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Accent On Performance Classical Collection
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Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly e...
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Au cours de dix ans, le légendaire jeunes compositeurs de bande John O'Reilly et Mark Williams a composé et arrangé plus de 100 oeuvres de création qui sont en corrélation avec des pages spécifiques dans leur méthode de bande très réussie, Accent sur ??le rendement. Alfred Music est maintenant fière de faire ces arrangements disponibles dans un format de livre qui comprend 22 un régime complet de chaque collection. / Scores
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The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - 50 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - 50 CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Tout Instrument
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musi...
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The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. Each volume is clearly-presented with authoritative scores, informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra.NEW: This box-set of 25 masterpieces in a handy slipcase containing volumes 51-75 in the series is amazing value: almost 50% cheaper than buying each volume separately!This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focusing on the fields of opera, orchestral music, chamber music and vocal music, it is the favoured by conductors, orchestral musicians, soloists, students, teachers and music-lovers generally. The more you read, the more you hear! / Tout Instrument
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Glenn Miller Suite, A (Brass Band Score) (MILLER GLENN)
15.60
Glenn Miller Suite, A (Brass Band Score) (MILLER GLENN)
Ensemble de cuivres
[Partition]
I.M.P.
Par MILLER GLENN. A Glenn Miller Suite ia a classic arrangement by Mark Freeh, o...
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Par MILLER GLENN. A Glenn Miller Suite ia a classic arrangement by Mark Freeh, offering a four- movement suite of classic Glenn Miller numbers including In the Mood, Moonlight Serenade, Pennsylvania 6-5000 and American Patrol. Brass Band Grade 4: Advanced Youth and 3rd Section Duration: 9 minutes/ Répertoire / Brass Band
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Pawel Szymanski: Recalling A Serenade: Chamber Ensemble: Score
13.99
Pawel Szymanski: Recalling A Serenade: Chamber Ensemble: Score
CLT/VLN/VLA/VLC::Clarinette/Violon/Vio la/Violoncelle
[Partition]
Chester
Szymanski 'Recalling A Serenade' score edition. Separate parts are also availa...
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Szymanski 'Recalling A Serenade' score edition. Separate parts are also available on sale.
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Wolfgang Amadeus Mozart: Serenade No.10 In B Flat K.361 'Gran Partita':
14.50
Wolfgang Amadeus Mozart: Serenade No.10 In B Flat K.361 'Gran Partita':
Eulenburg
Music for wind ensemble also know as Harmoniemusik played an important part in...
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Music for wind ensemble also know as Harmoniemusik played an important part in Mozart’s Austria. Wind ensembles were not only cheaper to employ but they also were suitable for outdoor performance and so appealed to the lesser nobility of the time.Mozart composed the three great wind serenades during his first two years in Vienna with the first of them the Serenade No.10 in B flat K.361 seeing a huge expansion in terms of instrumentation and length. Instead of six (or eight) instruments this serenade is scored for thirteen instruments which include a string double bass. The use of the string bass suggests this work waswritten to be performed indoors unlike those which had preceded it.Available here is a highly authoritative Eulenburg miniature score of Mozart’s Serenade No.10 in B flat K.361 as edited by Harry Newstone which is the definitive reference source for study perusal and performance preparation.
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Herbert Nobis: Serenade: Score
Mannheimer Musikverlag
Serenade
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Bohuslav Martinu: Serenade no. 1 H 217: Chamber Ensemble: Study Score
10.00
Bohuslav Martinu: Serenade no. 1 H 217: Chamber Ensemble: Study Score
Orchestre de chambre
[Conducteur d'étude / Miniature]
Barenreiter
Serenade no. 1 H 217. Unusual instrumentations were by no means the exception in...
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Serenade no. 1 H 217. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate, of which the Serenade No. 1 was composed in 1932. The serenades were published by the Prague publishing house of Melantrich in 1949. Although the study score of the Serenade No. 1 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.
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Bohuslav Martinu: Serenade no. 3 H 218: Chamber Ensemble: Parts
12.50
Bohuslav Martinu: Serenade no. 3 H 218: Chamber Ensemble: Parts
Orchestre de chambre
Barenreiter
Serenade no. 3 H 218. Unusual instrumentations were by no means the exception in...
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Serenade no. 3 H 218. Unusual instrumentations were by no means the exception in the chamber music works of Bohuslav Martinu, most notably the works he wrote in Paris in the 1920s and 1930s being characterised by his experimentation with sound and form. It is from this period that four short serenades also originate (1932), each with a different instrumentation. The serenades were issued by the Prague publishing house Melantrich in 1949. Their premiere took place two years previously on 16 October 1947 and was performed by members of the Prague Symphony Orchestra (FOK). Although the study score of the Serenades Nos. 1 and 3 was published while the composer was still alive, he was in fact not involved in preparing this edition: indeed, the performance material also appeared in print without his participation in 1954. It was therefore decided to use the autograph score as the principal source for this edition.
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Mozart W.a. - Complete Serenades Vol.2 - Full Score
18.40
Mozart W.a. - Complete Serenades Vol.2 - Full Score
Dover Publications
Serenade in D Major for strings and winds, K.203/I89b
I: Andante maestoso...
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Serenade in D Major for strings and winds, K.203/I89b
I: Andante maestoso-Allegro assai
II: (Andante)
III: Menuetto
IV: (Allegro)
V: Menuetto
VI: (Andante)
VII: Menuetto
VIII: Prestissimo
Notturno in D Major for four orchestras (strings and horns), K. 286/269a
I: Andante
II: Allegretto grazioso
III: Menuetto
Serenade in D Major for strings, winds, and timpani ( Posthorn ), K. 320
I: Adagio maestoso-Allegro con spirito
II: Menuetto
III: Concertante
IV: Rondo
V: Andantino
VI: Menuetto
VII: Finale
Serenade in B-flat Major for 13 winds, K. 361/37oa
I: Largo-Allegro molto
II: Menuetto
III: Adagio
IV: Menuetto
V: Romanze
VI: Thema mit Variationen
VII: Rondo
Serenade in E-flat Major for 8 winds, K.375
I: Allegro maestoso
II: Menuetto
III: Adagio
IV: Menuetto
V: Allegro
Eine klein Nachtmusik [A Little Notturno] for strings, K. 525
I: Allegro
II: Romanze
III: Menuetto
IV: Rondo
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Ludwig van Beethoven: Complete Music For Wind Ensembles: Wind Ensemble: Score
Instruments à Vent
[Partition]
Dover Publications
A master of music in all forms Beethoven brought his genius to works as mighty ...
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A master of music in all forms Beethoven brought his genius to works as mighty as the great 'Choral' Symphony and as intimate as the charming 'Spring' Sonata. Less well known but no less ingenious are his delightful works scored for small Wind Ensembles. Intimate melodious and full of rhythmic life this charming music brings a breath of fresh air to the world of fine chamber music.Scored for various combinations of Winds (three works also include solo Strings) the music in this compilation includes the Three Duos WoO 27; the Trio Op. 87; two Sextets Opp. 71 and 81b; the Septet Op. 20; and the Octet Op. 103. Beethoven's Serenade Op. 25 andRondino WoO 25 round out this collection of the master's complete music for Wind ensembles.Reproduced from authoritative early scores Ludwig Van Beethoven: Complete Music For Wind Ensembles offers an inexpensive yet comprehensive volume to all lovers of chamber music.
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Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
21.00
Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
Orchestre à Cordes
-
Intermédiaire/avancé
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Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular an...
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Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale
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Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
5.00
Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
Orchestre à Cordes
Barenreiter
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular an...
(+)
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale
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Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
15.00
Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
Streichorchester
Barenreiter
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular an...
(+)
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale
15.00 GBP - vendu par Musicroom GB
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Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
4.00
Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
Streichorchester
Barenreiter
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular an...
(+)
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale
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Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
5.00
Antonín Dvo?ák: Serenade for String Orchestra E major op. 22: String Orchestra:
Streichorchester
Barenreiter
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular an...
(+)
Dvo ák?s Serenade In E Major for String Orchestra is one of his most popular and frequently played works. It was written in the spring of 1875 when he had just experienced his first successes at the conductor?s podium and had received a state arts scholarship. The score and parts were published by Bote & Bock Berlin in 1879.This Urtext edition is based on the composer?s autograph score. It corrects mistakes found in the first edition and so for the first time the editor incorporates omitted passages from the autograph marking them with Vi-de. This reconstruction makes it possible to clarify the piece?s structure. The author of theForeword Kate ina Nová is head of the Dvo ák Museum in Prague.Detailed Foreword by Kate ina Nová (Cz/Eng/Ger) and Critical Commentary by the editor (Eng)Including Vi-de passages from the autograph scoreFull score & parts (BA10423) available for sale
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Johannes Brahms: Serenade No. 2 In A Major OP 16: Orchestra: Study Score
10.25
Johannes Brahms: Serenade No. 2 In A Major OP 16: Orchestra: Study Score
Orchestre
[Conducteur]
G. Henle
Urtextausgabe-In his Serenade no. 2 op. 16 composed in 1858 60 Johannes Brahms...
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Urtextausgabe-In his Serenade no. 2 op. 16 composed in 1858 60 Johannes Brahms keeps to the usual smaller scoring for this genre using pairs of winds and horns as well as low strings (no violins!).?His friendClara Schumann was ?delighted? with the work but the public reaction was restrained and even Brahms himself was not happy with some details. Thus 15 years after the first performance he rigorously revised theserenade.?Henle are now publishing this definitive version from 1875 that was ?new revised by the author? as a study score with the musical text from the Brahms Complete Edition.
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Serenade I D-Dur Op. 11: Ensemble: Score
Wilhelm Hansen
Johannes Brahms' Serenade In D Op. 11 from 1857 expertly arranged for Ensemble (...
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Johannes Brahms' Serenade In D Op. 11 from 1857 expertly arranged for Ensemble (Wind Quintet and String Quintet) by Karl Aage Rasmussen in 1988. Parts are available on hire: hire@ewh.dk Brahms' første orkesterserenade stammer fra perioden i Detmold da han arbejdede på sin første klaverkoncert. Værket gennemgik flere omarbejdelser og udvidelser den første mindre version var for strygeroktet og Brahms skitserede desuden flere af satserne for et blandet nonet-emsemble. Værkets kammermusikalske karakter er stadig åbenbar i de to menuetter. Etforsøg på at afdække den oprindelige udformning i den endelige version for orkester (2 fl. 2 ob 2 cl 2 fg. 4 horn 2 trp timp. og strygere) forekommer derfor meningsfuldt. Mens blæsersatsen hos Brahms naturligvis er stærkt omarbejdet er originalens strygersats i det væsentlige uændret. Denne version blev oprindelig til på opfordring af Esbjerg Ensemble. - K.Aa.R. august 2009
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Wolfgang Amadeus Mozart: 2 Serenades: Ensemble: Miniature Score
14.50
Wolfgang Amadeus Mozart: 2 Serenades: Ensemble: Miniature Score
Eulenburg
und 'Serenade a 8' (Nachtmusik) KV 388-Eine kleine Nachtmusik KV 525 / Serenade ...
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und 'Serenade a 8' (Nachtmusik) KV 388-Eine kleine Nachtmusik KV 525 / Serenade a 8 (Night Music) KV 388
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Wolfgang Amadeus Mozart: Serenade In E-Flat Major K.375: Wind Ensemble:
2 Clarinettes, 2 Cors Et 2 Bassons
[Partition]
Barenreiter
for two Clarinets two Horns and two Bassoons-The Serenade in E-flat K.375 exi...
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for two Clarinets two Horns and two Bassoons-The Serenade in E-flat K.375 exists in two versions one for two clarinets two horns and two bassoons and another for the same forces plus two oboes forming an octet.From Mozart himself we know a fair amount about the occasion that led to the first six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October the name-day of St. Theresa.The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics he also altered the work’s melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre thereby enabling him for example to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave.- scored for Clarinet (in B-flat) (2) Horn (2) Bassoon (2)- Urtext of the New Mozart Edition- Parts (BA5334) and study score both versions format 22.5 x 16.5cm (TP315) available for sale
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Ludwig van Beethoven: Flotenserenade Op.25 Urtext: Mixed Ensemble: Score
9.25
Ludwig van Beethoven: Flotenserenade Op.25 Urtext: Mixed Ensemble: Score
Flûte, Violon, Alto
[Conducteur d'étude / Miniature]
G. Henle
Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven...
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Serenade for Flute Violin and Viola in D major op. 25-What occasioned Beethoven to write a composition for such an unusual and yet sonorous group of instruments? Was it perhaps commissioned by a nobleman who played music with such a group and needed music? Whatever thereason behind it Opus 25 is one of Beethoven’s few chamber music works that did not have a Bass instrument. Despite the unusual combination of instruments Beethoven had no difficulty in finding apublisher for his serenade; shortly afterwards he even turned to the work again and revised an arrangement for Flute and Piano (Op. 41) which had been made by a third party. Our revised edition follows the musical text which willsoon be published in volume VI/1 of our new Beethoven Complete Edition.
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The Greatest Orchestral Masterworks Vol.51-75 Box Set
267.27
The Greatest Orchestral Masterworks Vol.51-75 Box Set
Orchestre d'harmonie
Eulenburg
The most important concert and orchestral works from the Baroque era to the Roma...
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The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band
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Franz Schubert: Night: TTBB: Score
2.99
Franz Schubert: Night: TTBB: Score
Chorale TTBB
TTBB
[Partition]
J. Curwen and Sons
Franz Schubert(1797-1828) was an Austrian composer working in the early Romantic...
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Franz Schubert(1797-1828) was an Austrian composer working in the early Romantic era. First published in 1823 Die Nacht (D. 983c/Op. 17 No. 4) is scored for an unaccompanied four-part male chorus(TTBB) with words by Friedrich Wilhelm Krummacher. In this lyrical song Schubert cleverly uses the expressive nature of the upper male range to serenade the beauty of the night.
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