Par GRIFFIN MICHAEL. This clear and well organised text is suitable for students of arranging and composition, and for classically trained musicians wishing to further grasp the simple logic of jazz harmony. Essential understandings: - Triad structures and inversions - How to select chords - chord symbols - Simple but effective voicing formulae - The circle of 4th progressions, - Extensions to the 9ths and dominant 13ths, and altered 5ths and 9ths. Included in the 107 pages are comprehensive explanations, examples, exercises and solutions. For school students, the course can be started in year 9 and worked through to year 13. 'This book certainly delivers. Mr. Griffin does a superb job giving clear and concise steps that students should take when approaching the task of harmonizing a melody. The book is laid out in a clean, easy-to-understand format. Mr. Griffin is obviously a gifted teacher, and has developed a book that would be a great resource for any music teacher or student interested in understanding and implementing more complex theory/harmony concepts.' - Natalie Wickham, Music Matters, USA. 'Particularly good for A Level pupils composing in a pop and jazz style. The material gradually increases in difficulty and there are a lot of useful exercises to be completed by students”- Music teacher, UK. 'Excellent resource which will save teachers hours of preparatory work. Useful for a general understanding of options when harmonising in composition. An essential part of KS5 harmony work which goes beyond the common chords and progressions. Very professionally set out.”- ZigZag Education, UK./ Méthode / Tout Instrument

Wider Opportunities with the Debut seriesINDIVIDUAL OR GROUP LEARNINGAll of these pieces for young alto saxophonists in their earliest stages of learning can be performed as a solo or in unison with others. Some have an optional 2nd part and may also serve as ensemble material. MIXED ENSEMBLE OPTION Whilst written specifically for the instrument and addressing the challenges beginners would encounter a special section is included of four pieces which are key friendly for beginners on most instruments and are therefore ideal pieces for mixed instrumental groups. These same four pieces will appear in subsequent books for other instruments in the Debutseries. For the Pupil…• Instrumental parts with fun cartoons for inspiration• A CD providing stimulating demonstration performances for listening as well as minus-one accompaniments for playing along at home• Cartoons can be DOWNLOADED FOR FREE for colouring inFor the Teacher…• Sheet music for selected piano accompaniments can be DOWNLOADED FOR FREE - just follow the web link provided in the pupil's book! • If preferred the accompaniments of all of the 12 pieces can be purchased in one printed and bound volume

Saxophone Play-Along Volume 9-The Saxophone Play-Along® series has been designed to help you to play your favourite songs quickly and easily. Just follow the notation listen to the online audio to hear how the Saxophone should sound and then play-along using the separate backing tracks. The audio can be downloaded or streamed and features Playback+ a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right – available exclusively from Hal Leonard. The melody and lyrics are also included in the book to help you follow along.Saxophone Play-Along Volume 9: Christmas is aholiday edition featuring the songs: Christmas Time Is Here Count Your Blessings Instead of Sheep Do You Hear What I Hear Have Yourself a Merry Little Christmas The Little Drummer Boy Santa Claus Is Comin' to Town White Christmas and Winter Wonderland.

Par BEATLES THE. For the first time ever in one book every song written and recorded by The Beatles. Melody line, full lyrics and chord symbols. Plus discography and many photographs. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Apprenez à jouer 15 favoris de la Great White Way avec cette collection passionnante de Hits Broadway pour saxophone alto de la Hal Leonard Instrumental Play-along série.Caractéristiques arrangements solos de saxophone Alto de chansons telles que: Backwoods Barbie - Breathe - Expressing Yourself - Find Your Grail - Follow Your Heart - Ireland - Mama Who Bore Me / Saxophone Tenor

Sixteen sparkling new musical items for Easter and Springtime from some of today's best-loved children's composers including Sheila Wilson Niki Davies Alison Hedger and others.This invaluable resource provides teachers andleaders of youth singing groups with songs and instrumentals suitable for all children within the Primary age range.The first part of the compilation follows the Biblical story and can be used as a musical framework for a sacredEaster presentation. The second part of the selection contains more general Easter and Springtime songs for use in class and concerts. Also includes a class activity - making a Mini Easter Egg Box from a cross!

Par BEATLES THE. A fantastic and stupendous volume for fans of popular music and the Beatles! This comprehensive volume contains all and every one of the 194 songs that were written and sung by the Beatles during their prolific and productive career. Specially arranged in the original keys by Rikky Rooksby from the actual recordings, each song includes chord symbols, guitar chord boxes and complete lyrics and the band's full discography is also featured. / Niveau : Assez Facile / Rép International / Recueil / Chant et Guitare

Alfred's Ultimate Movie Instrumental Solos series arranged for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, cello, and optional piano accompaniment. All wind instrument arrangements are fully compatible, and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided, featuring each song as a live performance demo track followed by a play-along track. The CD also contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Contains 60 songs, Due to level considerations regarding keys and instrument ranges, the wind instrument arrangements are not compatible with the string instrument arrangements in this series. Contains 60 songs : The Pink Panther (from The Pink Panther) The Meadow Picnic (from Star Wars Episode II: Attack of the Clones) The Merry Old Land of Oz (from The Wizard of Oz) The Notebook (Main Title) (from The Notebook) The Prophecy (from Lord of the Rings: The Fellowship of the Ring) Augie's Great Municpal Band (from Star Wars Episode I: The Phantom Menace) Across the Stars (from Star Wars Episode II: Attack of the Clones) Anakin's Theme (from Star Wars Episode I: The Phantom Menace) Live and Let Die (from Live and Let Die) Marion's Theme (from Raiders of the Lost Ark) May the Force Be with You (from Star Wars Episode IV: A New Hope) Nobody Does It Better (from The Spy Who Loved Me) Obliviate (from Harry Potter and the Deathly Hallows, Part 2) On Her Majesty's Secret Service (from On Her Majesty's Secret Service) Optimistic Voices (from The Wizard of Oz) Over the Rainbow (from The Wizard of Oz) Princess Leia's Theme (from Star Wars Episode IV: A New Hope) Many Meetings (from The Lord of the Rings: The Fellowship of the Ring) Rohan (from The Lord of the Rings: The Two Towers) Song from M*A*S*H (Suicide Is Painless) (from M*A*S*H) Star Wars (Main Theme) (from Star Wars Episode IV: A New Hope) Statues (from Harry Potter and the Deathly Hallows, Part 2) In Dreams (from The Lord of the Rings: The Fellowship of the Ring) James Bond Theme (from Dr. No) Leaving Hogwart's (from Harry Potter and the Sorcerer's Stone) Lily's Theme (from Harry Potter and the Deathly Hallows, Part 2) You Only Live Twice (from You Only Live Twice) Battle of the Heroes (from Star Wars Episode III: Revenge of the Sith) Tuning Note (B-flat Concert) The Throne Room (from Star Wars Episode IV: A New Hope) Thunderball (from Thunderball) Tomorrow Never Dies (from Tomorrow Never Dies) Wizard Wheezes (from Harry Potter and the Half-Blood Prince) Wonka's Welcome Song (from Charlie and the Chocolate Factory) The Black Rider (from The Lord of the Rings: The Fellowship of the Ring) Theme from Superman (from Superman) The Arena (from Star Wars Episode II: Attack of the Clones) The Imperial March (Darth Vader's Theme) (from Star Wars Episode V: The Empire Strikes Back) The Lullaby League / The Lollipop Guild / We Welcome You to Munchkinland (from The Wizard of Oz) Double Trouble (from Harry Potter and the Prisoner of Azkaban) Can You Read My Mind? (from Superman) Concerning Hobbits (from The Lord of the Rings: The Fellowship of the Ring) Cantina Band (from Star Wars Episode IV: A New Hope) Diamonds Are Forever (from Diamonds Are Forever) Ding-Dong! The Witch Is Dead (from The Wizard of Oz) Duel of the Fates (from Star Wars Episode I: The Phantom Menace) Evenstar (from The Lord of the Rings: The Two Towers) Follow the Yellow Brick Road / We're Off to See the Wizard (from The Wizard of Oz) Family Portrait (from Harry Potter and the Sorcerer's Stone) Fawkes the Phoenix (from Harry Potter and the Chamber of Secrets) For Your Eyes Only (from For Your Eyes Only) From Russia with Love (from From Russia with Love) Goldfinger (from Goldfinger) Harry's Wondrous World (from Harry Potter and the Sorcerer's Stone) The Steward of Gondor (from The Lord of the Rings: The Return of the King) Gollum's Song (from The Lord of the Rings: The Two Towers) Gonna Fly Now (Theme from Rocky) (from Rocky) Hedwig's Theme (from Harry Potter and the Sorcerer's Stone) I Swear (from The Social Network) If I Only Had a Brain (from The Wizard of Oz) Raiders March (from Raiders of the Lost Ark)

Real Book Multi-Tracks Volume 6. Par ROLLINS SONNY. Today' s best way to practice jazz! Accurate, easy-to-read lead sheets and professional, customizable audio tracks accessed online for 10 songs. The interactive, online audio interface includes: tempo control - looping- buttons to turn each instrument on or off- lead sheet with follow-along marker- and melody performed by a saxophone or trumpet on the ' head in” and ' head out.” The full stereo tracks can also be downloaded and played off-line. Separate lead sheets are included for C, B-flat, E-flat and Bass Clef instruments./ Recueil / Instruments en Do, Sib et Mib

The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the online audio to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio includes PLAYBACK features that allow you to loop passages, change the tempo, and more. This volume includes: Can't Help Falling in Love - Fields of Gold - Hey There Delilah - Longer - My Heart Will Go On (Love Theme from 'Titanic') - Wonderful Tonight - You Are So Beautiful - Your Song. / Violon

Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Anton Bruckner (1824-1896). Par BRUCKNER ANTON / DOSS THOMAS (Arr.). Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn?t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-08-12/ Répertoire / Concert Band/Harmonie