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MeSSA Da Requiem
12.30
MeSSA Da Requiem
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre
Barenreiter
In spite of the most enthusiastic reception at the work's premiere, the famous p...
(+)
In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Violon II
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Concerts Royaux (COUPERIN FRANCOIS)
37.20
Concerts Royaux (COUPERIN FRANCOIS)
Orchestre de chambre
[Conducteur et Parties séparées]
Barenreiter
Par COUPERIN FRANCOIS. Couperin Concerts royaux 1722 (Score and Parts) This edit...
(+)
Par COUPERIN FRANCOIS. Couperin Concerts royaux 1722 (Score and Parts) This edition contains Couperin?s four ?Concerts royaux?, which were published in 1722 as part of Book III of his ?Pièces de clavecin?. For the first time it makes these pieces, scored for chamber ensemble, separately available in an Urtext edition. It is based on the musical text of the solo harpsichord version found in the pioneering new edition of ?Pièces de clavecin III? (BA 10846). The editor has painstakingly evaluated the many impressions of the original print, most of which he himself discovered in libraries throughout the world. The preface (Fr/Eng) contains informative details on historical performance practice and on the conception of the ?Concerts royaux?, which Couperin expressly intended to be performed either by solo harpsichord or with accompanying ensemble. The modern engraving preserves essential features of the original print, which largely avoids page-turns within the pieces. It thereby brings today?s players close to the special sound of this music in a fascinating way. Couperin?s table of embellishments and symbols as well as a glossary (Fr/Eng) and a detailed Critical Commentary (Eng) round off this long-overdue Urtext edition. - First separate Urtext edition of the ?Concerts royaux? for chamber ensemble, based on the pioneering new edition of Book III of the ?Pièces de clavecin? (BA 10846) - Preserves essential features of the original notation as well as Couperin?s original embellishment signs - Notes on historical performance practice, glossary, Couperin?s table of embellishments and symbols (Fr/Eng) and detailed Critical Commentary (Eng) / Date parution : 2022-05-31/ Recueil / Ensemble de Chambre
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Jaromír Weinberger: Alto Saxophone Concerto (Revised): Alto Saxophone and
13.99
Jaromír Weinberger: Alto Saxophone Concerto (Revised): Alto Saxophone and
Saxophone Alto et Piano
[Reduction]
Southern Music Ltd
Solo and Piano Reduction. A notable Czech composer, Jaromir Weinberger achieved ...
(+)
Solo and Piano Reduction. A notable Czech composer, Jaromir Weinberger achieved sudden fame with the production of his opera, Svanda dudâk (Schwanda, the Bagpiper), written in a popular Bohemian style, at the Czech Opera, in Prague in 1927. Weinberger fled Europe under the growing Nazi threat and took up residence in New York in 1939, where he enjoyed a number of major orchestral performances and commissions of all kinds. One of these came from renowned saxophonist Cecil Leeson, who aske Weinberger to compose a concerto for alto saxophone and orchestra. Due to the outbreak of World War II, the premiere would not happen until 1946, six years after the completion of the concerto in piano score. The work was revised following the premiere and it is only now that those revisions have been incorporated into the solo saxophone and piano reduction with this performance edition by Weinberger scholar, publisher and saxophonist Tristan Willems.
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Richard Allain: Night: SATB: Parts
7.99
Richard Allain: Night: SATB: Parts
Chorale SATB
[Partition]
Novello & Co Ltd.
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio a...
(+)
Richard Allain's Night for SATB and Cello. Night Was commissioned by Commotio and recieved its premiere in Merton College Oxford in June 2007 conducted by Matthew Berry and is available on the Herald label (HAVP340). Composer's Note: Given the long phrase lengths of Night it is suggested that choirs Stagger breathing where necessary. The last page of the score requires some explanation. The singers should split into three separate groups: two equal SATB choirs and an SATB solo quartet. Each group sings their own music - each repetition being separated by a long pause - independent of the othergroups. Thus Choir I will begin and as they finish Choir II will commence etc. The music should continue for about two minutes getting gradually quieter with each repetition. Though a common pulse should be kept the groups begin each repetition as they wish: the music should overlap and blur. Against this the solo Cello plays its fragments of melody. The choirs at the conductor's discretion should end in the order they began leaving the cello to play its last notes as the echoes fade. Duration: 20 minutes
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COUPERIN FRANCOIS - LES CONCERTS ROYAUX (1722)
31.20
COUPERIN FRANCOIS - LES CONCERTS ROYAUX (1722)
Musique de chambre
BARENREITER
Couperin, François
Concerts Royaux for one or two Treble Instruments, Bass...
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Couperin, François
Concerts Royaux for one or two Treble Instruments, Bass Viol, Bassoon and Harpsichord
- First separate Urtext edition of the “Concerts royaux” for chamber ensemble, based on the pioneering new edition of Book III of the “Pièces de clavecin” (BA 10846)
- Preserves essential features of the original notation as well as Couperin’s original embellishment signs
- Notes on historical performance practice, glossary, Couperin’s table of embellishments and symbols (Fr/Eng) and detailed Critical Commentary (Eng)
This edition contains Couperin’s four “Concerts royaux”, which were published in 1722 as part of Book III of his “Pièces de clavecin”. For the first time it makes these pieces, scored for chamber ensemble, separately available in an Urtext edition. It is based on the musical text of the solo harpsichord version found in the pioneering new edition of “Pièces de clavecin III” (BA 10846). The editor has painstakingly evaluated the many impressions of the original print, most of which he himself discovered in libraries throughout the world.
The preface (Fr/Eng) contains informative details on historical performance practice and on the conception of the “Concerts royaux”, which Couperin expressly intended to be performed either by solo harpsichord or with accompanying ensemble. The modern engraving preserves essential features of the original print, which largely avoids page-turns within the pieces. It thereby brings today’s players close to the special sound of this music in a fascinating way. Couperin’s table of embellishments and symbols as well as a glossary (Fr/Eng) and a detailed Critical Commentary (Eng) round off this long-overdue Urtext edition. / Partitions classique / Ensemble et orchestre / Musique de chambre / BARENREITER
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Mozart W.a. - Missa In C Major Kv 220 (196b) Sparrow Mass - Arranged For Female Choir Smezaa - Voc
12.20
Mozart W.a. - Missa In C Major Kv 220 (196b) Sparrow Mass - Arranged For Female Choir Smezaa - Voc
Accompagnement Piano
-
Intermédiaire
Barenreiter
Mozart, Wolfgang Amadeus Missa C major K. 220 (196b) Sparrow Mass Arranged for f...
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Mozart, Wolfgang Amadeus Missa C major K. 220 (196b) Sparrow Mass Arranged for female choir SMezAA Details Edition no.: BA 5693 ISMN: 9790006523382 Volume / Series: Female Choir Arranger: Breuer, Heribert Language(s) of work: Latin Language(s) of text: German, English Product format: Score Includes the following individual parts: Voice, Mixed choir, Orchestra Binding: Stapled Pages / Format: III, 44 S. - 31,0 x 24,3 cm Mozart?s ?Missa in C major? (K. 220), nicknamed the ?Sparrow Mass? for its frequently recurring characteristic motifs in the violins, has retained a firm place in the choral repertoire to the present day. Now it has been arranged for female choir and is appearing as part of the recently started ?Bärenreiter Female Choir? series. Heribert Breuer has judiciously transferred the tenor and bass solos to the high voices and incorporated the original soprano and alto parts largely unchanged into the solo and chorus parts. He has thereby retained the work?s original substance while giving it a wholly new and delightful sound. ? Arrangement for female choir (SMezAA) based on the Urtext of the ?New Mozart Edition? ? Idiomatic piano reduction Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and director of the Berlin Bach Akademie and has made a name for himself with his many arrangements of works from Bach to Schubert.
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Lucia di Lammermoor (DONIZETTI GAETANO)
502.00
Lucia di Lammermoor (DONIZETTI GAETANO)
Orchestre
Ricordi
Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: ...
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Edizione critica a cura di Gabriele Dotto e Roger Parker (Vol. 1: XLIV, Vol. 2: VIII). Par DONIZETTI GAETANO. Gaetano Donizetti’s Lucia di Lammermoor, written to a libretto by Salvadore Cammarano, was first performed at the Teatro di San Carlo in Naples on 26 September 1835. It has remained in the repertory without interruption as one of Donizetti’s most popular operas throughout its nearly 200-year history. The edition proposes as the principal text a version of the opera that, for the most part, is as near as possible to that given at the premiere in Naples. However, one of the important new features of the edition is that it includes several fully orchestrated passages that, for unknown reasons, were cancelled very close to the time of the first performance. It also features in the third-act mad scene an obbligato part for the glass harmonica, an instrument that Donizetti had chosen for this extraordinary scene, and drafted in his autograph score, but was then constrained to substitute with a solo flute when the glass harmonica player got into contractual difficulties with the theatre. While the glass harmonica part was considered a mere “musicological curiosity” some decades ago, the critical edition now convincingly argues for its legitimate restoration as part of the composer’s preferred concept. The Sources section of the edition includes a detailed examination of all contemporary sources for the opera. The composer’s autograph score is of course the most important of these, but also of great value is the first printed vocal score of the opera, which in some numbers has a piano reduction prepared by the composer and contains many vocal variants (all reported in the score) that will be a great value to performers. There are also a number of early manuscript copies of the full score, several of which are valuable in outlining the first interpretations of Donizetti’s music. The critical edition restores the original keys, thus maintaining Donizetti’s overall harmonic design, but discusses transpositions that later entered the performing and editorial tradition of the opera. Three transposed pieces – which may have had Donizetti’s approval – will be made available available in the material for hire to theatres. / Date parution : 2022-03-05/ Répertoire / Orchestre
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Requiem C Minor
10.40
Requiem C Minor
Gemischter Chor (SATB) und Orchester
Barenreiter
Cherubini owes his fame as a church composer primarily to the 'Requiem in C mino...
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Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Alto II
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Carl Nielsen: Preludio E Presto Op. 52: Violin: Instrumental Work
15.08
Carl Nielsen: Preludio E Presto Op. 52: Violin: Instrumental Work
Violon
[Partition]
-
Intermédiaire
Carl Nielsen Edition
Carl Nielsen's Prelude E Presto Op.52 for Violin solo dating from 1927-28.The p...
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Carl Nielsen's Prelude E Presto Op.52 for Violin solo dating from 1927-28.The present score is a photographic reproduction of the work as it appears inCarl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Instrumental Music Vol. II/10 Chamber Music 1
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Carl Nielsen: Theme And Variations Op. 40: Piano: Instrumental Work
Piano Facile
[Partition]
-
Intermédiaire
Carl Nielsen Edition
Carl Nielsen's Theme And Variations Op.40 (Tema Med Variationer) for Piano solo...
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Carl Nielsen's Theme And Variations Op.40 (Tema Med Variationer) for Piano solo dating from 1916. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12
11.40 GBP - vendu par Musicroom GB
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Carl Nielsen: Melody: Organ: Instrumental Work
Orgue
[Partition]
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Facile
Carl Nielsen Edition
Melody (Melodi) for Organ solo was composed by Carl Nielsen in 1929. The present...
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Melody (Melodi) for Organ solo was composed by Carl Nielsen in 1929. The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12
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Ludwig van Beethoven: Piano Concertos Nos. 4 And 5: Piano Duet: Instrumental
20.30
Ludwig van Beethoven: Piano Concertos Nos. 4 And 5: Piano Duet: Instrumental
1 Piano, 4 mains
-
Avancé
Dover Publications
This volume contains two of Beethoven's most loved and widely performed piano co...
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This volume contains two of Beethoven's most loved and widely performed piano concertos printed in the traditional format for two pianos: Piano I is the solo part; Piano II a piano reduction of the orchestral score. Edited by Franz Kullak.
20.30 GBP - vendu par Musicroom GB
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Brian Elias: String Quartet: String Quartet: Parts
25.99
Brian Elias: String Quartet: String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
Chester
String Quartet was composed by Mumbai-born Brian Elias in 2012 and was commissi...
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String Quartet was composed by Mumbai-born Brian Elias in 2012 and was commissioned by the Jerusalem String Quartet. Lasting around 20 minutes this item is the Parts for the work arranged for Violin I Violin II Viola and Cello. The work has been laid out in the conventional four movements Allegro Adagio Presto Adagio-Allegro-Adagio but it is essentially a work in a single movement to be performed withno breaks. A set of double variations generates the thematic and harmonic material for the entire piece in its first few bars with a brilliant Viola solo afterwards. Throughout the piece changes in dynamics and tempocharacterise the different movements before finally ending with a calming return to the slow music. You can purchase the Full Score here.
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Carl Stamitz: Cello-Konzert Nr.3 fur den Konig von Preussen: Cello: Instrumental
18.00
Carl Stamitz: Cello-Konzert Nr.3 fur den Konig von Preussen: Cello: Instrumental
Barenreiter
Konzert für Violoncello und Orchester-For Violoncello Solo Oboe (2) Horn (2) ...
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Konzert für Violoncello und Orchester-For Violoncello Solo Oboe (2) Horn (2) Strings.Carl Stamitz (1746 - 1801) a contemporary of Mozart and Haydn and the son of Johann Stamitz a violinist and composer worked at the Mannheim court before travelling around Europe as a virtuoso violinist and composer. He wrote 3 wonderful cello concertos - charming wonderfully crafted works full of beautiful tunes.Here we present the Cello Concerto No.3 In C dedicated to Frederick William II of Prussia a gifted amateur musician.Full score parts and a Cello and Piano reduction available.
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Carl Stamitz: Cello-Konzert Nr.1 fur den Konig von Preussen: Cello: Instrumental
17.50
Carl Stamitz: Cello-Konzert Nr.1 fur den Konig von Preussen: Cello: Instrumental
Barenreiter
Konzert für Violoncello und Orchester-For Violoncello Solo Flute (2) Horn (2)...
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Konzert für Violoncello und Orchester-For Violoncello Solo Flute (2) Horn (2) Strings.Carl Stamitz (1746 - 1801) a contemporary of Mozart and Haydn and the son of Johann Stamitz a violinist and composer worked at the Mannheim court before travelling around Europe as a virtuoso violinist and composer. He wrote 3 wonderful Cello concertos - charming wonderfully crafted works full of beautiful tunes.Here we present the Cello Concerto No.1 In G dedicated to Frederick William II of Prussia a gifted amateur musician.Full score parts and a Cello and Piano reduction available.
17.50 GBP - vendu par Musicroom GB
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Anders Koppel: Danmarks Have: Wind Ensemble: Parts
Ensemble à vent
[Partition]
-
Intermédiaire
Wilhelm Hansen
Danmarks Have for Soprano Solo Choir SATB and Concert Band was composed by Ande...
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Danmarks Have for Soprano Solo Choir SATB and Concert Band was composed by Anders Koppel in 2012 for the celebration of Her Majesty Queen Margrethe II of Denmark's 40th anniversary. Text by Niels Brunse. Commissioned by Wonderful Copenhagen. Score: WH31446
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Requiem C Minor
10.40
Requiem C Minor
Gemischter Chor (SATB) und Orchester
Barenreiter
Cherubini owes his fame as a church composer primarily to the 'Requiem in C mino...
(+)
Cherubini owes his fame as a church composer primarily to the 'Requiem in C minor? of 1817. It was held in extraordinarily high esteem by such composers as Beethoven and Schumann and served as a model for early 19th-century Requiem settings. Dispensing entirely with solo voices, it captivates with its rigorous formal concentration and its restrained use of musical resources in both choir and orchestra.This Urtext edition takes into account not only the autograph score with 'spartitino? (additional instruments written in by hand) but also the first edition and a copyist's manuscript.Rounding off this exemplary Urtext publication is an informative Introduction and a Critical Commentary (Eng).- Cherubini's well-known Requiem in a definitive Urtext edition- Bilingual Foreword (Eng/Ger)- Idiomatic, uncluttered piano reduction / Violon II
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Carl Nielsen: Suite Op. 45: Piano: Instrumental Work
14.71
Carl Nielsen: Suite Op. 45: Piano: Instrumental Work
Piano Facile
[Partition]
-
Intermédiaire
Carl Nielsen Edition
Carl Nielsen's Suite Op. 45 for Piano solo (1919-20). The present score is a pho...
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Carl Nielsen's Suite Op. 45 for Piano solo (1919-20). The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Piano and Organ Works Series II. Vol. 12
14.71 GBP - vendu par Musicroom GB
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Carl Nielsen: Prelude Theme And Variations Op.48: Violin: Instrumental Work
Violon
[Partition]
-
Intermédiaire
Carl Nielsen Edition
Carl Nielsen's Prelude Theme And Variations Op.48 (Præludium Og Tema Med Varia...
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Carl Nielsen's Prelude Theme And Variations Op.48 (Præludium Og Tema Med Variationer Op. 48) for Violin solo dating from 1922-23.The present score is a photographic reproduction of the work as it appears inCarl Nielsen Works - Published by the Carl Nielsen Edition The Royal Library Copenhagen - Instrumental Music Vol. II/10 Chamber Music 1
23.36 GBP - vendu par Musicroom GB
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BALKAN - ENSEMBLE INSTRUMENTAL + CD
28.40
BALKAN - ENSEMBLE INSTRUMENTAL + CD
UNIVERSAL EDITION
For flexible ensemble (2 leading parts (C, Bb, Eb), accordion, guitar, piano, ba...
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For flexible ensemble (2 leading parts (C, Bb, Eb), accordion, guitar, piano, bass (double bass/electric bass), percussion)
Arranger: Mamudov Hidan.
The Balkans - where Europe meets Asia...
All the cultural diversity of the Balkans is reflected in its varied and colourful music. Hidan Mamudov's selection of pieces from the region, in arrangements for ensemble and separate play-along editions for solo instruments, will provide new experiences for middle-grade players and beyond…
The pieces are selected from Turkey, Hungary, Croatia, Bulgaria, Macedonia, Serbia and Bosnia-Herzegovina. Included are fascinating historical notes about the music and descriptions of traditional instruments. Special playing techniques are explained and performance tips will help players achieve an authentic sound. All this, together with the CDs of demonstration performances and play-along tracks is sure to be inspirational.
Score - for flexible ensemble:
Melodies I and II for C, Bb and Eb instruments,
Piano, Accordion, Guitar, Bass and Percussion
Parts - the CD provides instrumental parts for printing out as well as the musical tracks.
Traditional: Ciribiribella
Traditional: Moja Mala
Traditional: Moj dilbere
Traditional: Makedonsko Devojce
Traditional: Uzecko Kolo
Traditional: Rampi Rampi
Traditional: Svadbarsko Horo
/ Partitions variété - pop - rock / Musique du monde / / UNIVERSAL EDITION
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Lopez Victor - Flex Ability Pops F Horn - Cor En Fa
11.60
Lopez Victor - Flex Ability Pops F Horn - Cor En Fa
Alfred Publishing
Solo-Duet-Trio-Quartet with Optional AccompanimentThe Flex-Ability series, arran...
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Solo-Duet-Trio-Quartet with Optional AccompanimentThe Flex-Ability series, arranged by Victor Lopez, fills the need for multi-level instrumentalists to play popular music together. Each instrument book includes 11 songs in four-part score form. The top line (solo) is for level 2 1/2-3. The second line (duet/harmony) is for level 2-2 1/2. The third line (trio/harmony) is for level 1 1/2. The bottom line (harmony or bass line) is for level 1(only whole, half, dotted half, and quarter notes and rests). Contents :Celebration George Melvin Brown (composer); Ronald Bell (composer); Claydes Smith (composer); Robert Mickens (composer); Dennis Thomas (composer); Robert Bell (composer); James Warren J. T. Taylor (composer); Earl Toon (composer); Eumir Deodato (composer)China Grove Tom Johnston (composer)Eye of the Tiger (from Rocky III) Jim Peterik (composer); Frankie Sullivan III (composer)Frosty the Snowman Steve Nelson (composer); Jack Rollins (composer)In the Midnight Hour Steve Cropper (composer); Wilson Pickett (composer)Jeepers Creepers Harry Warren (composer); Johnny Mercer (lyricist)La Bamba Victor Lopez (arranger)Peter Gunn (from Peter Gunn) Henry Mancini (composer)Soul Man Isaac Hayes (composer); David Porter (composer)Sweet Georgia Brown Maceo Pinkard (composer); Ben Bernie (composer); Kenneth Casey (composer)When the Saints Go Marching In Victor Lopez (arranger)
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The G. Schirmer Piano Collection: Piano
25.99
The G. Schirmer Piano Collection: Piano
Piano seul
Schirmer
This collection features piano works by prominent G. Schirmer composers includi...
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This collection features piano works by prominent G. Schirmer composers including: Adams Barber Cowell Dello Joio Harbison Kabalevsky Khachaturian Prokofiev Shostakovich Tan Dun and others. Includes previouslyunpublished first editions by John Corigliano and Gabriela Lena Frank. Suitable for advanced high school and college-level pianists.
25.99 GBP - vendu par Musicroom GB
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Vivaldi A. - Sovvente Il Sole, Andromeda Liberata - Chant-clavier
22.50
Vivaldi A. - Sovvente Il Sole, Andromeda Liberata - Chant-clavier
Les Editions Buissonnieres
Aria pour mezzo (composé à l'origine pour mezzo-castrato) Extrait du pasticci...
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Aria pour mezzo (composé à l'origine pour mezzo-castrato) Extrait du pasticcio Andromeda liberata Format 22,5 x 32 cm, Couverture cartonnée. 20 pages : 1 conducteur clavier (piano), 1 conducteur chant, violon solo. Partition musicale (musical score) : Arrangement pour clavier (piano) Extrait d'Andromeda liberata, l'air Sovvente il sole offre une ligne mélodique magnifique, un dialogue émouvant entre le héros Persée et le violon solo. S'inspirant de la légende grecque d'Andromède, le pasticcio conte le sacrifice d'une princesse d'Ethiopie Andromède, offerte par son peuple au dieu Poséidon, afin d'étancher sa soif de vengeance et qui fut sauvée de justesse par le valeureux Persée. Andromeda Liberata serait un pasticcio, auquel auraient contribué Giovanii Porta, Tomaso Albinoni, et peut-être Niccola Porpora. Le manuscrit, daté de 1726, a été retrouvé en 2002 dans les archives du Conservatorio Benedetto Marcello, à Venise. Seul l'air Sovvente il sole, avec violon obligé, est attribué avec certitude à Antonio Vivaldi. Sovente il sole risplende in cielo, più bello e vago se oscura nube già l'offuscò. E il mar tranquillo quasi senza onda talor si scorge, se ria procella già lo turbò. Souvent le soleil resplendit dans le ciel, plus beau et agréable si un sombre nuage l'a d'abord assombri. Et la mer calme, presque sans vagues, on ne peut l'apercevoir que si une rude tempête l'a d'abord troublée. Cet aria a été enregistré par Philippe Jaroussky et l'ensemble Matheus sur le CD Heros - VIVALDI - opera arias (2006), ainsi que par Nathalie Stutzmann et l'ensemble Orfeo 55, sur le CD Prima dionna (2010).
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