Par SAINT-SAENS CAMILLE. “The Etudes op. 52 and op. 111 are little masterpieces of invention. On every page you encounter ingenious inventions for piano technique and sound.” (Isidore Philipp) What Isidore Philipp described in “Musica” in 1907 is still true today: indeed, the etudes of Saint-Saens offer a panopticon of French piano technique as complex as it is dazzling. Individual etudes, such as the “Prélude No. 1” and “En forme de valse No. 6” from the “Etudes op. 52” or the “Toccata No. 6” and “Les Cloches de Las Palmas No. 4” are included in recitals time and again - they belong to the standard repertoire of piano students, at least in France. Even the “Etudes for the left hand op. 135” and the '“Fugues op. 161” are full of poetic surprises with their self-imposed limitations. The editor has written a detailed Introduction to these enchanting discoveries in this definitive volume. In addition to information on the history of the genre and its genesis, the Introduction provides biographical details about the dedicatees, insights on the contemporary reception of the works and notes on interpretation./ Recueil / Piano

Conducteur Avec Couverture Rigide. Par SAINT-SAENS CAMILLE. With his four works 'Le Rouet d'Omphale”, 'Phaéton”, 'Danse macabre” and 'La Jeunesse d'Hercule”, composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector Berlioz, who heralded a new epoch with his 'Symphonie fantastique” premiered in France 1830, as well as the symphonic poems by Franz Liszt, who established the term for this genre in Germany. During Saint-Saëns' lifetime the four 'Poèmes symphoniques” had become part of the repertoire all around the globe. They were recorded numerously - but the piece to hold its ground in the concert halls until today is 'Danse macabre” alone. The critical first editions which are currently issued as part of the 'oeuvres complètes instrumentals” afford the opportunity for new interpretations based upon reliable sources. / Date parution : 2019-09-06/ Répertoire / Orchestre

Par FAURE GABRIEL / SAINT-SAENS CAMILLE. A delightful collection of French romantic gems, including settings of 'Ave Maria', 'Ave Verum' and 'Tantum Ergo' by both composers. This book also includes a detailed and informative introduction. Arranged for SA Choir with Organ or Piano accompaniment. / Niveau : Assez Facile / Répertoire / SA

Par SAINT-SAENS CAMILLE. Saint-Saens' life-long admiration of the cello led to some of his finest compositions. This edition, by celebrated cellist Steven Isserlis and Saint-Saens scholar Sabina Teller Ratner, brings together a collection as varied as it is appealing for Solo Cello with Piano Accompaniment. This volume includes some of Saint-Saens' best-loved pieces such as Allegro Appasionato and Le Cygne alongside his previously unpublished Gavotte . Primary sources have been consulted in preparation of the edition, which includes performance notes by Steven Isserlis and an informative introduction. The solo cello part is also included on a separate insert. / Niveau : Elémentaire / Date parution : 1998-07-16/ Répertoire / Violoncelle et Piano

Arr. Robin De Smet. Par SAINT-SAENS CAMILLE. This beautiful, serene piece comes from Saint-Saëns’ “Carnival of the Animals” and is an ideal performance piece for flute and piano. The Swan a beautifully lyrical and expressive piece from Saint-Saens Carnival of the Animals, and has been skilfuly arranged for Flute with Piano accompaniment by Robin de Smet. The solo flute part is also included on a separate insert. / Niveau : Intermédiaire / Répertoire / Flûte Traversière

Par SAINT-SAENS CAMILLE. Two of Saint-Saens most popular works appear together in this affordable volume. First composed in a song form Danse Macabre was later rewritten as a symphonic poem. It is important to remember that risque music was considered more daring and controversial than today and audiences at its 1875 debut were resistant to its unconventional charms, but it eventually became a crowd pleaser. Havanaise is among the most challenging of violin and orchestra pieces, but a standard showpiece in the repertoire of every serious violinist. Based on the Cuban dance, Habanera, the 1887 work features a languid mood, highlighted by bursts of virtuoso activity. This volumecontains the full score for violin and orchestra of both these magnificent pieces./ Répertoire / Orchestre

Par SAINT-SAENS CAMILLE / ARCH G.. This is a wonderful adaptation of Camille Saint-Saens Carnival of the Animals for three-part choir and piano accompaniment. Each movement is complimented by a witty narrative verse, and the lyrics also abound with humour and fun - all provided by Jeremy Browne. With brilliant musical arrangements by Gwyn Arch, Carnival! is an ideal celebratory work that can also be greatly enhanced by the use of costumes, animal masks and dancers. / Niveau : Assez Facile / Répertoire / Chant

Par SAINT-SAENS CAMILLE. Saint-Saens' groundbreaking piece for solo Violin or Mandolin, about the appearance of Death each year at midnight on Halloween, summoning the dead with his violin./ Répertoire / Violon

Grande fantaisie zoologique, pour piano à quatre mains. Par SAINT-SAENS CAMILLE. The complete set of Camille Saint-Saens' Le Carnaval Des Animaux, arranged for Piano Duet by Lucien Garban./ Répertoire / Piano 4 Mains

Schumann, Saint-Saens, Dvorak . Par SCHUMANN / SAINT-SAENS / DVORAK. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition. Complete scores of three great romantic cello concertos brought together in one convenient source. Spanning the last half of the nineteenth century, the compositions reveal extraordinary lyricism, imagination and individual interpretation of the concerto form. Complete and unabridged edition./ Répertoire / Orchestre

from Symphonic Poem in G minor, Op. 40. Par SAINT-SAENS CAMILLE. Un des thèmes symphoniques identifiables la plupart de Saint-Saëns a été utilisé dans les films d'horreur d'innombrables et donne à l'auditeur une connexion instantanée drame, d'intrigue et de suspense. Cette version facile et accessible peut être programmée sur un programme classique légère ou d'Halloween. Dur : 02:00 / Rép Classique / Répertoire / Scores

Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre

Par SAINT-SAENS CAMILLE. The second half of the 19th century represented something of a ?Golden Age? of the violin sonata in France: Influential violin sonatas such as those by Franck, Fauré and Saint-Saëns were among the successful works of this genre, inspiring many further compositions. Saint-Saëns? Violin Sonata No.1 was incorporated into the repertoire of numerous late 19th-century violinists soon after it was written. It was also this sonata which inspired Marcel Proust when he wrote about the fictional sonata by the composer Vinteuil in his novel ?À la recherche du temps perdu?. This performing edition edited by Fabien Guilloux and François de Médicis is based on the musical text from ?Saint-Saëns ? ?uvres instrumentales complètes?, volume III/4 in which Saint-Saëns? lengthy corrections of the Durand first edition as well as the autograph sources have been meticulously evaluated. - With a detailed Foreword (Fr/Eng/Ger) on the genesis and performance history - Performing edition based on the Urtext of the ?Saint-Saëns ? ?uvres instrumentales complètes? - Optimum layout in the violin part and piano score / Date parution : 2022-11-29/ Répertoire / Violon et Piano