La collection Best of Viola Classics - 16 Famous Concert Pieces pour alto et piano présentée par Schott contient une sélection d'?uvres qui peuvent accompagner chaque élève pendant de nombreuses années de cours d'alto. Le volume contient des compositions allant de l'époque de Georg Philipp Telemann (1681-1767) à celle de Volker David Kirchner (1942-2020), offrant ainsi un matériel de jeu allant de la période baroque au XXe siècle. La collection, qui comprend un répertoire connu et des pièces rares, est idéale pour les cours et les concours, ainsi que pour les récitals et les concerts.Georg Philipp Telemann: Sonata B-Dur / Bb major aus / from: Der getreue Music-MeisterLuigi Boccherini: Minuetto aus / from: Sonata c-Moll / C minorJohann Nepomuk Hummel: Allegretto moderato aus / from: Sonata Es-Dur / Eb major, op. 5/3Robert Schumann: Märchenbild Nr. 3 / Fairy-Tale Picture No. 3, op. 113/3Märchenbild Nr. 4 / Fairy-Tale Picture No. 4, op. 113/4Friedrich Kiel: Romanze Nr. 2 / Romance No. 2, op. 69/2Romanze Nr. 3 / Romance No. 3, op. 69/3Emanuele Muzio: AndanteAnton Rubinstein: Morceau de Salon No. 2Joseph Joachim: Hebräische Melodie Nr. 1 / Hebrew Melody No. 1, op. 9/1Hebräische Melodie Nr. 2 / Hebrew Melody No. 2, op. 9/2Heinrich von Herzogenberg: Legende Nr. 1 / Legend No. 1, op. 62/1Robert Fuchs: Phantasiestück Nr. 2 / Fantasy Piece No. 2, op. 117/2Alexander Sergej Tanejew: Feuillet d?album / Albumblatt / Album Leave, op. 33Johanna Senfter: Scherzo aus / from: Viola-Sonata F-Dur / F major, op. 41Volker David Kirchner: Paso doble aus / from: Nostalgia / Alto / Schott

3-6 Octaves of Handbells Level 2-Based on the Hebrew melody “Leoni” and originally transcribed by Meyer Lyon (1751-1799) this setting for 3-6 octaves of handbells with 3-4 octaves of handchimes OR tonechimes. (chimes used range from D6 - D7) presentsthe melody in three moods. The first a basic chordal presentation; the second a flowing eighth-note accompaniment played by mallets on tabled bells or thumb damped; and third with chimes on the melody and bells on asyncopated accompaniment. 75 measures in length.

for String Orchestra Score. Our world could use some peace these days, and this traditional Hebrew tune is great for multi-cultural exposure, plus learning augmented 2nds and melodic/countermelody adventures for everyone but the basses, who provide therhythmic drive in addition to optional tambourine./ Répertoire / Orchestre à Cordes

For Palm Sunday, this joyful anthem blends a traditional Shaker tune with a Hebrew melody. Susan Naus Dengler's text is celebrative while Lee Dengler's arrangement is fresh and full of energy. Delightful! / Choeur Mixte (SATB)

Description All Time Favourite Violin Solos A choice collection of perennial favourites by such masters as Bach, Brahms, Debussy, Handel, Haydn, Saint-Saens, Schubert, Tchaikovsky and Wagner. Songlist Air [Bach, Johann Sebastian] Aurore [Faure, Gabriel] Barcarolle (Les Contes D'Hoffmann) [Offenbach, Jacques] Beau-soir (Evening Fair) [Debussy, Claude] Canzonetta [Tchaikovsky, Pyotr Ilyich] Hejre Kati [Hubay, Jeno] Kol Nidrei Op. 47 (Hebrew Melody) [Bruch, Max] L'abeille [Schubert, Franz] Largo [Handel, George Frideric] Mazurka [Wienawski, Henryk] Minuet [Boccherini, Luigi] Reverie [Vieuxtemps, Henri] Romance [Wienawski, Henryk] Serenade [Haydn, Franz Joseph] Serenade [Schubert, Franz] Serenata Op.15 No.1 [Moszkowski, Moritz] The Swan (Carnival Of The Animals) [Saint-Saens, Camille] Traume [Wagner, Richard] Walther's Prize-song [Wilhelmj, August] Wiegenlied Op.49 No.4 [Brahms, Johannes]

Seven pieces from Israel originally Songs and Dances with authentic Hebrew titles. The word 'Klezmer' is derived from Hebrew and loosely translated means musical instrument. An eastern European tradition Klezmirim (Jewish folk musicians) traveled from town to town to entertain at weddings Bar Mitzvahs and other occasions.The music is in four basic parts with the 'melody line' not always restricted to the top part. The score includes chord symbols on the three melody lines so that accordion and keyboard players can play along.InstrumentationPart-1: fl/vln cl/ss/tr Part-2: fl/ob/vln cl/tr as Part-3:cl/ts/tr/tb(tc) as/he vln vla hf bn/tb(bc)Part-4: bn/vcl/tb(bc)/tba ts/bc/tb(tc)/bb bs/eh/eb

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

Shalom Chaverim is an ancient Hebrew (farewell)song which was originally sung at the end of a celebration or meeting. It was and is mostly sung as a round. Freely translated the words mean ?Goodbye friends goodbye and see you again!?. The varying moods at a parting have been captured very well by Andreas Schulte in his arrangement ?Variations on Shalom Chaverim?. The composer himself says about the song ?Although the melody is in a minor key the overall atmosphere in the song is positive. one wishes each other all the best. Saying goodbye however also hurts. When you slow down the pace of the melody and add ?blue notes? in the harmonies this can be sensed immediately.?Schulte refers here to the first variation. The second variation is very intense with possibly even deeper-felt emotions. ?Variations on Shalom Chaverim? ends on a cheerful and positive note in fast tempo and with oriental elements in the melody: ?L'hitra'ot Shalom? (See you again and farewell!).

Another offering from one of our hottest composers this healing blessing for worship or concert features a sweet melody and prayer in both Hebrew and English.

With a text from the Hebrew liturgy and based on a Jewish folk melody this rich setting is a prayer for peace. Perform with the sensitive piano accompaniment or supplement with a small consort of violin clarinet cello and bass.

The Hebrew text is from Psalm 27 and the music is by Valerie Shields. Reminiscent of a Jewish folk song the melody is hauntingly beautiful and the work ideal for many program types.