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First 50 Songs You Should Play On Oboe
18.73
First 50 Songs You Should Play On Oboe
Hautbois
Hal Leonard
A Must-Have Collection of Well-Known Songs, Including Oboe Features!. If you've ...
(+)
A Must-Have Collection of Well-Known Songs, Including Oboe Features!. If you've been taking oboe lessons for a little while, you are probably eager to learn some familiar songs. The First 50 Songs You Should Play on Oboe includes a wide variety of favorites, from pop hits and movie themes to classical melodies and folk songs, many of which originally featured oboe! / Pop and rock / Date parution : 2020-04-11/ Recueil / Hautbois
18.73 EUR - vendu par LMI-partitions
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Improve Your Sight-Reading! Oboe Gr 1-5 (HARRIS PAUL)
13.31
Improve Your Sight-Reading! Oboe Gr 1-5 (HARRIS PAUL)
Hautbois
Faber Music Limited
New Edition. Par HARRIS PAUL. Firmly rooted in Paul Harris's Simultaneous Learni...
(+)
New Edition. Par HARRIS PAUL. Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Oboe Grades 1-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up acomplete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces and finally 'going solo' with a series of meticulously graded sight-reading pieces. This new edition of the best-sellingImprove your sight-reading! contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria. Firmly rooted in Paul Harris's Simultaneous Learning approach, this new edition of Improve your sight-reading! Oboe Grades 1-5 is designed to help overcome all the stumbling blocks to successful sight-reading. Step by step you will build up a complete picture of each piece, firstly through rhythmic, melodic and technical exercises, then by studying prepared pieces and finally 'going solo' with a series of meticulously graded sight-reading pieces. This new edition of the best-selling Improve your sight-reading! contains completely new material throughout and has been brought up to date to match the latest ABRSM sight-reading criteria. / Niveau : 1-5 / Etudes et exercices / Etude / Hautbois
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Konzert Für Oboe Und Orchester (MOZART WOLFGANG AMADEUS)
12.80
Konzert Für Oboe Und Orchester (MOZART WOLFGANG AMADEUS)
Hautbois et Orchestre
[Partition]
Barenreiter
for Oboe and Orchestra. Par MOZART WOLFGANG AMADEUS. Oboe Concerto In C Major K....
(+)
for Oboe and Orchestra. Par MOZART WOLFGANG AMADEUS. Oboe Concerto In C Major K. 314. Oboe Solo, Oboe (2), Horn (2), Violin (2), Viola, Violoncello, Double bass. The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart 's autograph manuscripts). At the same time, it also serves as an aid to authentic performances. The Barenreiter Urtext study scores are a prime example of how Barenreiter takes a musical text and transfers it into a practical format. The Barenreiter Urtext Study Scores, format 16. 5 x 22. 5cm, are ideal for musical analysis, rehearsal purposes and even conducting. The Study Scoresare distinguished by high quality paper and binding as well as an excellent layout. In this way masterworks of musical history are made available as compact sized scores at extremely affordable prices!/ Répertoire / Hautbois et Orchestre
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Wolf-Temperiertes Klavier (WOLF PETER E)
31.60
Wolf-Temperiertes Klavier (WOLF PETER E)
Piano seul
-
Intermédiaire/avancé
EMB (Editio Musica Budapest)
24 Pieces For Piano. Par WOLF PETER E.. Péter Wolf (a doctoral graduate of the ...
(+)
24 Pieces For Piano. Par WOLF PETER E.. Péter Wolf (a doctoral graduate of the Franz Liszt Academy of Music in Budapest) has composed a number of large-scale compositions in recent years which have had success at the hands of distinguished performers: these include two piano concertos as well as concertos for oboe, clarinet, and violin. By entitling his newest set of pieces for piano Wolf-temperiertes Klavier, the composer was able to simultaneously indulge in wordplay based upon his surname and give a tip of the hat to German baroque master Johann Sebastian Bach. The work's likeness to Bach is not limited to its title - the manner in which a piece has been written in both major and minor keys for each tone of the chromatic scale is blatantly inspired by Bach. In the preface to this publication, Wolf offers the following insights: ''I think I managed to find expressive titles. The first piece, Epiclesis (a prayer for inspiration, patience, and support), was heard from above: I was able to work continuously and without inhibitions. The works could be born in every key, until the last one, the Epilogue, was completed. When I finally finished inscribing the pitches of Bach's name, I admit, a little shiver went through me.'' Of the character pieces, all were completely new with the exceptions of one being previously written and another whose theme Wolf borrowed from one of his own stage works. Wolf-temperiertes Klavier is recommended for advanced pianists who wish to push the boundaries between musical genres, as well as classical musicians interested in the harmonic language of jazz. / Niveau : Intermédiaire à Avancé / Musique contemporaine / Répertoire / Piano
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Peter Wastall: First Repertoire Pieces for Oboe: Oboe: Instrumental Album
15.99
Peter Wastall: First Repertoire Pieces for Oboe: Oboe: Instrumental Album
Hautbois, Piano (duo)
[Partition + CD]
Boosey and Hawkes
21 Pieces with a CD of Piano Accompaniments and Backing Tracks-21 pieces for Ob...
(+)
21 Pieces with a CD of Piano Accompaniments and Backing Tracks-21 pieces for Oboe and Piano selected and edited by Peter Wastall now refreshed and repackaged to fulfil the needs of the next generation of musicians.Providing the perfect 'next step' for students reaching the end of Peter Wastall's award-winning Learn As You Play method books these collections of repertoire are ideally suited for students of Grade 3-5 standard.Each piece is now complemented by useful practice and performance tips. A newly-recorded CD of backing tracks is also included alongside the piano accompaniment.
15.99 GBP - vendu par Musicroom GB
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Play Disney Songs
20.70
Play Disney Songs
Hautbois
[Partition + CD]
De Haske Publications
De nombreuses personnes m'ont prié de produire un recueil rassemblant des airs ...
(+)
De nombreuses personnes m'ont prié de produire un recueil rassemblant des airs célèbres de Disney. J'ai eu beaucoup de plaisir à la réalisation de cet ouvrage que vous allez adorer, j'en suis sûr. Vous trouverez ici des chansons et des mélodies des premiers dessins animés de Mickey Mouse que tout le monde connaît, mais aussi des extraits de films plus récents. Le degré de difficulté des morceaux est progressif, et s'échelonne du niveau acquis à la leçon 14 de la méthode Ecouter, Lire and Jouer Volume 1 jusqu'au niveau obtenu vers la fin du Volume 2./ Recueil / Hautbois et Piano
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Disney Greats
18.80
Disney Greats
Hautbois
[Partition + Accès audio]
-
Facile
Hal Leonard
Voici une occasion fantastique pour vous de devenir le soliste dans ces favoris ...
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Voici une occasion fantastique pour vous de devenir le soliste dans ces favoris de Disney spécialement sélectionnés ! Chaque chanson est présenté en notation claire et les caractéristiques de CD qui l'accompagne, que suivre une démonstration complète et soutien pour chaque chanson afin que vous pouvez découvrir le bruit d'un ensemble de professionnel comme votre bande ! Quinze chansons ont été sélectionnés du riche patrimoine de Disney, y compris des moments inoubliables de Mary Poppins et livre de la Jungle tout spécialement adaptés pour hautbois. / Hautbois / 24 pages / Partition Cd
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Funtime Favourites / Hautbois
24.70
Funtime Favourites / Hautbois
Hautbois
[Partition + CD]
De Haske Publications
Une collection de vingt-six morceaux faciles, dont beaucoup seront instantanéme...
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Une collection de vingt-six morceaux faciles, dont beaucoup seront instantanémentreconnaissable. Tous ont un accompagnement très contemporaine fourni sur le CD il n'ya donc aucune chance de donner une performance terne. / Hautbois / 20 pages / niveau : Facile - Elémentaire / Partition + Cd
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A Song From The Heart (EWAZEN ERIC)
20.30
A Song From The Heart (EWAZEN ERIC)
Hautbois, Piano (duo)
[Conducteur et Parties séparées]
Theodore Presser Co.
Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Hear...
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Par EWAZEN ERIC. Originally composed for Trumpet and Piano, A Song from the Heart is one of those rare new works that immediately captures performers and listeners in a wide range of settings. A beautiful melodic solo sings over a lush piano accompaniment, with passages that stick in the mind well after the performance. A Song from the Heart will be at home on any program, whether memorials, recitals, or weddings. For intermediate to advanced performers./ Répertoire / Hautbois et Piano
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O Tannenbaum (HERZOG EDGAR)
19.93
O Tannenbaum (HERZOG EDGAR)
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
Advance Music
Maryland, My Maryland. Par HERZOG EDGAR. After initially introducing the theme i...
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Maryland, My Maryland. Par HERZOG EDGAR. After initially introducing the theme in a mere „cloud of sound', the piece, then, starts off in a Cajun/New Orleans groove. All the voices have their solo spots. More and more independent voices join in falling into the groove and, thus, intensifying the tune: The woodwind family is in high Christmas spirits. Shortly after the climax - Is it the turkey or the presents? - the festivities are concluded in a short and classical manner. But, wait! It is a little musical joke that finally rounds the evening off. intermediate/ Recueil / Flûte Traversière Hautbois, Clarinette, Cor en Fa/
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Duett Für Oboe Und Englisch Horn (KELTERBORN RUDOLF)
48.14
Duett Für Oboe Und Englisch Horn (KELTERBORN RUDOLF)
Hautbois et Cor Anglais
Barenreiter
Par KELTERBORN RUDOLF. “At the request of the work's commissioner, Heinz Holli...
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Par KELTERBORN RUDOLF. “At the request of the work's commissioner, Heinz Holliger, this duet has very few passages that call for 'unconventional' performance techniques. In exchange, it exploits the many musical possibilities opened up by two instruments with closely related timbres: wide-ranging antitheses and commonalities of expression and movement, cantabile duets, convergences in unisons, octaves and fifths. ” (Rudolf Kelterborn) Challenging concert piece Interesting combination of instruments Use of new performance techniques/ Répertoire / Hautbois et Cor Anglais
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Grade By Grade Vol.5
19.19
Grade By Grade Vol.5
Hautbois, Piano (duo)
[Partition + CD]
-
Intermédiaire/avancé
Boosey and Hawkes
The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalog...
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The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Hautbois Et Piano
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Grade By Grade Vol.4
17.64
Grade By Grade Vol.4
Hautbois, Piano (duo)
[Partition + CD]
-
Intermédiaire
Boosey and Hawkes
The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalog...
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The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Hautbois Et Piano
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Grade By Grade Vol.3
16.60
Grade By Grade Vol.3
Hautbois, Piano (duo)
[Partition + CD]
-
Intermédiaire
Boosey and Hawkes
The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalog...
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The Grade By Grade series draws on the rich and varied Boosey and Hawkes catalogue of classical, contemporary and educational repertoire, highlighting composers including Serge Prokofieff, Dmitri Shostakovich, Karl Jenkins, Carol Barratt and Christopher Norton, alongside arrangements of traditional music from around the world by Peter Wastall, Vera Gray and others. Carefully selected by Janet Way, this practical anthology provides the complete repertoire resource for the aspiring Grade 3 saxophonist and creates the perfect package for teaching, exam preparation and performance. Each volume contains:19 pieces and short studies, each complemented by a useful practice and performance tipgrade-appropriate scales and arpeggios linked to the repertoire through bespoke text and exercisesbrand new sight-reading activitiesnewly-commissioned aural awareness tasksa piano accompaniment bookletPackaged with a CD of full performance demonstrations, piano backing tracks, and grade-appropriate aural awareness resources. Janet Way is an experienced performer and teacher. She is a tutor for the LRAM woodwind teaching course at the Royal Academy of Music, and has worked as a mentor and diploma examiner for the Associated Board of the Royal Schools of Music. She is founder and director of the internationally-acclaimed Oxford Flute Summer School. / Hautbois Et Piano
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Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS)
16.20
Sinfonia Concertante In Es Für Violine, Viola Und Orchester (MOZART WOLFGANG AMADEUS)
Orchestre
[Partition]
Barenreiter
for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no refere...
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for Violin, Viola and Orchestra. Par MOZART WOLFGANG AMADEUS. There is no reference to the origin, occasion or a performance of the Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364 (320d) because in all probability it was composed in Salzburg (presumably in summer or early autumn, 1779): Mozart seems to have had no reason to write about it. It was apparently in Paris that he first had the occasion of giving the genre of the ; Symphonie concertante his special attention. On April 5, 1778, he wrote to his father: ; Now I shall write a sinfonie concertante for flute wendling, oboe Ramm, Punto horn, and Ritter bassoon. Even more discouraging must have been the fact that he had similardifficulties in Paris in having the works performed as he had in Mannheim. After the organizier of the Concerts spirituels, Le Gros, contrary to his promise, did not include the mentioned ; sinfonie concertante in his program. Mozart had no reason to compose any more for this genre in Paris. After Mozart's return to Salzburg, he might have been eager to introduce the new genre there, especially since adequate instrumentalists were available. Also the choice of the solo instruments (violin and viola) in the work presented here was probably influenced by the popularity of this instrumental combination in Salzburg at that time. - Urtext of the New Mozart Edition - Full score & parts (BA4900), study score format 22. 5 x 16. 5cm (TP176), violin, viola and piano reduction (BA4900-90) available for sale/ Répertoire / Orchestre
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Il Barbiere Di Siviglia (Almaviva O Sia L'Inutile Precauzione) . Hrsg Patricia B. Brauner (Le barbier de Séville) (ROSSINI GIOACHINO)
63.80
Il Barbiere Di Siviglia (Almaviva O Sia L'Inutile Precauzione) . Hrsg Patricia B. Brauner (Le barbier de Séville) (ROSSINI GIOACHINO)
Partition de Poche
[Partition]
Barenreiter
Par ROSSINI GIOACHINO. This study score is based on the critical edition of “ ...
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Par ROSSINI GIOACHINO. This study score is based on the critical edition of “ The Barber Of Seville ” edited by Patricia B. Brauner and published in 2008 as part of the series “Works of Gioachino Rossini”. But who needs a new critical edition of “ The Barber Of Seville ”? The opera has been performed in theatres throughout the world since 1816 and has never been absent from the repertoire. There are two reasons for a critical new edition: firstly, none of the early editions satisfy modern demands for a scholarly-critical edition. Secondly, there is a wealth of previously unpublished material relating to this opera, of great interest to both scholars andperformers. Thus the famous overture, which Rossini had already used in his earlier opera “Aureliano in Palmira”, differs noticeably from earlier editions in many places. The new edition enables performers to perform the overture either in its original scoring (as in “Aureliano in Palmira”), which includes two Flutes, two Oboes and Timpani, or in the scoring for the subsequent opera “ The Barber Of Seville ” (with just one flute, one oboe and no timpani). A series of appendices contain music and information which have been included in no other edition of the opera to date. - Takes into account all original sources, also including five manuscripts with Rossini’s autograph ornamentation. - Takes into consideration the full extent of Rossini ’s personal notational characteristics. - With a detailed foreword (Eng/Ital)/ Répertoire / Partition de Poche
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Es Ist Ein Trotzig Und Verzagt Ding (BACH JOHANN SEBASTIAN)
15.10
Es Ist Ein Trotzig Und Verzagt Ding (BACH JOHANN SEBASTIAN)
Chorale SATB
[Partition]
Barenreiter
Cantata for Trinity Sunday. Par BACH JOHANN SEBASTIAN. Es ist ein trotzig und ve...
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Cantata for Trinity Sunday. Par BACH JOHANN SEBASTIAN. Es ist ein trotzig und verzagt Ding BWV 176 Cantata for Trinity Sunday This cantata for Trinity Sunday is the first of two such extant cantatas composed by Johann Sebastian Bach after his Leipzig appointment in 1723. This cantata is also the last in a group of nine for successive post-paschal feasts composed by Bach, apparently within a few weeks, on texts by the contempotary Leipzig poetess Marianne von Ziegler. It is scored for Soprano, Alto and Bass soloists, mixed choir (SATB), 2 Oboes, Oboe da caccia, Strings and Basso continuo. - Urtext of the New Bach Edition - Performance material (BA10176), choral score (BA10176-91) & study score format 22. 5 x 16. 5cm (TP1176) available for sale/ Répertoire / Partition de Poche
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To A New Dawn (SPARKE PHILIP)
192.25
To A New Dawn (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Anglo Music
Par SPARKE PHILIP. To A New Dawn was commissioned by the United States Continent...
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Par SPARKE PHILIP. To A New Dawn was commissioned by the United States Continental Army Band - Captain Timothy J. Holtan, Commander and Conductor. The brief was for a piece to celebrate the 3rd Millennium and it was the composer’s aim to provide a work which, as well as looking forward to the challenges of the new century, also contained moments of reflection about the last one. After a bright introduction featuring the trumpets a perky theme, passing quickly through several keys, appears on the woodwinds. A solo trumpet takes up a new theme over bubbling quavers (eighth notes) and this leads to a rhythmic figure on low clarinets, followed by the upper woodwinds. A brass interlude follows and, after ashort bridge passage, an oboe takes up a contrasting legato tune that builds to a climax. An andante section follows with solos for horn and flugel horn (or trumpet) and a florid flute cadenza. A passionate climax leads back to the faster music and, eventually, to a full recapitulation, revisiting the earlier material before a lively coda close the work as it began. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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To A New Dawn (SPARKE PHILIP)
31.06
To A New Dawn (SPARKE PHILIP)
Orchestre d'harmonie
[Conducteur]
-
Intermédiaire/avancé
Anglo Music
Par SPARKE PHILIP. To A New Dawn was commissioned by the United States Continent...
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Par SPARKE PHILIP. To A New Dawn was commissioned by the United States Continental Army Band - Captain Timothy J. Holtan, Commander and Conductor. The brief was for a piece to celebrate the 3rd Millennium and it was the composer’s aim to provide a work which, as well as looking forward to the challenges of the new century, also contained moments of reflection about the last one. After a bright introduction featuring the trumpets a perky theme, passing quickly through several keys, appears on the woodwinds. A solo trumpet takes up a new theme over bubbling quavers (eighth notes) and this leads to a rhythmic figure on low clarinets, followed by the upper woodwinds. A brass interlude follows and, after ashort bridge passage, an oboe takes up a contrasting legato tune that builds to a climax. An andante section follows with solos for horn and flugel horn (or trumpet) and a florid flute cadenza. A passionate climax leads back to the faster music and, eventually, to a full recapitulation, revisiting the earlier material before a lively coda close the work as it began. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
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Festive Music For Altona (TELEMANN GEORG PHILIPP)
361.92
Festive Music For Altona (TELEMANN GEORG PHILIPP)
Conducteur
[Partition]
Barenreiter
Conducteur Avec Couverture Rigide. Par TELEMANN GEORG PHILIPP. The volume presen...
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Conducteur Avec Couverture Rigide. Par TELEMANN GEORG PHILIPP. The volume presents, as a first edition, Telemann's surviving compositions for a number of public occasions in Altona. It contains two festive compositions written for the inauguration of the Akademische Gymnasium in 1744, one piece composed for the centennial of the Absolute and Hereditary Monarchy Act in Denmark (1760), one Latin ode to the King of Denmark for a school festivity in Altona, and an excerpt of two arias - the only surviving part of the music composed for the inauguration of Elias Caspar Reichard as Professor of Eloquence and Poetry at the Akademische Gymnasium (1741). The edition was prepared on the basis of the known sources held at the Brussels Conservatory Library, new manuscripts contained in a rediscovered anthology of the Hamburg State Library including those previously unknown compositions, as well as printed texts which had not been considered to date from the Royal Library in Copenhagen. The Foreword provides information regarding Telemann's tenure in Altona. Also included is a catalogue of all related works. Moreover the volume contains a Critical Commentary, facsimiles of the printed texts and sample pages from the musical sources. / Date parution : 2019-11-29/ Répertoire / Conducteur
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