Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

A generous bumper collection of the greatest songs ever to grace the silver screen, all arranged for Piano, Voice and Guitar. It is impossible to imagine Goldfinger without the huge, rich voice of Shirley Bassey, Midnight Cowboy without Nilsson's lilting country whisper, Alfie without the Pop/Jazz of Cilla Black and Sonny Rollins, and Easy Rider just would not be the same without Steppenwolf. The greatest film songs are synonymous with the movies they embellish, capable of lifting a scene from the screen and into our hearts and minds. These songs will forever evoke memories of our favourite characters and situations, long after the film has ended. Learn to play 100 of the greatest film songs ever written with this great-value songbook, packed to the limits with all the laughs, tears, memories and surprises of the movies - a guaranteed hit no matter what the occasion! / Piano/Vocal/Guitare (PVG)

Another groovy selection of free-lovin' revolutionary classics from the era of protest and invention, with eighty-four sixties greats arranged with full lyrics and guitar chords. Whether you're looking for the sweet soul crooning of Bobby Darin, the suave cockney class of The Kinks and The Small Faces, or the folk-inspired delicacies of Simon And Garfunkel and The Byrds, you'll find those special nuggets of nostalgia in this bumper collection. Every song is presented in the key of the original hit recording, and the songs themselves include Waterloo Sunset , Mellow Yellow and I Can't Explain . / Chant Et Guitare

Simply arranged, this must-know collection includes 50 holiday favorites for beginning pianists to learn, including: Away in a Manger - Bring a Torch, Jeannette, Isabella - Coventry Carol - Deck the Hall - The First Noel - God Rest Ye Merry, Gentlemen - Hark! the Herald Angels Sing - In the Bleak Midwinter - Jingle Bells - Joy to the World - O Holy Night - Silent Night - The Twelve Days of Christmas - Up on the Housetop - We Wish You a Merry Christmas - What Child Is This? - and more. / Piano

Better than the REAL BOOK! Packed with tons of standards, jazz classics, pop-fusion and contemporary jazz from such artists/groups as Ellington, Evans, Monk, Spyro Gyra, Sanborn, Brecker and more. Lyrics and many arrangements included. Perfect for any situation. / Instruments En Eb

All your favourite songs and carols in one wonderful, carefully selected edition. Newly arranged and engraved for Piano, Voice and Guitar, these 49 songs set the mood for the festive season.Every member of the family is catered for, young and old, with a selection of favourites which covers more recent hits, such as Rudolph the Red Nosed Reindeer, All I Want For Christmas Is You and Jingle Bell Rock as well as the traditional classics that make the season special: Away In A Manger, We Three Kings Of Orient Are, O Come, All Ye Faithful and many more.The accessible arrangements mean you don't have to spend too much time practising before family and friends can gather around the Piano for a Christmas sing-along. / Piano/Vocal/Guitare (PVG)

Carl Maria von Weber's fame rests mainly on ?Der Freischütz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as ?Preciosa', ?Oberon', and ?Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music - cantatas, odes and other occasional works - stage works - lieder and vocal works - orchestral works - chamber music - music for piano - piano reductions - miscellanea, arrangements and orchestrations - works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. / Score

If you're new to the guitar, you are probably eager to learn some songs. This book features special arrangements in standard notation of a variety of songs from pop/rock hits and standards to show tunes and movie themes that guitarists can play with a teacher or band. Includes: Chopsticks · Clocks (Coldplay) · Eleanor Rigby (The Beatles) · Game of Thrones Theme · Hallelujah (Leonard Cohen) · Linus and Lucy (from A Charlie Brown Christmas) · Memory (from Cats) · Over the Rainbow (from The Wizard of Oz) · Star Wars (Main Theme) · What a Wonderful World (Louis Armstrong) · You Raise Me Up (Josh Groban) · and many more./ Recueil / Guitare

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors, singers and audiences alike. Mostly for mixed voices, it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir, medieval melodies to spirituals, the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols, to allow for performances without organ. This major issue of carols is edited by William Llewellyn, a well established figure in the world of choral music. / Chant Et Piano

Livre de poche regroupant une compilation de standards de Jazz. (I'm Afraid) The Masquerade Is Over, (Love Is) The Tender Trap52nd Street Theme, A Ballad, A Blossom Fell, A Cottage For Sale, A Flower Is A Lovesome Thing, A Lovely Way To Spend An Evening, A Nightingale Sang In Berkeley Square, A Portrait Of Jenny, A Taste Of Honey, A Walkin' Thing, A Weaver Of Dreams, A Wonderful Day Like TodayAblution, Adam's Apple, Affirmation, Alfie's Theme, All Alone (Left Alone), All My Tomorrows, Along Came Betty, Alto Itis, April Skies, Aquellos Ojos Verdes (Green Eyes), Ask Me Now, At The Mambo Inn, AzureBaby, It's Cold Outside, Bags And Trane, Bags' Groove, Baia (Bahla), Bali Ha'i, Ba-lue Bolivar Ba-ldes-arb (Bolivar Blues), Barbara, Be-bopBig P, Billie's Blues (I Love My Man), Bill's Hit Tune, Bird Feathers, Birdland, Bitches Brew, Blackberry Winter, Bloomdid, Blue 'n Boogie, Blue Serge, Blue Seven, Blue Silver, Blues By Five, Blues For Wood, Blues In The Closet, Bohemia After Dark, Bolivia, Born To Be Blue, Bossa Antigua, Bouncing With Bud, Bright Boy, Brilliant Corners, Buster Rides Again, Bye Bye BlackbirdCaldonia (What Makes Your Big Head So Hard'), Caravan, Careful, Chameleon, Chasin' The Trane, Circle, Cold Duck Time, Comin' Home Baby, Continuum, Cool Blues, Cousin Mary, Crazy She Calls Me, Criss CrossDance Of The Infidels, Day By Day, Day Dream, 'deed I Do, Dewey Square, Dheamy, Dig, Dindi, Do I Love You Because You're Beautiful', Don't Ever Go Away (For Causa De Voce), Don't Explain, Don't Worry 'Bout Me, Doxy, DuffEarly Morning Mood, East To Wes, Eclypso, Elogie, Elora, Emancipation Blues, Estate, Eye Of The HurricaneFarmer's Trust, Feels So Good, Fever, Fields Of Gold, Filthy Mcnasty, Five Brothers, Fly Me To The Moon (In Other Words), Flying Home, Fox Hunt, Freight Trane, Frenest, Full Moon And Empty Arms, Funkallero, FunkyGeorgia On My Mind, Gettin' It Togetha, Girl Talk, Glad To Be Unhappy, Gregory Is Here, GrooveyardH and H, Hackensack, Hallucinations, Happy Little Sunbeam, Hard Hearted Hannah (The Vamp Op Savannah), Harlem Nocturne, Havona, Head And Shoulders, Hi Beck, High Fly, Hit That Mess, Ho-ba-la-la, Holy Land, Honeysuckle Rose, Horace Scope, How Are Things In Glocca Morra, HumptydumptyI Believe In You, I Can't Believe That You're In Love With Me, I Didn't Know What Time It Was, I Get Along Without You Very Well (Except Sometimes), I Gotta Right To Sing The Blues, I Have Dreamed, I Hear A Rhapsody, I Left My Heart In San Francisco, I Like The Likes Of You, I Remember Bird, I Remember You, I Will Wait For You, I Wish, I Didn't Love You So, I Wish I Were In Love Again, I Wish You Love, Ice Cream Konitz, Idol Gossip, If I Loved You, If I Should Lose You, If I Were A Bell, I'll Know, I'm A Fool To Want You, I'm Just A Lucky So And So, I'm Sitting On Top Of The World, Imagination, In A Little Spanish Town ('twas On A Night Like This), In Case You Haven't Heard, In Pursuit Op The 27th Man, In Walked Bud, Indiana (Back Home Again In Indiana), Infant Eyes, Island Birdie, It All Depends On You, It Could Happen To You, It Might As Well Be Spring, It Never Entered My Mind, It's A Good Day, It's A Most Unusual Day, It's Impossible (Somos Novios), It's Only A Paper Moon, It's So Peaceful In The Country, I've Found A New Baby, I've Told Ev'ry Little StarJackie, Jamba, James, Jingles, Jitterbug Waltz, Jumpin' With Symphony Sid, June Is Bustin' Out All Over, Just A Few, Just The Two Of UsKary's Trance, Kathina Ballerina, Kickin' The Gong Around, Kids Are Pretty People, Killer JoeLady Day, Lakes, Last Night When We Were Young, Learnin' The Blues, Leila, Lennie's Pennies, Let There Be Love, Let's Cool One, Let's Get Lost, Like Sonny (Simple Like), Like Young, Limbo, Line Games, Linger Awhile, Little Chicago Fire, Little Rootie Tootie, Little Shoes, Little Sunflower, Lone Jack, Lonely Dreams, Look For The Silver Lining, Look To The Rainbow, Lost In The Stars, Love Is Just Around The Corner, Love Vibrations, Love, Look Away, Lover, Lover Man (Oh, Where Can You Be'), Lover, Come Back To MeManhattan, Manteca, Masquerade, Mayreh, Mean To Me, Menina Flor, Midnight Sun, Miles Ahead, Minor Mishap, Minor Mood, Moanin', Monk's Mood, Monk's Shop, Moon Rays, Moon River, Moonglow, Moose The Mooche, More Than You Know, Morning Dance, Moten Swing, Move, Mr. Magic, My Attorney Bernie, My Blue Heaven, My Heart Stood Still, My Little Suede Shoes, My Old Flame, My Silent LoveNight Song, No Moe, No Splice, North Atlantic Run, Now See How You Are, NutvilleOff Minor, Oh, What A Beautiful Mornin', Old Devil Moon, One By One, One Foot In The Gutter, One Morning In May, Out Back Of The Barn, Oye Como VaPannonica, Parisian Thoroughfare, Passport, Peel Me A Grape, Pennies Prom Heaven, People Will Say We're In Love, Perdido, Petite Fleur (Little Flower), Petits Machins, Phase Dance, Picadillo (A La Puente), Poinciana (Song Of The Tree), Polka Dots And Moonbeams, Poor Butterfly, Prisoner Of Love, Pursuance (Partih)Question and Answer, QuicksilverRaw Kan Kan, Re: Person I Knew, Revelation, Rhythm-a-ning, Right As Rain, Room 608, Rose Room, Rosewood, Round Trip, RubberneckS.O.S., Sack Of Woe, Salt Peanuts, Sandu, Say It (Over And Over Again), Segment, Serenade To A Soul Sister, Serene, Shutterbug, Silver's Serenade, Simone, Sing, You Sinners, Smoke Gets In Your Eyes, Smoke Rings, So Danqo Samba (Jazz 'N' Samba), Softly As In A Morning Sunrise, Some Other Blues, Somebody Loves You, Something Wonderful, Song For Bilbao, Song For Strayhorn, Songbird (Thank You For Your Lovely Song), Soul Eyes, Speak Like A Child, Spiral, S'posin', Spring Will Be A Little Late This Year, Squeeze MeSt. Thomas, Stablemates, Stormy Weather (Keeps Rainin' All The Time), Straight Life, Strayhorn 2, Strode Rode, Strollin', Struttin' With, Some Barbecue, Subconscious Lee, Suddenly It's Spring, Summer In Central Park, Sweet And Lovely, Syeeda's Song Flute tain't What You Do (It's The Way That Cha Do It)Take Ten, Tanga, Tangerine, Teen Town, Teenie's Blues, Telephone Song, Tempus Fugit, Tenor MadnessThe Best Things In Life Are Free, The Birth Of The Blues, The Blessing, The Breeze And I, The Core, The Creole Love Call, The Drive, The Folks Who Live On The Hill, The Frim Fram Sauce, The Gift! (Recado Bossa Nova), The Glory Of Love, The Hucklebuck, The Jody Grind, The Lady Is A Tramp, The Last Time I Saw Paris, The Nearness Of You, The Odd Couple, The Red One, The Sweetest Sounds, The Thrill Is Gone, The Thumper, The Touch Of Your Lips, The WhopperTheme From Mr. Broadway, There Are Such Things, There's A Small Hotel, These Foolish Things (Remind Me Of You), Thick, Things To Come, This Masquerade, Three Base Hit, Till There Was You, Tippin', Tomorrow's Destiny, Too Young, Trane's Blues, Turnaround, Twisted, Two Cigarettes In The Dark, Two Degrees East, Three Degrees WestUntil I Met YouWalkin' Shoes, Warm Valley, Watch What Happens, Watehcolors, Webb CityWendy, What A Diff''rence A Day Made, What A Wonderful World, What's New', Where Or When, Whisper Not, Who Can I Turn To (When Nobody Needs Me), Why Do I Love You', Will You Still Be Mine, Witchcraft, With A Song In My Heart, Without A SongYardbird Suite, You Are Beautiful, You Can Depend On Me, You're My Everything, You're Nobody 'Til Somebody Loves You

Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano

Set of parts for Alliage (Alloy) III for Violin Cello Classical Accordion and two Kokles (2010). Programme note The instruments of this quintet are very different in appearance and in the way of playing as well as tone production: strings to be bowed strings to be plucked confronted with the airborne tone of the Accordion. The origins and the traditions of the instruments are also very diversified reaching from traditional folkmusic (the Kokle) and popular music (the Accordion) to art music of the classical tradition (the Violin and Cello). Acknowledging these references and connotations I refrain nevertheless froman obvious ‘casting’ of the instruments since I have always been fascinated by the less evident by transitions and gradual displacement by the intangible places between one and the other. I search for this ‘terrain vague’ of fruitfull incertainty andpermanent genesis. To arrive there I have in this piece created a musical expression which makes hidden relations and unexploredsonorous paths come forward between the different sound worlds of the instruments. Bringing together these musical substances I look for something deeper than just common sounds: a fresh musical place. And the lively and bright sound world that emerges form this instrumental and textural ’in-between’ I associate to alloys inparticular the silvery amalgamations of mercury. The work was composed to musicians from the Latvian ensemble Altera Veritas and of Ensemble Aleph (France) was a part of the project European Instrumental Laboratory. Niels Rosing-Schow