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Ouvertüre Und Conclusion (TELEMANN GEORG PHILIPP)
8.70
Ouvertüre Und Conclusion (TELEMANN GEORG PHILIPP)
2 Flûtes Traversières, Instruments à Cordes et Bas
[Partition]
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Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Bass...
(+)
Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition - Full score & parts (BA3533) available for sale/ Répertoire / 2 Flûtes Traversières, Instruments à Cordes et Bas
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Ouvertüre Und Conclusion (TELEMANN GEORG PHILIPP)
8.70
Ouvertüre Und Conclusion (TELEMANN GEORG PHILIPP)
2 Flûtes Traversières, Instruments à Cordes et Bas
[Partition]
Barenreiter
Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Bass...
(+)
Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition - Full score & parts (BA3533) available for sale/ Répertoire / 2 Flûtes Traversières, Instruments à Cordes et Bas
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Matthew Locke: How doth the city sit solitary: Mixed Choir: Vocal Score
2.95
Matthew Locke: How doth the city sit solitary: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
For SSATB and Organ.A highly expressive setting of verses from the Lamentations ...
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For SSATB and Organ.A highly expressive setting of verses from the Lamentations with solo outbursts which verge on the operatic. The organ part was fully written out by Locke and gives a clear indication of the style of his continuo playing.
2.95 GBP - vendu par Musicroom GB
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Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
Flûte Traversière, Violon, Instruments à Cordes et
[Partition]
Barenreiter
Viola. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Stri...
(+)
Viola. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
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Ouvertüre Und Conclusion (TELEMANN GEORG PHILIPP)
8.70
Ouvertüre Und Conclusion (TELEMANN GEORG PHILIPP)
2 Flûtes Traversières, Instruments à Cordes et Bas
[Partition]
Barenreiter
Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Bass...
(+)
Par TELEMANN GEORG PHILIPP. Overture and Conclusion for 2 Flutes, Strings & Basso continuo in E minor TWV 55:e1 Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition - Full score & parts (BA3533) available for sale/ Répertoire / 2 Flûtes Traversières, Instruments à Cordes et Bas
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Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
3 Violons, Instruments à Cordes et Basse Continue
[Partition]
Barenreiter
Viola. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings an...
(+)
Viola. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue
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Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
Flûte Traversière, Violon, Instruments à Cordes et
[Partition]
Barenreiter
Flöte Solo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello...
(+)
Flöte Solo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
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Konzert F-Dur Für Drei Violinen, Streicher Und Basso Continuo (TELEMANN GEORG PHILIPP)
34.30
Konzert F-Dur Für Drei Violinen, Streicher Und Basso Continuo (TELEMANN GEORG PHILIPP)
3 Violons, Instruments à Cordes et Basse Continue
[Partition]
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for 3 Violins, Strings and Basso Continuo. Par TELEMANN GEORG PHILIPP. Concerto ...
(+)
for 3 Violins, Strings and Basso Continuo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue
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Sonate H-Moll Für Flöte Und Basso Continuo (TELEMANN GEORG PHILIPP)
12.80
Sonate H-Moll Für Flöte Und Basso Continuo (TELEMANN GEORG PHILIPP)
Flûte traversière, Basse continue
[Conducteur et Parties séparées]
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Par TELEMANN GEORG PHILIPP. Solo for Flute and Basso continuo in B minor (TWV 41...
(+)
Par TELEMANN GEORG PHILIPP. Solo for Flute and Basso continuo in B minor (TWV 41:h4) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover anindividual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière et Basse Continue
12.80 EUR - vendu par LMI-partitions
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Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
3 Violons, Instruments à Cordes et Basse Continue
[Partition]
Barenreiter
Violin. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings a...
(+)
Violin. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue
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Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
Flûte Traversière, Violon, Instruments à Cordes et
[Partition]
Barenreiter
Violine 2. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, ...
(+)
Violine 2. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
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Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
Flûte Traversière, Violon, Instruments à Cordes et
[Partition]
Barenreiter
Cello. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Stri...
(+)
Cello. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
8.70 EUR - vendu par LMI-partitions
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Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
Flûte Traversière, Violon, Instruments à Cordes et
[Partition]
Barenreiter
Violine Solo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncell...
(+)
Violine Solo. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
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Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
Flûte Traversière, Violon, Instruments à Cordes et
[Partition]
Barenreiter
Kontrabass. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello,...
(+)
Kontrabass. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
8.70 EUR - vendu par LMI-partitions
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Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
3 Violons, Instruments à Cordes et Basse Continue
[Partition]
Barenreiter
Basso (Cello). Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, St...
(+)
Basso (Cello). Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue
8.70 EUR - vendu par LMI-partitions
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Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik I' (TELEMANN GEORG PHILIPP)
Flûte Traversière, Violon, Instruments à Cordes et
[Partition]
Barenreiter
Violine 1. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, ...
(+)
Violine 1. Par TELEMANN GEORG PHILIPP. Concerto for Flute, Violin, Violoncello, Strings and Basso Continuo in A major (TWV 53:A2) Tafelmusik I If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again and again we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / Flûte Traversière, Violon, Instruments à Cordes et
8.70 EUR - vendu par LMI-partitions
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3 vendeurs
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Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
3 Violons, Instruments à Cordes et Basse Continue
[Partition]
Barenreiter
Violin 3 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, St...
(+)
Violin 3 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue
8.70 EUR - vendu par LMI-partitions
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Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
8.70
Konzert Aus 'Tafelmusik II' (TELEMANN GEORG PHILIPP)
3 Violons, Instruments à Cordes et Basse Continue
[Partition]
Barenreiter
Violin 2 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, St...
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Violin 2 Solo. Par TELEMANN GEORG PHILIPP. Concerto in F major for 3 Violins, Strings and Basso continuo TWV 53:F1 Tafelmusik II If Telemann was regarded by his contemporaries as one of the greatest of all composers, his star, faced with the overwhelming presence of Bach and Handel, paled in the course of the 19th century to the verge of contempt. This assessment changed radically during the course of the last century. Through the systematic exploration of his music, Telemann, once considered purely an instrumental composer, has emerged into a highly cultivated, culturally well-connected and enormously versatile artistic personality who left an indelible mark on the musical life of his time. Again andagain we discover an individual approach in his works that seems to abandon the musical conventions of his day, both large and small. The Tafelmusik (Musique de Table) is a collection of chamber pieces for various ensembles arranged into 3 parts and is perhaps Telemann's most celebrated collection of music. Composed in 1733, the Tafelmusik clearly demonstrates Telemann's skill in handling a diversity of musical genres and a variety of instruments. - Urtext of the Telemann Edition/ Répertoire / 3 Violons, Instruments à Cordes et Basse Continue
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Søren Nils Eichberg: Morpheus: Orchestra: Score
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[Partition]
Wilhelm Hansen
Søren Nils Eichberg's Morpheus - Concerto for Orchestra (2013). Commissioned by...
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Søren Nils Eichberg's Morpheus - Concerto for Orchestra (2013). Commissioned by The Danish National Symphony Orchestra / DR. Parts are available on hire: hire@ewh.dk Programme note Morpheus in the Greek mythology is the most powerful of the Oneroi the gods of dreams. He is the one who sends us our dreams and he may appear to us within the dreams in disguise. Analogous to the logic of dreams in Morpheus everything is interwoven as chains of associations appear to logically lead us from one line of thought to another. Everything seems strangelyfamiliar. But the logic is treacherous and we already feel it may only be valid within the dream. Nothing that appears similar is actually ever really the same. Half awakening we struggle to hold on to a vanishing world we felt we were on the verge of understanding but which we already know will eventually escape us when we fully awake. Everything remains a mystery until the end. The seven movements/dreamscapes are: Vortex Trees and Walls Escher (Toccata) Crystal Into the Cloud Non-Euclid Arctica
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Arthur Sullivan William Schwenck Gilbert: The Pirates of Penzance: Opera: Vocal
19.99
Arthur Sullivan William Schwenck Gilbert: The Pirates of Penzance: Opera: Vocal
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or The Slave of Duty-In Gilbert And Sullivan's 'The Pirates of Penzance' our her...
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or The Slave of Duty-In Gilbert And Sullivan's 'The Pirates of Penzance' our hero is Frederick a young man apprenticed to a pirate king because of a misunderstanding - his nanny misheard his parent's request to apprentice him to a pilot. On the verge of turning his back on the ill-adjusted swashbuckling lifestyle and crew Frederick finds himself torn between his love for Mable his desire to eliminate the scourge of piracy and his sense of duty - the subtitle for the show is 'The Slave of Duty'. Of course the final twist is another identity confusion - just when all seems lost the pirates are bound over to surrender - because they're all orphaned noblemen. They regain their places in the House ofLords. This Vocal score contains all the dialogue and historical notes by Marie Eggold; it is edited by Bryceson Treharne.
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Franco Cesarini: Convergents: Concert Band: Score & Parts
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Avec Convergents Franco Cesarini a composé une pièce de concert très attraya...
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Avec Convergents Franco Cesarini a composé une pièce de concert très attrayante qui contient peu de difficultés techniques. Cette composition fascine surtout par son rythme audacieux. Elle comprend trois thèmes qui après leur exposition successive convergent au cours du finale. Convergents est une pièce enrichissante.
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Franco Cesarini: Convergents: Concert Band: Score
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Avec Convergents Franco Cesarini a composé une pièce de concert très attraya...
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Franco Cesarini: Convergents: Fanfare Band: Score & Parts
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Avec Convergents Franco Cesarini a composé une pièce de concert très attraya...
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Avec Convergents Franco Cesarini a composé une pièce de concert très attrayante qui contient peu de difficultés techniques. Cette composition fascine surtout par son rythme audacieux. Elle comprend trois thèmes qui après leur exposition successive convergent au cours du finale. Convergents est une pièce enrichissante.
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Avec Convergents Franco Cesarini a composé une pièce de concert très attraya...
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Avec Convergents Franco Cesarini a composé une pièce de concert très attrayante qui contient peu de difficultés techniques. Cette composition fascine surtout par son rythme audacieux. Elle comprend trois thèmes qui après leur exposition successive convergent au cours du finale. Convergents est une pièce enrichissante.
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Franco Cesarini: Convergents: Brass Band: Score
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Avec Convergents Franco Cesarini a composé une pièce de concert très attraya...
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Avec Convergents Franco Cesarini a composé une pièce de concert très attrayante qui contient peu de difficultés techniques. Cette composition fascine surtout par son rythme audacieux. Elle comprend trois thèmes qui après leur exposition successive convergent au cours du finale. Convergents est une pièce enrichissante.
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