Mottetto Per Soprano, 2 Violini, Viola E Basso - Rv 630. Par VIVALDI ANTONIO. Mottetto Per Soprano, 2 Violini, Viola E Basso - Rv 630 Edizione Critica A Cura Di Paul Everett./ Répertoire / Edition Critique des oeuvres de Vivaldi (Fac-simil

Sous-titre : Op. 10 No. 2, RV 439 La Notte G Minor / Sol mineur / g-Moll Compositeur : Antonio Vivaldi Arrangeur : Christopher Hussey Édition musicale : Dowani Collection : 3 Tempi Play Along Instrumentation : Flûte Traversière et Piano Langue : E(UK)DF Degré de difficulté : Élémentaire Type de produit : Recueil CD Année d'édition : 2013 Dimension : 9 X 12 INCH Nombre de pages : 20 ISMN : 9790035226810

Following on from the first volume of his bestselling Beginner's Songbook, Volume 2 boasts another 100 classic songs from the past and present, specially arranged for beginner guitarists. Featuring complete lyrics and chords, as well as tuition notes, with invaluable advice on strumming, chords and general playing tips. The Justinguitar.com Beginner's Songbook Volume 2 is a great companion to Justin's beginner Guitar method, with ten songs for each stage of the course, progressing in difficulty. The songs range from the past to the present and represent a variety of genres, ranging from songs with only two or three chords like Bad Moon Rising, For What It's Worth and Stir It Up through to tunes like Get Lucky and Budapest, all the way to songs like Hold Back The River and Ziggy Stardust, with more complicated rhythms, chords and strumming. Every song features full lyrics and chords, strumming patterns as well as advice about tricky aspects of the song, or just general performance tips. If you need help with the chords, diagrams are included so that you always have a reference. As your playing develops through the course, the best way to practise is to play along to your favourite tunes, and the Justinguitar.com Beginner's Songbook Volume 2 is the best way to expand your repertoire at the level of your ability. Featuring 100 songs by artists like The Beatles, Ed Sheeran, Bob Marley, Maroon 5, Nirvana and The Rolling Stones, this songbook is a fantastic collection, an invaluable companion to the influential course, and a brilliant follow-up to volume 1, which has sold over 100,000 copies. / Guitare

Magnficiat and Nunc Dimittis-Richard Allain's The Wells Service for Upper Voices and Organ. The Wells Service was commissioned by the Cathedral Commissions Scheme for the Choir of Wells Cathedral. First performed at Choral Evensong during the new music wells 68-08 festival on Friday 13th June 2008 by the Girl Choristers of Wells Cathedral with Samuel Hudson organ conducted by the Organist & Master of the Choristers Matthew Owens. Duration: 10 minutes

Thomas Tomkins's Magnificat & Nunc Dimittis from the Fifth Service arranged by Bernard Rose for SATB choir.

Bach: Complete Organ Works Vol. 7 Orgelbüchlein - with CD-ROM - ed. by Sven Hiemke Of great practical value ?This edition has everything it takes to replace the Griepenkerl edition for practical music-making,? opined Rainer Goede (in ?kirchmusik.de?) immediately after the release of Volumes 5 and 6. If such a high degree of practical value is attested to these two volumes, then Volume 7 can proudly claim to have the highest practical value of all, since it has the greatest scope of all the volumes. After all, no organist can do without the basic repertoire of the 45 chorale preludes. Edited by Sven Hiemke, the book offers the best possible prerequisites for everyday use. The musical text is as faithful to the sources as possible, and it preserves Bach?s graphic idiosyncrasies in the beaming of eighth notes and sixteenth notes. Furthermore, the chorales are reproduced on three staves, which is fully in keeping with the practice of the Bach era ? but not with the source, however, since the composer himself notated the pieces of the ?Orgelbüchlein? on two staves, either for reasons of economy or for lack of space. The enclosed CD-ROM contains early versions and anonymous arrangements which should encourage organists to explore this repertoire in greater depth.

The nine sonatas for Cello and Basso Continuo by Antonio Vivaldi are among the most famous Cello works of the Baroque era. Thanks to their moderate technical demands the pieces are an integral part of music lessons as well as of private music-making. But even for the professional early music scene they form a focus of the Cello repertoire. The new edition of the Wiener Urtext Edition serves the needs and demands of all three target groups alike providing a reliable musical text which is no longer based on the unauthorized first Paris edition by Le Clerc & Boivin but on a copy from Naples revised by Vivaldi himself as well as on two othermanuscripts associated with the composer from the Bibliothèque Nationale in Paris and the music library of the Counts of Schönborn at Wiesentheid. Apart from the solo part the edition comprises a Piano (Harpsichord) score with realized Basso Continuo which should be very welcome to pupils and amateurs. An unrealized Basso Continuo part has been added for the professional Continuo player in which the figures of the first Paris edition has been included. Even if they do not trace back to Vivaldi himself they bear witness to the contemporary Basso Continuo practice and can serve as a guide for the execution of Vivaldi's unfigured Bass part. More detailed information on the performance practice is provided in the notes on interpretation by Gerhart Darmstadt which are based on contemporary sources.

Uses: GeneralScripture: Psalm 89:1; Psalm 150:1-2; Psalm 104:1-2Here is a splendid menagerie of favorites that serves as an affirmation of worship and song. An extended introduction leads us intorichly harmonized versions of three time honored hymns. The piano part is sufficient for successful performances but don't miss the amazing orchestration by Brant Adams. This medley will be used time and time again for worshipservices and festival settings.

Tenderly flowing with devotion and worship this stunning original delivers a classic text in a completely new way and brings depth and understanding to its message of grace and mercy. A conservative melody carries the words in the rich lower reaches of the tessitura with a cello-like loveliness. Moving chords impact the refrain and build intensity before giving way to the hopeful words In His arms I have a place by His matchless grace. Superb!

Music Minus One Oboe-These oboe sonatas by Pepusch and Telemann are great Baroque pieces for any oboist and are perfect training ground for the instrumentalist looking to learn ensemble playing. Classic trio sonatas of their age they utilized a background of flute and basso continuo - a semi-improvised accompaniment commonly carried out by both a harpsichord and a viola da gamba the two instruments serving as a full bass line supporting the other instruments. The oboist is here afforded a wonderful opportunity to play this beautiful music in association with the wonderful Rameau Trio. Not too difficult these pieces are perfect for the intermediate oboist or for the beginner looking toward amoderate challenge. Listen to and study master oboist Virginia Brewer performing with the Trio then you take your place with this group for one of the most marvelous experiences in chamber music - the Baroque trio sonata. Includes a printed guide to period ornamentation complete with musical examples. Performed by Virginia Brewer oboe Accompaniment: The Rameau Trio: Jean Antrim flute Jocelyn Chaparro harpsichord Fortunato Arico viola da gamba

As performed by Stevie Wonder. Par WONDER STEVIE. Don’t You Worry ‘Bout A Thing est l’une des chansons les plus célèbres de Stevie Wonder et a été interprétée par plusieurs autres artistes renommés au cours des années. La version d’Al Jarreau est probablement la plus connue, arrangée par le norvégien Richard Johnsen. / Niveau : 4 / Pop and rock / Recueil / Concert Band ou Harmonie