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Three Afterimages (STANCZYK MARCIN) (STANCZYK MARCIN)
18.20
Three Afterimages (STANCZYK MARCIN) (STANCZYK MARCIN)
Contre Basse
[Partition]
PWM (Polskie Wydawnictwo Muzyczne)
Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted...
(+)
Par STANCZYK MARCIN. In the mid-twentieth century, Wladyslaw Strzeminski painted a series of solaristic pictures entitled Powidoki swiatla (?Afterimages of light?), illustrating the optical impressions triggered by gazing at the sun. They can be observed when we look at the sun and then suddenly turn our eyes to a white sheet of paper. We then see a reflection of the light ? a trail in blue, contrasting with the yellow. The reflection of the notes in this work are their harmonics. The three movements are formed from the relationship between the fundamental pitches and their overtones. The first is built on the principle of the mutual contrast between the sounding ?light? and its ?afterimages?. In the second movement, the transitions between the ?lights? and their ?afterimages? are smooth, while in the third, the juxtaposing of fundamentals and overtones is initially smooth, but then alters in the direction of the contrast from the beginning of the work. / Date parution : 2022-12-12/ Répertoire / Contrebasse
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Piece En Forme De Habanera (RAVEL MAURICE)
16.30
Piece En Forme De Habanera (RAVEL MAURICE)
Flûte et Guitare
[Partition]
Leduc, Alphonse
Par RAVEL MAURICE. As a prestigious composer of the early 20th century, Maurice ...
(+)
Par RAVEL MAURICE. As a prestigious composer of the early 20th century, Maurice Ravel 's Pièce En Forme De Habanera, transcribed for Flute and Guitar by Janet Ketchum and Peter Segal, contains many features which continue to make the composer's music popular and loved to this day. Known for his masterful melodies and rich harmonies, Pièce En Forme De Habanera clearly exemplifies these qualities through flourishing Flute lines and evocative, chordal and rhythmic Guitar accompaniments. Moreover, Habanera rhythms heard throughout the piece create further excitement. All of these musical elements combined create ahighly enjoyable piece for the Flute and Guitar repertoire. In addition, the clear print of separate solo and accompaniment parts in this edition of Pièce En Forme De Habanera add to an irresistible purchase for aspiring Flute players./ Répertoire / Flûte Traversière et Guitare
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Herbert Howells: Penguinski For Orchestra (Full Score): Orchestra: Score
15.99
Herbert Howells: Penguinski For Orchestra (Full Score): Orchestra: Score
Orchestre
[Partition]
Novello & Co Ltd.
Howells wrote Penguinski for a visit made to the Royal College of Music in Londo...
(+)
Howells wrote Penguinski for a visit made to the Royal College of Music in London on 10 May 1933. This score pays light and affectionate tribute to the considerable popularity of Stravinksy in London from the teens of the twentieth century. In Penguinski Howells creates a knockabout piece which shadowboxes Petrushka. Whilst underlining Howells's versatility the score gives a colourful insight into the prevailing influences of the time and is an intriguing example of how Stravinsky must have sounded to his English contemporaries.
15.99 GBP - vendu par Musicroom GB
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String Quartet In C Minor (Score) (VAUGHAN WILLIAMS RALPH)
16.30
String Quartet In C Minor (Score) (VAUGHAN WILLIAMS RALPH)
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
-
Intermédiaire
Faber Music Limited
Par VAUGHAN WILLIAMS RALPH. Quartet in C Minor is in four movements with a total...
(+)
Par VAUGHAN WILLIAMS RALPH. Quartet in C Minor is in four movements with a total duration of about 25 minutes. The opening Allegro is Dvorák-ish in its lyricism, though there is a darker, more brooding atmosphere towards the close. It is tempting to detect a hint of folk-song in the theme of the Andantino, played by the Viola, but that may be stretching hindsight too far. The movement has a wistful melancholy that carries over into the following Intermezzo, a song-like episode containing some of the most virtuosic writing in the work. The last movement is a theme and six variations with a fugal ending. The theme is ballad-like with a suggestion of 18th-century elegance. Modality creeps into the second Adagio variation and there is rhythmic exhilaration in the succeeding Presto. What can be admired in this attractive quartet is its conciseness. This String Quartet was his first major composition of any kind. / Niveau : Intermédiaire / Répertoire / Quatuor à Cordes
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Strygekvartetter / String Quartets (LANGGAARD RUED)
167.80
Strygekvartetter / String Quartets (LANGGAARD RUED)
Quatuor à cordes: 2 violons, alto, violoncelle
Wilhelm Hansen
Par LANGGAARD RUED. Rued Langgaard (1893-1952) is one of the most important Dani...
(+)
Par LANGGAARD RUED. Rued Langgaard (1893-1952) is one of the most important Danish composers of the 20th century. He has, however, only acquired this status many years after his death. Langgaard was an eminent musical talent, but with his romantic and symbolist view of art, he ended up as an outsider in an era when the trend-setting Musical life of the time was dominated by Carl Nielsen?s sober and modern attitude. / Date parution : 2022-04-01/ Recueil / Quatuor à Cordes
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Streichquartett Nr. 5 (BARTOK BELA)
37.20
Streichquartett Nr. 5 (BARTOK BELA)
Quatuor à cordes: 2 violons, alto, violoncelle
Universal Edition
Par BARTOK BELA. Bartok's 'String Quartet No. 5' was commissioned by the formida...
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Par BARTOK BELA. Bartok's 'String Quartet No. 5' was commissioned by the formidable Elizabeth Sprague Coolidge, leading patron of chamber music in the U.S. in the first half of the 20th century. Bartok is alleged to have composed the work in a one-month span of isolation in 1934, and it received its premiere in Washington, D.C. by the Kolisch Quartet in 1935. The String Quartet No. 5 was published shortly thereafter by Universal Edition, who now incorporates the score into their UE Study Score Series in a handsome new publication./ Répertoire / Quatuor à Cordes
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John Rutter: Magnificat - Orchestral Version: Soprano & SATB: Score
146.95
John Rutter: Magnificat - Orchestral Version: Soprano & SATB: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre
Oxford University Press
Full Score-John Rutter's Magnificat is a joyous celebration of the Virgin Mary ...
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Full Score-John Rutter's Magnificat is a joyous celebration of the Virgin Mary inspired by feast-day festivities in countries such as Spain Mexico and Puerto Rico. Following the example set by Bach the Magnificat text is extended incorporating the fifteenth-century English poem 'Of a Rose' the prayers 'Sancta Maria' and the 'Sanctus' (set to the Gregorian chant of the Missa cum jubilo). The full scores for orchestra or chamber ensemble are now available on sale for the first time in handsome cloth-bound editions and the newly set orchestral parts are available on hire.
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Otto M. Schwarz: Composers Dinner: Clarinet Quartet: Score and Parts
21.99
Otto M. Schwarz: Composers Dinner: Clarinet Quartet: Score and Parts
Quatuor de Clarinettes: 4 clarinettes
Symphonic Dimensions Publishing
3 Original Pieces for Clarinet Quartet. Three works with quotations from well-kn...
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3 Original Pieces for Clarinet Quartet. Three works with quotations from well-known composers are contained in this tongue-in-cheek collection. Otto M. Schwarz has produced an outstanding recording of these works with members of the Slovak Philharmonic, which is available on all streaming and download platforms. 1. THE AMADEUS WATCH: Wolfgang Amadeus Mozart?s own watch ? if he had one ? ticks away. The ticking carries us back in time with a piece that stylistically imitates the music of the 18th century in melody, harmony and rhythm. 2. COMPOSERS DINNER IN HEAVEN: At the music publisher De Haske, a composers? dinner was an integral part of trade fairs or meetings. The dinner was very popular among anyone who sat at it, not least of all because it offered one the opportunity to chat informally.? Based on such a meeting, Otto M. Schwarz has a composed a work that describes an imaginary dinner of great classical masters on a cloud in the sky. Guess which composers are present by the references in the form of musical quotations and stylistic devices! 3. SCHERZO FOR CLARINET QUARTET: The work, in 12/8 time, moves in a rapid furioso. Underscored by a continues eighth note rhythm, the work creates in the listener the sensation of a frantic rollercoaster ride. The theme moves throughout all the parts and, following a chromatically moving chord sequence, ends in a dramatic crescendo.
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Bartók For Trumpet
20.60
Bartók For Trumpet
Trompette, Piano
[Partition + CD]
-
Intermédiaire
Boosey and Hawkes
The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements o...
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The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy.Bartók for Trumpet features selected highlights from Bartók's most popular pedagogical repertoire including For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and others, arranged for trumpet with piano accompaniment by Hywel Davies. An accompanying audio CD features demonstration and backing tracks. / Trompette Et Piano
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Fugitive Pieces (GRECO JOSE LUIS)
18.40
Fugitive Pieces (GRECO JOSE LUIS)
Piano seul
[Partition]
Unión Musical Ediciones
Par GRECO JOSE LUIS. The work started out as music for a contemporary ballet cho...
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Par GRECO JOSE LUIS. The work started out as music for a contemporary ballet choreographed by Paul Selwyn Norton for Spain?s National Dance Company. The first of the three movements, the basis for a set of variations in the ballet, was left stranded. So I decided to add two more movements to round out the arc it seemed to suggest. The three movements are a bit like time travel, in that they evoke the Baroque, the Classical and the early 20th century. / Date parution : 2022-04-01/ Répertoire / Piano
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Bernard Herrmann: Echoes For String Quartet (Parts): String Quartet: Parts
16.99
Bernard Herrmann: Echoes For String Quartet (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
This single-movement for String quartet employs some of the more familiar elemen...
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This single-movement for String quartet employs some of the more familiar elements of Herrmannâ??s compositional style: short musical phrases repeated and then repeated again in other positions sharp use of dynamics among them. It is a fascinating sidelight into the work of one of the 20th centuryâ??s most brilliant composers.Bernard Herrmann was among the greatest of all composers of music for cinema and there are many who avow that he was the greatest of all. A very short list of the films for which this award-winning composer created soundtracks includes Citizen Kane The Man Who Knew Too Much Vertigo Jason and Argonauts Fahrenheit 451 Obsession and Taxi Driver. He had along and fertile association with Alfred Hitchcock during the most productive period of Hitchcockâ??s career and with Orson Welles from the time of the Mercury Theatre on the Air. In addition to his conducting and composing work for the entertainment world Herrmann wrote concert pieces including a symphony opera and cantata.
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Saint François D'Assise, Vol.3 (Acte II, 6ème Tableau) Réduction Chant Et Piano
97.60
Saint François D'Assise, Vol.3 (Acte II, 6ème Tableau) Réduction Chant Et Piano
En Français
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano
Leduc, Alphonse
Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume i...
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Saint Francois D'Assise is an opera in 3 acts by Olivier Messiaen. This volume is focused on the Act II - 6. Le Prêche Aux Oiseaux which depicts a moment when he preached to the birds, in Assisi. Saint Francis gives the birds his benediction to which they answer by a Concerto. Based on the life of Saint Francis of Assisi, this opera is set in Italy and is composed as per below:Act I: 1. La croix 2. Les laudes 3. Le baiser au lépreux Act II 4. L'ange voyageur 5. L'ange musicien 6. Le prêche aux oiseaux Act II 7. Les stigmates 8. La mort et la nouvelle vie This opera was played at the Paris Opera in 1983. Olivier Messiaen (1908-1992) was a French organist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music, he had a very special way of composing and his work can be identified by its complexity, its diatonic aspect, its harmony with limited transposition, its colour and its additive rhythms. He composed many works related to ornithology and birdsong, including the 'Bird Catalogue' in 7 volumes and the 'Treatise on Rhythm, Colour and Ornithology' in 7 volumes. / Chant Et Piano
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Herbert Howells: Piano Music Volume 2: Piano: Instrumental Album
13.99
Herbert Howells: Piano Music Volume 2: Piano: Instrumental Album
Piano seul
[Partition]
-
Intermédiaire/avancé
Thames Publishing
The pieces contained in this volume were composed in the decade between 1918 and...
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The pieces contained in this volume were composed in the decade between 1918 and 1928 the perios in which Howells established himself as a composer of instrumental music. Although he wrote no major work for the Piano he contributed some finely crafted and charming miniatures to the repertoire of character pieces popular in the early part of this century. This is fine music idiomatically written for the Piano which fully justifies its return to circulation in this reprint.
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Bartók For Flûte
20.60
Bartók For Flûte
Flûte traversière et Piano
[Partition + CD]
-
Intermédiaire
Boosey and Hawkes
The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements o...
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The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy.Bartók for Flute features selected highlights from Bartók's most popular pedagogical repertoire including For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and others, arranged for flute with piano accompaniment by Hywel Davies. An accompanying audio CD features demonstration and backing tracks. / Flûte Et Piano
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Gustav Holst: Savitri: Opera: Vocal Score
Opéra
[Partition]
J. Curwen and Sons
Gustav Holst has earned a place among the most revered of late 19th and early 20...
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Gustav Holst has earned a place among the most revered of late 19th and early 20th century composers and is best known for his enduring Orchestral suite The Planets.But before that great work in his use of Englsh folksongs Gnostic texts and these Vedic hymns one can discern Holst’s search for a compositional Voice beyond the constraints of the European canon in the early 1900’s. In Savitri he makes use of modal styles bitonality austerity ofOrchestration in some places richness of texture in others and an ability to suggest Indian exoticism. The piece has a performance time of thirty minutes and has minimal staging requirements.
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Rob Teehan: There Will Come Soft Rains: Soprano & SATB: Instrumental Work
11.25
Rob Teehan: There Will Come Soft Rains: Soprano & SATB: Instrumental Work
Chorale SATB
SATB, Piano
[Partition]
-
Intermédiaire
Schirmer
Jon Washburn Choral Series-This beautiful Sara Teasdale poem presents initially...
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Jon Washburn Choral Series-This beautiful Sara Teasdale poem presents initially a comforting vision of the natural beauty of a world returning to equilibrium until we realize that it can only happen after humans are removed from the ?natural?equation.?Written a century ago this timely text is set by Rob Teehan in a lush colorful style which will allow your choir to focus on the poignant text.
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Michael Nyman: Draughtsman's Contract Suite: Orchestra: Score
42.50
Michael Nyman: Draughtsman's Contract Suite: Orchestra: Score
Orchestre
[Conducteur]
Chester
Full Score-The first feature film collaboration between Peter Greenaway and Mich...
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Full Score-The first feature film collaboration between Peter Greenaway and Michael Nyman made in 1983 following a major series of short/independent films they made together - including The Falls and A Walk throughH. A draughtsman is commissioned by a landowner in the late 17th century to make 12 drawings of his property. Every note of the score was derived from the music of Purcell and was written for the Michael NymanBand. This concert suite which was made in 2001 and first performed in Hanover was specially revised for an all-Nyman concert given by the composer and the BBC Concert Orchestra at the Royal Festival Hall Londonin June 2003. Written for Orchestra and Harpsichord the suite lasts approximately 16 minutes.
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Triptych (Vocal Score)
18.40
Triptych (Vocal Score)
Chorale SATB
SATB, Orchestre
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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Carl Nielsen: Salmer Og Aandelige Sange: Soprano: Instrumental Work
Soprano, Piano
[Partition]
-
Intermédiaire
Wilhelm Hansen
Salmer Og Aandelige Sange ias a collection of Sacred Songs And Hymns by early 20...
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Salmer Og Aandelige Sange ias a collection of Sacred Songs And Hymns by early 20th Century Danish composer Carl Nielsen who is one of the most important and free-spirited of the generation of composers who straddle the 19th and 20th centuries. If Nielsen's chamber and orchestral music epitomizes the exploratory growth-orientated side of his nature his songs contain the essence of his search for the ‘simple original’. Arranged for Piano Vocal and Guitar.
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The Piano Music Of Heitor Villa-Lobos (VILLA-LOBOS HEITOR)
34.20
The Piano Music Of Heitor Villa-Lobos (VILLA-LOBOS HEITOR)
Piano seul
[Partition]
-
Intermédiaire/avancé
Amsco Wise Publications
A New Edition Revised and Edited by the Composer. Par VILLA-LOBOS HEITOR. An exc...
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A New Edition Revised and Edited by the Composer. Par VILLA-LOBOS HEITOR. An exciting assortment of Piano works that are musically and technically rewarding as study pieces, and appealing in recital. The music is on a level with that of the 18th and 19th century masters. This edition has been edited by the composer. Contents: ALMA BRASILEIRA - CHOROS NO.5 BACHIANAS BRASILEIRAS NO.4 - Suite 1. Preludio - Introdução - (Prelude) 2. Coral - Canto Do Sertão (Song of the Jungle) 3. Aria - Cantiga (Song) 4. Dansa - Miudinho (Dance) CAIXINHA DE MUSICA QUEBRADA (The Broken Little Music Box) CARNAVAL DAS CRIANCAS BRASILEIRAS - Suite 1. A Manhã Da Pierrete (Pierrette's Hands) 2. O Chicote Do Diabinho (The Devil's Whip) CICLO BRASILEIRO - Suite 1. Plantio Do Caboclo (Native Planting Songs) 2. Impressões Seresteiras (Mistrel Impressions) 3. Festa No Sertão (Jungle Festival) 4. Dansa Do Indio Branco (Dance of the White Indian) GUIA PRATICO - Album 1 - Five Pieces 1. Acordei De Madrugada (Dawn) 2. A Maré Encheu (Full Tide) 3. A Roseira (The Rose-Bush) 4. Manquinha (Little Lame Girl) 5. Na Corda Da Vióla (On the Strings of a Viola) GUIA PRATICO - Album 8 - Seven Pieces 1. O Limão (Oh, Lemon) 2. Carambola (Goodness!) 3. Pobre Céga (Poor Blind Woman) 4. Pai Francisco (Father Francisco) 5. Xô Passarinho! (Fly! Little Bird) 6. Sinh' Aninha (Farmers' Daughters) 7. Vestidinho Branco (Little White Dress) GUIA PRATICO - Album 9 - Six Pieces 1. Laranjeira Pequenina (The Little Orange Tree) 2. Pombinha, Rolinha (Little Dove, Tiny Dove) 3. O Ciranda, O Cirandinha (Circle Dance) 4. A Velha Que Tinha Nove Filhas (The Old Woman That Had Nine Daughters) 5. Constante (Constant) 6. O Castelo (The Castle) POEMA SINGELO (Simple Song) PROLE DO BEBE - #1 - Suite 1. Moreninha (The Little Paper Doll) 2. Mulatinha (The Little Rubber Doll) 3. O Polichinelo (Clown) SIMPLES COLETANEA - Three Pieces 1. Valsa Mistica (Valse Mystique) 2. Em Um Berço Encantado (Dans Un Berçeau Féerique) 3. Rhodante (Circle Dance) SUITE FLORAL - Op.97 - Three Pieces 1. Idilio Na Rede (Summer Idyll) 2. Uma Camponeza Cantadeira (A Singing Country Girl) 3. Alegria Na Horta (Joy In The Garden) / Niveau : Intermédiaire à Avancé / Répertoire / Piano
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Romanian Folk Dances (Piano Solo)
15.30
Romanian Folk Dances (Piano Solo)
Piano seul
[Partition]
-
Intermédiaire
Chester
This is a new edition of Béla Bartók's popular Romanian Folk Dances in its ori...
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This is a new edition of Béla Bartók's popular Romanian Folk Dances in its original scoring for Solo Piano. With fascinating background notes and unique imagery, this publication is essential for pianists interested in the work of the Hungarian composer.When Bartók was just 23 years old, he visited the Transylvanian town of Gerlicepuszta. Overhearing a lullaby sung by a teenage servant girl named Lidi Dósa, he quizzed her about it and noted it down. This was the beginning of a passion for folk music that would go on to change the course of the composer's life and work.Romanian Folk Dances remains one of Bartók's most popular and enduring works, evoking the folk melodies combined with his own idiosyncratic harmonies and textures. Each of the six short pieces here is based on a traditional melody which Bartók penned during his travels. Including newly engraved masterpieces Stick Dance, Waistband Dance, In One Spot, Dance From Butschum, Romanian Polka and Fast Dance, this sheet music collection features editorial revisions guided by recordings of Bartók's own performance. The notation also includes fingering guidance throughout.Romanian Folk Dances also features a specially-written introduction as well as some fantastic photographs that both tell the story of the young composer and the intriguing backstory of this work. One of the most important 20th century composers and, along with Liszt, one of Hungary's finest musical minds, Bartók held a strong fascination for folk music. Through his studies, recordings and arrangements, he composed some incredible music like these Romanian Folk Dances, while simultaneously initiating the field of ethnomusicology. / Piano
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New Standards: 101 Lead Sheets By Women Composers
40.70
New Standards: 101 Lead Sheets By Women Composers
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Berklee
Par . Terri Lyne Carrington, Founder and Artistic Director of the Berklee Instit...
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Par . Terri Lyne Carrington, Founder and Artistic Director of the Berklee Institute of Jazz and Gender Justice, has curated a wide range of jazz compositions written by women composers, from obscure to popular, historic to current, blues to be bebop, and beyond in this important collection. These compositions are supplementary and alternatives to the jazz standard canon that has served students, teachers and professionals throughout the development of jazz music. The compositions span nearly a century, including Lil Hardin Armstrong's work from 1922 to songs written in 2021 by recent Institute graduates. It features 101 compositions from a remarkable range of acknowledged titans, young visionaries and unsung heroes in jazz: Mary Lou Williams, Alice Coltrane, esperanza spalding, Geri Allen, Maria Schneider, Cecile McLorin Salvant, Cassandra Wilson, Dianne Reeves, Dorothy Ashby, Nubya Garcia, Nicole Mitchell and many others. The book includes a 1922 piece by the influential Lil Hardin Armstrong and songs written in 2021 by emerging artists from Carrington's Berklee Institute of Jazz and Gender Justice. New Standards also celebrates the global world of jazz, from Chilean tenor saxophonist Melissa Aldana to Japanese American pianist Toshiko Akiyoshi and other international composers. / Date parution : 2022-12-12/ Recueil / Tout Instrument
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The Novello Shakespeare Choral Collection: SATB: Vocal Score
19.99
The Novello Shakespeare Choral Collection: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
Music played an enormous role in the works of William Shakespeare while his own...
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Music played an enormous role in the works of William Shakespeare while his own sonnets poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection inspired by the 400th anniversary of the Bard's death in 2016 is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear. The collection features some beautiful settings that have well and truly stood the test of time such as Thomas Arne'sBlow Blow Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More Ladies Gary Carpenter's Lo Here The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass. Not only this the Shakespeare Choral Collection boasts several works that were specially commissioned including John Joubert's Be Not Afeard Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil I Haste Me To My Bed. Some pieces have never appeared before in print such as those by Kevin Olson Bernard Hughes and John Gardner. These songs truly are a joy to perform with some relatively simple arrangements that are purely fun to sing while some more complex settings that will be thoroughly rewarding for choirs and audiences alike. A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection which would work as a wonderful concert programme on its own or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating
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Yip Harburg: The Yip Harburg Songbook - 2nd Edition: Piano Vocal and Guitar:
19.99
Yip Harburg: The Yip Harburg Songbook - 2nd Edition: Piano Vocal and Guitar:
Piano, Voix et Guitare
Hal Leonard
An Oscar-winning lyricist and Songwriters Hall of Famer Yip Harburg collaborate...
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An Oscar-winning lyricist and Songwriters Hall of Famer Yip Harburg collaborated with the finest composers of the 20th century. Featured here are nearly three dozen of his most beloved songs including: April in Paris ?Brother Can You Spare a Dime' ? How Are Things in Glocca Morra ? It's Only a Paper Moon ? Old Devil Moon ? Over the Rainbow ? We're Off to See the Wizard ? and more. Features great photos and anintroduction/career retrospective by Stephen Holden.
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See Amid The Winter's Snow
5.70
See Amid The Winter's Snow
Chorale 2 parties
SA, Piano
Boosey and Hawkes
This setting of See amid the winter's snow was written for Philip Redfern and th...
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This setting of See amid the winter's snow was written for Philip Redfern and the choir of St George's School, Edinburgh, who first performed it in December 2014. The lovely words, which I've adapted slightly from the 19th-century carol by Edward Caswall, have been a part of my Christmas celebrations for as long as I can remember, and there are several wonderful tunes associated with the text. In writing this new melody I wanted to explore again the timeless nature of the poetry. This setting should be performed with a gentle forward energy but always with a legato and expressive sound. / Choeur SA Et Piano
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Bartók For Violin
20.60
Bartók For Violin
Violon et Piano
[Partition + CD]
-
Intermédiaire
Boosey and Hawkes
The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements o...
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The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians to learn and enjoy.Bartók for Violin features selected highlights from Bartók's most popular pedagogical repertoire including For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and others, arranged for violin with piano accompaniment by Hywel Davies. An accompanying audio CD features demonstration and backing tracks. / Violon Et Piano
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Anna R. Matthews Frederick Niven: From Flanders: Mixed Choir: Vocal Score
Chorale SATB
SATB, Orgue
Recital Music
Anna R. Matthews writes: 'Frederick Niven's poem tells the story of Christmas in...
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Anna R. Matthews writes: 'Frederick Niven's poem tells the story of Christmas in 1914. On Christmas Day a truce was spontaneously enacted by the two sides fighting in Flanders in World War One. This was five months into the war which until this point many in Britain had confidently believed would be over by that time. When the two sides lay down their weapons in the name of humanity and met in the middle of no-man's-land they would not have realised the bloodshed that was to come as the war dragged on for a further four years - a conflict so atrocious that it came to be known as 'the war to end all wars'.This carol conveys the unknowing innocence of thosemen and the joy of Christmas yet explores the sinister context in which they met and the future which was to come. Ultimately the events of the 1914 Christmas truce came to symbolise the universality of hope and peace at Christmas. This carol brings this message into the twenty-first century.' Anna R. Matthews is a composer living in Exeter England. Born in Devon Anna studied music at Durham University where she was awarded the Rosalind Dickinson Prize. She enjoys working with some of today's most talented and creative ensembles: from Psappha to EXAUDI and from cathedral choirs to youth ensembles. Her music has been broadcast on BBC Radio 3 and she has been a featured new music composer in Choir & Organ magazine. Anna was a finalist in the 2011 King James Bible Composition Awards and is a 2013/24 Arts Council England fellow on the Clore Leadership Programme. She is also a fellow of the Royal Society of Arts.
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Geoffrey Burgon: This World From: Mixed Choir: Vocal Score
4.50
Geoffrey Burgon: This World From: Mixed Choir: Vocal Score
Chorale SATTBB, Clavier
[Vocal Score]
Chester
This was composed in 1979 and is scored for SATB.This work is a setting of a six...
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This was composed in 1979 and is scored for SATB.This work is a setting of a sixteenth-century poem which is a plea for death to come and bring an end to suffering thereby affording peace.
4.50 GBP - vendu par Musicroom GB
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HOWELLS HERBERT - PIANO WORKS
31.00
HOWELLS HERBERT - PIANO WORKS
Piano seul
This collection of 15 pieces, transcribed and edited by the Howells scholar Jona...
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This collection of 15 pieces, transcribed and edited by the Howells scholar Jonathan Clinch and published for the first time to coincide with Matthew Schellhorn?s recording of the complete piano music by Howells for Naxos, reveals a previously neglected aspect of this celebrated English composer.
The pieces chart the musical development of Howells, from his earliest known work The Arab?s Song, written when he was 16, to the Petrus Suite, completed in his 80s, as well as demonstrating his fascination with French music (Phantasy, Harlequin Dreaming) and the Tudor period (Pavane and Galliard).
The volume also includes the moving tribute to his friend and fellow composer Finzi: his rest. Comprising a wide array of pieces from characterful miniatures to more substantial suites, the collection will appeal to Howells devotees and lovers of 20th century English music, as well to as anyone seeking fresh and distinctive piano repertoire. / Partitions classique / Piano - instruments à clavier / Piano / NOVELLO
31.00 EUR - vendu par Woodbrass
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Mors Et Vita For Great Organ
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Mors Et Vita For Great Organ
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Barenreiter
'Mors et vita' - death and life. This antithesis opens a stanza of the ancient 1...
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'Mors et vita' - death and life. This antithesis opens a stanza of the ancient 11th-century Easter sequence 'Victimae paschali laudes', where life and death are locked in mutual struggle. Zsigmond Szathmary's 12-minute composition of 2015, commissioned for the Freiburg Minster, interprets this primal human experience with mighty explosions of sound. Here the organ can show what it's capable of: its grandeur and strength are fully exploited, but not at the expense of soft and gentle contrasts. Typical of Szathmary's compositional style is the alternation of seemingly improvised, recitative-like writing and passages in strict rhythm. Time and again the composer takes up elements from the church hymn 'Christ ist erstanden von der Marter alle' (Christ the Lord is risen again). / Orgue
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