Par BARTOK BELA. The ?Romanian Folk Dances? are undoubtedly among the most popular works of Bartók. The earliest version is for piano (1915) and was published by Universal Edition in 1918; arrangements for many other instruments followed. Now the internationally successful violist Kim Kashkashian presents her arrangement for viola and piano. Proof that Bartók?s dances are also perfectly accentuated by the warm sound of the viola. (After the transcription for violin and piano by Zoltán Székely, UE 8474)/ Répertoire / Alto et Piano

Leichte Klavierstücke Und Tänze. Par BARTOK BELA. Bartók's voluminous output for the piano contains a great many exquisite masterpieces at every level of difficulty. This collection gathers together easy to moderately difficult pieces, including a wide variety of dance forms and folk-music miniatures. Players can coax magical sounds from the instrument using a varied refinement of touch such as silently depressed keys or can even play in two keys at once (bitonality). In addition, all of this provides a stimulus for improvisation. This collection is a welcome addition to the repertoire used in music schools and private lessons and will, of course, appeal to all lovers of Bartók's music. Besides familiar works, it also contains several that have never before been edited. Two pieces handed down as fragments have been judiciously completed by the editor. Care has been taken to provide a spacious engraving and practical page turns. - Easy to moderately difficult pieces with fingering - Ideal for teaching purposes - Several pieces edited for the first time - Spacious engraving with practical page turns / Niveau : Facile / Répertoire / Piano

Par BARTOK BELA. Bartók himself collected the material for 'Rumanian Dances' in Transylvania at the beginning of the century; Transylvania is the place in which this folk-dance music is part of everyday life. Bartók considered this music so very valuable that it became his new source of renewal of the musical mother tongue. This edition includes the 'Romanian Folk Dances' for alto saxophone and piano. • Style and atmosphere have been captured in these six colourful duets for players of intermediate to more advanced levels • These dances with such diverse melodies, rhythms and origins make sophisticated and entertaining concert pieces/ Répertoire / Saxophone Alto et Piano

Cacérès, Oscar. Par BARTOK BELA. / Niveau : Intermédiaire / Répertoire / 2 Guitares

L'édition définitive (1987) de piano enseignement classique. Comprend une introduction par le fils du compositeur Peter Bartók. En 1945 Bela Bartok décrit le ' Mikrokosmos ' comme un cycle de 153 pièces pour piano écrite pour fins de ' didactiques ', voyant comme un ser / Piano / Partition

Par BARTOK BELA. Based on the Béla Bartók Complete Critical Edition (Z. 15009), this volume includes Bartók's complete works for mixed voices. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix.The edition is complete with an informative preface (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of Bartók's choral works. The edition has been printed on high-quality and environmentally-friendly paper.This volume is also available cloth-bound, along with the volumes for children's and female voices and for male voices, in slipcase (Z. 20076). Separate editions of each work included in this volume are also available./ Recueil / Choeur Mixte

Par BARTOK BELA. With the “ Concerto for Orchestra , ” Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943, it meant not only financial support, but also an important creative impetus for the gravely ill composer. By October, the five-movement concerto, which Koussevitsky enthusiastically dubbed “the best orchestral work of the last 25 years, ” was already complete. The first performances in the winter of 1944–45 were also very successful. Nevertheless, Bartók was moved to set down an alternate ending, which thecomposer, who passed away in September 1945, would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the “Concerto for Orchestra” in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition. / Móricz, Klára / Répertoire / Orchestre

Par BARTOK BELA. joint publishing venture with Editio Musica Budapest/ Répertoire / Piano

Professionnel ou amateur de Classique vous apprécierez cette partition de musique. Composée par Bartok Béla et éditée par Boosey

Par BARTOK BELA. Bartók's Mikrokosmos has been one of the milestones in pedagogical piano repertoire for 80 years - and yet it is also far more than a 'classical' piano primer. These 153 piano pieces, organized in ascending order of difficulty, engage not only with technical aspects of piano playing but also with the fundamentals of composition - from 'Imitation and Inversion,' 'Ostinato,' and 'Free Variations,' concerning compositional technique, to mood pieces and pieces with programmatic ideas such as 'Notturno,' 'Boating,' 'From the Diary of a Fly,' or the famous 'Six Dances in Bulgarian Rhythm.' Mikrokosmos first appeared in 1940 in six volumes. Based on volume 40 of the Bartók CompleteEdition published in 2020(Z. 15040), the present Urtext edition offers the series gathered in three volumes. This edition includes Bartók's preface, exercises, and notes written for the first edition. Furthermore, it also features a preface and comments by the editor, which not only discuss the genesis and the compositional sources but also provide performers, teachers and pupils alike, with authentic and detailed information about Bartók's notation and the specific performing problems of Mikrokosmos./ Recueil / Piano

Par COHEN MARY. Real Repertoire for Violin, part of the Real Repertoire series has been carefully selected for the intermediate violinist, providing an essential repertoire that players will return to time and again. Pieces have been selected by Mary Cohen and include masterpieces by Bach, Mozart and Brahms as well as lesser known pieces by Bartok and Wieniawski. A lasting inspiration to violinists everywhere.   / Instrumental Music / Recueil / Violon et Piano

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Rock Et En Hommage A Bartok de Carre-Chesneau. Cette partition qui est éditée par les éditions Leduc fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition