Young Jazz ensemble-With a sound similar to the pop hits of the 1960s this upbeat tune was recording by Cee Lo Green and also performed on the TV show Glee by Gwyneth Paltrow. Paul's effective chart for young players features a tenor soloist in the beginning then joined by the entire sax section. The brass get their chance and a modulation kicks things into high gear to finish up.

L'édition fait partie du syllabus Trinity 2007 (catégorie 2) / Violoncelle Et Piano

Par PORTER COLE. Includes: After You * All of You * Buddie * Beware * C'est Magnifique * Easy to Love * From This Moment On * I Happen to Like New York * I Love You * It's De-Lovely * Love for Sale * Thank You So Much Missus Lowsborough-Goodby * Night and Day * So in Love * You Do Something to Me * You're Sensational * You're the Top and more. / Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

This setting of the opening to Psalm 102 was composed in the early 1680s. Purcell, who was in his early twenties, had succeeded John Blow as organist of Westminster Abbey around the beginning of the decade and his star was in the ascendant as a court composer. In this piece he pulls off a remarkable compositional coup: a single, gradual climax, lasting over two minutes and culminating on the final repetition of the word 'come', is achieved through a sublime, freely developing eight-part weave of the opening material. The harmonies and nbsp - that result from the chromatic inflections on the word 'crying' all serve the mounting tension in this extraordinary miniature. Study of the autograph manuscript suggest that this anthem was intended to be the opening part of a larger work which was never completed. / SATB

Douze Cahiers D'Etudes Revues, Annotées et Doigtées Par Mathieu Crickboom. Par CRICKBOOM MATHIEU. The masters of the violin have left us an inheritance of numerous books of remarkable studies and caprices. But the very abundance of this precious inheritance makes that an important part of it remains without profit, because it is impossible for the pupils to acquire or study these few thousands studies scattered in fifty big volumes. Very frequently, however, these studies are not classified in a progressive manner. Result of an inspiration which the pedagogical spirit could not always dominate or guide as it liked to, the first studies address themselves sometimes to the pupils who conjugate yet their first shifts with the most easy bow strokes, while the last are always of transcendent difficulty. Whatever be the chosen studies, once the first step is sourmounted, the pupils must do great efforts to realize imperfectly and in divided movements, difficulties which are beyond them. The result of this is: a considerable loss of time and sometimes even much discouragement. It follows at all events, that instead of practising fifty or sixty caprice studies in one year's time, the pupils can hardly study thirty. It is the desire to remedy these multiple inconveniences, that has incited us to realize the present work and in order to accomplish it to search in the greatest works of the masters, the elements the most apt to insure rapidly to the young violinists, the most complete mecanism of the left hand and bow. These exceedingly numerous and diverse elements chosen in the old editions, have been re-examined, fingered and sometimes the nuances (shades) set by us, with the most care and then classified by degrees from the second to the eight year of study in a progressive manner. These books of studies will not bear their fruits however, unless the work is regulated from the second to the fifth year of teaching, by a good method and appropriated exercises. The studies cannot in reality during this period, replace neither a method nor the exercises, they have to be considered rather as an amplified rehearsal of elements learned elsewhere but still badly assimilated./ Méthode / Violon

Helen Marlais' Succeeding At The Piano - Recital Book: Grade 1A is filled with entertaining pieces with artistic illustrations and fanciful lyrics. The pieces featured in this collection are slightly longer and can serve as performance pieces for recitals or adjudications. Optional teacher duets are included but these selections can stand on their own. The arrangements of classical works are particularly interesting.Each piece has 3 tracks on the CD: practice speed performance speed and performance speed with orchestral accompaniments. Free downloads of all tracks are available at www.fjhmusic.com/downloads.