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Performance Practices In The Violin Concerto Op. 64 And Chamber Music For Strings Of Felix Mendelssohn Bartholdy (BROWN CLIVE)
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Performance Practices In The Violin Concerto Op. 64 And Chamber Music For Strings Of Felix Mendelssohn Bartholdy (BROWN CLIVE)
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In The Violin Concerto Op. 64 and Chamber Music For Strings. Par BROWN CLIVE. Me...
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In The Violin Concerto Op. 64 and Chamber Music For Strings. Par BROWN CLIVE. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Livre / Livre
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Lieder im Freien zu singen Vol. 1 (MENDELSSOHN-BARTHOLDY FELIX)
8.86
Lieder im Freien zu singen Vol. 1 (MENDELSSOHN-BARTHOLDY FELIX)
Chorale 3 parties
Hal Leonard
SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`r...
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SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Répertoire / SAM a Cappella
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Felix Mendelssohn Bartholdy: Die schöne Melusine - The Fair Melusine Op.32:
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renrei...
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Ouvertüre-Die sch?ne Melusine (The Fair Melusine) Op.32Concert OvertureB?renreiter's new editions of Felix Mendelssohn Bartholdy’s great orchestral overtures edited by the internationally acclaimed conductor and scholar Christopher Hogwood are pioneer publications of his most ?important and ?popular concert overtures.This overture in its ?first version dedicated to his sister Fanny as a birthday gift in 1833 is published in the new B?renreiter Urtext edition for the first time together with the later version. This later version which Felix Mendelssohn Bartholdy saw into print (1836) isalso not available today.In the new B?renreiter Urtext edition of “Die sch?ne ?Melusine” Christopher Hogwood makes use of all known sources. It contains both versions back-to-back in score and parts.The preface addresses the compositions' genesis and sources. There is also a critical report.This publication of Mendelssohn’s “Die sch?ne Melusine” marks the first instance of a scholarly-critical edition of one of Felix Mendelssohn Bartholdy’s concert overtures. Score and large format orchestral parts with both versions back-to-back First ever Critical Edition Edited by Christopher Hogwood
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Power Of Voice Wedding Edition - Mendelssohn Hochzeitsmarsch (Für Gemischtchor SATB Mit Orgel). Sheet Music for SATB Organ Accompaniment
1.95
Power Of Voice Wedding Edition - Mendelssohn Hochzeitsmarsch (Für Gemischtchor SATB Mit Orgel). Sheet Music for SATB Organ Accompaniment
Chorale SATB
Peer Musik Verlag
Mendelssohns Hochzeitsmarsch-Die 'Wedding-Edition' aus der Reihe 'Power of Voice...
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Mendelssohns Hochzeitsmarsch-Die 'Wedding-Edition' aus der Reihe 'Power of Voice' besteht aus Chor-Titeln für den schönsten Tag im Leben eines Paares. Hier der Hochzeitsmarsch aus 'Ein Sommernachtstraum' op. 61 von Felix Mendelssohn-Bartholdy. Die Bearbeitung für Chor SATB mit Orgelbegleitung ist von Thorsten Kuhn. Ebenso erhältlich mit Klavierbegleitung unter der Bestellnummer PMV16162G. Beispielcover (alle Cover dieser Serie sind bis auf den Titel identisch).
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Felix Mendelssohn Bartholdy: There Shall a Star: Mixed Choir a Cappella: Vocal
12.50
Felix Mendelssohn Bartholdy: There Shall a Star: Mixed Choir a Cappella: Vocal
Chorale SATB
[Vocal Score]
Hal Leonard
from Christus-From Felix Mendelssohn's oratorio Christus this masterwork adapt...
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from Christus-From Felix Mendelssohn's oratorio Christus this masterwork adaptation tastefully presents a classical work for church and academic choirs. This chorus is from one of Mendelssohn's final works which was never completed. The rolling triplet accompaniment pushes the composition forward with wave-like arches supporting the choir in all of its sonorous glory. A smooth contrapuntal style contrasts with dramatic accents and powerful crescendos displaying the confident scripture-based text with appropriate excitement! John Leavitt has provided a new piano accompaniment as well as a new sparkling orchestration that supports the work while staying faithful to the Mendelssohnoriginal.
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Lieder im Freien zu singen Vol. 2 (MENDELSSOHN-BARTHOLDY FELIX)
8.86
Lieder im Freien zu singen Vol. 2 (MENDELSSOHN-BARTHOLDY FELIX)
Chorale 3 parties
Hal Leonard
SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`r...
(+)
SAM-Klang. Par MENDELSSOHN-BARTHOLDY FELIX. Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬? soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d?hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l?essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux ?uvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d?orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des ch?urs SAM. SAM-Klang permet aux ch?urs de jeunes d?acce´der a` la litte´rature chorale classique, et garantit aux ch?urs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour ch?ur. / Date parution : 2022-07-23/ Répertoire / SAM a Cappella
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Band 8 (MENDELSSOHN-BARTHOLDY FELIX)
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Band 8 (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Band 1: 1816 Bis Juni 1830 (MENDELSSOHN-BARTHOLDY FELIX)
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Band 1: 1816 Bis Juni 1830 (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Band 3 (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Band 7 (MENDELSSOHN-BARTHOLDY FELIX)
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Band 2: Juli 1830 Bis Juli 1832 (MENDELSSOHN-BARTHOLDY FELIX)
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
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Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Felix Mendelssohn Bartholdy: Variations Sérieuses Op.54: Piano: Instrumental
10.99
Felix Mendelssohn Bartholdy: Variations Sérieuses Op.54: Piano: Instrumental
Wiener Urtext
With his Variations Sérieuses Felix Mendelssohn Bartholdy contributed to the a...
(+)
With his Variations Sérieuses Felix Mendelssohn Bartholdy contributed to the anthology Album-Beethoven which had been initiated by the Viennese publisher Pietro Mechetti and whose proceeds were to be donated for the funding of the Beethoven monument in Bonn. In order to do justice to the high standards of the composer to be honoured Mendelssohn decided in favour of a cycle of variations which clearly stands out from the superficially virtuoso variation style of that time. The new edition of the Wiener Urtext Edition is based on the autograph engraver’s copy and the first prints. In addition the correspondence of Mechetti'seditor Becher with Mendelssohn could be consulted for clarifying problematic textual instances. The notes on interpretation by Peter Roggenkamp cover various aspects – from learning to master the technical demands to practical performance details. The edition is rounded off by a practical and user-friendly notation.
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Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
4.00
Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A...
(+)
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
2.50
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli (SATB), Chor (SATB/SATB) und Orchester
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
(+)
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
2.50
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli (SATB), Chor (SATB/SATB) und Orchester
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
(+)
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
4.00
Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
Soli (STBar), Gemischter Chor (SSAATTBB) und Orchester
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A...
(+)
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
4.00 GBP - vendu par Musicroom GB
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Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
4.00
Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
Soli (STBar), Gemischter Chor (SSAATTBB) und Orchester
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A...
(+)
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
5.00
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli (SATB), Chor (SATB/SATB) und Orchester
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
(+)
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
2.50
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli (SATB), Chor (SATB/SATB) und Orchester
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
(+)
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
2.50 GBP - vendu par Musicroom GB
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
31.00
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli (SATB), Chor (SATB/SATB) und Orchester
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
(+)
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
31.00 GBP - vendu par Musicroom GB
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Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
26.00
Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
Soli (STBar), Gemischter Chor (SSAATTBB) und Orchester
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A...
(+)
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
26.00 GBP - vendu par Musicroom GB
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Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
5.50
Felix Mendelssohn Bartholdy: Der 98. Psalm - MWV A 23 op. Posth 91: Mixed Choir:
Soli (SATB), Chor (SATB/SATB) und Orchester
Barenreiter
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Ps...
(+)
Features of the Barenreiter Urtext edition of Mendelssohn’s setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord):Bilingual Foreword (Ger/Eng) and Critical Commentary (Eng)Words underlaid in both German and EnglishPiano reduction based on the first printed editionFull score performance material (BA9076) and vocal score (BA9076-90) available for saleMendelssohn composed his setting of Psalm 98 (Singet Dem Herrn / Sing To The Lord) in the space of just a few weeks to satisfy a commission in his new position as general musicdirector of Prussia. The work was premiered by the Berlin Cathedral Choir on 1 January 1844. As Mendelssohn neither released the work for publication nor produced a vocal score his psalm setting did not appear in print until after his death.For this edition the authoritative Mendelssohn specialist John Michael Cooper drew primarily on the autograph score with its many subsequent corrections and amendments. In this way it differs from many other editions which tend to treat the autograph as a subordinate source. Rounding off the edition are an informative Foreword and a detailed Critical Commentary. The Piano reduction is based on the first printed edition which was published by F. Kistner and Evers & Co. in 1851.
5.50 GBP - vendu par Musicroom GB
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Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
4.00
Felix Mendelssohn Bartholdy: Psalm Non Nobis Domine - Nicht Unserm Namen Herr:
Soli (STBar), Gemischter Chor (SSAATTBB) und Orchester
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A...
(+)
Op. 31 Mwv A 9-Psalm 'Non nobis Domine' / 'Nicht unserm Namen Herr' Op.31 MWV A 9Mendelssohn’s first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838.Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible.This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath.Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary.The piano reduction stems from Mendelssohn himself.- Informative Foreword in the score (Ger/Eng)- Text underlay in two languages (Lat/Ger)- Piano reduction by the composer- Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale
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Band 6 (MENDELSSOHN-BARTHOLDY FELIX)
256.40
Band 6 (MENDELSSOHN-BARTHOLDY FELIX)
Divers
[Partition]
Barenreiter
Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
(+)
Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Band 5. (MENDELSSOHN-BARTHOLDY FELIX)
256.40
Band 5. (MENDELSSOHN-BARTHOLDY FELIX)
Divers
[Partition]
Barenreiter
Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche ...
(+)
Par MENDELSSOHN-BARTHOLDY FELIX. Sämtliche Briefe In 12 Bänden. Ausführliche Erläuterungen, Kommentar Und Register In Jedem Band. Hrsg Helmut Loos Und Wilhelm Seidel (Die Ausgabe Wird Nur Geschlossen Abgegeben). Isbn 978-3-7618-2300-2/ Répertoire / Divers
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Felix Mendelssohn Bartholdy: I Would That My Love: 2-Part Choir: Score
2.25
Felix Mendelssohn Bartholdy: I Would That My Love: 2-Part Choir: Score
Chorale 2 parties
2 parties
J. Curwen and Sons
I Would That My Love (Op.63 No.1) is a popular song by Mendelssohn published in...
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I Would That My Love (Op.63 No.1) is a popular song by Mendelssohn published in 1845 as the first in a collection of six duets for upper Voice with Piano accompaniment. It has been translated hereinto English.The Romantic composer Felix Mendelssohn-Bartholdy (1809-1847) has been highly regarded in Britain from the time of his first visit in 1829. He was a favourite of Queen Victoria and also made severaltrips to Scotland inspiring some of his best-known and most evocative works. He is also remembered for his choral works such as the ever-popular Hear My Prayer.
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Felix Mendelssohn Bartholdy: Rondo Capriccioso Op. 14: Piano: Instrumental Work
8.50
Felix Mendelssohn Bartholdy: Rondo Capriccioso Op. 14: Piano: Instrumental Work
Piano seul
Wiener Urtext
On 13 June 1830 Felix Mendelssohn Bartholdy finished his Rondo Capriccioso. Afte...
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On 13 June 1830 Felix Mendelssohn Bartholdy finished his Rondo Capriccioso. After the Leipzig publishers Hofmeister and Breitkopf & Härtel had refused to publish the work – probably because of the seemingly excessive fee demanded by the composer – the work eventually was published by Mechetti in Vienna and J. B. Cramer Addison & Beale in London almost at the same time. Originally intended as a study Mendelssohn revised the piece and added an andante introduction thus managing to create one of his most outstanding Piano works which has maintained an unfailing popularity until today. The new editionof the Vienna Urtext Edition is based on all extant sources with the first edition from London being of particular significance.
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