Garth Knox is one of the most prominent violists of his generation, and as former long-time member of the Arditti Quartet he has developed and maintained a fondness of contemporary music. In the meantime, he gives concerts and teaches courses all over the world.With 'Viola Spaces' he wants to make contemporary playing techniques accessible to advanced players. The pieces, or 'playing spaces', are true concert studies, each of them dealing with specific techniques such as harmonics, pizzicato (with 9 fingers!) or tremolos which are explained in great detail.Another volume with modern playing techniques for two violas and a volume with variations on a piece by the French viola da gamba master Marin Marais for four violas are planned. / 2 Altos

Cette série de duos pour comme instruments classique est reconnaissable à presque tout le monde qui a jamais étudié un instrument. La richesse des matériaux suppléments développement musical et offre une riche expérience pour la croissance des musiciens. Duo jouant est souvent première forme un élève d'expérience ensemble - technique, qualité de ton, l'intonation et équilibre sont introduites comme l'étudiants font une des choses que dont ils jouissent de plus - faire de la musique avec un ami. Et le duo jouant mène naturellement et facilement à rendement compétente dans de grands ensembles. (Vol. I - facile au milieu, Vol. 2 - moyen et avancé) / Flûte Traversière / Partition

Traditional Carol-For a moderately advanced children's choir or easy for an adult choir. Includes: pat-a-pan and fum fum fum. Can be performed in French _x000D_Spanish or English and accompanied by piano or harp strings and_x000D_ woodwinds. Instrumentation: flute 1-2 oboe 1-2 clarinet 1-2 bassoon 1-2 violin 1-2 viola cello and bass.Harp plays from the piano part onthe octavo. No score.

Par . Both volumes of Easier Together - Recorders contain short and easy duos that can be performed by beginners either with their teachers or with more advanced learners. The pieces progress gradually from easier ones to more difficult works. This collection of recorder duos can also, with some supplementary material, be used as a recorder method. In these volumes, the musical experience of two-part playing is further enriched by the use of different recorder types: where indicated, the lower part can be played not only on soprano recorder but also on alto, tenor, or even sopranino recorder. Some pieces include harmonic indications, so an accompaniment can be improvised alongside the two recorder parts. The process of learning and practising is additionally supported by a fingering chart and articulation marks for tonguing, with new musical elements highlighted in the score. Trombone and recorder teacher Péter Perényi (b. 1954) was for many years the head of the wind department at the Bence Szabolcsi Music School in Budapest. He has held several training courses for recorder teachers, and the recorder gatherings he organised in Budapest gave rise to the National László Czidra Recorder Competition. He is the author and editor of several publications on wind pedagogy, including methods for trombone and recorder. / Date parution : 2022-12-12/ Recueil / 2 ou Flûtes à Becs

This classic series of duets for like instruments is recognizable to nearly everyone who has ever studied an instrument. The wealth of material supplements musical development and provides a rich experience for growing musicians.Duet playing is often a student's first form of ensemble experience - technique tone quality intonation and balance are introduced as students do one of the things they enjoy most - making music with a friend. And duet playingleads easily and naturally to competent performance in larger ensembles. (Vol. I – Easy to Medium Vol. 2 – Medium to Advanced)

Duets for Classical Guitar 2. Solo guitar arrangements of classical works are often so complex that they exceed the capabilities of most guitarists. Fabian Payr?s Duets for Classical Guitar avoids this pitfall by sharing the original work between two guitars. In so doing, famous compositions?from stylistically varied periods and for a range of original instrumentations?are in some cases accessible to guitarists for the first time. The collection also includes well-known pieces from the demanding solo guitar repertoire that can be worked on by less advanced players thanks to this sharing approach.

Combining the Christmas carol “O Little Town of Bethlehem” with an original countermelody this lovely arrangement has been crafted into a classic partner song. Having your audience or congregation sing the familiarcarol with the choir singing the countermelody is just one of many combinations for the versatile format. Perfect for beginning to advanced choirs and suitable for school or church settings.

Two madrigals for advanced secondary chorus:Spring the Sweet Spring-a gentle expressive pieceLove Me Not for Comely Grace-quick and rhythmic

Welcome spring and a return to new life with this wonderful reflective choral from Craig Courtney. Perfect for advanced children's choirs or female ensembles the rich harmonies and lilting accompaniment make Spring Song the ideal choice for seasonal programming.

For a more advanced children's choir _x000D_This piece _x000D_ ' s most appropriate as a processional before a concert. It would also be effective if choreographed with members of the choir being actively involved or with dancers. The choir must strive for simplicity serenity and a pure singing legato line at all times.' - Jean Ashworth Bartle

Experience the magic of Spanish guitar music with new compositions from author Kacha Metreveli. The material is written for two guitars andencompasses styles such as Malaguena, Festiva, Habanera, Capricho and more. Eleven duets of intermediate to advanced difficulty are presented, including the following compositions:Dos Guitarras Espanolas (Festiva)RecuerdosAlma Espanola (Capricho)Jota AragonesaHomenaje a los Romeros (Malaguena)Homenaje a Tarrega (Habanera)FandangoPaterna de Rivera (Petenera)Souvenir de Espana (Zapateado)Homenaje a Segovia (Tonadilla)Adios Amigos! (Postlude)The bonus piece 'Fandango No. 2' requires two players on one guitar at the same time! Experience the magic of Spanish Guitar music with new compositions from author Kacha Metreveli. The material is written for two Guitars and encompasses styles such as Malaguena, Festiva, Habanera, Capricho andmore. Eleven duets of intermediate to advanced difficulty are presented, including the following compositions: Dos Guitarras Espanolas (Festiva)RecuerdosAlma Espanola (Capricho)Jota AragonesaHomenaje a los Romeros(Malaguena)Homenaje a Tarrega (Habanera)FandangoPaterna de Rivera (Petenera)Souvenir de Espana (Zapateado)Homenaje a Segovia (Tonadilla)Adios Amigos! (Postlude). The bonus piece 'Fandango No. 2' requires two players on one Guitarat the same time./ Recueil / 2 Guitares

Divertimento su temi di Antonio Vivaldi per due pianoforti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Répertoire / 2 Pianos

Learn and perform at a flute master class with the legendary Murray Panitz as your teacher! Perfect for practice rehearsal auditions contest solos performances and more! This third volume of advanced solos features Murray Panitz of the Philadelphia Orchestra performing each piece with piano accompaniment. Then you step in and take his place. Includes additional slow-tempo practice versions of the Handel Sonata's Presto Henze's Sonatine and the Quantz Concerto's Allegro. Includes a high-quality printed music score annotated with performance suggestions and a CD with complete versions (with soloist) followed by piano accompaniments to each piece minus the soloist.