French and Spanish Music. 'The Schott Recorder Consort Anthology' presents a wealth of music from the fifteenth to the seventeenth centuries. Although the bulk of the collection is laid out for a variety of four-part ensembles there are also duets and trios, as well as five- and six-part pieces. The repertoire includes both original instrumental works and transcriptions of vocal pieces. There are lively and stately dances, fantasias, and arrangements of expressive madrigals, catchy chansons and more restrained religious pieces; all are chosen for their effective realization by recorder consorts. 136 Renaissance pieces with notes on sources, editorial technique and interpretation. Volume I contains a valuable introduction to the series and to the art of consort playing. 2-6 recorders: Descant, Treble, Tenor, Bass in various combinations./ Recueil / 2-6 Flûtes à Bec [Aa/St/Stt/SAT/SATB/Attb/Aatt/SSA

Description This excellent edition contains all 19 sonatas and four fantasies, works central to the keyboard repertoire. Reprinted from Breitkopf & Härtel?s Complete Works. Indispensable for serious pianists at all levels. Songlist Fantasy No.1 And Fugue In C Major Fantasy No.2 In C Minor Fantasy No.3 In D Minor Fantasy No.4 In C Minor And Sonata No.14 In C Minor Sonata No.1 In C Major Sonata No.10 In C Major Sonata No.11 In A Major Sonata No.12 In F Major Sonata No.13 In B Flat Major Sonata No.16 In C Major Sonata No.17 In F Major Sonata No.18 In B Flat Major Sonata No.19 In D Major Sonata No.2 In F Major Sonata No.3 In B Flat Major Sonata No.4 In E Flat Major Sonata No.5 In G Major Sonata No.6 In D Major Sonata No.7 In C Major Sonata No.8 In A Minor Sonata No.9 In D Major Sonta No.15 In F Major With The Rondo In F Major

This piece Hongroises is the last in the set of Andersen's Fantasies Nationales and is arranged for Flute and Piano accompaniment.

Treasury of 15 popular works for solo Piano by famed student of Mozart Johann Nepomuk Hummel:Sonatas Opp. 13 20 81 and 106; well-known Rondo Op. 11; 24 miniature Preludes Op. 67; Variations on a Theme by Gluck Op. 57; Rondo-Fantasie Op. 19; Rondo all'Ungherese Op. 107 No. 6 and 6 more elegantly crafted pieces.Reprint of selections from Sonaten and Klavier-Stücke Universal-Edition Vienna and Leipzig n.d.

A fascinating work from the end of Malcolm Arnold's composing life written at the same time as his 9th Symphony. Opus 129.Grade: 3-6

Ursula Mamlok's SIX RECITAL PIECES FOR YOUNG PIANISTS, composed in 1981, as well as FOUR RECITAL PIECES FOR YOUNG PIANISTS, composed shortly afterwards in 1982, belong, no doubt, to the most fruitful and successful years of the composer.At the request of her friend, violinist and amateur pianist Lilo Glick, Ursula Mamlok wrote these pieces, which Lilo premiered at the Bennington Summer Music Festival of 1982.The exact dates of composition of each individual piece can be found in the original version of the score, showing the dates of THE RELUCTANT RAINDROP and ON THIN lCE were 10.28.1981, PASSING STORM CLOUDS and A CLARION CALL 10.29.1981 framing them, SUNRISE IN THE EAST and SUNSET IN THE WEST were added a month later on 11.23.1981. Small additions and corrections can be found in a 2nd copy, done during her visit toGermany in December 2005.Typical of Mamlok's musical language of these character pieces - written between the dodecaphonic works PANTA RHEI for violin, cello and piano of 1981 and FANTASIE VARIATIOATS for solo-cello of 1983 - is her use of extended tonality, intervals of diads, tritones, pentatonic scale structures, cluster chords, dynamic contrasts, the use of extremely wide ranges, rhythmic shifts, subtle use of pedalling, all playing an important role in this music.While each of these 6 miniatures, with their picturesque titles is in itself a self-contained character piece SIX RECITAL PIECES FOR YOUNG PIANISTS forms a cyclic whole.No doubt, the great variety inherent in these 6 miniatures will not only be stimulating, but also convey much enjoyment to the performing pianist.Dr. Dieter Michael Backes (Mainz, 2006) / Piano

Par MARSDEN THOMAS ANNE. Musiciens Importante collection de musique d'orgue pour les étudiants, les joueurs, et l'église de tous les niveaux et les capacités Chaque groupe livre des pièces en fonction des besoins de service: Préludes, Interludes, processions, Postludes Mélodieux, répertoire attrayant, couvrant cents 16e au 21e. avec quelques nouvelles pièces écrites spécialement pour la collection Les plus grands compositeurs de l'instrument bien représentés Pieces nouveau modifié de présenter la musique de façon claire et pratique pour les joueurs, avec des suggestions d'enregistrement et de tempo pour chaque pièce Une forte représentation dans les syllabus ABRSM nouvelles (à partir de 2011) Noté collection: env. livre 1 Grades 1-4- réserver 2 Gr. 4-6, livre 3 gr. 6-8 Editeur de haut-profil, des enseignants de premier plan et organiste de concert Il s'agit d'une importante collection de musique d'orgue pour les étudiants, les joueurs, et les musiciens d'église de tous les niveaux et les capacités. Compiler et rédacteur en chef Anne Marsden Thomas a tiré sur sa longue expérience de l'enseignement et la lecture pour sélectionner les plus intéressantes, le répertoire mélodieux dans deux nouvelles séries d'anthologies classé, un ensemble (3 volumes) pour les manuels seulement, la seconde série (3 volumes) pour claviers et pédalier. Dans chaque produit, les pièces sont regroupées selon les besoins de services en préludes, intermèdes, processions, et Postludes. Le répertoire s'étend du 16e au 21e siècle, avec quelques nouvelles pièces écrites spécialement pour la collection. Un certain nombre de pièces dans la collection ont été sélectionnés pour le programme d'organes ABRSM. Le résultat est une magnifique collection de répertoire pour tous les joueurs, contenant une foule de morceaux attrayants et variés qui offrent beaucoup de soutien pratique pour les musiciens d'église et d'enrichir et de développer leur jeu. / Niveau : Facile / Recueil / Orgue

XII Fantasie per il Violino senza Basso. Par TELEMANN GEORG PHILIPP. Xii Fantasie Per Il Violino Senza Basso/ Répertoire / Violoncelle

New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos

Environ 100 de mélodies les plus populaires de tous les temps, arrangé pour l'accordéon, y compris : Aloha Oe · Ave Maria · Blue Danube Waltz · Fantasie Impromptu · Pierre et le loup · Vallée de la rivière Rouge · Le · vers luisants La Rose jaune du Texas · Mariage de la · vents et plus encore. / Accordéon / 48 pages / Partition