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Blockflötentrios a la carte (BACH JOHANN SEBASTIAN)
22.10
Blockflötentrios a la carte (BACH JOHANN SEBASTIAN)
3 Flûtes à Bec SAB/STB
Universal Edition
Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach...
(+)
Eight Little Three-part Pieces. Par BACH JOHANN SEBASTIAN. Johann Sebastian Bach wrote the present short, three-voice pieces for cembalo. Minuet BWV 929 comes from the collection entitled Small Preludes and Fughettas and was probably written as teaching material. The Minuet and the Polonaise from the Notebook for Anna Magdalena Bach are examples of the Bach family's domestic music. Gavotte II (ou la Musette) and Gavottes I and II come from the English Suites, while a further gavotte was sourced from the French Suite No. 5. The Recorder Trio à la Carte series presents attractive pieces for recorder trio that cover a wide stylistic spectrum encompassing arrangements and original compositions from the classical and entertainment repertoire. It also combines the instruments of the recorder family in various ways. Recorder Trio à la carte opens up new paths that feature high quality, professional-standard recorder literature which motivates young players, sounds good and appeals to listeners. • Spirited dances by J. S. Bach in stylish arrangements for an enjoyable venture into the world of Baroque music • Suitable for students of all ages at intermediate-level and beyond • A beautiful addition to the J.S. Bach recorder repertory/ Recueil / 3 Flûtes à Bec SAB/STB
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Cheryl Lavender: Music Listening Bingo: Classroom Resource
44.99
Cheryl Lavender: Music Listening Bingo: Classroom Resource
Hal Leonard
Bach! Beethoven! Brahms! Your students will be introduced to the music of the ma...
(+)
Bach! Beethoven! Brahms! Your students will be introduced to the music of the masters in MUSIC LISTENING BINGO - a 'mini-course' in Music Appreciation! This is a delightful game that your students can play to sharpen theirlistening skills while recognizing and identifying 24 of history's greatest composers (from Renaissance through Contemporary) and their musical themes. Includes 30 player cards 1 reproducible Composer Listening Guide 1 MusicHistory Timeline poster 5 reproducible 'Listening Smart' pages and 1 recording featuring all the recorded excerpts in 6 separate sound sequences. Available: Game/Cassette Pak Game/CD Pak Replacement Cassette and Replacement CD(set of 2). For all ages.
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Cheryl Lavender: Music Listening Bingo: Mixed Choir: CD
20.40
Cheryl Lavender: Music Listening Bingo: Mixed Choir: CD
Hal Leonard
Bach! Beethoven! Brahms! Your students will be introduced to the music of the ma...
(+)
Bach! Beethoven! Brahms! Your students will be introduced to the music of the masters in MUSIC LISTENING BINGO - a 'mini-course' in Music Appreciation! This is a delightful game that your students can play to sharpen theirlistening skills while recognizing and identifying 24 of history's greatest composers (from Renaissance through Contemporary) and their musical themes. Includes 30 player cards 1 reproducible Composer Listening Guide 1 MusicHistory Timeline poster 5 reproducible 'Listening Smart' pages and 1 recording featuring all the recorded excerpts in 6 separate sound sequences. For all ages.
20.40 GBP - vendu par Musicroom GB
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10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
31.60
10 Fugues For String Quartet - Book 2 (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for the...
(+)
10 Fugues For String Quartet Vol. 2. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a master / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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10 Fugues (BACH JOHANN-SEBASTIAN)
31.60
10 Fugues (BACH JOHANN-SEBASTIAN)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Spartan Press
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arran...
(+)
For String Quartet Volume 1. Par BACH JOHANN-SEBASTIAN. The idea for these arrangements came to me whilst listening to the Hagen Quartet's beautiful recording of the fugues that form part of Haydn's 'Sun Quartets', Op. 20. The spirit and influence of J.S. Bach, in particular his Well Tempered Clavier, Book II, courses through these three miraculous Haydn fugues. Like the viol consort, the string quartet suits this kind of composition (the fugue), with all four instruments sufficiently similar in character to each other to match the extraordinary unity and economy of the counterpoint. A string quartet playing Bach fugues is a good example of a harmonious relationship between form andcontent: just as there is a unifying principle behind the construction of the four string instruments, so there is (usually) a single theme or subject that unifies the construction of a four-part fugue. Thus the form enacts the content, telling you something about the text and message within. Apart from Haydn's and a handful of other composers' wondrous creations, there's little fugal writing for string quartet, at least in comparison with the abundance of other forms. This was another reason to make these arrangements. The quartet offers a melodic independence impossible to achieve on a single instrument. And I believe the technical and interpretative challenges posed by this repertoire and ndash - lightness of sound and rhythmic fluidity, for example - will be very valuable to quartets seeking the holy grail: a unified sound. Perhaps the simplest and most compelling reason for this work is that I just love this music more than I can say. These dazzling pieces, mostly fast, bright and in major keys, show Bach at his most playful, funny and mischievous, composing for an instrument rarely associated with these qualities. And so I'm very happy to offer string quartets these little know fugues, written by my favourite composer - a violinist and violist himself, but above all a / Classique / Date parution : 2018-05-04/ Répertoire / Quatuor à Cordes
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Violin School Violin Part Vol.5 (SUZUKI SHINICHI)
12.80
Violin School Violin Part Vol.5 (SUZUKI SHINICHI)
Violon
[Partition]
Alfred Publishing
Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children ...
(+)
Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3) Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary. / Méthode en anglais / Méthode / Violon
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TOLL IN DUR
32.60
TOLL IN DUR
Piano seul
[Partition + Accès audio]
Breitkopf & Härtel
GREATER IN MAJOR. Par . Playing piano is great ' and not just in minor but also,...
(+)
GREATER IN MAJOR. Par . Playing piano is great ' and not just in minor but also, of course, in major keys as well! High time for the publication of the companion to our bestseller Toll in Moll [Finer in Minor] (EB 9410) to complete now the long missing other half. With a selection of beautiful original works, easy to moderate in difficulty, these collections include both familiar but above all not so familiar pieces from a repertoire varying in terms of era and style. Just by listening to them, these pieces will inspire you to want to play piano more and more. When pianists musically are en route to the large wonderful works of piano literature have the opportunity to delve more deeply into the special aspects of piano music from different epochs with Greater in Major and Finer in Minor, two piano books that pianists of all ages can always return to and enjoy over many years. / Date parution : 2022-02-15/ Recueil / Piano
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Four Strings Vol. 1 (NEUMANN EVA-MARIA (Arr)
50.90
Four Strings Vol. 1 (NEUMANN EVA-MARIA (Arr)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Breitkopf & Härtel
20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.)...
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20 Easy to Intermediate Pieces from four Centuries. Par NEUMANN EVA-MARIA (Arr.). Making music in a quartet uniquely nurtures young string players’ musical development, ensemble playing, listening to each other, and intonation. So, what could be more obvious than introducing the scoring of this genre, often referred to as chamber music’s supreme discipline, as early as possible. Indeed, composers have all along advised the classical string quartet’s outstanding compositions, but they are hardly easy to play for beginners. Here, with the present collection, is where Eva-Maria Neumann comes in. The two volumes include A total of 20 easy to intermediate arrangements of pieces from Bach to Bartók, together with specifically composed ones in string-quartet friendly keys - Reading scores and individual parts - additionally, individual part for violin III instead of viola - Tips on warming up, intonation, bowing, fingering, tempos, dynamics, and playing musically - Specific instructions for the individual pieces - Lists of supplementary original literature The pieces are also effective as scored for chorus./ Recueil / Quatuor à Cordes
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Classic Solos
38.50
Classic Solos
Flûte traversière
[Partition + CD]
Universal Edition
Classical Solos for flute complements Clardy’s two volumes of Classical Duets....
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Classical Solos for flute complements Clardy’s two volumes of Classical Duets. Included are short biographies of the seven composers represented, along with performance suggestions for each piece. Flutists will recognize the must-have repertoire works, such as the Johann Sebastian Bach’s Partita in A minor, Kuhlau Divertissement No. 1 in G and Debussy’s Syrinx, which is otherwise available in the U.S. only in the original Jobert copyright. For listening and learning purposes, Classical Solos contains an audio CD of Clardy’s playing selected pieces. Another beautiful package from UE!/ Recueil / Flûte Traversière
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Johann Sebastian Bach: Bach J. S. In Tablature: Instrumental Album
13.99
Johann Sebastian Bach: Bach J. S. In Tablature: Instrumental Album
Guitare notes et tablatures
[Partition + Accès audio]
-
Intermédiaire
Mel Bay
This edition contains 10 of J.S. Bach's finest compositions scored in notation a...
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This edition contains 10 of J.S. Bach's finest compositions scored in notation and tablature. Works include: Two Part Invention in C Major; Gavotte from the 3rd Lute Suite; Prelude in D Minor; Bouree in E Minor from the1st Lute Suite; and others. The audio recording is a stereo listening and on it each selection is played at both a slow and performance tempo. All songs from the book are on the audio available for download online.
13.99 GBP - vendu par Musicroom GB
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Bach Prelude In C Major Cd (BACH JOHANN SEBASTIAN)
10.90
Bach Prelude In C Major Cd (BACH JOHANN SEBASTIAN)
Piano seul
[Partition + CD-ROM]
Music Sales
Par BACH JOHANN SEBASTIAN. The Concert Performer Series brings you 12 well-known...
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Par BACH JOHANN SEBASTIAN. The Concert Performer Series brings you 12 well-known piano pieces, beautifully presented on strong, high-sheen card, complete with a special CD-Rom which contains both audio and MIDI to help you practise for a truly great performance. About the CD: Track 1 contains an audio concert performance. This track is playable on any CD player or computer equipped with a CD-Rom drive and audio CD player software. Track 2 is a special audio 'study track', on which you'll hear the same performance as Track 1 at a slower speed. Listening to and playing along with this track can help you resolve questions of rhythm and interpretation as you are learning the piece. MIDI data is provided for both Macintosh PC. In order to use these files, you must have software and hardware designed to play and/or edit MIDI files. The file is a type 1 standard MIDI file (SMF) and is completely compatible with most current hardware and software sequencers and players. The instrument assignments conform to the General MIDI Standard. Mute one of the channels to practise one hand alone. Change the tempo or even transpose the whole piece to a new key. Add an orchestral or rock background - the possibilities are endless! / Rép Classique / Répertoire / Piano
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Piano Repertoire Level 2
25.20
Piano Repertoire Level 2
Piano seul
Universal Edition
Additional books to complement the tutor for adults and young people. Play the P...
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Additional books to complement the tutor for adults and young people. Play the Piano! Levels 1 & 2, are now available providing specially arranged favourite pieces in keeping with the technical level attained by the end of each course book. Whilst still under Mike's guiding hand, here is the chance for players to explore and enjoy more beautiful music in a variety of styles, confident that the technical levels are within their capabilities. Includes popular classics by Purcell, Handel, Bach, Mozart, Grieg, Humperdinck, Schumann, Chopin, Rimsky-Korsakov, Brahms, Elgar and more. Also included are traditional folksong favourites along with selections of Jazzy, Latin and Ragtime pieces by Scott Joplin, Mike Cornick and Duke Ellington. • Includes 'In the Shed' by Mike Cornick • Easy arrangements of favourite pieces in a variety of musical styles • Pieces for any middle-grade pianist seeking to broaden their repertoire and ideal for those who have completed the tutor PLAY THE PIANO! Level 2 – for more music to play and enjoy • Helpful advice is provided with each piece and, in some cases, suggestions for further listening • FREE DOWNLOADS of play-along versions and/or demonstration performances of some pieces are available from: www.universaledition.com/pianorepertoire2/ Recueil / Piano
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Piano Repertoire Level 1
25.20
Piano Repertoire Level 1
Piano seul
Universal Edition
Additional books to complement the tutor for adults and young people Play the Pi...
(+)
Additional books to complement the tutor for adults and young people Play the Piano! Levels 1 & 2, are now available providing specially arranged favourite pieces in keeping with the technical level attained by the end of each course book. Whilst still under Mike's guiding hand, here is the chance for players to explore and enjoy more beautiful music in a variety of styles, confident that the technical levels are within their capabilities. Includes popular classics by Purcell, Handel, Bach, Mozart, Grieg, Humperdinck, Schumann, Chopin, Rimsky-Korsakov, Brahms, Elgar and more. Also included are traditional folksong favourites along with selections of Jazzy, Latin and Ragtime pieces by Scott Joplin, Mike Cornick and Duke Ellington. • Easy arrangements of favourite pieces in a variety of musical styles • Pieces for any easy-level pianist seeking to broaden their repertoire and ideal for those who have completed the tutor PLAY THE PIANO! Level 1 - for more music to play and enjoy • Helpful advice is provided with each piece and, in some cases, suggestions for further listening • FREE DOWNLOADS of play-along versions and/or demonstration performances of some pieces are available from: www.universaledition.com/pianorepertoire1/ Recueil / Piano
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Violin School Violin Part Vol.2 Rev. Edition (SUZUKI SHINICHI)
25.40
Violin School Violin Part Vol.2 Rev. Edition (SUZUKI SHINICHI)
Violon
[Partition]
Alfred Publishing
revised edition. Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the id...
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revised edition. Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3)Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary. This is the second book of Violin Parts to accompany the main method and contains the Violin pieces, points of study and tonalizationexercises. / Niveau : Débutant à Intermédiaire / Méthode en français / Méthode / Violon
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Violin School Violin Part Vol.2 (SUZUKI SHINICHI)
10.90
Violin School Violin Part Vol.2 (SUZUKI SHINICHI)
Violon
[Partition]
Alfred Publishing
Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children ...
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Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3) Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary. / Niveau : Débutant à Intermédiaire / Méthode en anglais / Méthode / Violon
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Violin School Violin Part Vol.4 Rev. Edition (SUZUKI SHINICHI)
33.90
Violin School Violin Part Vol.4 Rev. Edition (SUZUKI SHINICHI)
Violon
Alfred Publishing
Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children ...
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Par SUZUKI SHINICHI. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This listening is then followed up with 1) Individual Instruction with a trained Suzuki teacher 2) Group lessons on a bi-weekly / weekly basis 3) Parent Involvement 4) Encouragement. Students begin lessons as early as two years old and through repetition of small and enjoyable steps begin building a music vocabulary / Méthode en anglais / Méthode / Violon
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Johann Sebastian Bach: Bach J. S. For Acoustic Guitar: Guitar: Instrumental
16.99
Johann Sebastian Bach: Bach J. S. For Acoustic Guitar: Guitar: Instrumental
Guitare notes et tablatures
[Partition + Accès audio]
Mel Bay
This collection contains 12 pieces by one of the most sought after composers of ...
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This collection contains 12 pieces by one of the most sought after composers of all time arranged by Ben Bolt for solo Guitar. Included are moderate to advanced solos in notation and tablature. All 12 solosare recorded in order like the book. The recording can easily stand on it's own for your listening pleasure or can be used as an instructional tool. Bolt also includes a copy of
16.99 GBP - vendu par Musicroom GB
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Johann Sebastian Bach: Bach: Two-Part Invention (No. 1): Piano: Instrumental
7.50
Johann Sebastian Bach: Bach: Two-Part Invention (No. 1): Piano: Instrumental
Piano seul
[Score + CD-Rom]
Music Sales
The Concert Performer Series brings you 12 well-known piano pieces beautifully ...
(+)
The Concert Performer Series brings you 12 well-known piano pieces beautifully presented on strong high-sheen card complete with a special CD-Rom which contains both audio and MIDI to help you practise for a truly greatperformance. About the CD: Track 1 contains an audio concert performance. This track is playable on any CD player or computer equipped with a CD-Rom drive and audio CD player software. Track 2 is a special audio 'study track' on which you'll hear the same performance as Track 1 at a slower speed. Listening to and playing along with this track can help you resolve questions of rhythm and interpretation as you are learning the piece. MIDI data isprovided for both Macintosh PC. In order to use these files you must have software and hardware designed to play and/or edit MIDI files. The file is a type 1 standard MIDI file (SMF) and is completely compatible with most currenthardware and software sequencers and players. The instrument assignments conform to the General MIDI Standard. Mute one of the channels to practise one hand alone. Change the tempo or even transpose the whole piece to a new key.Add an orchestral or rock background - the possibilities are endless!
7.50 GBP - vendu par Musicroom GB
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Suite Nr.1 In G Major, Bwv 1007 (BACH JOHANN-SEBASTIAN)
51.90
Suite Nr.1 In G Major, Bwv 1007 (BACH JOHANN-SEBASTIAN)
Clarinette Basse Solo
Metropolis Music Publishers
Par BACH JOHANN-SEBASTIAN. It was 1995 when I had the fortune to listen to the f...
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Par BACH JOHANN-SEBASTIAN. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument. It was 1995 when I had the fortune to listen to the freshly published recording of the suites performed by Mstislav Rostropovich. I would have given anything to be able to play them, and this was what inspired me to study the bass clarinet. The series of diverse emotions which I subsequently experienced made me see Music in a completely new way. I began learning them slowly, inevitably adapting the text. As I discovered their educational value, the knowledge of harmonic structures, forms and stylistic features gradually evolved within me. Over 20 years I have studied various editions and listened to the meaning which these suites have had for many famous performers. Ipleasantly discovered the commendable work of other clarinettists who in turn have dedicated themselves to approaching this composer with the bass clarinet. The objective of this version isn't to impose conditions on how to play the suites. We carried out unique research into the coherence of the text, based on the manuscripts of Anna Magdalena Bach and Johann Peter Kellner. The choice to remove any type of articulation and agogic was made in order to encourage the development of personal interpretation, which obviously requires a fundamental investigation of the sources. This edition comes with 4 versions of the suite. The reason behind producing four versions (which are in different keys and tones) is because every musician has their own tastes and tendencies. Personally, I prefer the bass clef transposed to B flat because I find the bass clef to be the most appropriate for the spirit of the low instrument./ Répertoire / Clarinette Basse Solo
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Viola School Viola Part Vol.2 (SUZUKI SHINICHI)
25.40
Viola School Viola Part Vol.2 (SUZUKI SHINICHI)
Alto seul
[Partition]
Alfred Publishing
Par SUZUKI SHINICHI. Viola Part from the Suzuki Viola School, Volume 2. Transcri...
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Par SUZUKI SHINICHI. Viola Part from the Suzuki Viola School, Volume 2. Transcribed for Viola and Piano by Doris Preucil. The Suzuki philosophy is based upon the idea that children can learn music in the same manner they do their native language, through repetitive listening. This simple method of teaching has developed into a worldwide movement with proponents in many countries across many instruments. The first three volumes of The Suzuki Viola School have been directly transcribed from Shinichi Suzuki's Violin method by Doris Preucil, and contain many popular Baroque melodies in addition to the necessary exercises and studies. Suitable for bothbeginner adults and young children. / Niveau : Débutant à Intermédiaire / Rép Classique / Méthode / Alto
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