SKU: CA.3913619
ISBN 9790007144258. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.
Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score and parts available separately - see item CA.3913600.
SKU: CF.YPS187F
ISBN 9781491148099. UPC: 680160905591. 9 x 12 inches.
In the Odyssey, dreams come into the world through one of two gates. If they come through the gates of ivory they are false dreams. However, if they come into the world through the gates of horn they are true dreams that tell the user of things to be, or illuminate truth. The Gates of Horn is a dramatic piece for band that alternates a syncopated fanfare with a bold, yet lyrical theme. These contrasting ideas chase each other throughout the piece.
SKU: OU.9780193413450
ISBN 9780193413450. 10 x 7 inches.
for SATB double choir unaccompanied A setting of Shakespeare's much-loved Sonnet 18, Bednall's expressive work highlights this timeless text with sumptuous harmony, including pleasing tonal shifts and topical false relations. Various choral textures are explored, from the imitative lines of 'Sometime too hot', to the warm richness of the closing pages, where the choir divides into eight parts. This work is part of the New Horizons series and a piano reduction is included for rehearsal purposes.
About Oxford New Horizons
N ew Horizons showcases the wealth of exciting, innovative, and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres, both secular and sacred, and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad, the series introduces new repertoire and fresh talent to a broad spectrum of choirs. New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.
SKU: SU.12800062
Goldberg Variations, BWV 988 (3-page Preface, 63 pages, edited for piano, no fingerings). This attractive Urtext of Bach’s popular variation cycle is not only extremely user-friendly and extra-legible, but in addition, presents groundbreaking performance practice research that explains Bach’s never-before-revealed plan of tempo relationships between variations. This discovery is highly significant with regards to the tempi chosen for the 30 variations in a complete performance. The first edition from 1741, engraved by Bach himself, shows fermatas after some, but not all, variations. Most editors assume this was an oversight by Bach, and thus, add fermatas where they do not belong. Virtually all editions of our time add fermatas where Bach did not indicate them. Perhaps the only edition that correctly reproduces Bach’s fermata indications is Peters (ed. Kurt Soldan, 1937). Mapping out Bach’s fermata plan for the complete cycle reveals an ingenious and fascinating symmetrical arrangement of pairs and groups of variations unified by direct tempo relationships. Bach’s tempo plan has never yet been honored by commercial artists because they have been steeped in false, 19th-century tempo traditions, they have been too influenced by Glenn Gould, and they have never been made aware of Bach’s use of fermatas due to faulty editions. Bach’s master plan is beautifully laid out and all the tempo relationships are explained in the three-page Preface, which also contains a tempo hierarchy matrix relevant to Bach performance as well as Bach’s well-known Table of Ornaments. This edition is ideal for pianists from the late-intermediate levels and higher as well as concert artists, scholars, and teachers who seek an informative edition of the Goldberg Variations for the concert hall or teaching studio. Piano/Keyboard Published by: BachScholar.
SKU: HL.49047313
ISBN 9798350120394. UPC: 196288198239. 9.0x12.0x0.25 inches.
SKU: BR.EB-9433
ISBN 9790004189108. 9 x 12 inches. German.
Text by the composerTranslation: engl. (E. J. Dent), ital. (V. Levi), port. (G. de Medeiros)Place and time: Bergamo, around the 18th century.Characters: Ser Matteo del Sarto, master tailor (baritone) - Abbate Cospicuo (baritone) - Dottore Bombasto (bass) - Leandro, Cavaliere (tenor) - Arlecchino (speaking part) - Colombina, Arlecchino's wife (mezzo-soprano) - Annunziata, Matteo's wife - Zwei Sbirren - Ein Karrner - a Donkey - People at the windows (silent parts)The idea behind this work was to combine a major speaking role with a part for a female singer and orchestra in the spirit of the opera buffa. The overall tone is pacifistic and anti-bourgeois. Busoni's inspiration was that of an opera-play in the style of Italian improvised comedy; he wanted types and characters on stage whose varying typology would provide the source of conflict ... The title hero absconds with the young wife of the Dante-reading tailor Matteo. He returns as a false barbarian commander, as a husband who engages in a duel with the suitor Count Leandro, and as a conqueror who announces the moral of the story in the epilogue: how to be able to bow in rags and still retain one's dignity and rights. The piece takes a turn for the absurd when the Abbate, at the sight of Leandro, who is presumed dead, begins to sing a chorale-like song of praise to the donkey of Providence who comes trotting in at that moment. This introduces the most musically refined number in the piece, the quartet, in which Leandro's love aria and his duet with Columbina satirize the attitudes prevalent in Italian opera from Scarlatti to Verdi. Musically, Busoni uses throughout the entire work an idiom of dance-like, blissfully transparent comedy and hides harmonic audacities behind touches of lightness. The orchestral sound radiates an incomparable brightness and buoyant elegance. (Hans Heinz Stuckenschmidt, 1967)In the appendix, EB 9433 contains the later composed aria Wer siegt? Wer fallt?..
SKU: CA.3913603
ISBN 9790007074173. Language: German. Text: von Lingen, Hermann Ulrich. Text: Hermann Ulrich von Lingen.
Thanks to the false attribution to Johann Sebastian Bach (BWV 219) of the cantata for St. Michael's Day Siehe! es hat uberwunden der Lowe TVWV 1:1328 by Georg Philipp Telemann, one of Telemann's works experienced an unusually early renaissance. In 1884 the cantata was published in the Bach-Gesamtausgabe (Complete Edition) and from then onwards enjoyed some fame as an apocryphal Bach cantata. Alfred Durr was able to identify the work as a composition by Telemann in the 1950s. Score available separately - see item CA.3913600.
SKU: AP.49098S
ISBN 9781470646073. UPC: 038081564456. English.
Cataclysm of the Cosmos by Amy Webb depicts the powerful crash of meteors upon the Earth, decimating the dinosaurs! Propel your ensemble right into the spectacular fray with pounding eighth-note strikes, each tearing into the Earth's crust. A brief interlude in the middle gives your audience the false sense of calm before the meteors begin striking the earth again with a measured intensity that will be a treat for students to play! A terrific opener! (2:40) This title available in MakeMusic Cloud.
SKU: HL.49047312
ISBN 9798350120387. UPC: 842819116967. 11.25x17.0x0.36 inches.
With a text written by the composer, Han Lash's Canticum Psalmi Falsum, is a spirited work that is both ridiculous and musically powerful. Han Lash is a modern master of choral counterpoint and Lash's florid vocal lines are often punctuated with bell-like harp and piano chords which playfully dance around various driving drum beats intermixed with other colorful percussion sounds.
SKU: HL.49033360
ISBN 9783795757618. German.
Harmonik und Rhythmik sind fur jeden Jazzmusiker eine Selbstverstandlichkeit. Wie aber lernt man melodische Improvisation? Wie gestaltet man ein Thema und vor allem: Wie entwickelt man es weiter? Diese Lucke zu schliessen ist das Ziel von „Jazztrompete kreativ“. Es bietet dem angehenden und fortgeschrittenen Jazztrompeter mit ausfuhrlichen Erlauterungen und Ubungen, zahlreichen Notenbeispielen und einer Play-Along-CD pro Band eine Fulle von ubersichtlich gegliederten Ubungen, Informationen und Anregungen. Eine umfassende Anleitung zum Improvisieren, die sich nicht nur auf die Arbeit mit Skalen und Akkordpatterns beschrankt, sondern einen wirklich kreativen Zugang zur Jazzmelodik und dazu viele echte Tipps aus der Praxis bietet. Fur Unterricht und Selbststudium geeignet.Band 1 mit den Themen Technik, Stilistik und Aufbautraining enthalt eine Einfuhrung in die blaserischen, technischen und stilistischen Grundlagen des Jazztrompetenspiels und behandelt Themen wie Ansatz, Tonbildung, Kondition, Spieltechnik und Aufbautraining.
SKU: AP.49098
ISBN 9781470646066. UPC: 038081564449. English.
Cataclysm of the Cosmos by Amy Webb depicts the powerful crash of meteors upon the Earth, decimating the dinosaurs! Propel your ensemble right into the spectacular fray with pounding eighth-note strikes, each tearing into the Earth's crust. A brief interlude in the middle gives your audience the false sense of calm before the meteors begin striking the earth again with a measured intensity that will be a treat for students to play! A terrific opener! (2:40) This title is available in MakeMusic Cloud.
SKU: GI.G-J379
ISBN 9781622775255.
This edition includes ONLY the physical book and will not include access to the online audio files.  The third revision of Jump Right In is easier to use and as musical as ever! Highlights include the following: The series is research based and field tested. Appropriate for the following classes: elementary instrumental, general music at elementary, middle school, and high school. Also appropriate for college teachers who teach instrumental methods classes, vocal-general methods, and aural skills classes. There are 42 songs for listening and performing with accompaniments. Songs are notated and performed at musical tempos with characteristic rhythms. Contains recordings and notation for over 300 folk songs and classical melodies from many cultures in a variety of tonalities, meters, and styles. Available in two editions: one with access to Online Audio Files and one without. The audio files include (1) articulation exercises, (2) songs, bass lines, harmony parts, and accompaniments, (3) tonal patterns (neutral syllable and solfège syllables based on function), (4) rhythm patterns (neutral syllable and rhythm syllables based on function), (5) melodic patterns and accompaniments, and (6) musical enrichment (30 songs performed on recorder with accompaniments for students’ performance). Uses major and minor tonalities—G major, E minor, F major, B-flat major, and G minor. Uses both duple and triple meters—2/4, 4/4, cut time, 6/8, 3/8, and 3/4. Includes full range fingering charts based on solfège and note names and a chromatic fingering chart based on note names. Offers in-depth procedures for playing by ear and improvising—a unique and distinctive aspect of the series. The procedures for learning music notation and music theory for reading, writing, arranging, and composing.  Provides procedures for assessing performance (criterion etudes, rating scales, and embedded assessment) and knowledge (multiple choice, true-false, matching, and fill in the blanks) . There is an extensive Teacher’s Guide and coordinating rhythm flashcards and a rhythm flashcard app. This series includes audio files of the highest quality, is adaptable to the individual needs of your students, and features appropriate sequencing of activities to help students progress from sound to sight.
SKU: BT.DHP-1216342-140
English-German-French- Dutch.
Queen Cleopatra ruled Egypt for over 20 years. She is one of antiquity’s best-known women, in particular because of her relationships with Julius Caesar and, above all, Mark-Anthony, but also because the cause of her death remainsa mystery. The work is split into three parts and performed without breaks. The first section begins with a bright introduction representing Mark-Anthony. Dynamic in nature and reminiscent of military music, this characterises theRoman general. But soon after, another theme emerges, softer and more melodic, symbolising Cleopatra’s femininity. The two characters then combine on a faster tempo. The middle section of the work depicts the love thatMark-Anthony and Cleopatra feel for each other. This passionate relationship lasted ten years and produced three children. This is expressed by a warm and intense theme, just like the beauty of the Egyptian queen. The third andlast section opens in a determined and military mood. Mark-Anthony and Cleopatra were often apart, the Roman general was often away on a campaign. They met up in Alexandria to celebrate their triumph. But, as the targets of thejealousy and ambition of Octavius, Julius Caesar’s son, the lovers are trapped and await the inevitable conquest of Egypt by the Romans. When Mark-Anthony heard the false news that Cleopatra had committed suicide, he ended his ownlife. The Queen of Egypt, for her part, was imprisoned shortly afterwards. The two lovers remain one of History’s most famous couples. This piece was commissioned by the Wind Orchestra of the town of Antony, near Paris, directedby Philippe Rossignol, to mark its 90th anniversary.Konin gin Cleopatra heerste meer dan twintig jaar lang over Egypte. Ze is een van de bekendste vrouwen uit de oudheid, vanwege haar relatie met Julius Caesar en vooral die met Marcus Antonius, maar ook omdat de oorzaak van haardood altijd een mysterie is gebleven. Dit werk bestaat uit drie in elkaar overlopende delen. Het eerste deel begint met de levendige introductie van Marcus Antonius. Met het dynamische en enigszins militaire karakter van de muziekwordt de Romeinse generaal krachtig neergezet. Snel daarna doemt een zachter en melodieuzer thema op een weerspiegeling van Cleopatra’s vrouwelijkheid. De twee persoonlijkheden gaan vervolgens samen verder in een vlotter tempo.Het middelste deel beschrijft de liefde die Marcus Antonius en Cleopatra voor elkaar voelden. Hun hartstochtelijke relatie duurde tien jaar en bracht drie kinderen voort. Dit wordt uitgedrukt in een warm en intens thema waarintevens de schoonheid van de Egyptische koningin doorschemert. Het derde en laatste deel opent vastberaden en in militaire sfeer. Marcus Antonius en Cleopatra waren vaak bij elkaar vandaan: de generaal was geregeld weg om strijd tevoeren. In Alexandrië vierden ze samen hun triomf, maar de jaloezie en ambitie van Octavius, de zoon van Julius Caesar, gooide roet in het eten. De geliefden werden in de val gelokt en de onvermijdelijke verovering van Egypte doorde Romeinen volgde al snel. Toen Marcus Antonius het onjuiste bericht kreeg dat Cleopatra zelfmoord had gepleegd, maakte hij een eind aan zijn eigen leven: de koningin van Egypte werd op haar beurt kort daarna gevangengezet. Detwee geliefden behoren tot de beroemdste stellen uit de wereldgeschiedenis. Cleopatra werd in opdracht geschreven om het negentigjarig bestaan van het blaasorkest uit de gemeente Antony dicht bij Parijs te markeren. Dat orkestbracht het onder leiding van Philippe Rossignol in première.Kö nigin Kleopatra regierte über 20 Jahre lang Ägypten. Sie ist eine der bekanntesten Frauen der Antike, insbesondere aufgrund ihrer Beziehungen zu Julius Cäsar und vor allem zu Marcus Antonius aber auch aufgrund ihrerrätselhaften Todesursache. Das Werk besteht aus drei Abschnitten, die ohne Unterbrechung gespielt werden. Der erste Abschnitt beginnt mit einer strahlenden Einleitung, die Marcus Antonius darstellt. Die martialische und dynamischeMusik beschreibt den römischen Feldherrn. Doch bald darauf erklingt ein neues Thema, das sanfter und melodischer ist und Kleopatras Weiblichkeit symbolisiert. Die beiden Charaktere verschmelzen schließlich in einem schnellerenTempo. Der Mittelteil des Werkes beschreibt die Liebe, die Marcus Antonius und Kleopatra füreinander empfinden. Die leidenschaftliche Beziehung der beiden dauerte zehn Jahre lang und aus ihr gingen drei Kinder hervor. Dafür stehtein warmes und intensives Thema, das auch die Schönheit der ägyptischen Königin beschreibt. Der dritte und letzte Abschnitt beginnt mit einer entschlossenen und kriegerischen Stimmung. Marcus Antonius und Kleopatra waren oftmalsgetrennt, wenn sich der römische Feldherr auf Feldzügen befand. In Alexandria trafen sie sich, um ihren Sieg zu feiern. Doch sie waren Opfer der Eifersucht und der ehrgeizigen Ambitionen von Octavius, Julius Cäsars Sohn, wurden ineine Falle gelockt und mussten auf die bevorstehende Eroberung Ägyptens durch die Römer warten. Als Marcus Antonius die Nachricht vom vermeintlichen Selbstmord Kleopatras erhielt, nahm er sich selbst das Leben. Die Königin vonÄgypten wurde ihrerseits kurz darauf inhaftiert. Die beiden zählen zu den berühmtesten Liebespaaren der Geschichte. Dieses Stück wurde vom Orchestre d’Harmonie de la Ville d’Antony aus der Nähe von Paris, das von PhilippeRossignol geleitet wird, anlässlich seines 90-jährigen Jubiläums in Auftrag gegeben.La Reine Cléop tre règne sur l’Égypte pendant plus de 20 ans. Elle est l’une des femmes les plus connues de l’Antiquité, notamment gr ce ses relations avec Jules César et surtout avec Marc-Antoine (Antony), mais aussi par lemystère qu’entoure sa disparition. L’œuvre est écrite en trois parties enchaînées. La première commence par une brillante introduction qui représente Marc-Antoine. A la fois martiale et dynamique, cette musique caractérise legénéral romain. Mais très vite, un nouveau thème apparaît, plus mélodique et plus doux, il symbolise la féminité que représente Cléop tre. Les deux caractères vont ensuite s’assembler dans un tempo plus rapide. La partie centralede l’œuvre dépeint l’amour que Marc-Antoine et Cléop tre ressentent l’un pour l’autre. Cette relation passionnée durera 10 ans et donnera naissance 3 enfants. Il en résulte un thème chaleureux et intense, l’image de la beautéde la reine d’Égypte. Enfin, c’est sur un caractère décidé et guerrier que la troisième partie débute. Marc-Antoine et Cléop tre sont souvent séparés, le général romain est souvent en campagne. Ils se retrouvent Alexandrie pourfêter leur triomphe. Mais, victimes de la jalousie et de l’ambition terrifiante d’Octave, fils de Jules César, les amants sont piégés et attendent inexorablement que l’Égypte soit conquise par les Romains. A la fausse annonce dusuicide de Cléop tre, Marc-Antoine met fin ses jours. La Reine d’Egypte sera quant elle emprisonnée peu de temps après. Les deux amants resteront l’un des couples les plus célèbres de l’Histoire. L’œuvre a été commandée parl’Orchestre d’Harmonie de la ville d’Antony l’occasion de ses 90 ans : l’orchestre est placé sous la direction de Philippe Rossignol.
SKU: GI.G-J380
ISBN 9781622774968.
The third revision of Jump Right In is easier to use and as musical as ever! Highlightsàinclude the following: The series is research based and field tested. Appropriate for the following classes: elementary instrumental, general music at elementary, middle school, and high school. Also appropriate for college teachers who teach instrumental methods classes, vocal-general methods, and aural skills classes.àThere are 42 songs for listening and performing with accompaniments.àSongs are notated and performed at musical tempos with characteristic rhythms.àContains recordings and notation for over 300 folk songs and classical melodies from many cultures in a variety of tonalities, meters, and styles. Available in two editions: oneàwithàac cess to Online Audio Files and one without. The audio files include (1) articulation exercises, (2) songs, bass lines, harmony parts, and accompaniments, (3) tonal patterns (neutral syllable and solfège syllables based on function), (4) rhythm patterns (neutral syllable and rhythm syllables based on function), (5) melodic patterns and accompaniments, and (6) musical enrichment (30 songs performed on recorder with accompaniments for studentsââ¬â¢ performance).àUses major and minor tonalitiesââ¬â G major, E minor, F major, B-flat major, and G minor. Uses both duple and triple metersââ¬â2/4 , 4/4, cut time, 6/8, 3/8, and 3/4. Includes full range fingering charts based on solfège and note names and a chromatic fingering chart based on note names. Offers in-depth procedures for playing by ear and improvisingââ¬â a unique and distinctive aspect of the series. The procedures for learning music notation and music theory for reading, writing, arranging, and composing.ààProvides procedures for assessing performance (criterion etudes, rating scales, and embedded assessment) and knowledge (multiple choice, true-false, matching, and fill in the blanks) . There is an extensive Teacherââ¬â¢s Guide andàcoordinating rhythm flashcards and a rhythm flashcard app. This series includes audio files of the highest quality, is adaptable to the individual needs of your students, and features appropriate sequencing of activities to help students progress from sound to sight.
