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The Joy Of Ravel
17.73
The Joy Of Ravel
Piano seul
Amsco Wise Publications
This collection of sheet music by the great French composer Maurice Ravel featur...
(+)
This collection of sheet music by the great French composer Maurice Ravel features 19 of his greatest pieces, all newly-arranged especially for this volume. The subtle melodies and achingly beautiful harmonies of these lush Impressionist pieces truly do illustrate the sheer Joy Of Ravel.The pieces by Ravel included in this collection rank alongside Debussy as some of the prettiest Piano music ever composed. Ravel himself categorically refused the term 'Impressionist', believing it to be reserved for paintings only, but his music so closely resembles the colourful flourishing and affective beauty of those works of art that it is difficult to resist such a description. Featuring works like Boléro, Jeux D'Eau, Pavane Pour Une Infante Défunte as well as excerpts from La Valse, The Joy Of Ravel for solo Piano sound utterly divine.Pieces like Menuet Antique, Prélude and the selections from Le Tombeau De Couperin perfectly encapsulate what makes Ravel's compositions so incredible. His perfectionist methods resulted in extended harmonies, complexly musical modulations and masterful melodies that make these 19 works of art an unabashed joy to play and to hear. One of the great things about this sheet music book is the visual beauty of the music. With lilting notes and extensive ties, this is not only a work full of aural pleasure but it's some of the nicest-looking notation out there. Certainly in this case, what you see is what you get, simply The Joy Of Ravel.The Joy Of... series is a constantly growing collection of musical editions that is now recognised and loved throughout the world. Originally compiled by the editorial hand of renowned teacher, arranger and musicologist Denes Agay, the series continues to reflect his influence and covers a wide variety of musical genres including the classics, folk, jazz, blues, ragtime and children's music. New titles are constantly being added to an already extensive range, ensuring that The Joy Of... series continues to be a vital growing treasury of the world's best music.if you're a fan of the genius that is Maurice Ravel and his beautifully-crafted works, you are guaranteed to love the 19 pieces included in The Joy Of Ravel. Equally, if you just want a beautiful collection of solo Piano sheet music, this book will suit you perfectly. / Piano
17.73 EUR - vendu par LMI-partitions
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The Best Of: Maurice Ravel En Quinze Morceaux Pour Piano
19.71
The Best Of: Maurice Ravel En Quinze Morceaux Pour Piano
En Français
Piano seul
[Partition]
Durand
A coup sûr, les éditions Durand vont contenter tous les pianistes avec cette f...
(+)
A coup sûr, les éditions Durand vont contenter tous les pianistes avec cette fabuleuse partition de Ravel Maurice et qui a pour titre THE BEST OF: MAURICE RAVEL EN QUINZE MORCEAUX POUR PIANO. En la commandant aujourd'hui, cette partition qui a pour référence DF01571600 et pour catégorie Classique peut être en votre possession dans quelques jours. / Piano / Partition
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Ravel Maurice - Concerto Pour La Main Gauche - Piano Reduction
42.20
Ravel Maurice - Concerto Pour La Main Gauche - Piano Reduction
Barenreiter
In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in t...
(+)
In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel?s most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. The piano reduction in our edition contains both Ravel?s and Wittgenstein?s fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.
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Daphnis Ballet Piano Avec Choeur (Trancr. Par Ravel)
49.29
Daphnis Ballet Piano Avec Choeur (Trancr. Par Ravel)
En Français
Piano seul
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Durand
Rien de mieux que cette partition pour découvrir le fabuleux instrument de musi...
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Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori DAPHNIS BALLET PIANO AVEC Choeur (TRANCR. PAR RAVEL) de Ravel Maurice. Cette partition qui est éditée par les éditions Durand fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition
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Ravel Ma Mere L'Oye 5 Pieces Enfantines Orchestre
20.70
Ravel Ma Mere L'Oye 5 Pieces Enfantines Orchestre
En Français
Orchestre
[Partition]
ID Music
L'oeuvre musicale qui a pour support une Partition a pour titre Ravel Ma Mere L'...
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L'oeuvre musicale qui a pour support une Partition a pour titre Ravel Ma Mere L'Oye 5 Pieces Enfantines Orchestre. C'est une partition musicale qui a été composée par Ravel Maurice. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Scores / Partition
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Tzigane
40.02
Tzigane
Orchestre, Violon
Barenreiter
In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Jos...
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In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane?. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane? and both versions remain a 'must? for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane? from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto.- First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano- Includes Jelly D'Aranyi's fingering / Violon Et Orchestre
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Sonatine (RAVEL MAURICE)
10.50
Sonatine (RAVEL MAURICE)
Piano seul
[Partition]
Peters
Par RAVEL MAURICE. Maurice Ravel's Sonatine for Piano Solo, composed in 1905, ha...
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Par RAVEL MAURICE. Maurice Ravel's Sonatine for Piano Solo, composed in 1905, has a classical form in the style of Haydn, blended with modern harmonisation. It is very different from the impressionist style of Debussy and is characterised by a delightful spontaneity. The first movement has a feeling of nostalgic freshness, bright and clear. The second movement harks to late 18th-century elegance and structured form. The third movement has a virile energy pulsing through several sequential patterns to plaintive charm and brings a return of the initial theme. This contrast of vitality and tenderness is finished with a sparkling climax. This Urtext Edition ofRavel's Sonatine For Piano Solo has been reproduced from original manuscripts and accurate transcriptions to be as close to the composer's intentions as possible and also contains detailed background notes as well as a full critical commentary for this edition. / Urtext / Répertoire / Piano
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Valses Nobles Et Sentimentales For Piano
20.83
Valses Nobles Et Sentimentales For Piano
Piano seul
[Partition]
Barenreiter
Ravel's 'Valses nobles et sentimentales? created a stir when they were anonymous...
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Ravel's 'Valses nobles et sentimentales? created a stir when they were anonymously premiered in Paris's Société nationale indépendante in 1911: many listeners thought they were by Satie, or even Kodály!For our new Urtext edition of this work, the famed musicologist Nicolas Southon, a co-editor of the 'oeuvres Complètes de Gabriel Fauré?, has examined a large body of sources to present a musical text with many new readings.The edition contains fingering and performance notes by the French pianist Alexandre Tharaud, one of today's leading interpreters of Ravel's music. Commentaries by pianists closely associated with Ravel, such as Lucian Garban, Vlado Perlemuter, Robert Casadesus and Jacques Février are also included.- Detailed trilingual preface (Fr/Eng/Ger) and Critical Commentary (Eng)- Optimum page turns- Includes a glossary (Fr/Ger/Eng) / Piano
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Concerto (RAVEL MAURICE)
64.96
Concerto (RAVEL MAURICE)
Piano et Orchestre
[Conducteur]
Barenreiter
For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgen...
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For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre
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RAVEL MAURICE - CONCERTO POUR PIANO EN SOL MAJEUR
27.00
RAVEL MAURICE - CONCERTO POUR PIANO EN SOL MAJEUR
Henle Verlag
Maurice RavelConcerto pour piano en Sol majeurPeter Jost (Editeur)Pascal Rogé (...
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Maurice RavelConcerto pour piano en Sol majeurPeter Jost (Editeur)Pascal Rogé (Doigtés)Johannes Umbreit (Réduction pour piano) réduction pour piano, Edition Urtext, reliure paperbackConcertos pour pianoDeux partitions sont nécessaires pour une représentationLes premiers projets de concerto pour piano de Ravel datent de 1906, mais il fallut attendre le début de l’année 1929 pour qu’il s’y consacre sérieusement. Il déclara plus tard qu’il avait composé «dans l’esprit des concertos de Mozart et de Saint-Saëns», que la musique devait être «joyeuse et brillante», sans viser «la profondeur ou les effets dramatiques». L’énergie rythmique et les emprunts au jazz caractérisent les mouvements extrêmes, tandis que le mouvement lent, où les temps forts de la mesure sont subtilement décalés, est entièrement dédié à l’élément mélodique. Outre les manuscrits et les différentes versions imprimées, cette édition Henle de la partition originale s’appuie également sur un enregistrement sonore réalisé sous la supervision du compositeur par la dédicataire de l’œuvre, Marguerite Long. Depuis le succès rencontré lors de sa création en janvier 1932, le concerto appartient au répertoire de tous les grands pianistes, dont en particulier l’expert de musique française Pascal Rogé à qui nous devons les doigtés de la partie de soliste. / Piano / Henle Verlag
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Ravel Maurice - Bolero
62.00
Ravel Maurice - Bolero
En Français
Orchestre
Le premier volume de la Ravel Edition est consacré à Bolero. Cette édition s...
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Le premier volume de la Ravel Edition est consacré à Bolero. Cette édition scientifique introduit un travail inédit d'après le manuscrit orchestral complet de 1928 conservé à la Morgan Library (New York), les manuscrits préparatoires (Bibliothèque nationale de France, British Library et Archives du Palais de Monaco) et de nombreuses sources présentées pour la première fois en ce volume de collection (partitions « historiques » de Maurice Ravel, Piero Coppola, Arturo Toscanini, correspondances, etc.). Maurice Ravel, Bolero pour orchestre (1928) : 16' 1ère édition monumentale française réalisée par une équipe de musicologues et chefs d'orchestre tricolores. Un volume 24,5x34 cm de 212 pages. Ouvrage cousu, papier 120 grammes de collection. Iconographie : 22 photos (pour la plupart inédites). Reproduction fac-simile d'une page du manuscrit de 1928, lettres de Maurice Ravel, partitions issues des premiers tirages (Maurice Ravel, Piero Coppola et Arturo Toscanini) et photos (Ballets Ida Rubinstein, séance d'enregistrement...). 104 pages de partitions. Texte d'introduction générale de 25 pages sur l'histoire de l''uvre et sa réception par Manuel Cornejo. Texte d'Alain Pâris comparant les premiers enregistrements de Bolero et leur impact sur la lecture de la partition. Discographie complète de Bolero de 1930 à 1939 par Jean Touzelet. Appareil critique de 27 pages présentant tout le support documentaire ayant servi à l'établissement de cette édition avec analyses inédites du manuscrit de 1928 conservé à la Morgan Library ainsi que des esquisses orchestrales - Bibliothèque nationale de France. Les Corrections et notes (sur 10 pages) recensent les problèmes éditoriaux, omissions et erreurs des premières éditions de l''uvre. Traduction anglaise des textes ainsi que de l'appareil critique. 2 partitions dans le volume : VERSION BALLET 1928 (inédite), éditeurs : Francois Dru et Quentin Hindley / VERSION CONCERT 1929, éditeur : Quentin Hindley.
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Sonate En Quatre Parties (RAVEL MAURICE)
32.42
Sonate En Quatre Parties (RAVEL MAURICE)
Violon, Violoncelle (duo)
Barenreiter
Par RAVEL MAURICE. In 1920 Maurice Ravel was asked by his publisher Durand to co...
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Par RAVEL MAURICE. In 1920 Maurice Ravel was asked by his publisher Durand to contribute to an issue of La Revue Musicale dedicated to Claude Debussy. A supplement included the first movement of Ravel’s Sonata as well as works contributed by Debussy’s friends Stravinsky, Satie, Dukas, Bartok and de Falla to name only a few. This 1st movement of Ravel’s Sonata, of which the autograph is lost, then developed into a large scale four movement chamber music work utilizing a more modern music vocabulary than found in almost any other Ravel composition. Bärenreiter’s scholarly-critical edition, the first ever of this masterpiece, presents the work in two performing scores. It contains anintroduction on the history of the work reflecting Ravel’s work and rehearsals with violinist Hélène Jourdan-Morhange and cellist Maurice Maréchal. Sources for this new edition include the engraved copy, the personal autograph scores (with earlier versions of some passages) which were used to rehearse the work and the first edition scores with emendations by Jourdan-Morhange and Maréchal. Included in the appendix are the original fingerings by the performers which are not found in the first edition. They reflect how Ravel must have heard the work in rehearsals and as such are a document of early 20th century performance practice. First Urtext edition of this work Two performing scores (format 25, 5 x 32, 5 cm) The violoncello part does not allow for page turns in the first movement; therefore the edition includes an additional violoncello part in small print presenting the entire first movement on a double page without a page turn Informative introduction to the genesis of the work (Ger/Eng/Fr) Critical commentary with facsimiles and appendices/ Répertoire / Violon et Violoncelle
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Piece En Forme De Habanera (RAVEL MAURICE / HAMELIN)
14.80
Piece En Forme De Habanera (RAVEL MAURICE / HAMELIN)
En Français
Clarinette et Piano
Leduc, Alphonse
Arrangeur: Gaston Hamelin. Par RAVEL MAURICE / HAMELIN. Initially composed in 19...
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Arrangeur: Gaston Hamelin. Par RAVEL MAURICE / HAMELIN. Initially composed in 1907 for Bass Voice and Piano, Habanera by Maurice Ravel was transcribed for Bb Clarinet and Piano for this edition. Based on a Cuban Contradanza, it features a special habanera rhythm and is generally performed with sung lyrics. In this edition, the Clarinet is a substitute for the Voice. While composing this piece, Maurice Ravel was also working on two pieces with Spanish influence: 'The Spanish Rhapsody' and 'The Spanish Hour'. This edition, which can be used for recitals and exams, will enlighten Clarinet players. Maurice Ravel (1875-1937) isa French composer is famous for his Impressionist contributions. He wrote numerous pieces, including 'Daphnis and Chloe' and the famous 'Bollero'./ Répertoire / Clarinette en Sib et Piano
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Ravel Maurice - Tzigane - Violon and Piano
23.20
Ravel Maurice - Tzigane - Violon and Piano
Violon et Piano
Barenreiter
Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ra...
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Ravel, Maurice Tzigane Concert rhapsody for violin and piano In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane'. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane' and both versions remain a 'must' for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition; one of the available sources, consulted for the first time, was a copy of 'Tzigane' from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D'Aranyi's fingering
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Tzigane (RAVEL MAURICE)
10.15
Tzigane (RAVEL MAURICE)
Contre Basse
[Partition]
Barenreiter
Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuo...
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Par RAVEL MAURICE. In 1922 Maurice Ravel heard the young Hungarian violin virtuoso and niece of Joseph Joachim, Jelly D'Aranyi, in concert in London. Following the performance, Ravel spent the remainder of the evening requesting D'Aranyi to play numerous gypsy tunes on her violin, probing her on the technical limits of the instrument. The result of this encounter is Ravel's virtuoso classic 'Tzigane”. Written originally for violin and piano or luthéal (a mechanism invented in 1919 that attaches to a piano, producing a sound similar to the rich overtones of the Cimbalon), the premiere took place in London in April 1924. The composer had finished the work only days beforehand. Ravel later orchestrated 'Tzigane” and both versions remain a 'must” for music-lovers and aspiring violinists today. Jelly D'Aranyi performed both versions regularly throughout her long career. This Urtext edition presents the first scholarly-critical edition of Ravel's masterpiece. It is published both in the orchestral version, complete with full score and performance material, as well as in the composer's earlier version for violin and piano. All known sources, including letters, have been drawn on for the new edition - one of the available sources, consulted for the first time, was a copy of 'Tzigane” from the estate of Jelly D'Aranyi, which is today part of a private collection. The version for piano and violin contains, besides the Urtext part, a second violin part as a facsimile with performance instructions by Jelly D'Aranyi. D'Aranyi's alterations and fingering reflect how Ravel must have heard the work in rehearsals and performance and as such are a document of early 20th century performance practice. The cooperation between Ravel and D'Aranyi is comparable to that of Brahms and Joachim working on the Brahms violin concerto. - First scholarly-critical Urtext edition of the work - Presented are both versions: for violin and orchestra and for violin and piano - Includes Jelly D'Aranyi's fingering/ Répertoire / Contrebasse
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La Ravelienne (RAVEL MAURICE)
15.64
La Ravelienne (RAVEL MAURICE)
3 Guitares (trio)
[Conducteur et Parties séparées]
Soldano
Variations Autour Du Bolero. Par RAVEL MAURICE. Variations Autour Du Bolero / Ni...
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Variations Autour Du Bolero. Par RAVEL MAURICE. Variations Autour Du Bolero / Niveau : Fin 1er Cycle / Répertoire / 3 Guitares
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Le Tombeau de Couperin (RAVEL MAURICE)
37.74
Le Tombeau de Couperin (RAVEL MAURICE)
Trio avec Piano
[Conducteur et Parties séparées]
Schott
Par RAVEL MAURICE. Created during the First World War, Maurice Ravel's compositi...
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Par RAVEL MAURICE. Created during the First World War, Maurice Ravel's composition 'Le Tombeau de Couperin' casts a longing look at the past while at the same time being full to the brim with traces of modern music. Each of the six movements is dedicated to friends who died in battle. In 1919 Ravel arranged four of these movements for large orchestra by skilfully borrowing melodic lines and colours from the piano setting. In the present new arrangement written for the Stella Piano Trio, these elements were adjusted to the instrumentation and their relationship within the ensemble. As in Ravel's orchestration, each note is taken into account, even if the cello is sometimes given a melody which is an octave lower than the original./ Répertoire / Trio avec Piano
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Jeux D'Eau For Piano (RAVEL MAURICE)
12.70
Jeux D'Eau For Piano (RAVEL MAURICE)
Piano seul
-
Intermédiaire/avancé
Barenreiter
Par RAVEL MAURICE. It was unmistakably Liszt’s piano piece “Les jeux d’eau...
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Par RAVEL MAURICE. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. It was unmistakably Liszt’s piano piece “Les jeux d’eau à la Villa d’Este” that inspired Ravel to compose one of his most famous works in 1901: “Jeux d’eau”. Laid out in sonata form, its sound is governed by myriad motions of water and sustained by innovative, highly virtuosic piano textures against a freely migrating and richly coloured harmonic backdrop. Nicolas Southon has re-evaluated the work’s many sources, including memoirs from musicians close to Ravel such as Vlado Perlemuter, Jacques Février and Hélène Jourdan-Morhange. Special attention has been devoted to the original part-writing in Ravel’s notation. Rounding off the new edition are an informative Foreword, atrilingual glossary as well as fingering and notes on performance by Ravel specialist Alexandre Tharaud. / Niveau : 5 / Répertoire / Piano
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French Songs et Choruses
24.87
French Songs et Choruses
Chorale SATB
SATB, Piano
[Partition]
Novello & Co Ltd.
This collection of French Songs and Choruses includes a wealth of original chora...
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This collection of French Songs and Choruses includes a wealth of original choral music by French composers, as well as many wonderful arrangements of some of the greatest French songs ever composed. Suitable for Mixed-Voice Choirs of all sizes and abilities, this is the perfect collection for finding new performance pieces, but would work equally well as a complete concert programme. The selections in this songbook are second-to-none, with some of the most beautiful and affecting French choral music compiled into one volume. Many original works are included here, with these choral compositions by giants of French classical music often being regarded as some of their finest work. Pieces like Madrigal by Gabriel Fauré, a new edition of Maurice Ravel's incredible Trois Chansons, Camille Saint-Saëns's Calme Des Nuits and Trinquons as well as Reynaldo Hahn's three Rondels, originally written for SATB choir. French Songs And Choruses also features a great many arrangements of works that have been enjoyed by choirs and singers for many years. The harmonies of songs like Chanson D'Amour by Gabriel Fauré convey just how stunning a song this is to hear as well as to sing, while others like Debussy's Beau Soir offer a similarly beautiful take on a different theme. With all of these songs, the joy will be in careful selection, fantastic practice and the thrill of performance for you and your audience. Such a grand selection of Songs And Choruses For Mixed-Voice Choirs is sure to enhance or invigorate your choir's repertoire, giving you an enjoyable introduction to the finest choral music that France has to offer. The delightful arrangements of the carefully-selected French Songs And Choruses included in this collection will make a perfectly French-flavoured addition to your general repertoire, or simply a complete concert in itself. The clear and accurate engravings make this book a pleasure to dip in and out of in your search for the perfect song, and with so many great compositions included, we're sure you'll find it! Please note that most of the lyrics are in French, but translations are included that also serve the purpose of enhancing your understanding of such poetic music./ Recueil / Choeur Mixte (SATB) et Piano
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