Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue

für Soli, Chor und Orchester. Par BACH JOHANN SEBASTIAN. Für die Komposition des Weihnachts-Oratoriums bediente sich Johann Sebastian Bach wie auch bei anderen großen Vokalwerken des Parodieverfahrens, d. h. er griff auf früher komponierte Sätze zurück (in diesem Fall meist aus denGlückwunschkantaten BWV 213 und 214) und passte sie kunstvoll dem neuen Text an. Mit der musikalischen Gestaltung dürfte Bach in der Adventszeit 1734 begonnen haben. Über die erste Aufführung an den Festtagen Ende 1734 und Anfang 1735 hinausgelten weitere Aufführungen zu Bachs Lebzeiten als sehr wahrscheinlich, da das originale, mitunter autographe Stimmenmaterial Spuren regen Gebrauchs zeigt. / Oratorio / Répertoire / Choeur Mixte, Soprano et Orchestre

BWV 248. Par BACH JOHANN SEBASTIAN. For this edition, Carsten Klomp has transferred the orchestral movement of the 1st cantata from Johann Sebastian Bach's Christmas Oratorio to the organ. It not only enables a performance with a reduced line-up, but also a tonally appealing and surprisingly coherent rendition of this wonderful music. The way the voices are distributed on the manuals and pedal and the balance between virtuosity and good playability ensure both proximity to the original score and an organ-appropriate implementation. Instead of a simple piano reduction on the organ, this version offers an independent performance option that allows the organ to be used in all of its facets and possibilities.The vocal parts (solos and choir) are identical to the edition of the original version (Carus 31.248/00), so that the piano reduction and choral score can be used.The single part for the organ was optimized for page turning, i.e. the choral parts were not printed, but the dacapo was always notated out. / Date parution : 2021-12-09/ Répertoire / Orgue

Leichte Bearbeitungen für Klavier - Die Komponistenserie für Kinder-Little Amadeus & Friends - die Komponistenserie für Kinder - stellt berühmte Komponisten und deren Werke vor.Dieses Spielheft ist dem großartigen Meister der Barockzeit Johann Sebastian Bach (1685-1750) gewidmet. Als Comicfigur und einer von Little Amadeus' Freunden führt er durch dieses Buch und erzählt in einer spannenden Geschichte aus seinem Leben. Daran anschließend folgen zwanzig seiner beliebtesten Werke in leichten Bearbeitungen für Klavier.Außerdem gibt er viele interessante Tipps und Informationen zu seinen Kompositionen. Am Schluss gibt es noch ein Bach-Quiz in dem das erlernte Wissen abgefragt wird. Auf der beiliegenden CD sind alleMusikbeispiel im Original zu hören. Mit vielen Bildern zum Ausmalen.Inhalt:Mein LebenKlaviermusik:Menuett G-Dur BWV Anh. 114 Menuett g-Moll BWV Anh. 115Präludium Nr. 1 C-Dur BWV 846Aria aus den Goldberg-Variationen BWV 988VokalmusikZion hört die Wächter singen aus BWV 140 Jesus bleibet meine Freude aus BWV 147Sinfonia aus BWV 156 Sinfonia aus BWV 169Hirtenmusik aus dem Weihnachts-Oratorium BWV 248Orgelwerke Toccata d-Moll BWV 565 Fuge d-Moll BWV 565OrchesterwerkeBrandenburgisches Konzert Nr. 3 G-Dur BWV 1048 (1.-3. Satz)Badinerie aus BWV 1067 Air aus BWV 1068 InstrumentalkonzerteViolinkonzert E-Dur BWV 1042 3. Satz Cembalokonzert d-Moll BWV 1052 1. Satz Oboenkonzert c-Moll BWV 1060 2. Satz KammermusikChaconne für Violine solo BWV 1004Bach-Quiz

Cantatas I'VI - BWV 248 / 248.2. Par BACH JOHANN SEBASTIAN. / Date parution : 2022-05-03/ Répertoire / Soli [SSATB], SATB et Orchestre

Study score format 22.5 x 16.5cmBach???s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of theGospel to gradually unfold.- Full score and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.

und Arie aus dem Weihnachtsoratorium BWV 248 Schlafe mein Liebster-Two celebrated pieces by Beet hoven arranged for Flute and Piano by Werner Richter. Sinfonia from Cantata Bwv 209 and Aria from Christmas Oratorio. Score and Part.

Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.

Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.

Bach’s Christmas Oratorio composed in 1734 narrates the story of the birth of Jesus in a cycle of six cantatas with a text probably by Christian Friedrich Henrici (known as Picander) who provided several libretti for Bach during his Leipzig period.Like the St. Matthew and St. John Passions the Christmas Oratorio is narrated by an Evangelist and includes devices from Italian opera such as the recitative and aria. It was written to be performed during the thirteen days of Christmas of the Lutheran Church calendar (25 December 6 January) allowing the wondrous story of the Gospel to gradually unfold.- Fullscore and performance material (BA5014) vocal score (BA5014-90) and study score (TP85) available for sale.- Urtext of the New Bach Edition.

Arrgt: Sarah Labrousse-Baert. Par BACH JOHANN SEBASTIAN. Formation : Musique de Chambre, Quatuor - Instrumentation :Quatuor à Cordes : 2 Violons 1 Alto 1 Violoncelle - Niveau de Difficulté : 5/6 - Intermédiaire/Avancé - Durée : 4 mn 50 s - Style Musical : Classique - Catégorie : Arrangement - Compositeur : Johann Sebastian BACH - Arrangeur : Sarah LABROUSSE-BAERT / Niveau : Intermédiaire à Avancé / Classique / Répertoire / 2 Violons, Alto et Violoncelle

Par BACH JOHANN SEBASTIAN. How practical: This choral masterpiece is now appearing in a handy and affordable soft-cover score to complement the substantial linen-bound complete edition volume. The tried-and-tested musical text remains unchanged, whilst the Foreword has been revised and supplemented by an English translation./ Répertoire / Solistes, Choeur et Orchestre