Le titre de l'oeuvre fait référence au poète persan, philosophe, mathématicien et astronome Omar Khayyam qui vécut au XIe siècle et fut l'un des plus grands savants de son temps. Le concerto pour clarinette de threemovement décrit les étapes et les thèmes associés à sa vie: l'enfance et l'adolescence, de l'érudition, la critique religieuse et en plus son amour pour sa femme qui Khayyam a exprimé avec franchise exceptionnelle dans sa poésie.Cette réduction de piano est conçu pour des performances avec clarinette et piano, aussi. / Clarinette Et Orchestre

This clarinet concerto was premiered in 1997 as part of the celebrations of the Year of Ninian one of the founding fathers of Christianity in Scotland. St Ninian the first bishop of Whithorn was believed to have arrived in Galloway in the south-west of the country in 397 nearly two centuries before St Columba landed on Iona. The three movements are based on three of the so-called Miracles of Ninian strange and evocative tales about the saint and his followers documented in a Latin poem written a few centuries after his death. As well as being a concerto the work is therefore also a collection of tone-paintings which give an impression of these ancient tales.

for Clarinet and Orchestra-In late 1791 Mozart wrote his famous work the Concerto for ?Bassettklarinette? and Orchestra K.622 known today as his Clarinet Concerto. The challenging virtuoso piece was written for Anton Stadler and the music follows the three-part structure of Allegro Adagio and a Rondo finale.This work was first published in 1801 and by no less than three publishers. It is one of the most important works in the Clarinet repertoire and remains a popular work to the present date.Urtext of the New Mozart EditionFull score & performance material (BA4773) Clarinet in A & Piano reduction (BA4773-90) and study score format 22.5 x16.5cm (TP254) available for saleClarinet in B-flat & Piano reduction (BA4773-38)Reconstructed version for Basset Clarinet and Orchestra full score (BA4773-01)

Doll Steps In Venice by the Danish composer Bent Sørensen. Scored for solo Clarinet and Orchestra. Sørensen's musical language is said to be undeniably of the present day both aesthetically and technically. The music does however appear to be pervaded with memories wisdom of experience and old dreams of the inevitability of transitoriness and parting. It is a flickering glittering world where things seem to disappear at the slightest touch.

Par SPOHR LOUIS. Louis Spohr?s technically, extremely demanding concertos have long been part of clarinetists? standard repertoire. Like the first clarinet concerto, this second concerto was composed for the clarinetist Johann Hermstedt, probably in the spring of 1810. Critics praised the concerto at its premiere, stating that it was ?undeniably one of the most accomplished works of art of its kind.? Emphasized was also the ?great and brilliant treatment of the solo instrument, combined with a very original orchestra accompaniment, where every part, even the timpani, is obbligato.? The concerto was even then a great success with the audience. For publication, Spohr supplemented the solo part with various ossia passages as simplifying alternatives. These can of course be found in the score as well as in the piano reduction presented in Ullrich Scheideler?s new critical Urtext edition in collaboration with G. Henle Verlag, now for the first time in a reliable edition. / Date parution : 2022-10-12/ Répertoire / Orchestre et Clarinette

Debussy’s Première Rhapsodie is one of two concertante works completed premiered and published during his lifetime. He was commissioned to write it in 1909 for the final examination at the Paris Conservatoire in 1910. Debussy orchestrated it in the summer of 1911. While transferring the clarinet part from the already published version for clarinet and piano he made a few subtle changes particularly in m. 201 which has been a bone of contention among clarinettists for over a century.The present scholarly-critical publication is the first Urtext edition of the orchestral version. It draws on every known source and takes into account a previously ignored source that shedsnew light on the piece.First Urtext edition of the orchestral versionFirst scholarly-critical edition of a pioneering work for clarinetTrilingual Foreword (Eng/Fr/Ger) with Critical Commentary (Eng)

Par MANTOVANI BRUNO. Le concerto a toujours été le genre où je me suis senti le plus à l'aise. La rhétorique de la virtuosité étant une valeur forte dans mes conduites dramatiques, la relation de conflit entre un soliste volubile et un ensemble est un élément narratif important dans mon langage. Même dans des effectifs 'démocratiques' comme le quatuor à cordes ou la symphonie, j'aime jouer sur l'opposition et le contraste. Dans cette nouvelle oeuvre, la clarinette, mon instrument fétiche, occupe une place ambiguë. En effet, elle est à la fois membre de l'orchestre et soliste récurrent. Le modèle est ici clairement avoué : il s'agit du Prélude à l'après-midi d'un faune de Claude Debussy. Comme dans cette pièce de référence, l'instrument principal guide le discours et contamine la texture générale d'un orchestre de vastes dimensions, oscillant sans cesse entre la musique de chambre et le gigantisme sonore. La pièce n'aurait jamais vu le jour sans la sonorité inspiratrice de David Minetti, avec qui j'éprouve un plaisir permanent à travailler depuis quelques années. Bruno Mantovani/ Répertoire / Clarinette et Orchestre