Par THOMPSON JOHN. Répertoire amusant pour commencer les pianistes à compléter le cours de Piano plus facile / Niveau : Facile / Recueil / Piano

Par BLOW JOHN. A collection of 20 pieces by Froberger, Fischer and Strungk in the hand of John Blow, transcribed and edited from the ms. in the Brussels Conservatoire by Davitt Moroney. CONTENTS BLOW, John (Ground in E minor) FISCHER, Johann (Chaconne in G major; Suite in D major; Suite in E minor; Suite in F major) FROBERGER, Johann (Capriccio in D minor; Cappricio in G major; Fantasia on 'Sol La Re'; Ricercar in D minor; A collection of 20 pieces by Froberger, Fischer and Strungk in the hand of John Blow, transcribed and edited from the ms. in the Brussels Conservatoire by Davitt Moroney. CONTENTS BLOW, John (Ground in E minor) FISCHER, Johann (Chaconne in G major; Suite in D major; Suite in E minor; Suite in F major) FROBERGER, Johann (Capriccio in D minor; Cappricio in G major; Fantasia on 'Sol La Re'; Ricercar in D minor;/ Répertoire / Piano

Six pieces from Musica Britannica Vol. 96. Complementary to K49, this collection is a unique offering of music by John Amner, Nicholas Carleton and John Tomkins that is the only surviving Keyboard music by the respective composers. In addition to a pair of duets, in themselves an unusual feature from the period, there are two lengthy sets of variations, Amner 's being a rare example of those on a metrical psalm or hymn-tune (possibly by Tallis in this case), John Tomkins ' being more conventionally modelled on the variation sets of William Byrd. Nicholas Carleton 's 'A verse of 4 parts' and 'Upon the sharp' include several examples of unusual chromatic notation and wide-rangingtonal schemes. / Date parution : 1905-07-07/ Recueil / Clavier

Arrangeur: John Williams. Par WILLIAMS JOHN. Arranged for Medium Voice by John Williams. Voice and Guitar. CONTENTS/ Recueil / Chant et Guitare

The John Wilbraham Method. Par BOOTH MATTHEW. ISBN 0 85249 860 8 Probably the most important book on the subject to have appeared in recent years, Sound the Trumpet encapsulates the musical philosophy of John Wilbraham, one of the 20th-century’s most eminent and colourful trumpet players and teachers. Matthew Booth, himself a former student, explains how knowledge of Wilbraham’s unique insights into the art and craft of playing the instrument can benefit all performers, whether beginners or professionals. Drawing his teacher’s witty sayings and pithy technical analyses into a comprehensive system, he has produced a complete and indispensable guide to mastery of the trumpet, amounting to nothing less thanthe 'Wilbraham Method’. ISBN 0 85249 860 8 Probably the most important book on the subject to have appeared in recent years, Sound the Trumpet encapsulates the musical philosophy of John Wilbraham, one of the 20th-century’s most eminent and colourful trumpet players and teachers. Matthew Booth, himself a former student, explains how knowledge of Wilbraham’s unique insights into the art and craft of playing the instrument can benefit all performers, whether beginners or professionals. Drawing his teacher’s witty sayings and pithy technical analyses into a comprehensive system, he has produced a complete and indispensable guide to mastery of the trumpet, amounting to nothing less thanthe 'Wilbraham Method’./ Livre / Livre

Par IRELAND JOHN. John Ireland's Cavatina was originally written for Violin and Piano, however was later transcribed, by the composer, for his favourite instrument - the Organ. John Ireland's Cavatina was originally written for Violin and Piano, however was later transcribed, by the composer, for his favourite instrument - the Organ./ Répertoire / Orgue

Even for Ralph Vaughan Williams the prospect of two world premieres within 24 hours must have been something of a rarity. Such was the case however on the first two days of June 1953, when his now classic arrangement of The Old Hundredth Psalm was sung at the Coronation of Elizabeth II in Westminster Abbey, being preceded the evening before by the premiere of 'Silence and Music', fourth of ten partsongs of A Garland for the Queen, commissioned from leading British composers by the Arts Council of Great Britain to honour the new monarch. Long unavailable except as separate items from individual publishers, this historic collectionis now reissued complete by Stainer & Bell in its original single-volume format, allowing conductors and singers to choose from a rich collection of choral music with which to mark the Queen's Diamond Jubilee and, in 2013, the 60th anniversary of the Coronation itself. In addition to VW's contribution, A Garland for the Queen includes important settings by Bax, Berkeley, Bliss, Finzi, Howells, Ireland, Rawsthorne, Rubbra and Tippett. The collection moreover draws on the work of poets whose names likewise feature prominently in the annals of mid-century British literary talent: Clifford Bax, Edmund Blunden, Paul Dehn, Christopher Fry, Christopher Hassall, James Kirkup, Louis MacNeice, Walter de la Mare, Henry Reed and Ursula Wood. Intended as a counterpart to The Triumphs of Oriana of 1601, the celebrated madrigal volume published in praise of Elizabeth I by Thomas Morley, A Garland for the Queen emulates its distinguished predecessor in its variety of moods and vocal combinations. There is material here to fit every aspect of celebration, from the airy five-part ensemble of Bax's 'What is it like to be young and fair?', and the soprano solo with SATB of Rawsthorne's Canzonet, to the lustrous contrasting of male and female timbres in Bliss's Aubade, and the rapturous eight-part setting of/ Recueil / Voix Mixtes

Par ADDISON JOHN. An advanced level concerto for Trumpet and Strings by John Addison, arranged for Trumpet and Piano accompaniment by the composer. Set for the Associated Board, Trinity College and London College examinations./ Répertoire / Trompette et Piano

Medium Voice. Par IRELAND JOHN. The Complete works for Medium Voice and Piano, by John Ireland. This second volume contians eighteen terrific settings of some real masterpieces! Set for the Associated Board and Guildhall School examinations. / Niveau : Moyen / Répertoire / Chant et Piano

Par BLOW JOHN. Selected from Musica Britannica Volume 69. Edited by Barry Cooper. This collection of sixteen pieces by John Blow (1649-1708), taken from the complete organ music published in Volume 69 of Musica Britannica, is an authoritative introduction to the work of the leading Restoration English composer of organ music. More organ music from this period is ascribed to Blow than to all his English contemporaries put together, including Henry Purcell. In compiling this anthology, the editor has incorporated both the best examples from the corpus, and those that were most popular in the composer's lifetime, while illustrating the variety of styles he used. Most of the pieces may be played ona single manual, but there are also 'double voluntaries' (for two manuals) and 'cornet voluntaries' (for two or three manuals). The collection includes advice on ornamentation and a comprehensive editorial note./ Répertoire / Orgue

Arrangeur: John Rutter. Par CARTER SYDNEY. Sydney Carter's Lord Of The Dance arranged for SATB Choir with Piano accompaniment by John Rutter./ Feuillet / SATB et Piano

Par RUTTER JOHN. Opera Chorus est une collection de 35 choeurs d'opéra classique, savamment disposés comme oeuvres de concert séparés, le tout avec une excellente traduction anglaise et le chant des réductions clavier pratique. Le matériel d'accompagnement orchestral pour tous les titres de la collection est disponible à la location. Certains articles de ce volume sont disponibles séparément sous forme de brochures de la série Oxford Choral Classics Octavo. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres./ Recueil / Chant

Musica Britannica XIV. Par BULL JOHN. Edited by John Steele & Francis Cameron and revised Alan Brown. Bull's skill as a composer and performer was acknowledged throughout Europe. This volume, the first of two, contains fantasias, ostinati and plainsong settings, keyboard canons, preludes and a group of 'Dorian' pieces by this intriguing and ingenious master of the virginals. First published in 1960, revised 1967 and 2001./ Répertoire / Clavier