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Comédie (Laxenburg 1765) Gluck Complete Works IV/4. Par GLUCK CHRISTOPH WILLIBA...
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Comédie (Laxenburg 1765) Gluck Complete Works IV/4. Par GLUCK CHRISTOPH WILLIBALD. The critical edition presents the music to the verse comedy “Soliman second, ou Les Trois Sultanes” by Charles-Simon Favart (1710–1792), which was performed before the Viennese courtly audience in the Schlosstheater Laxenburg by the French troupe of the Burgtheater on 18 May 1765. This is the first time that Gluck’s music to the Favartian comedy has appeared in print. A popular comedy which in particular was known for its exotic colour, “Soliman second” quickly made its mark on many European stages. Through the good offices of the court theatre director Count Durazzo, the libretto made its way to Vienna too. As “Direttore della Musica” at Vienna’s Burgtheater and an accomplished writer of French opéras-comiques, Gluck may have been commissioned to compose the vocal numbers – four solo airs and a duet – which were meant to be performed in the comedy. As far as can be established, Gluck’s involvement in incidental music is an exception in his artistic output. In addition to the detailed introduction to the history of the work, the volume contains the Critical Report providing exhaustive information on the source material, editorial technique and performance practice. The libretto for the premiere performance and illustrative extracts from the sources are reproduced in facsimile./ Répertoire / Opéra
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Reigen der seligen Geister (GLUCK CHRISTOPH WILLIBALD) (GLUCK CHRISTOPH WILLIBALD)
25.35
Reigen der seligen Geister (GLUCK CHRISTOPH WILLIBALD) (GLUCK CHRISTOPH WILLIBALD)
Quatuor de Saxophones: 4 saxophones
[Partition]
Chili Notes
Par GLUCK CHRISTOPH WILLIBALD. / Classics / Date parution : 2020-10-15/ Répe...
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Par GLUCK CHRISTOPH WILLIBALD. / Classics / Date parution : 2020-10-15/ Répertoire / 4 Saxophones (Satb)
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Christoph Willibald Gluck Orpheus And Euridice Vocal Score Opera Bo - Choral
31.50
Christoph Willibald Gluck Orpheus And Euridice Vocal Score Opera Bo - Choral
Opéra
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Schirmer
Description Christoph Willibald Gluck: Orpheus And Euridice (Vocal Score) Glu...
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Description Christoph Willibald Gluck: Orpheus And Euridice (Vocal Score) Gluck's 'Orfeo et Euridice' is a noble and grand opera based on the Greek myth. This is the Schirmer edition of the Vocal Score, with English words by Walter Ducloux. Songlist Orphee Et Euridice Orpheus And Euridice
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Ballet From Orphée Et Eurydice
7.71
Ballet From Orphée Et Eurydice
1 Piano, 4 mains
Alfred Publishing
Greg Anderson et Elizabeth Joy Roe sont peut-être le duo le plus excitant jeune...
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Greg Anderson et Elizabeth Joy Roe sont peut-être le duo le plus excitant jeune fonctionne aujourd'hui, offrant des concerts de musique classique adrenalized qui révolutionnent l'expérience duo de piano pour le 21e siècle. Décrit comme 'Fred Astaire et Ginger Rogers transposée de la piste de danse au clavier' (La Presse Southampton) et 'la synchronisation intense de génie' (ThirdCoast Digest), Greg et Liz apporter leur camaraderie joyeuse et artistique raffiné à la scène de concert, l'admiration des spectateurs du monde entier comme une équipe à quatre mains et deux pianos.Le Duos Anderson and Roe and Duets série met en scène les arrangements inspirants interprétée par le duo --- à partir des paramètres de mélodies lyriques précieux aux pots-pourris de musique de film populaire. Les pièces sont éditées avec doigté et d'autres directions qui facilitent répétitions et des représentations, en les rendant accessibles pour faire avancer les étudiants ainsi que pour les concertistes.'Ballet' de Orfée et Eurydice est un chef-d'oeuvre enchanteur. Composé par précoce classique compositeur Christoph Willibald Gluck, sa mélodie envoûtante réflexion sur le mythe tragique grec d'Orphée et de sa tentative avortée de faire venir sa femme Eurydice d'entre les morts. La lenteur, l'arrangement lyrique pour un piano, quatre mains, nécessite juste équilibre entre la primo et secondo parties, ainsi que la chorégraphie délicate entre les mains des joueurs. / Piano 4 Mains
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Christoph Wilibald Gluck
2.60
Christoph Wilibald Gluck
Carte Postale
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Carus Verlag
Duplessis, Joseph-Sifrède (Illustr.) - Gluck, Christoph Willibald von (Trad.) -...
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Duplessis, Joseph-Sifrède (Illustr.) - Gluck, Christoph Willibald von (Trad.) -/ Répertoire / Carte Postale
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Beiträge Zur Wiener Gluck-Überlieferung
72.80
Beiträge Zur Wiener Gluck-Überlieferung
Divers
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/ Recueil / Divers
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Airs d'Opéra français (GLUCK CHRISTOPH WILLIBALD)
48.14
Airs d'Opéra français (GLUCK CHRISTOPH WILLIBALD)
Voix Baryton, Piano
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French Operatic Arias. Par GLUCK CHRISTOPH WILLIBALD. This volume contains Frenc...
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French Operatic Arias. Par GLUCK CHRISTOPH WILLIBALD. This volume contains French operatic arias for baritone from works that opera reformer Christoph Willibald Gluck was commissioned to compose for the Paris Opéra: “Iphigénie en Aulide” (1774) | “Cythère assiégée” (1775) | “Alceste” (1776) | “Armide” (1777) | “Iphigénie en Tauride” (1779). The informative text sections contain a Foreword (Fr/Eng), a brief account of the dramatic context and a literal English translation of each aria. About the series: Christoph Willibald Gluck: French Operatic Arias. For the first time all the arias from Christoph Willibald Gluck’s French operas are being published in arrangements for voice and piano. This series, a coproduction with the Centre de musique baroque de Versailles (CMBV), presents this collection according to voice register in four volumes. With their wealth of arias and informative texts, these volumes offer a rich treasure-trove from works by this major 18th-century opera composer for use in voice lessons, auditions and recitals./ Recueil / Baryton et Piano
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Dance Of The Blessed Spirits (GLUCK CHRISTOPH WILLIBALD)
15.76
Dance Of The Blessed Spirits (GLUCK CHRISTOPH WILLIBALD)
Violon
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Intermédiaire
Fentone Music
For Two Violins And Piano. Par GLUCK CHRISTOPH WILLIBALD. A delightful arrangeme...
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For Two Violins And Piano. Par GLUCK CHRISTOPH WILLIBALD. A delightful arrangement for violin duet and piano of this well known piece from Glucks Orfeo. / Niveau : Intermédiaire / Répertoire / Violon
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Christoph Willibald Gluck: Orfeo ed Euridice (Orpheus and Eurydice): Mixed
25.99
Christoph Willibald Gluck: Orfeo ed Euridice (Orpheus and Eurydice): Mixed
[Vocal Score]
Schirmer
Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an atte...
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Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an attempt to reform the Italian opera seria. The libretto is noble and grand and this must have inspired Gluck for his approach to the score is also monumental as well as orchestral in nature. The opera opens after the death of Euridice to a funereal choral tableau which is pierced by the cries of the anguished Orfeo. Huge dramatic choruses of shades and furies contrast starkly with the solo recitatives and arias of Orfeo as he searches for Euridice. The third act is particularly beautiful as Gluck and Calzabigi turn the shade of Euridice into a complex lover and wife unwilling tofollow her husband blindly out of Hades even though she has been called back to life. Her arguments and pleadings her passion and confusion create the torment in Orfeo that results in her being sent back to hell. This is the Schirmer edition of the Vocal Score with English words by Walter Ducloux taking precedance over the French original.
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Christoph Willibald Gluck: Orfeo ed Euridice: Opera: Libretto
7.99
Christoph Willibald Gluck: Orfeo ed Euridice: Opera: Libretto
Schirmer
Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an atte...
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Gluck's 'Orfeo et Euridice' was one of three operas composed by Gluck in an attempt to reform the Italian opera seria. The libretto is noble and grand and this must have inspired Gluck for his approach to the score is alsomonumental as well as orchestral in nature. The opera opens after the death of Euridice to a funereal choral tableau which is pierced by the cries of the anguished Orfeo. Huge dramatic choruses of shades and furiescontrast starkly with the solo recitatives and arias of Orfeo as he searches for Euridice. The third act is particularly beautiful as Gluck and Calzabigi turn the shade of Euridice into a complex lover and wife unwilling tofollow her husband blindly out of Hades even though she has been called back to life. Her arguments and pleadings her passion and confusion create the torment in Orfeo that results in her being sent back to hell. Thisis the Schirmer edition of the Libretto in the original Italian with an English translation by Walter Ducloux.
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
408.32
Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestre
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Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
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Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
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Christoph Willibald Gluck: Merlins Insel (Verkehrte Welt): Piano: Vocal Score
27.50
Christoph Willibald Gluck: Merlins Insel (Verkehrte Welt): Piano: Vocal Score
[Vocal Score]
Barenreiter
The fact that 'opéra comique' rooted in the folk art of the French vaudeville ...
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The fact that 'opéra comique' rooted in the folk art of the French vaudeville was brought to its high-point by Gluck a German composer working in Italian clearly demonstrates the close relationships and interconnections made in European musical life in the mid-18th century. With L?Ile de Merlin ou Le monde renversé Gluck created an enchanting buffo work which draws its charm not only from its colourful music with appealing details of instrumentation and characterisation but also from the juxtaposition of real mythological and fairy-tale figures as well as from the critical social undertones in the libretto.Thenew edition is based on the Gluck Complete Edition Series IV volume 1 edited by Günter Haußwald. It contains the original French text with singing German translation and a detailed foreword in the vocal score (Ger/Eng/Fr).
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Orphee Et Euridice (GLUCK CHRISTOPH WILLIBALD)
457.04
Orphee Et Euridice (GLUCK CHRISTOPH WILLIBALD)
Opéra
[Conducteur]
Barenreiter
Tragédie-opéra Drame héroïque en trois actes. Par GLUCK CHRISTOPH WILLIBALD....
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Tragédie-opéra Drame héroïque en trois actes. Par GLUCK CHRISTOPH WILLIBALD. Christoph Willibald Gluck’s most popular opera “Orphée et Euridice” was performed in 1774 in Paris to sensational success. This new adaption followed the original Viennese version with Italian text that was first performed in 1762 under the direction of the composer in the Burgtheater. For the Paris version Gluck changed the leading part Orpheus from an alto to a tenor role and composed new recitatives. Both versions of Gluck’s reform drama are based on a libretto by Ranieri de’ Calzabigi and revolutionised metastasian opera of the 18th century. Solo and choral music, instrumental music, pantomime and dance are all closely connected; the myth replaces a historical plotsurrounded by intrigue; where there would have been a da-capo aria there are now simple song forms and coloratura is largely abandoned. These meticulously revised vocal scores of both versions are also newly set. Urtext editions based on “Gluck, The Complete Works” Revised and newly set The revised editions are compatible with the old editions T48Full score (BA2282-01) and vocal score (BA2282-90) available for sale Performance material (BA2282-72) available for hire/ Répertoire / Opéra
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Iphigénie En Tauride (GLUCK CHRISTOPH WILLIBALD)
57.94
Iphigénie En Tauride (GLUCK CHRISTOPH WILLIBALD)
Piano, Voix
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Paris Version Of 1779. Par GLUCK CHRISTOPH WILLIBALD. Christoph Willibald Gluck'...
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Paris Version Of 1779. Par GLUCK CHRISTOPH WILLIBALD. Christoph Willibald Gluck's opera in four acts about the Curse of the House of Atreus is based on a tragedy by the classical Greek dramatist Euripides. The mythological plot about the siblings Iphigenia and Orestes is characterized by hatred, ritual sacrifice, and murder and was especially popular during the 18th century. The premiere of Gluck's opera in 1779 was immensely successful. Bärenreiter now presents a carefully edited and corrected piano reduction that was newly set to meet Bärenreiter's current quality standards. An informative preface (Ger/En/Fr) supplements the edition, which also includes all appendices of the score volume the edition is based on, as contained in the Gluck Complete Edition (GGA)./ Répertoire / Chant et Piano
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Christoph Willibald Gluck: Gluck Biography (Howes)
2.99
Christoph Willibald Gluck: Gluck Biography (Howes)
[Partition]
Novello & Co Ltd.
Gluck Biography (Howes)
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Christoph Willibald Gluck: O God of Love (from Orfeo): 2-Part Choir: Vocal Score
Chorale 2 parties
[Vocal Score]
Shawnee Press
Nancy Grundahl has once again arranged a wonderful classic for two-part treble v...
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Nancy Grundahl has once again arranged a wonderful classic for two-part treble voices. “O God of Love” from Gluck's Orfeo is simply lovely with a pastoral flute obligato and much of the vocal harmony moving inear-pleasing thirds and sixths. Use as a sung prayer or general anthem and enjoy the purity and clarity of the treble voice.
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Cythère Assiégée (GLUCK CHRISTOPH WILLIBALD)
748.20
Cythère Assiégée (GLUCK CHRISTOPH WILLIBALD)
Orchestre
[Conducteur]
Barenreiter
Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assié...
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Couverture Rigide. Par GLUCK CHRISTOPH WILLIBALD. For his Paris 'Cythère assiégée?, Gluck drew on his eponymous opéra comique from 1759, transforming it into an opéra-ballet. The libretto which was expanded by Charles Simon Favart was adapted: Gluck added recitative passages, reworked individual sections and also added his own compositions, modifying them in parts. By March 1775, the compositional work had progressed sufficiently for Gluck to leave behind a copy of the score as he departed from Paris. However, he was unable to supervise rehearsals or be present at the premiere (1 August 1775) or any of the subsequent 21 performances. Due to these particular circumstances, three versions of the work are to be distinguished: the original version, the performed version and the printed version. This edition of 'Cythère assiégée? contains the original version of the main part and is printed here for the first time. The reconstruction which was necessary in order to determine the original form of this opera draws on all orchestral parts, the printed score and with regard to a large gap in Act III, pages were taken from the score copy. The four-part appendix includes the changes made to this score copy, sections that deviate from the printed score as well as the final version of Act III, also from the printed score. The last part of the appendix also presents a Divertissement in six movements by Berton, which is only available as a rare contemporary set of printed parts. The Foreword offers detailed information regarding the work's genesis, subject matter, preparations for performance and print, premiere, reception, and this edition. Selected pages from significant musical sources, the libretto of the premiere performance, and images illuminating the performance context, have been added as facsimiles./ Répertoire / Conducteur
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Ighigenie auf Tauris (GLUCK CHRISTOPH WILLIBALD)
57.94
Ighigenie auf Tauris (GLUCK CHRISTOPH WILLIBALD)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (...
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Vienna version 1781. Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigenie auf Tauris (Vienna version 1781) (Vocal Score) Music drama in four acts Following upon the great success of “Iphigénie en Tauride”, Gluck arranged the popular drama of human passions, guilt and unconditional friendship once again for Vienna’s Burgtheater, where it was premièred in 1781. Especially remarkable is the masterly orchestration, which, among other things, turns the forces of Nature into a character in the drama and projects a striking contrast between civilization and savagery. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet current standards. - Revised and newly engraved - Detailed foreword (Ger/Eng) on the work’s genesis and reception history, together with a summary of the plot - Practical, easy-to-play piano reduction - Performance material available for hire BA05843-72 - Full Score, hardback, available for sale BA02281 / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
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Ighigénie en Aulide (GLUCK CHRISTOPH WILLIBALD)
90.48
Ighigénie en Aulide (GLUCK CHRISTOPH WILLIBALD)
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Barenreiter
Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy ...
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Par GLUCK CHRISTOPH WILLIBALD. Gluck Iphigénie en Aulide (Vocal Score) Tragedy - Opera in three acts Iphigénie en Aulide is the first of six operas that Gluck composed for the Académie Royale de Musique. In keeping with his plans for operatic reform, he sought to create noble, expressive and natural melodies that did justice to every language and every national spirit while eliminating the “ridiculous distinction” between national styles of music. Although the première was coolly received at first by the contemporary press, “Iphigénie” developed into a tremendous success. The onrush of listeners was said to have been so great that the management of the Paris Opéra considered placing guards in front of the theatre. Now Bärenreiter is issuing the carefully revised and corrected vocal score in a new engraving adapted to meet their current standards. - Revised and newly engraved - Detailed foreword (Ger/Fr/Eng) on the work’s genesis and reception history, together with a summary of the plot - Practical, straight-forward piano reduction - Performance material available for hire (BA5849-72) / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre
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Alceste (GLUCK CHRISTOPH WILLIBALD)
68.44
Alceste (GLUCK CHRISTOPH WILLIBALD)
Piano, Voix
[Partition]
Barenreiter
Vienna Version - 1767. Par GLUCK CHRISTOPH WILLIBALD. With the premiere of Gluck...
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Vienna Version - 1767. Par GLUCK CHRISTOPH WILLIBALD. With the premiere of Gluck's 'Alceste”, the 'Burgtheater” Vienna reopened its doors, concluding a period of moarning that had been decreed following the death of Archduchess Maria Josepha. Calzabigi's inspiration for the libretto, which, despite including an element of wonder, focuses entirely on death and the afterworld, most likely stemmed from the death of Empress Maria Theresia's husband. In Euripides' 'Alkestis”, the librettist might have recognized a sufferer akin to the imperial widow, who was highly regarded by her people. Following in the Greek tragedy tradition, Gluck once more sought to emphasize the unity of the work as a whole and the interplay of all elements involved, including costumes and stage design. He placed great importance on integrating the chorus into the happenings on stage. Bärenreiter now presents a newly engraved vocal score which has been meticulously revised, corrected and adapted to meet current Bärenreiter standards. / Date parution : 2019-11-21/ Répertoire / Chant et Piano
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2 Triosonaten Für 2 Violinen Und Basso Continuo. Urtext Der Gluck-Gesamtausgabe (GLUCK CHRISTOPH WILLIBALD)
20.90
2 Triosonaten Für 2 Violinen Und Basso Continuo. Urtext Der Gluck-Gesamtausgabe (GLUCK CHRISTOPH WILLIBALD)
2 Violons et Basse continue
[Partition]
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Par GLUCK CHRISTOPH WILLIBALD. Urtext/ Répertoire / 2 Violons et Basse Continue...
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Par GLUCK CHRISTOPH WILLIBALD. Urtext/ Répertoire / 2 Violons et Basse Continue
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Rachmaninov: Ave Maria - Gluck: De Profundis (GLUCK CHRISTOPH WILLIBALD / RACHMANINOV SERGEJ)
3.10
Rachmaninov: Ave Maria - Gluck: De Profundis (GLUCK CHRISTOPH WILLIBALD / RACHMANINOV SERGEJ)
Chorale SATB
[Partition]
Carus Verlag
Par GLUCK CHRISTOPH WILLIBALD / RACHMANINOV SERGEJ. Gattungen: Psalmen, lateinis...
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Par GLUCK CHRISTOPH WILLIBALD / RACHMANINOV SERGEJ. Gattungen: Psalmen, lateinisch - Verwendung / Anlässe: Marienfeste, Marianische Gesänge - / Psaumes / Répertoire / Choeur Mixte
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