The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

Par DOWNLAND JOHN. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist with intermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland\'s music, renaissance lute tuning (capo on the third fret with the G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio. For years, classical guitarists have enjoyed playing the lute music of the English composer, John Dowland (1563-1626). Forty of his beautiful compositions are included in this volume. The book is intended for the guitarist withintermediate to advanced fingerstyle technique, and can be played on both nylon and steel string instruments. In order to help capture the unique character of Dowland\'s music, renaissance lute tuning (capo on the third fret withthe G string tuned to F sharp) is used throughout. The pieces progress more or less in order of increasing difficulty, and special care has been taken to be sure any group of consecutive pieces can be played with satisfyingresults. Standard notation only. Includes access to online audio. / Niveau : 4 / Classique / Répertoire / Guitare Classique

With Lyrics And Chords For Guitar And Ukulele. Par MITCHELL BONNIE. Une collection de 30 chansons traditionnelles de Hawaï pour harpe folk - chansons 1-15 sont arrangés pour grandes harpes folkloriques d'écoute à mi bémol avec un ensemble complet de leviers tandis que 16-30 sont les mêmes chansons arrangés pour petites harpes d'écoute en c. Beaucoup sont jouables sur harpes sans leviers, et certains exigent des leviers sur f et g. Sont également inclus les cordes pour ukulélé, de guitare et de harpe, ainsi que de paroles (en hawaïen, énumérés distincts sur les deux dernières pages). CD compagnon comprend toutes les chansons. / Niveau : Débutant à Intermédiaire / Hawaiian - Solos / Recueil / Harpe Folk ou Celtique

Par DIVERS AUTEURS / ROB MACKILLOP (ARR.). In this unique collection, multi-instrumentalist Rob MacKillop presents 30 airs and dances from Scotland, Ireland and England transcribed for the modern guitar in open-D tuning (DADF?AD). Although conceived for fingerstyle playing, most of these traditional, Classical and Baroque pieces are also playable with a pick.During the mid to late 18th century, a wire-strung instrument which could be described as a cross between a guitar and a cittern appeared in Britain. With the exception of the publications in Edinburgh by Robert Bremmer (c. 1713 - 89), most period writings refer to this instrument as the guittar. In providing extensive historical and performance notes on this music, the author has adopted this spelling. While derived principally from the publications by Scottish guittarists Robert Bremmer and James Oswald (1710 - 69), MacKillop discovered additional Scottish publications and manuscripts in The National Library of Scotland and even more manuscripts in the uncatalogued library of Blair Castle in Perthshire, Scotland.Written in standard notation and tablature, this book brings a particularly uncommon repertoire to light with an exceptional downloadable recording. Includes access to online audio./ Tablatures / Guitare Tablatures

Over 30 favorite classical pieces in standard notation and tablature including: Air on the G String (Bach) · Bridal Chorus (Wagner) · Canon in D (Pachelbel) · Clair de Lune (Debussy) · Dance of the Sugar Plum Fairy (Tchaikovsky) · Greensleeves · Gymnopedie No. 1 (Satie) · Jesu Joy of Man's Desiring (Bach) · Ode to Joy (Beethoven) · Pavane (Fauré) · Sheep May Safely Graze (Bach) · Wedding March (Mendelssohn) · and more. The CD includes a recorded performance of each piece!

Par BARTOK BELA. Like so many famous virtuosic works, Bartók’s Sonata for Solo Violin was said, by its commissioner, Yehudi Menuhin, at first sight, to be unplayable! Of course, Menuhin soon changed his opinion, later describing the work as the most important composition for solo violin since Bach. The original work used the full array of violin techniques such as stopped harmonics, left-hand pizzicato and quarter tones. These demands gave arranger, Christophe Dejour, much pause for thought when preparing this arrangement, not least in how to produce quarter tones on the guitar! Fortunately, both Bartók and Menuhin came to his rescue here. Menuhin had had problems playing these at speed and Bartók agreed that they were only for “colour” and accepted an alternative version Menuhin presented to him. The Sonata also contains several compositional techniques that are highly appropriate for the guitar such as chord progressions, contrapuntal motion and rhythmic sharpness, allowing Dejour to produce an arrangement that requires great skill to play, just as the original violin version demanded of Yehudi Menuhin./ Répertoire / Guitare

Par BENNETT STEPHEN. In what is neither an instructional nor a concert-style format, acoustic guitar master and acknowledged harp guitar pioneer Stephen Bennett plays ten captivating harp guitar solos, demonstrating the capabilities of this rarely heard instrument in a relaxed recording studio setting. With one exception, the traditional fiddle tune Westphalia Waltz, Stephen composed all of the music heard here. Stephen introduces each tune with insightful remarks about harp guitar history, the tunings he developed for the additional six bass strings, and the events or circumstances that inspired his compositions. One of the original advertising claims made for harp guitars was that they would do to the standard guitar what the piano did to the harpsichord - that is, make it obsolete. That may or may not occur, but in this video you will at least hear some of the inherent possibilities of the harp guitar. Ultimately, you may find yourself thinking that those early claims might not be so farfetched - indeed, magic happens when these instruments are in the right hands, and Stephen Bennett clearly has those hands. Join Stephen for an intimate introduction to this largely forgotten instrument and allow yourself to fall under the spell of the harp guitar! / Acoustic Music - Concert/Documentary / Accessoire / Guitare Harpe

Unplugged sessions. Par VERIN THIERRY. Improvisez à volonté sur des play-backs de qualité 10 solos des plus grands guitaristes acoustiques joués à vitesse normale puis à vitesse ralentie 10 playbacks de qualité (morceaux complets dans le style des maitres de chaque genre). Improvisez en laissant libre cours à votre inspiration ! Grilles et conseils pour l'improvisation avec les positions de gammes à utiliser et une étude de style pour chaque morceau. Idéal pour s'entrainer quotidiennement. Unplugged Sessions : The Beatles ? Bob Dylan ? Sherryl Crow ? Eric Clapton ? Led Zeppelin ? Neil Young ? Eagles ? Ben Harper ? Mark Knopfler. / Date parution : 2022-03-02/ Tablatures / Guitare Electrique

Par GROSSMAN STEFAN. Presenting 45 melodies composed by the blind Irish bard and harpist Turlough O'Carolan arranged by such guitar greats as Dave Evans, Davey Graham, El McMeen, Duck Baker and many others. As these melodies lend themselves particularly well to guitar settings, O'Carolan's compositions have captured the imagination of guitarists world-wide. This compilation divides the tunes into three categories: Airs and Dance Tunes, Tunes for Patronage, and Laments. Written in standard notation and tablature. / Niveau : Intermédiaire / Celtic/Irish - Solos / Tablatures / Guitare Tablatures

This comprehensive approach to basic guitar skills includes varied repertoire, theory, detailed instruction about seating and hand position, standard music notation, an introduction to tablature, basic improvisation, and teaches both the pickstyle and fingerstyle techniques. Great for college non-music majors, continuing education classes, music dealer in-store programs, and group guitar classes at the middle and high school levels. Book 1 contains 16 units, each with a variety of repertoire, exercises, and timed tests at the end. Unit 16 provides instructions for playing 11 hit songs. Students can cut out flashcards provided at the back of the book to use for home study. The comb binding creates a lay-flat book that is perfect for study and performance. / Guitare

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting, but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland. Stefan produced Ton's first solo album, Famous Ragtime Guitar Solos, in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975, Ton's second solo album, Guitar Instrumentals To Tickle Your Fingers, was released containing transcriptions and arrangements of novelty rags, early jazz and popular tunes of the 1930s and 1940s. In 1980, Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar, this time with a repertoire covering jazz, blues, contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town, Hot Guitar Solos. Ton also participated in several anthology projects, i.e. Novelty Guitar Instrumentals, I Got Rhythm, Masters of Ragtime Guitar, The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop, (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy, Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm. / Niveau : Facile / Tablatures / Guitare Tablatures

Ton Van Bergeyk launched his career as a musician during the late 1960s playing blues Harp and Ukulele in a duo setting but he then switched to the acoustic Guitar and quickly learned and mastered the instrument using fingerstyle techniques. He started to transcribe and arrange classic ragtime compositions for fingerpicking Guitar and was discovered by Stefan Grossman during a tour in Holland.Stefan produced Ton's first solo album Famous Ragtime Guitar Solos in 1973. This contained 14 of Ton's arrangements of classic ragtime pieces and became a best seller. In 1975 Ton's second solo album Guitar Instrumentals To Tickle Your Fingers was releasedcontaining transcriptions and arrangements of novelty rags early jazz and popular tunes of the 1930s and 1940s.In 1980 Ton's third solo album was released and continued his exploration of arrangements for solo fingerpicking Guitar this time with a repertoire covering jazz blues contemporary pop and country and even Mexican folklore. This album was titled Lulu's Back In Town Hot Guitar Solos. Ton also participated in several anthology projects i.e. Novelty Guitar Instrumentals I Got Rhythm Masters of Ragtime Guitar The Entertainer and How To Play Ragtime Guitar. All of Ton's albums are available as CDs as well as direct downloads from Stefan Grossman's Guitar Workshop (www.guitarvideos.com) and include tab PDF booklets on the CDs. Ton recorded the audio lesson series Fingerstyle Jazz Guitar to teach phrase by phrase and measure by measure some of his most requested arrangements. This second volume presents Ton Van Bergeyk's renditions of Duke Ellington's Jubilee Stomp and Take It Easy Thelonious Monk's classic Blue Monk and the George Gershwin standard I Got Rhythm.

À la demande générale, voici le volume 3 de la Guitar Tab best-seller Pages Blanches avec 150 de plus grande de note pour note transcriptions, y compris: Ain't Talkin' 'Bout Love · Alive · American Pie · Aqualung · Are You Gonna Be My Girl · Bang a Gong (Get It On) · Blaze of Glory · The Boys Are Back in Town · Carry on Wayward Son · Don't Stand So Close to Me · Fat Lip · Hard to Handle · Hold on Loosely · Jane Says · Jeremy · Killer Queen · Once Bitten Twice Shy · Peg · Rock This Town · Santeria · Should I Stay or Should I Go · Sweet Home Alabama · 25 or 6 to 4 · What's My Age Again? · Wish You Were Here · Ziggy Stardust / Guitare