Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of composition representing a synthesis of Italian, French and English influences, thereby setting new standards at that time. Only Jan Peterszoon Sweelinck can match Froberger in terms of significance for 17th century keyboard music.The text to each volume of the complete edition of Froberger's organ and keyboard music is published in German and English comprising a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques. Also, information on performance practice, on instruments of the time and on ornamentation is included, as well as details on Froberger's biography.Volume V.2, like the previously published volume V.1, contains the musical text from an anonymous 17th century copy which was returned to the Berlin Singakademie from Kiev in 2001. It is divided into works of definitive authenticity, new readings and two appendices containing works of doubtful authenticity and spurious arrangements.- Definitive complete Urtext edition- At the cutting edge of scholarship- Detailed explanatory notes / Orgue Ou Piano

John Tavener's Pluies is a work for Solo Mezzo-Soprano SATB Chorus and String Quartet. The piece was first performed on 31st January 2015 and lasts around 5 minutes. This is the fullscore. The words for Pluies come from a poem of the same name by Saint-John Perse. 

Pièce en deux parties, la première très mélodique avec de nombreux mélismes, la seconde très rythmique. / Saxophone Soprano Solo

For solo female voice (Mezzo-Soprano) and ensemble: Violin Viola Cello Contrabass and Piano.Commissioned by Karina McIntosh in memory of her husband Angus McIntosh.I - Triple BurdenII - Praise of a ManIII - From His House DoorIV - DefeatV - In MemoriamVI - Highland Funeral

This work When Christ Was Born of Mary Free sets the words of a traditional carol dating from the 15th century sensitively in D minor for the verse moving to a more joyous F for the Chorus. Darke’s papers list this piece as having been scored for Soprano solo Chorus SATB and Piano. Harold E Darke was an English composer and Organist of international renown. Darke composed extensively for choir and Organ. In 1916 he established the Monday lunchtime Organ recitals at St Michael’s Cornhill which continue to this day the longest-running such series in the world. His setting of Christina Rosetti’s poem In the Bleak Midwinter created a melody and lilting Organ accompanimentthat has never fallen from favour. It is regarded as one of the greatest of Christmas carols.

Par TELEMANN GEORG PHILIPP. Edition : Paris, l'Auteur, Boivin, Le Clerc, 1738.Présentation d'Arlette Leroy-Biget : bibliographie - lecture de la partition (notation, terminologie, altérations, mesures, agrémentation, phrasé).Suivant les indications du compositeur, cette partition peut être exécutée par deux flûtes traversières, deux violons ou deux basses de viole. Mais elle peut également être facilement transcrite sur d'autres instruments égaux : hautbois, violoncelles, bassons, etc. Fac-similé de l'édition originale. Nous avons reproduit deux exemplaires pour que chaque instrument puisse jouer sur une partie séparée. - - / Niveau : Facile / Répertoire / 2 Flûtes Traversières ou 2 Violes ou 2 Violons (Fa

für Blockflötentrio (SSA). Par MOLSEN U.. / Répertoire / 2 Flûtes à Bec Soprano et Flûte à Bec Alto

Par REIMANN ARIBERT. Nach Gedichten Von Paul Celan/ Recueil / Haute-Contre ou Mezzo-Soprano) et Piano