Untuned percussion part 4. A superb cycle of 7 songs depicting the hero's stay on Grandma's farm somewhere in the Orkneys one summer. The songs tell of the farm chores nature and ghosts and are arranged for unison voices piano recorders and pitched or unpitched percussion. The songs can be used individually to link in with topic work or performed as an attractive concert item.

The Stick Bag Book of World Rhythm & Percussion is the ultimate resource for drummers and musicians. It features the most influential styles and techniques from around the globe—all in one handy easy-to-use referenceguide. Whether you are a percussionist producer arranger or songwriter a strong knowledge of these rhythms will add to your overall versatility as a drummer and musician. The Stick Bag Book of WorldRhythm & Percussion covers Bikutsi (Cameroon) Maghreb (Algeria) Adowa (Ghana) Adi (South India) Jhaptal (North India) Maqsum (Egypt) Serto (Greece) Ciftetelli (Turkey) Haddadi (Iran) Toque de Idalina (Brazil) and muchmore!

The Spiders' Revenge is a short music-theatre work (duration about 25 minutes) designed for performance by primary school children. The work was written for Evie Primary School a small rural school in Orkney of about 60 pupils between the ages of five and eleven and was specially devised to enhance an environmental studies project on 'mini-beasts'. All the pupils in the school took part in the first performance. Two children playing in a garden delight in tormenting ladybirds snails spiders and other living creatures who they claim 'have no right to be'. The spiders teach the children a salutary lesson during the course of which they learn a great deal aboutthe ways of these creatures finally recognizing the wonder of the insect world and acknowledging that all 'have their place on the earth'.The songs include simple recorder and percussion parts and guitar chords. Tuned percussion part. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

A Fresh Approach to Mallet Percussion is a logical approach for developing music reading skills technique and musicianship on the Keyboard percussion instruments. Includes 1 CD and 1 CD-ROM.

Percussion and chamber orchestra. First performed 27 June 1990 Evelyn Glennie Percussion Scottish Chamber Orchestra.Solo Part.

Why does that snare drum sound like a cardboard box? Why don't the pedals on the timpani stay in position? What kind of cymbals should I buy for a drum set? Why does the bass drum rattle when struck? These and countless other questions are answered in this comprehensive text for anyone who deals with percussion instruments. If you have ever struggled with questions on purchasing, maintaining, troubleshooting or storing your percussion instruments, then this book will provide you with a wealth of information on these topics and more! / Percussions

Duo pour hautbois et percussions : marimba et trois wood blocks.Techniquement accessible dès la fin du premier cycle d'enseignement musical.' La vision première de l'oeuvre est sonore, fugace, violente et définitive. Et puis... et puis vient le temps de l'écriture...une errance chargée d'encre et de papier, tentative d'écrire dans sa propre langue ce qu'on ne sait pas encore écrire 'Né en 1960 à Perpignan, Bruno Giner commence ses études musicales à Toulouse, puis dans sa ville natale et à Barcelone. A Paris, il suit régulièrement les cours de Pierre Boulez au Collège de France et travaille la composition (électroacoustique et instrumentale) successivement avec Luis de Pablo, Ivo Malec et Brian Ferneyhough.Aujourd'hui, ses oeuvres sont jouées dans de nombreux festivals français et internationaux, et sont interprétées par différents ensembles de musique contemporaine (Aleph, Sic, Fa, L'instant donné, Grame, Nomos, Motus, Intercontemporain, Quatuor Arditti, Klangheimlich, Frullato, Xasax, Ars Nova Nürnberg, Ixtla, Slowind). ' Ce n'est pas la moindre qualité de la musique de Bruno Giner que de nous permettre de mesurer l'étendue de nos préjugés (enfin, je parle pour moi), a écrit Bertrand Dubedout. Restons à l'écoute. Ce compositeur, dont la réflexion et la démarche se nourrissent aussi bien de Boulez ou Ferneyhough, que de Schaeffer ou de Malec, et qu'une insatiable curiosité conduit aussi bien chez Schumann ou Machaut que chez les Pygmées, nous réserve encore bien des surprises, nous mijote bien des émerveillements 'Son catalogue comporte des pièces pour solistes, des partitions de musique de chambre, de la musique vocale, orchestrale, des oeuvres pour l'apprentissage, etc. Sa musique révèle un caractère charnel, parfois virtuose, une énergie canalisée par la formalisation d'une écriture rigoureuse qui n'empêche pas un travail plus empirique sur la morphologie et la matière sonore.En 1998, Bruno Giner reçoit le Prix Hervé Dugardin décerné par la SACEM pour l'ensemble de son oeuvre.Parmi ses dernières compositions, citons Paraphrase sur ' Guernica ' de Paul Dessau pour clarinette, violoncelle, piano et percussions (2003), TCP 17 pour harpe, guitare et mandoline (2005), Clameurs, concertino pour deux percussions et ensemble à vents (2006), Charlie opéra de chambre d'après Matin brun de Franck Pavloff (2007), Extra pour huit violoncelles (2007-2008), Quatuor #3 pour quatuor à cordes et percussion (2008). Parallèlement à ses activités compositionnelles, Bruno Giner a régulièrement collaboré à différentes revues musicales, encyclopédies ou labels discographiques (The New Grove, La Lettre du Musicien, Les cahiers du CIREM, Musica falsa, Motus, etc). Par ailleurs, il signe trois livres : Musique contemporaine : le second vingtième siècle (Editions Durand, 2000), Toute la musique ' (Editions Autrement Junior, 2003), De Weimar à Térézine 1933-1945 : l'épuration musicale (Editions Van de Velde, 2006). / Hautbois Et Percussions

Shadow of Paradise was written specially for Melinda Maxwell. The work was completed in 2005 the same year that she recorded the work together with Richard Benjafield (percussion) for the Dutton label.'The work is based on the poem by Samuel Taylor Coleridge Kubla Khan and I have attempted to capture some of the spirit of his highly evocative text in my music.It is structured in three main sections: the opening section (And ‘mid this tumult Kubla heard from far Ancestral voices prophesying war) is dramatic in nature with the oboe announcing two ideas - the first a high repeated note rhythmic pattern (later with multiphonics) answered by six differentlypitched drums and temple blocks and the second a short lyrical phrase mainly built on thirds.In the second section (A damsel with a dulcimer In a vision once I saw…Could I revive within me Her symphony and song) the solo oboe transforms the repeated notes and thirds of the first section into a love song underpinned by the percussionist’s vibraphone and crotales.A short reprise of the very opening leads into the final section (Beware! Beware! His flashing eyes his floating hair! Weave a circle round him thrice…) which mirrors the text with three short dances in chain form folk-like in character and increasingly climactic. A final reprise of the opening seems to suggest a violent end but the oboe’s echo of the love song answered by the percussionist’s crotales brings the work to a gentler conclusion.'            Edward Gregson - December 2011Instrumentation:Solo oboeSolo percussion (6 temple blocks 2 bongos 4 tom-toms vibraphone crotales 2 tambourines)

Percussion au clavier facile Instrumental Play-Along: Classic Rock propose dix chansons de rock classique dans les arrangements accessibles, spécialement conçu pour les étudiants clavier de percussion dans leur première année d'études. Pistes de démonstration audio contenant de vrais instruments sont disponibles au téléchargement, permettant novices d'entendre comment le morceau doit ressembler, et des pistes d'accompagnement sont également inclus afin que les apprenants peuvent jouer avec le groupe. Ce recueil de chansons contient les hits I Heard It Through The Grapevine, Brown Eyed Girl, Fly Like An Eagle, Another One Bites The Dust et plus. / Clavier

Trumpet feature with optional Percussion. The history of rock and roll can be traced back as far as the musical influence of the first African slaves to arrive in North America, but the term was not used until 1951, when Cleveland disc jockey Alan Freed coined the name from the song "My Baby Rocks Me with a Steady Roll" and launched a radio programme called Moondog Rock'n'Roll Party. The style borrows heavily from rhythm and blues and early rocks stars such as Ike Turner, Bill Haley, Chuck Berry, Buddy Holly and Elvis Presley had a huge influence through the newly-invented juke box and liberated the youth of the day by giving them a music of their own. Rockin? Trumpets gives your brass ensemble the chance to revisit the rock and roll years by featuring the trumpet section.

Drummer and multi-percussionist Dietrich Wohrlin studied at the Musicians Institute in Los Angeles and the Hanns Eisler Music Academy Berlin known today as 'JIB' (Jazz Institute Berlin). Lengthy study trips through west Africaand Latin America further enhanced his musical and cultural knowledge. Dietrich has been teaching at the JIB since 1997 and at the Academy for Music and Theatre in Rostock since 1998. His principle fields are African Latin andBrazilian drums/percussion and body percussion. He also holds seminars in Methods/Didactics literature study and teaching practice. He is internationally in demand as a teacher lecturer workshop leader author composer studio musician drummer and percussionist.

Par TOMASI HENRI. 1. Nocturne; 2. Danse; 3. Fête (for percussion and piano)/ Répertoire / Percussion et Piano

Songpack is a book containing forty different tunes for easy Recorder and tuned Percussion ranging from show tunes to folksongs pop favourites to traditional melodies and film themes sure to catch the attentionof every classroom. The set contains four parts for Recorder and four for tuned Percussion with notations for Guitar chords. The package actively encourages participation among students and fulfills requirements of the Programmesof Study and GCSE syllabus.

Score and Parts-Harold Schiffman's Musica Battuta for Percussion Ensemble.This work is dedicated to Ramon Meyer and the Florida State University Percussion Ensemble.Instrumentation: Chimes Tambourine Glockenspiel 2 x Bongos Vibraphone Snare Drum 3 Tom-Toms Xylophone 4 Timpani Triangle Claves Suspended Cymbal 5 Temple Blocks 2 Tam-Tams (large small) Wood Block Whip.