SKU: HL.50605266
ISBN 9781705172803. UPC: 196288091394. 9.0x12.0 inches.
â??Almost half a century after 'B for sonata', here is another musical evocation of my intriguing trip to Bali. Yannis Xenakis and Toru Takemitsu were there, among others, and we were walking around in the dark one evening when a Topeng appeared to us, in full action: Balinese musical theatre with one actor successively playing several legendary characters by means of mask changes carried out in extreme agitation behind a curtain, accompanied by a raging gamelan. The memory of these little dramas has naturally lost much of its violence when it is evoked today in my 'Quartet VIII'. So we shall hear it here as if in a dream...â? Betsy Jolas.
Priority Direct Import titles are specialty titles that are not generally offered for sale by US based retailers. These items must be obtained from our overseas suppliers. When you order a Priority Direct Import title, our overseas warehouse will ship it to you directly at the time of order, typically within one business day. However, the shipment time will be slower than items shipped from our US warehouse. It may take up to 2-3 weeks to get to you.
SKU: LM.28288
ISBN 9790230982887.
Acco mpagnements sur accords m 7 - Enrichissement de triades majeures - Plans sur gammes pentatoniques - Divers plans en gammes pentatoniques - Plans utilisant des appoggiatures - Quelques plans ternaires - Passage binaire a ternaire (ralentissement) - Passage binaire a ternaire (acceleration) - Solo d'introduction - Dans le style de Power Of Soul.
SKU: LM.28289
ISBN 9790230982894.
A la maniere de Jimi Hendrix - Doubles cordes et bending - Bending et pentatonique - Le moulinet - A la maniere d'Eric Clapton - Riff pentatonique - Plan en quintes - Legato ! - Fusee ascendante - Pentatonique et quintolet - Groove Blues-Rock - Riff rythmique - A la maniere de Robben Ford - Heavy metal ? - Plan en triolets - Pentatoniques et doubles croches - Plan en demanche - Montee en intervalles - Plan en 7eme avec 13eme - Plan solo en Sol 7 - Legato et cordes a vide - A la maniere de Ritchie Blackmore - Legato et sextolets - Plan bending.
SKU: HL.1123536
ISBN 9781705181966. UPC: 196288109716. 9.0x12.0x0.274 inches.
Gather all your fretted friends to join the fun with this collection of 53 songs arranged with lyrics, melody lines, and chord frames for standard ukulele, baritone ukulele, guitar, mandolin, and banjo! The arrangements work with any combo of the instruments so you and your friends will be strumming and singing Disney classics in no time. Strum Together books are great resources for players who are ready to experience the fun of making music together! This edition features: Beauty and the Beast • Can You Feel the Love Tonight • Chim Chim Cher-ee • The Climb • Go the Distance • I've Got No Strings • It's a Small World • Kiss the Girl • Mickey Mouse March • Rumbly in My Tumbly • Some Day My Prince Will Come • A Spoonful of Sugar • Supercalifragilisticexpia lidocious • When You Wish upon a Star • and more!
SKU: LM.JJ2267
ISBN 9790230822671.
SKU: LM.JJ2264
ISBN 9790230822640.
SKU: LM.JJ18926
ISBN 9790230818926.
SKU: HL.14043188
6.75x9.75x0.068 inches.
This commission was supported by the Ministry of Education and Culture in Iceland and is dedicated to Hilmar Orn Agnarsson and The South Iceland Chamber Choir. The Three Shakespeare Sonnets was one of the first works that Tavener composed after serious illness in 2007. He wanted to pay tribute to his wife, Maryanna, who nursed him back to some degree of health, so he turned to the Shakespeare Sonnets and was delighted to find that they brought forth music once again, after having been silent for so long.
SKU: MB.30091
ISBN 9781513466378. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together.
SKU: CH.CHP387
ISBN 9781635232233. 8.5 x 11 inches.
Are you ready for a new collection of energetic, catchy fiddle tunes? Perfect for in-person and remote private (or group) lessons, string ensembles of any combination, or impromptu chamber music parties, the violin, viola, cello, and bass books in this series can all be played together. The books are especially useful in string classes with students at different levels since each exercise and tune has parts at multiple levels so all of your students can play together. This book has the piano accompaniment to the exercises and tunes, guitar chords for all of the tunes, and a full score at the back so you can follow along while your students play.
SKU: BR.EB-9380
ISBN 9790004188507. 10.5 x 14 inches.
,,Trau er nur dem holzernen Freund nicht. Er ist manchmal ein lederner (aus den Beethoven-Konversationshe ften) Dieses Schlagzeugtrio, das in enger Zusammenarbeit mit den Widmungstragern entstanden ist, besteht aus drei Teilen. Es wird durch die schiere Freude am dramaturgisch gebundelten Konstruieren entlang seismischer Bruchlinien gepragt. Die drei Percussion-Spieler wechseln wahrend des Werkes zwischen drei Setups an verschiedenen Spielpositionen - vom Buhnenhintergrund, uber die Mitte der Buhne bis vorne an der Buhnenrampe. Dabei wird jeweils ein anderes Klangmaterial, im ersten Teil (Part I) das Fell, im zweiten Teil (Part II) das Metall und im dritten Teil (Part III) das Holz in den Mittelpunkt gestellt. Part I (5'30'') ist mit drei O-Daikos besetzt, die mit Fingern, Handen, Fausten, Superballs und Holzstaben gespielt werden. Part II (6'00'') ist um drei Glockenspiele, drei Vibraphone und drei Sixxen gruppiert und integriert auch Metallinstrumente wie Chinese Opera Gongs, Mini-Tam-Tams und Metalltonnen, die mit Fussmaschine gespielt werden. In Part III (4'00'') spielen alle drei Musiker mit Rundstaben, Handen und Rohrenglockenhammern das mit sieben massiven Balken aus Eschenholz besetzte baskische Nationalinstrument Txalaparta, das auch seine ganz eigene Geschichte im Widerstand gegen die Franco-Diktatur hat. Reizvoll war fur mich sowohl, dass man zu dritt auf diesem archaischen Instrument wirklich aberwitzig schnelle Rhythmen spielen kann, als auch, dass dieses Instrument auf Konzertpodien klanglich wie optisch noch vollig neu ist - und dies, trotz aller Schlichtheit, bei einem unglaublichen Reichtum an Klangmoglichkeiten. Kleine rhythmische Zellen, die sich immer wieder zu vielfaltigen neuen Texturen - bis zur klanglichen Entfesselung - zusammenballen und eine feine Differenzierung und Dynamisierung der Anschlagsmoglichkeiten bestimmen dieses Werk. Auch, wenn nur Part II durch den Einsatz bestimmter Tonhohen gepragt ist (durch die Verwendung der von Yannis Xenakis erfundenen Sixxen durchaus mikrotonal), so gibt es doch unuberhorbar abschnittsubergreifende Kontinuitaten in Rhythmik und Motivik, die das ganze Werk bestimmen und es dabei wie feine seismische Adern durchziehen. (Johannes Maria Staud, 2020)World premiere: Vienna, October 17, 2020 Commissioned by KolnMusik GmbH as a part of the Non Beethoven project of the Kolner Philharmonie for 2020, Wiener Konzerthaus and Martin Grubinger / Percussive Planet.
