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John Luther Adams: Canticles of the Sky: String Quartet: Score and Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Taiga Press
John Luther Adams' Canticles Of The Sky for String Quartet. Composer's Note: In...
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John Luther Adams' Canticles Of The Sky for String Quartet. Composer's Note: In the Arctic sky the low angle of the sun and heavy ice crystals in the air often produce vivid halos arcs andsundogs (parhelia). Sometimes these phenomena create the illusion of multiple suns. 'Sky With Four Suns' is a musical evocation of such an apparition from sunrise to sunset. Similar visions also occur at night which isthe image behind 'Sky With Four Moons.' 'Sky With Nameless Colors' and 'Sky With Endless Stars' evoke the extraordinary depth and clarity of Sonoran Desert skies. This music is drawn from Canticles of the Holy Wind– a concert-length work for four choirs and vocal soloists. In this version sixteen separate choral parts have been condensed into the string quartet. String designations should be carefully observed. Frequent stringcrossings are employed to create as lush and continuous textures as possible. All sounds should be legato. Bowing is free and full throughout. Total performance duration is about 18:00
22.99 GBP - vendu par Musicroom GB
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The Real Vocal Book has many of the selections from volumes 1 and 2 of the instr...
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The Real Vocal Book has many of the selections from volumes 1 and 2 of the instrumental Real Books, but now with the lyrics added to the pre-existing melody line.This songbook contains nearly 300 essential songs compiled especially for singers, including: Alfie, All of Me, Autumn Leaves, Bewitched, Bluesette, Don't Get Around Much Anymore, Fever, Georgia on My Mind, Misty, Moon River, My Funny Valentine, Satin Doll and more. / Voix Haute
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Drew Beisswenger: Ozarks Fiddle Music Book: String Ensemble: Instrumental Tutor
27.99
Drew Beisswenger: Ozarks Fiddle Music Book: String Ensemble: Instrumental Tutor
Orchestre à Cordes
Mel Bay
This book which includes 308 tune transcriptions is organized around individua...
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This book which includes 308 tune transcriptions is organized around individual Fiddlers who typically combine Appalachian-style Fiddling with rags pop standards Midwest-style Fiddling and sometimes a touch of Western swingto create a style often identifiable as Ozarks.Thirty Ozarks fiddlers and their lives are highlighted with biographical sketches photographs and tune histories. Another 50 great Ozarks fiddlers are presented in a similarmanner but with less detail.The book and accompanying audio (with 37 tunes many recorded in the field) emphasize the older fiddling traditions connected to the square dances and community events more than those connectedto bluegrass music and modern contest Fiddling. Some of the tunes in the collection are old standbys such as 'Bile Them Cabbage' while others such as 'Finley Creek Blues' are unique to the region.
27.99 GBP - vendu par Musicroom GB
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M. Goddard: Songs without words: Trumpet: Instrumental Album
6.95
M. Goddard: Songs without words: Trumpet: Instrumental Album
PF/PFA::Piano, Piano Accompaniment
[Partition]
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Intermédiaire/avancé
Spartan Press
Songs Without Words is a set of three short pieces each inspired by a classic t...
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Songs Without Words is a set of three short pieces each inspired by a classic twentieth century poem. There is an underlying theme of 'School'.1. School BellThe music urgently moves forward within an anxiously breathless waltz lest we be late for school. Originally inspired by Eleanor Farjeon's famous poem 'Nine O'clock Bell' where pupils hustle and bustle to school in the morning: Some of them scurrying others not worrying Carelessly trudging or anxiously hurrying.2. A Blitz of a BoyWith an affectionate nod to Charles Causley's sad tale about 'Timothy Winters' who 'hasn't heard of the welfare state'. He sleeps ona sack on the kitchen floor and they say there aren't boys like him anymore.Although the music is laden with pathos there is insuppressible energy too portraying that lovable 'Blitz of a Boy'! 3. A Lesson You'll Never Forget!Roger McGough's black poem 'The Lesson' was the catalyst for this piece. The teacher (and later even the headmaster) set upon a notoriously rowdy class with various lethal weapons systematically murdering all the pupils! He picked on a boy who was shouting and throttled him then and there then garrotted the girl behind him (the one with grotty hair). The baroque style recitative passages represent the school 'establishment' and are contrasted ludicrously with savage harmonic 'stabs' and terrifyingly anxious 'chase scenes' around the class room; this poem is not for the squeamish!
6.95 GBP - vendu par Musicroom GB
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1001 All-Time Hit Songs
54.81
1001 All-Time Hit Songs
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
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Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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Wander The Usa With Warm-Ups
20.70
Wander The Usa With Warm-Ups
Voix seule
Hal Leonard
40 Fun Warm-Ups Using Songs from Across the United States. Keeping singers in ou...
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40 Fun Warm-Ups Using Songs from Across the United States. Keeping singers in our ensembles excited and energized during the warm-up process is a consistent hurdle for educators across the nation. By using songs that are indigenous to different parts of our country, teachers in choral classrooms can help students prepare their minds, bodies and voices while sharing a bit of our culture and history from different areas of the United States. All of the songs can be used with both inexperienced beginners and advanced singers. The lesson suggestions introduced with each song are intended to be aspringboard for teachers to modify and adapt to their own students' needs and skill levels. Each melody includes strategies that are accessible for those who are just learning how to use their voices, and also for those more sophisticated singers who enjoy a good challenge. Keeping singers in our ensembles excited and energized during the warm-up process is a consistent hurdle for educators across the nation. By using songs that are indigenous to different parts of our country, teachers in choral classrooms can help students prepare their minds, bodies and voices while sharing a bit of our culture and history from different areas of the United States. All of the songs can be used with both inexperienced beginners and advanced singers. The lesson suggestions introduced with each song are intended to be aspringboard for teachers to modify and adapt to their own students' needs and skill levels. Each melody includes strategies that are accessible for those who are just learning how to use their voices, and also for those more sophisticated singers who enjoy a good challenge. / Musique traditionnelle d'Amérique du Nord / Etude / Voix
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String Quartet - Youthful Work (BACEWICZ GRAZYNA)
30.60
String Quartet - Youthful Work (BACEWICZ GRAZYNA)
Quatuor à cordes: 2 violons, alto, violoncelle
PWM (Polskie Wydawnictwo Muzyczne)
Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her mai...
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Par BACEWICZ GRAZYNA. Grazyna Bacewicz realised at a very early age that her main purpose in life was to compose music. Already during the 1920s, as a student of Lódz Conservatoire, as part of her lessons in harmony and counterpoint, she made attempts at composing, in which she tried to resolve nagging technical problems and impart an artistically satisfying form to them. She grew up in an atmosphere of anti-romantic tumult and the emerging neoclassical style. She assimilated the main attributes of that current in a natural way: the need to forge logical formal constructs based on new harmonic principles, not determined by the major–minor system, and also a freedom in the shaping of textures, a fixed element of which was the combining of homophony with more or less strict polyphonic forms. One example of such a strategy is the String Quartet from her student years, signed with the date 1929–1930, which the composer did not include in her official catalogue of works. In the first movement (Allegro moderato), one can distinguish two principal subjects, served in the form of the incomplete exposition of a fugue. The chromaticised first subject, with its strongly highlighted head motif, appears in the cello, with an answer coming four bars later in the first violin. After a short bridge, the first violin intones the second subject, of a different character (dolce), and the answer appears a bar later and an octave lower in the viola. Both subjects can be heard also in the closing coda, and the space between them is filled by counterpoints based largely on ostinato figures of various sorts – a technique that Bacewicz would hone to perfection in her later work. The middle fughetta (Molto adagio), with a subject stated just once, and in only three parts (cello, first violin, viola), acts as an intermezzo. The third movement (Allegro molto moderato) is a double fugue with strongly contrasting subjects. The first subject, in the form of a chromaticised melodic continuum, exposed by the cello, is initially shown with the traditional arrangement retained (answered by the viola and second violin at a fifth, and by the first violin an octave above). The second subject (energico) is a structure shaped by the opening repetition of a motif of perfect fifths, then octaves combined with staccato-tremolo figurations. As the work unfolds, the two subjects appear simultaneously in original and inverted form, coming together in the closing Cadenza in a uniform idea crowned by strong (fff) chords repeated towards the end. - Malgorzata Gasiorowska/ Répertoire / Quatuor à Cordes
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Wolfgang Amadeus Mozart: Mozart S Choral Favourites: String Quartet:
10.95
Wolfgang Amadeus Mozart: Mozart S Choral Favourites: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
Spartan Press
Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem...
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Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who
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Carol Stringfest (Score) (COHEN MARY)
9.90
Carol Stringfest (Score) (COHEN MARY)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Facile
Faber Music Limited
Par COHEN MARY. Carol Stringfest presents popular carols in flexible arrangement...
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Par COHEN MARY. Carol Stringfest presents popular carols in flexible arrangements for string quartet, beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment, to support less confident groups, makes the series valuable to a wide range of abilities. Lyrics are also provided, so there is something for everyone, a must for Christmas! / Niveau : Facile / Répertoire / Quatuor à Cordes
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Carol Stringfest (Beginner Viola Part) (COHEN MARY)
4.00
Carol Stringfest (Beginner Viola Part) (COHEN MARY)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Débutant
Faber Music Limited
Par COHEN MARY. Carol Stringfest presents popular carols in flexible arrangement...
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Par COHEN MARY. Carol Stringfest presents popular carols in flexible arrangements for string quartet, beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment, to support less confident groups, makes the series valuable to a wide range of abilities. Lyrics are also provided, so there is something for everyone, a must for Christmas! / Niveau : Débutant / Répertoire / Quatuor à Cordes
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Carol Stringfest (Beginner Cello Part) (COHEN MARY)
4.00
Carol Stringfest (Beginner Cello Part) (COHEN MARY)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Débutant
Faber Music Limited
Par COHEN MARY. 'Carol Stringfest' presents popular carols in flexible arrangeme...
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Par COHEN MARY. 'Carol Stringfest' presents popular carols in flexible arrangements for string quartet, beginner strings and duet. The books in the series can be used independently or in conjunction with one another. The inclusion of very simple parts for absolute beginners and an optional piano accompaniment, to support less confident groups, makes the series valuable to a wide range of abilities. Lyrics are also provided, so there is something for everyone, a must for Christmas! / Niveau : Débutant / Répertoire / Quatuor à Cordes
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Learning Music With Garageband On Ipad
26.59
Learning Music With Garageband On Ipad
Divers
Alfred Publishing
This essential guide to GarageBand on iPad and iOS devices is your foundation fo...
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This essential guide to GarageBand on iPad and iOS devices is your foundation for learning music production in the classroom. Written by Dr. Floyd Richmond, noted iPad music expert and the president of TI:ME (Technology Institute for Music Educators), Learning Music with GarageBand on the iPad provides instant insight and wisdom through Dr. Richmond's many years of experience. With this book, students will be able to create music on a higher level than ever before regardless of the depth of their previous musical training. Includes over 40 GarageBand song files. Recording * Record digital audio * Record MIDI and virtual instruments * Record wherever your iOS device goes Performing with Smart Instruments * Perform in numerous styles for each instrument (keys, guitar, bass, percussion) * Perform with authentic musical gestures (keyboard arpeggiator, string articulations) * Perform chords of your choosing Teaching and Learning * Create iPad ensembles * Perform solos with included accompaniments * Create loop-based compositions / Divers
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F.H. Martens: Violin Mastery Interviews With Heifetz Auer: Biography
12.20
F.H. Martens: Violin Mastery Interviews With Heifetz Auer: Biography
Biographie
[Livre]
Dover Publications
How long should I practice' Which pieces should I study' How can I develop a sin...
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How long should I practice' Which pieces should I study' How can I develop a singing tone' All violinists ponder these questions striving to make the most of their practice and performances. This enlightening and encouraging book holds the answers offering a series of interviews with the most celebrated Violin teachers and performers of the nineteenth and early twentieth centuries.Twenty-four famous violinists reveal the secrets to their success sharing the lessons of their artistry and experience. In addition to aesthetic and technical aspects of playing they discuss their personal conceptions of Violin mastery. Eugene Ysaye reminisces about his studies withVieuxtemps and Wieniawski and Leopold Auer emphasizes the importance of fostering students' individual talents. Maud Powell describes her pioneering role as a female orchestral musician and Jascha Heifetz voices his views on technical mastery and temperament. Hints and advice from other masters include tips on efficient practice improving bow technique and refining intonation. A rare find in the musical literature this book is essential reading for every serious violinist.Reprint of the Frederick A. Stokes 1919 edition.
12.20 GBP - vendu par Musicroom GB
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Peter Maxwell Davies: Naxos Quartet No.4 - Children's Games: String Quartet:
19.99
Peter Maxwell Davies: Naxos Quartet No.4 - Children's Games: String Quartet:
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
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Avancé
Chester
The Full Score for Peter Maxwell Davies’ fourth in a series of ten string...
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The Full Score for Peter Maxwell Davies’ fourth in a series of ten string quartets commissioned by the Naxos Recording company first performed by the Maggini Quartet on 20th August 2004 at the Chapel of the Royal Palace Oslo Norway as part of the Olso Chamber Music Festival. Composer Note: The fourth Naxos quartet was written in January and February of 2004 with the intention of producing something lighter and much less fierce than itspredecessor an unpremeditated and spontaneous reaction to the illegal invasion of Iraq.I returned to the well-known Brueghel picture of children's games (1560 now in Vienna) which had been the inspiration for my sixthStrathclyde Concerto for flute and orchestra. These illustrations liberated my musical imagination but I feel it would limit the listener's perception to be too specific about which game relates to exactly which section of thework. Suffice it to say that there is vigorous play - leap-frog bind the devil with a cord truss wrestling - alongside quieter pastimes - masks guess whom I shall choose courting odds and evens. The single movementjuxtaposes these activities as abruptly and intimately as they occur in Brueghel. Rather as the eye is taken into different perspectives and proportions of scale within the picture taking liberties which would never be presentin for instance Brunelleschi architectural drawings so here with a constant sequence of transformation processes I have distorted the neat precise implications of modal progression expressed in the unison opening phrase(from F to B through A sharp/B flat) so that the ear is led en route into the sound equivalents of strange passageways and closed rooms: sicut exposition ludus. As work on the quartet progressed I became aware that Iwas reading into and behind the games adult motives and implications concerning aggression and war with their consequences. It was impossible to escape into innocent childhood fantasy. The nature of the F to B
19.99 GBP - vendu par Musicroom GB
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