Brass Treble Clef E Flat-As I sit myself down to write this brief foreword I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road in Bristol) I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy and likewise speaking as a lapsed brass player there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again one gets a different yetentirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence with a little gamesmanship on my part I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat) trombone and tuba (bass clef) horn in F flute clarinet and bassoon.While many will find themselves humming the likes of Going up Camborne Hill Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture I wonder if I might draw your attention to The Cornish Squire The Pool of Pilate and Cold Blows the Wind Today Sweetheart which are quite simply sublime melodies perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs Cornish folk music works equally sung or played and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past while skilfully paying homage to the underlying charm

A collection of the world's finest classical and popular music for Piano. Here you will find the great masterpieces of every era - from classical and romance to ragtime and blues. Enjoy three centuries of all-time favourite Piano solos. Including Amazing Grace, Clair de Lune, Grand March from Aida and The Minute Waltz. / Piano Accompagnement

Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori MESSIAH AT EASTER / G.F. Handel - Accompagnements Piano de Haendel Georg Friedrich. Cette partition qui est éditée par les éditions Curnow Music Press fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano Accompagnement peut être chez vous dans quelques jours. / Piano Accompagnement / 72 pages / niveau : Elémentaire - Moyen / Partition

Ce recueil contient tous les accompagnements des pièces des recueils World Famous Folksongs, publiés pour instruments à vent (à l'exception de la flûte à bec - recueil séparé). / Piano Accompagnement / 32 pages / niveau : Facile / Recueil

Ce recueil contient tous les accompagnements des pièces du recueil World Famous Folksongs - Violon. / Piano Accompagnement / 32 pages / niveau : Facile / Recueil

Peter Dickinson's Celebration Trio (2009) for Clarinet Violin and Piano.The trio comprises of three pieces - Fugue Lullaby and Dance.'These three pieces derive froma story by the British poet John Heath-Stubbs (1918-2006) called The Unicorns. Two unicorns are discovered ina remote part of Africa. The two countries Eastland and Westland want to obtain specimens for research sothey send out competing expeditions. The Westland technique is to lure the unicorn with a young girl singing - the Lullaby. The Eastland team uses a dancer so that theunicorn impales itself on a tree the Dance. Both teams are successfulin capturing a unicorn but the mythical animals fall in love and escape happily together in the end.In the story the Fugue celebrates the eventual capture of the unicorns but it is placed first here as a celebration of the remarkable career of the Verdehr Trio. Since theybegan in 1972 they have commissioned over 230 works have performed all over the world and made recordings. Asa result they have virtually created the repertoire forthe medium of violin clarinet and piano. I much enjoyed writing my American Trio(Hymns Rags and Blues) for the Trio in 1985; they played it all over the world andhave recorded it; and this Celebration Triois a tribute to their musicianship andphenomenal enterprise' - Peter Dickinson.

A collection of Broadway songs arranged to be played by either full band or by individual soloists with optional accompaniment CD or tape. Each arrangement is correlated with a specific page in the Essential Elements Band Method Books. Includes: Beauty and the Beast Cabaret Circle of Life Don't Cry for Me Argentina Edelweiss Get Me to the Church on Time Go Go Go Joseph I Dreamed a Dream Memory The Phantom of the Opera and Seventy Six Trombones.

Sixth and seventh positions. Par SZILVAY GEZA. The volume G of the popular Colourstrings violin tutors by Géza Szilvay studies every position of the violin in a separate volume: G1 the second position, G2 the third position, G3 the fourth position, G4 the fifth position and the last one, G5, the high positions (sixth and seventh). These books form an all-embracing, rich collection of shifting exercises, position playing studies, excerpts from the literature, chamber music (mainly duos), and performing pieces, piano accompaniment offered as a separate publication (Books G1, G2 and G2 supplement 9790550116467; Books G3 and G4 9790550116931 and Book G5 9790550116948). The extensive Book G5 - Sixth and Seventh Position (9790550116948) follows the key principles of Colourstrings methodology - the use of natural harmonics and constant developing of inner hearing for instance - but it can be fully utilized also without any previous use or knowledge about the Colourstrings method. The innovative and unique visual presentation of the 'house of the positions' and preparatory exercises for the challenging passages help the young and older students to fully understand, why and where the different positions are needed. The performance pieces with piano accompaniment in the Book G5 (alphabetical order): Bériot, Charles de: Air varié Bohm, Carl: Introduction and Polonaise Brahms, Johannes: Hungarian Dance No. 5 Dancla, Charles: Second Solo Drdla, Frantisek: Souvenir Glazunov, Alexander: Spanish Serenade Kodály, Zoltán: Kallo Double Dances I-III Kuula, Toivo: Chanson sans paroles Mozart, Wolfgang Amadeus: Minuet Pergolesi, Giovanni Battista: Siciliana Pugnani-Kreisler: Tempo di Minuetto Rachmaninov, Sergei: Vocalise Sibelius, Jean: Romance Sonninen, Ahti: Karelian Dance Wieniawski, Henryk: Mazurka 'ilinskis, Arvids Mazurka Duos for two violins in the Book G5: B. Campagnoli: Duo (Andantino) F. J . Mazas: Duos in six positions (Moderato) Excerpts from the violin literature: Prokofieff - Bartók - Tartini - Rachmaninoff - Bériot - Pugnani - Rode - Weiner - Schubert - Dancla - Rieding More about the Colourstrings method: https://www.fennicagehrman.fi/sheet-music/colourstrings/ / Date parution : 2022-05-31/ Méthode / Accompagnements de Piano

Hymnes grande facile est une collection de certains des plus beaux hymnes du monde, délicieusement disposées dans les milieux frais par certains des arrangeurs avant tout dans le domaine instrumental. Ce volume est conçu pour être accessible encore intéressant pour les joueurs intermédiaires. / Piano Accompagnement / niveau : Facile / Partition