| Wolfgang Amadeus Mozart:
The Impresario: Mixed
Choir: Vocal Score [Vocal Score] Schirmer
Mozart's little-known one-act comic opera 'The Impresario' was commissioned by t...(+)
Mozart's little-known one-act comic opera 'The Impresario' was commissioned by the Emperor Joseph II of Austria for a winter party he was giving. The libretto by Johann Gottleib Stephanie (The Younger) is about the tribulations of an impresario trying to mount a performance of an opera so it is likely Mozart hard at work on 'The Marriage of Figaro' derived a certain wry satisfaction from setting it. This is the Schirmer edition of the Vocal Score with an English adaptation by Giovanni Cardelli.
16.99 GBP - vendu par Musicroom GB |
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| Inventing the Business of
Opera Oxford University Press
The Impresario and His World in Seventeenth Century Venice
35.99 GBP - vendu par Musicroom GB |
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| Inventing the Business of
Opera Oxford University Press
The Impresario and His World in Seventeenth-Century Venice
66.00 GBP - vendu par Musicroom GB |
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| Der Schauspieldirektor
(MOZART WOLFGANG AMADEUS) Solistes SSTB, 2 Flûtes
Traversières, 2 Hautbois, [Partition] Carus Verlag
Komödie Mit Musik. Par MOZART WOLFGANG AMADEUS. Der Schauspieldirektor [“The ...(+)
Komödie Mit Musik. Par MOZART WOLFGANG AMADEUS. Der Schauspieldirektor [“The Impresario”] was composed in the spring of 1786 to fulfill a commission from Joseph II for performance during a visit to Vienna by the Governor-General of the Netherlands. The visitors were meant to be entertained with a short German and an Italian musical comedy during a festival arranged on short notice in Schönbrunn Palace. The choice of composers fell to Mozart and Salieri. Both pieces spoofed the theatrical practices of the day. Der Schauspieldirektor, by Gottlieb Stephanie the Younger, has a loosely-constructed plot that hinges on the vanity of opera singers and the empty-headedness of many traveling companies. Frank Lustig wants to create a newtheatrical troupe, for which Herr Eiler is willing to supply money, but only on condition that his lady friend is allowed to join. In the course of the piece, appearances are made by other ladies with resonant names who want to be retained as singers and who attempt to outdo each other until reason is allowed to prevail./ Répertoire / Solistes SSTB, 2 Flûtes Traversières, 2 Hautbois,
92.50 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Love Never Dies - Revised
Version Piano, Voix Really Useful Group
Les personnages principaux du Fantôme de l'Opéra de continuer leur histoire d'...(+)
Les personnages principaux du Fantôme de l'Opéra de continuer leur histoire d'Andrew Lloyd Webber musical très attendu suite, Love Never Dies.Dix ans après la mystérieuse disparition du Fantôme de l'Opéra de Paris, Christine Daaé accepte une offre de venir en Amérique et d'effectuer à New York, nouveau terrain de jeu fabuleux du monde, Coney Island. Arrivé à New York avec son mari et leur fils Gustave Raoul, Christine découvre bientôt l'identité de l'impresario anonyme qui l'a fait venir de France pour chanter.Ce recueil de chansons contient toutes les musiques de la production australienne de la sensation spectacle du West End dans les arrangements pour piano et voix avec symboles d'accord, ainsi que d'une magnifique section 8 page photo en couleur. / Voix Et Piano
34.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Joseph Haydn: Symphony in
D major Hob. I:104 SE:
Orchestra: Study Score Orchestre [Conducteur d'étude / Miniature] G. Henle
Symphony in D major Hob. I:104-The twelve London Symphoniesâ? comprise the su...(+)
Symphony in D major Hob. I:104-The twelve London Symphoniesâ? comprise the sublime final statement of Haydnâ??s symphonic Å?uvre. They were written for the London impresario Johann Peter Salomon and Haydn himself conducted their premieres during his lengthy stays in the English metropolis in 1791/92 and 1794/95. The D-major Symphony no. 104 was composed as the last of the London Symphoniesâ? in early 1795 and is not only the concluding work but also the highlight of Haydnâ??s symphonic output overall. It firmly established the high standards of the genre for future generations of composers and probably Haydnâ??s most performed symphony to this day. This study edition adopts the musical text of the Haydn CompleteEdition thereby guaranteeing the highest scholarly quality. An informative preface and a brief Critical Report make the handy score an ideal companion for all current and soon-to-be Haydn fans.
12.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Philip Furia Laurie J.
Patterson: The American
Song Book The Tin Pan
Alley Era: Oxford University Press
The American Song Book contains beautiful reproductions of original sheet music ...(+)
The American Song Book contains beautiful reproductions of original sheet music of the Tin Pan Alley Era. This book places these songs in historical context and provides fascinating and amusing backgrounds to the songs. Based on original archival research. The American Song Book Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music including covers of songs that constitute the enduring standards of Irving Berlin Jerome Kern the Gershwins and other lyricists and composers of what has been called the 'Golden Age' of American popular music. These songs havedone what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year generation after generation by jazz artists such as Charlie Parker and Art Tatum Ella Fitzgerald and Louis Armstrong. In the 1950s Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet Doris Day Willie Nelson and Linda Ronstadt. In more recent years these songs have been reinterpreted by Rod Stewart Harry Connick Jr. Carly Simon Lady GaGa K.D. Laing Paul McCartney and most recently Bob Dylan. As such these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley the emergence of American musical comedy on Broadway and the 'talkie' revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters performers and impresarios such as Florenz Ziegfeld. In addition they analyze the lyrical and musical artistry of each song and relate anecdotes sometimes amusing sometimes poignant about how the songs were created. The American
29.99 GBP - vendu par Musicroom GB |
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| Philip Furia Laurie J.
Patterson: The American
Song Book The Tin Pan
Alley Era: Oxford University Press
The American Song Book contains beautiful reproductions of original sheet music ...(+)
The American Song Book contains beautiful reproductions of original sheet music of the Tin Pan Alley Era. This book places these songs in historical context and provides fascinating and amusing backgrounds to the songs. Based on original archival research. The American Song Book Volume I: The Tin Pan Alley Era is the first in a projected five-volume series of books that will reprint original sheet music including covers of songs that constitute the enduring standards of Irving Berlin Jerome Kern the Gershwins and other lyricists and composers of what has been called the 'Golden Age' of American popular music. These songs havedone what popular songs are not supposed to do-stayed popular. They have been reinterpreted year after year generation after generation by jazz artists such as Charlie Parker and Art Tatum Ella Fitzgerald and Louis Armstrong. In the 1950s Frank Sinatra began recording albums of these standards and was soon followed by such singers as Tony Bennet Doris Day Willie Nelson and Linda Ronstadt. In more recent years these songs have been reinterpreted by Rod Stewart Harry Connick Jr. Carly Simon Lady GaGa K.D. Laing Paul McCartney and most recently Bob Dylan. As such these songs constitute the closest thing America has to a repertory of enduring classical music. In addition to reprinting the sheet music for these classic songs authors Philip Furia and Laurie Patterson place these songs in historical context with essays about the sheet-music publishing industry known as Tin Pan Alley the emergence of American musical comedy on Broadway and the 'talkie' revolution that made possible the Hollywood musical. The authors also provide biographical sketches of songwriters performers and impresarios such as Florenz Ziegfeld. In addition they analyze the lyrical and musical artistry of each song and relate anecdotes sometimes amusing sometimes poignant about how the songs were created. The American
120.00 GBP - vendu par Musicroom GB |
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| Prima La Musica E Poi Le
Parole (Salieri dans ce '
théâtre dans le
théâtre ' dans le arias
aussi parodié la musique
de Giuseppe Sarti de '
Giulio Sabino , ' il joue
avec pré- existant , le
public de première de la
musique bien connue) Opéra Barenreiter
Le projet ' OPERA ' - spectre de théâtre musical européen dans Einzeleditione...(+)
Le projet ' OPERA ' - spectre de théâtre musical européen dans Einzeleditionenwidmet l' édition critique des oeuvres marquantes du théâtre européen de la musique du 17e 20 Siècle.Emis un total de 21 compositions en franCais, italien , allemand, anglais , scandinaves et d'origine slave , qui genres aussi ciblés sont inclus , qui ont reCu peu d'attention dans les entreprises éditoriales précédentes et apportent chacun leurs propres problèmes éditoriaux avec elle , comme le ballet , la musique de théâtre , mélodrame ou opérette .Une nouvelle fonctionnalité est la présentation sous la forme d' éditions dits hybrides , publié par les scores welchendie dans les sources de tissu lié , et la undtextlichen musical traditionnel , les éditions des textes dramatiques et les rapports critiques sont préparés et présentés sur une plate-forme électronique ( Edirom ) .Les décisions de l'éditeur est grâce complètement transparent pour la capacité à accéder aux sources sous-jacentes de l'utilisateur . Ce particulier de ' OPERA ' poursuivi accès éditoriale ouvre de nouvelles perspectives pour la science , la scène et concert semblables.La présentation numérique des éditions OPERA utilise le Edirom logiciel , qui a été développé dans le même , basé sur le projet de la Fondation allemande pour la recherche ( DFG ) Université de Paderborn . Tous les composants de la partie électronique sont codés selon les normes modernes en XML , les portions de texte utilisant la norme de la ' Text Encoding Initiative ' ( TEI ) .Les premiers volumes de la série avec Edirom ( Digital Music Edition) :- Antonio Salieri , Giambattista Casti : ' Prima la musica e poi le parole ' (1786 ) , Ed . Thomas Betzwieser / Adrian La Salvia ( BA 8811 )- Adolphe Beno t Blaise , Marie -Justine- Beno te Favart : ' Annette et Lubin ' (1762 ) , Ed . Andreas Münzmay ( BA 8812 )- Thomas Arne , Isaac Bickerstaff , ' Love in a village ' (1762 ) , Ed . N.N. ( BA 8814 )- Ferdinando Paër , Giacomo Cinti : ' Leonora ossia L'amor conjugale ' (1804 ) , Ed . Norbert Dubowy ( BA 8813 )- Pierre de Lindpaintner , Johann Wolfgang von Goethe , Carl Seydelmann : ' Ouverture , entreacte , des choeurs et des chansons à Faust de Goethe par le cadre pittoresque de Carl Seydelmann ' (1832) , Ed . Antje Tumat ( BA 8815 )' Prima la musica e poi le parole ' ( BA 8811 ) :Le 7 Février 1786 s'inscrivait dans le cadre d'un festival , avait invité à l'empereur Joseph II dans l'Orangerie du château de Schönbrunn , un concours musical mémorable . L'Italien ' Hofoperisten ' a présenté le ' Impresario ' de Mozart , qui a été présenté par un ensemble Singspiel allemand , en face de l' opéra-bouffe ' Prima la musica e poi le de libération conditionnelle ' par Antonio Salieri . Cette satire délicieux opéra appartient au genre de la ' metamelodramma ' dans laquelle l'opéra est l'objet de l' action elle-même . Les personnes impliquées dans une production d'opéra , comme poète , compositeur et Prima Donna , se produisent même en apparence . De cette faCon , il ya une auto-réflexion humoristique de l'artiste dans les personnages de théâtre . Par Salieri dans ce ' théâtre dans le théâtre ' dans le arias aussi parodié la musique de Giuseppe Sarti de ' Giulio Sabino , ' il joue avec pré- existant , le public de première de la musique bien connue . Grâce à sa réflexion musicale sur le style musical et dramatique et la discussion de la priorité de parole ou de son, ce chef-d'oeuvre s'avère précurseur précoce de Richard Strauss ' Capriccio ' .La nouvelle édition de la partition dans le cadre de ' OPERA - spectre de théâtre musical européen dans les éditions simples ' a apporté de nombreux changements avec lui ( livret , les indications scéniques , articulation , ornements , etc.) / Opéra
592.20 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Timothy Bowers: Last
Words - Book 3: Baritone
Voice: Vocal Album Voix Baryton, Piano Queen's Temple Publications
Book 3 in this very special series of song cycles by Timothy Bowers is for barit...(+)
Book 3 in this very special series of song cycles by Timothy Bowers is for baritone and piano. The work explores texts that are by turns witty ironic and uplifting. The subjects are the poet Dylan Thomas William Pitt the Younger Oscar Wilde and Broadway impresario Florenz Ziegfeld; and settings of two comic/ironic epitaphs by Byron - one addressed to the much-despised politician Castelreagh the other a poignant salute to the poet's dog Boatswain.
6.50 GBP - vendu par Musicroom GB |
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| Ravel - Daphnis And
Chloe - Suites I And Ii
In Full Score - Orchestra Orchestre [Partition] - Intermédiaire/avancé Dover Publications
Description Composed for the famous ballet impresario Serge Diaghilev and the...(+)
Description Composed for the famous ballet impresario Serge Diaghilev and the Ballet Russes, Maurice Ravel?s Daphnis and Chloe was drawn from an ancient Greek fable. At the time, Ravel announced his intention to 'compose a vast musical fresco, less scrupulous as to archaism than faithful to the Greece of my dreams.' The resulting 'choreographic symphony' features a captivating combination of orchestral traditions and modern ideals.
24.50 EUR - vendu par Woodbrass Délais: Sur commande |
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| Maurice Ravel: Daphnis
And Chloe - Suites I And
II: Opera: Score Dover Publications
Composed for the famous ballet impresario Serge Diaghilev and the Ballet Russes ...(+)
Composed for the famous ballet impresario Serge Diaghilev and the Ballet Russes Maurice Ravel’s Daphnis and Chloe was drawn from an ancient Greek fable. At the time Ravel announced his intention to 'compose a vast musical fresco less scrupulous as to archaism than faithful to the Greece of my dreams.' The resulting 'choreographic symphony' features a captivating combination of orchestral traditions and modern ideals.
20.30 GBP - vendu par Musicroom GB Délais: En Stock |
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| Impresario Vocal Score Divers Theodore Presser Co. 12.20 EUR - vendu par LMI-partitions Délais: Sur commande |
|
| Der Schauspieldirector -
The Impresario (MOZART
WOLFGANG AMADEUS) Trompette en Mib, Cor, Trombone et
Tuba [Partition] FLEX Editions
Par MOZART WOLFGANG AMADEUS. / Répertoire / Trompette en Mib, Cor, Trombone et ...(+)
Par MOZART WOLFGANG AMADEUS. / Répertoire / Trompette en Mib, Cor, Trombone et Tuba
22.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Opera Overtures Piano Duo Kalmus 32.20 EUR - vendu par LMI-partitions Délais: En Stock |
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| The Impressario Kv 486 Orchestre Eulenburg 14.00 EUR - vendu par LMI-partitions Délais: Sur commande |
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