Turlough O'Carolan (1670-1738) est considéré comme le prototype de la harpiste irlandais voyageant, en fournissant son public en constante évolution avec de nouvelles chansons et des histoires poignantes. Ses mélodies qui sont imprégnés de la tradition irlandaise ont rendu immortel. Ils ont également eu une influence durable sur le développement de la musique irlandaise. Beaucoup de ses chansons ont fourni une base pour des milliers de mélodies plus tard.Cette édition pour flûte à bec déchant ou des aigus et des cadeaux de piano, entre autres, les pièces suivantes: 'James Betagh Jig', 'Coupe de Carolan', 'Adieu Carolan de la musique', 'Kitty Magennis', 'Hewlett', 'M. O'Connor ',' Power Fanny '. Les ententes comprennent une partie optionnelle pour une deuxième flûte. / Flûte A Bec Et Piano

This fun collection of graded repertoire will appeal to pupils and teachers alike. Featuring well-known tunes plus exciting new pieces by John Pitts in authentic blues, ragtime and boogie styles. Suitable for players who have reached the end of Book 1 in the Recorder From The Beginning teaching scheme. / Piano Et Flûte A Bec Soprano

Par BONSOR BRIAN. The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own mathod at each stage. The less experienced willbenefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themseves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) ?...this work is likely to become a standart work very quickly and is to be recommended to all schools where recorder studies are undertaken? (Oliver James, Contact Magazine) These two tutors, with accompanying teacher's books, are for newcomers to the instrument who are beginning on the treble and so assume no previous knowledge either of the instrument or of musical notation./ Recueil / Flûte à Bec et Piano

Par ADAMS SALLY. A rich and varied set of pieces specially selected as your very first Descant Recorder solos. 28 melodies have been selected by Sally Adams to give you the best very start in your solo Recorder playing. The pieces vary from waltzes and minuets to Jazzy solos and even Hungarian folk tunes. The collection represents the ideal opportunity to develop your performance confidence and musicianship skills at this vital early stage of learning, as well as providing solos that are suited to any occasion. The book includes full Piano accompaniments and a separate pull-out Recorder part. Set as part of the ABRSM Descant Recorder examinations grades 1 and 3. / Niveau : Facile / Recueil / Flûte à Bec et Piano

Pastorale Blues And Homage by Peter Dickinson. Arranged for Recorder (tenor and descant) and Piano for John Turner.1. A James Joyce Pastorale (1955)2. A Robert Burns Blues (1967)3. Homage to Poulenc (1963)The Pastorale comes from a song a student work setting the first poem of James Joyce’s early cycle Chamber Music – ‘Strings in the earth and air’; the second piece is another song to Burns’ ‘My love is like a red red rose’ which was frequently performed by Meriel and Peter Dickinson in their recitals (recorded on Albany TROY 369); Homage to Poulenc started as a piano duet No. 1 of Five Forgeries (recorded by the composer and John Flinders on Naxos 8.572287). It is dedicated to Lennox Berkeley because he and Poulenc were good friends.The first performance of Pastorale Blues and Homage was given by John Turner and the composer at St Peter’s Church Westleton on 4 October 2012 in that year’s William Alwyn Festival. Their recording has been released on Heritage HTGCD 254.

Three Diversions for Soprano (or Tenor) Recorder and Piano by Alan Bullard Three short 'journeys' that are tuneful and great fun to play. They make an ideal and exciting concert item. Bullard's writing is idiomatic and smooth and the piano part is well within the grasp of competent amateur pianists.

Pièces populaires faciles pour les jeunes joueurs de l'enregistreur, sélectionnés et classés par Jerry Lanning. Edition révisée avec CD de sauvegarde des pistes et des CD de démo. / Flûte A Bec

Par WEDGWOOD PAM. Cette dernière édition de la série ' Jezzine sur ' comporte plusieurs des mélodies de jazzy inimitables de Pam Wedgwood. Cette collection de pièces originales ont été taillé sur mesure pour le lecteur enregistreur de débutant (Grade 1-3). Donc prendre une pause dans les classiques comme vous de croisière jazz, blues et rock. / Niveau : Facile / Répertoire d'Examen / Date parution : 2004-10-07/ Recueil / Flûte à Bec et Piano

Six Sonatas for recorder (transverse flute) and harpsichord, edited as facsimile and new edition by Paul Wåhlberg. The Sonatas by the Zerbst composer (born in Wittenberg) were composed for recorder and published in 1716 in Köthen. Only the Sixth Sonata in G Major could have been intended for the then increasingly popular transverse flute, since it clearly differs in various ways from the other five sonatas. The only completely preserved copy was recently discovered by Pavel Serbin in the Russian State Library in Moscow. A rewarding discovery of Central-German flute music. ' CD recording by Paul Wåhlberg (Euridice EUCD 63).