Baritone Voice And Piano Performing Score-Composed in 2012 the two pieces in Sadie Harrison’s Heartoutbursts! take their inspiration from traditional English folk.'...in the folk-song there is to be found the complete history of a people recorded by the race itself through the heartoutbursts of its healthiest output. It is a history compiled with deeper feeling and more understanding than can be found among the dates and data of thegreatest historian...'(Percy Grainger 1922)In 1905 Joseph Taylor won a Lincolnshire folksong competition with his rendition of Brigg Fair a song he had learnt from a gypsy. Australian composer Percy Graingersubsequently published a setting in his Lincolnshire Posy with Delius using the tune in his rhapsody Brigg Fair. Both composers sought to vivify the tradition of English folksong celebrating not only the ancient tunes and words but also the qualities of particular folksingers like Joseph Taylor.Harrison’s own Australian Heartoutbursts! follow unashamedly in the Grainger tradition with echoes of the original folktunes underpinning both songs Brigg Fair and The Seeds of Love. Although different in character both texts use similar images as analogies for the joys and despairing associated with love - the lark and violet symbolize youth the lily as virginity the red rose as true love and the willow representing falsehood and abandonment.

In the composer’s own words ‘Keep in Touch is a lament a sort of chaconne divided up into sections by more freely-composed cadenzas for the Viola.’ The electronic CD supplied with the sheet music includes bluesy singing from Antony Hegarty among other sounds and Muhly clearly relishes the ‘inbetweenness’ of the singing and the falsetto of the Viola. Muhly’s music in this piece plays freely with time and key in a postmodernist way making the ultimate solitude of the Viola touching. Contemporary American composer Nico Muhly is a prolific writer and arranger who at 32 is theyoungest composer ever to have been commissioned by the Metropolitan Opera in New York. His oeuvre includes two operas and many solo pieces and works for small ensemble Orchestra and Chorus and he has collaborated widely. Download the pre-recorded element  HERE . If you encounter any problems please email promotion@musicsales.co.uk .

How Deep Is Your Love was the first in a string of six consecutive #1 hits for the Bee Gees in the late '70s and was featured in the soundtrack of the film Saturday Night Fever. It employs their iconic use of breathy vocals and high falsetto to achieve its disco vibe.The tune was more recently covered by UK band Take That for their greatest hits album.Arranged here for TTBB choir with Piano accompaniment.

Par WORMS CLAUDE. Pour les guitaristes qui nous auront fait l'amitié de suivre pas à pas nos précédents recueils d' initiation, cette suite dédiée à Michel Sadanowsky propose trois compositions (Granaína / Serrana / Petenera) développées sur la structure des solos flamencos traditionnels (' falsetas ', ' paseos ', ' remates '?). Les techniques de main droite sont adaptées à la technique classique (sauf le trémolo ' flamenco ' : p / i / a / m / i), mais nous avons respectés scrupuleusement les cycles métriques (' compás ') des différentes formes, et approfondi l'étude de l'harmonie flamenca contemporaine (dissonance de secondes et neuvièmes mineures avec cordes à vide, modulations?). / Niveau : Assez Difficile / Contemporain / Date parution : 2006-01-01/ Répertoire / Guitare Flamenco

Par MARTIN JUAN / CAMPBELL PATRICK. The acclaimed first volume of this exciting series gave extensive insights into basic techniques of flamenco Guitar playing and the two important rhythmic forms (palos) of Solea and Alegrias. This second volume continues on with an exploration of further essential rhythmic palos. The first of these, occupying the whole of the first DVD, is the Bulerias. Juan Martin brings his many years of experience as an internationally renowned flamenco soloist and accompanist for singers and dancers to unravelling its mysteries, explaining and demonstrating very clearly the different elements of its rhythmic structure and the various ways it may be accented and counted. He uses traditional and more modern examples of the different kinds of rhythm and melodic passages (falsetas) to provide an invaluable understanding of this wonderful palo. The second DVD is devoted to the popular flamenco Rumba, then Tangos, Tientos and that most profound of all the palos, the deeply moving Seguiriyas. Martin's solo playing is complemented by demonstrations of the Guitar's role in accompanying the flamenco dance (baile) and song (cante) with the help of outstanding dancers Raquel de Luna and Miguel Infante and singers Amparo Heredia (La Repompilla) and Carlos Brias. The music for solo Guitar is transcribed in standard notation and tablature (cifra) and the two DVDs contain nearly three hours of explanation and demonstrations. The series is complemented by two other best-selling Juan Martin volumes published by Mel Bay, shown below. These provide progressively graded solo material to extend the repertoire, from beginner to concert level./ Tablatures / Guitare Tablatures

Par WORMS CLAUDE. plus Audio MIDI HARMONIZING FLAMENCO from the Guitar (I)This book is aimed at all musicians who want to learn about flamenco harmony through the flamenco instrument par excellence, the guitar. This book analyses 166 falsetas (variations) from numerous eras, compriswide range of 'palos' - soleá, tangos, bulerías, siguiriyas, fandangos and more - from the most emblematic guitarists in the history of flamenco. It is not only a vital tool for understanding and transcribing the music of the great maestros of the get also provides clear, comprehensible explanations of flamenco composition. Countless classical composers have explored flamenco guitar harmony since the nineteenth century and incorporated some of its twists into their own music, including Glinka, RKorsakov, Ravel, Debussy, Albéniz, Turina, Falla and many more./ Méthode / Guitare

Par WORMS CLAUDE. Dans le vocabulaire du flamenco, le terme compás désigne à la fois un cycle métrico-rythmique et un mode mélodique associé à des harmonisations traditionnelles. Les guitaristes flamencos utilisent pour chaque mode des positions d?accord particulières (posturas) qui déterminent tout autant l?identité musicale de chaque palo (forme) que le strict cadre rythmique. Pour travailler les compases, il est donc également indispensable d?étudier les voicings flamencos. Les apprentis tocaores (guitaristes flamencos), fascinés à juste titre par la richesse des compositions (falsetas) que nous ont léguées depuis plus d?un siècle les grands maîtres du genre, oublient trop souvent que leur premier devoir est d?intérioriser les compases, au sens large, jusqu?à ce qu?ils deviennent une seconde nature. Cet ouvrage a pour objectif de vous aider à maîtriser les compases, et à « jouer » avec eux, de manière naturelle, jusqu?à ne plus avoir à « compter les temps ». Nous apprendrons donc à « hacer compás » (à produire du compás), non seulement en rasgueados, mais aussi en variant rythmiquement et harmoniquement les motifs codifiés qui articulent aussi bien les solos que les dialogues entre chanteurs, danseurs et guitaristes (introductions, paseos, llamadas et remates). Ce sont ces cinq groupes de séquences que nous étudierons dans cet ouvrage, appliquées à un palo emblématique, la soleá. Le CD joint à la méthode propose la totalité des exemples musicaux au format mp3, pour en faciliter la compréhension et donc aussi l?assimilation. / Date parution : 2022-07-20/ Recueil / Guitare

from Jersey Boys-One of the songs that propelled the Four Seasons to stardom and a showstopper in the Broadway musical Jersey Boys that chronicles their rags-to-riches story your men's group will bring down the house with the soaring falsettoover solid rock and roll harmonies. Available separately: TTBB ShowTrax CD. Combo parts available as a digital download (tpt 1 tpt 2 tsx tbn gtr b dm). Duration: ca. 1:50.

Baritone Book/2-CDs Pack-For aspiring and professional singers who love Broadway Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys authentically transcribed from their original vocal scores. Perfect for study and equally suitable for the most important auditions and performances each volume is dedicated to a specific vocal range and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano Mezzo-Soprano/Alto Tenor and Baritone/Bass. Authoritative historical and contextual commentary audition tips and 16-barcut suggestions for each song make it the most useful and relevant song library of its kind. Titles include: Everything Old Is New Again (The Boy from Oz) · She's My Love (Carnival) · Those Were the Good Old Days! (Damn Yankees) · A Jug of Wine (The Day Before Spring) · Anyone Would Love You (Destry Rides Again) · All of My Life (Do Re Mi) · After Today (Dr. Doolittle) · Gigi (Gigi) · Store-Bought Suit (The Golden Apple) · The Best Things in Life Are Free (Good News) · Where Do I Go' (Hair) · I Love My Wife (I Do! I Do!) · It's a Well Known Fact (I Do! I Do!) · No More (Into the Woods) · They Go Wild Simply Wild Over Me (Irene) · Progress Is the Root of All Evil (Lil' Abner) · Love Who You Love (A Man of No Importance) · Marriage Proposal (March of the Falsettos) · Me and My Girl (Me and My Girl) · Reviewing the Situation (Oliver!) · I Talk to the Trees (Paint Your Wagon) · Isn't It a Pity' (Pardon My English) · No One Has Ever Loved Me (Passion) · I'm Back in Circulation (Redhead) · Love's a Bond (Saturday Night) · Bless Your Beautiful Hide (Seven Brides for Seven Brothers) · I Don't Remember Christmas (Starting Here Starting Now) · Once in a Lifetime (Stop The World I Want to Get Off) · The Barber and His Wife (Sweeney Todd) · The Mansion (Two Gentlemen of Verona) · If I Were the King of the Forest (The Wizard of Oz) · A Quiet Girl (Wonderful Town).

Jimi Hendrix left the world too soon at the age of twenty-seven but despite the brevity of his career his body of work is as vital to 20th-century music as that of Louis Armstrong the Beatles and Miles Davis. Hundreds ofhours of unreleased studio sessions and concert performances were his salvation.A modest man but highly competitive musician Hendrix set the stage for many of the most significant musical movements to emerge between 1970and 1999 including heavy metal fusion glam rock and rap. Voodoo bluesman sonic producer the lyricist that out-Dylaned Dylan: these are what snatch our attention 40 years after his death as do his “aw shucks”smile in photos and the raw sexuality of his concert performances. It's hard to find the man under all the falsehoods told by friends business associates and even Jimi himself. Jimi Hendrix FAQ attempts to present thefacts in a fast-moving fan-friendly read.

Guitar TAB and Voice-This book ???Enrique Morente guitar tab and voice??? continues the collection of the Great Flamenco Singers in written score this being the first transcription of his work. ? Complete transcriptions are given showing the song melodies the accompaniment and the guitar falsetas.

Par WORMS CLAUDE. Disparu prématurément des suites d'un accident de voiture à l'âge de 46 ans, Pedro Bacán fut l'un des guitaristes de flamenco majeurs de sa génération. Apparenté à la dynastie des Pininis de Lebrija et Utrera, qui compte un grand nombre d'artistes importants, il réussit à allier avec un rare bonheur la tradition familiale à l'innovation. Compositeur et soliste original, il excellait également dans l'accompagnement des cantes de sa terre natale, et tout particulièrement les Soleares, les Soleares por Bulería, les Siguiriyas, les Bulerías, les Tientos et enfin les Tangos. Ce recueil présente la transcription en solfège et tablatures de 42 falsetas de Pedro Bacán, pour ces six formes. Le CD reproduit les interprétations originales de Pedro et permet ainsi de mieux comprendre leur dynamique et leurs subtilités de phrasé (le swing ne s'écrit pas?)./ Etude / Guitare

The setting of texts from Joyce's Finnigan's Wake for two male (falsetto) and two female voices. Commissioned by the Extended Vocal Techniques Ensemble San Diego.

La pratique de la guitare en solitaire peut rapidement s'avérer assez frustrante. C'est pourtant le triste sort d'un grand nombre de guitaristes de flamenco. Pour tous ceux d'entre nous qui avons commis l'erreur de naître loin de l'Andalousie (ou de Madrid et de Barcelone), tenter de trouver un chanteur avec qui partager nos expériences musicales frise souvent l'utopie? C'est pourquoi nous avons pensé utile de vous proposer trois ouvrages de falsetas pour duo de guitares, et notamment ce premier volume dédié intégralement aux Bulerías. Hormis le plaisir partagé, jouer en duo vous aidera à acquérir une meilleure maîtrise du 'compás', surtout pour les formes rythmiquement les plus rigoureuses, telles que vous en trouverez dans ce recueil. Ainsi, les partitions pourront être utilisées de deux manières : jeu en duo (avec un autre guitariste ou en s'enregistrant), mais aussi interprétation en solo de la première partie de guitare (et souvent des deux). / Guitare

This five-movement suite takes a light-hearted journey through different themes of love: Rejection Parting Falsehood Contentment Fulfilment. With contrasting vocal textures and a range of texts the result is a varied and exuberant work.