chansons sont jouées par le biais de trois fois au moins. La première fois est comme il apparaît dans le livre, et les deux versions qui suivent sont des versions improvisées. Ce qui en fait un outil d'écoute et d'un outil de formation oreille. Enregistré numérique-analogique en vrai son stéréo. Cet enregistrement peut être utilisé avec deux Flatpickin' les évangiles ou Autoharping les évangiles. Comprend aussi un DVD. / Niveau : Tous Niveaux / Gospel-Old Time - Solos / Tablatures / Guitare Tablatures Flatpick et Plectre

Media Type : Book/CD Set Level : Advanced Musical Genre : Acoustic Music Number of pages : 80 This book features twelve of Stephen Bennett's favorite fingerstyle solos for the six-string acoustic guitar. Perhaps best known for his work with the harp guitar, Stephen shows the same relaxed, sharp-witted spirit he exudes on stage in his insightful performance notes for these inspired guitar solos. Written in standard notation and tablature with a few altered tunings and partial capo indications, this book is recommended for the intermediate to advanced player. The companion performance CD includes all of the selections in the book.

Guitar Tab. Par BENNETT STEPHEN. This book features twelve of Stephen Bennett's favorite fingerstyle solos for the six-string acoustic guitar. Perhaps best known for his work with the harp guitar, Stephen shows the same relaxed, sharp-witted spirit he exudes on stage in his insightful performance notes for these inspired guitar solos. Written in standard notation and tablature with a few altered tunings and partial capo indications, this book is recommended for the intermediate to advanced player. The companion performance CD includes all of the selections in the book. / Niveau : Avancé / Acoustic Music - Solos / Tablatures / Guitare Tablatures

This handy case-size QWIKGUIDE book offers a baker?s dozen effective warm-up exercises plus 31 progressive ?Warm-Up Solos?. The book is written in notation and tablature with above average backup chords suggested for the solos.While written with the flatpicking guitarist in mind fingerstyle and classic players would also benefit from sightreading these pieces. The original solos present a wealth of bluegrass and swing material that can be played with arhythm guitarist or the companion CD which includes all of the tunes and exercises in the book. The solos are presented in the keys of C/Am (no sharps or flats) the sharp-bearing major and relative minor keys through Emajor/C# minor (4 sharps) and in the flat-bearing keys and their relative minor keys through E-flat major/C minor (3 flats). The tunes offer a great introduction to swing eighths triplets and syncopated rhythms. Author andcompany president William Bay?s gift for writing engaging tunes that offer insight to the fretboard is clearly evident here making this book an excellent sight-reading resource.