A Crash Course Into Bluegrass And Flatpicking Guitar Styles. Par CARR JOE. Dans cet ajout à la baie de Mel populaire 'Getting conclude…'series, chroniqueur Flatpicking Guitar Magazine Joe Carr présente un aperçu du style flatpicking passionnant en tablature et en notation musicale. Commençant par les accords de base et les modèles de strum, cette combinaison de livre/CD couvre le style de Carter, violon tunes crosspicking, flottant, improvisation et bien plus encore ! Sections spéciales adresse direction pick, échelles pentatonique, a chuté de réglage d et comment lire la musique standard à la guitare. Sont inclus les 'Top Ten' flatpicking favoris et une section sur l'ornementation irlandaise. / Niveau : Débutant à Intermédiaire / Bluegrass - Methods / Tablatures / Guitare Tablatures Flatpick et Plectre

Your Favorite Rhymes in One Big Musical Collection!-Children will enjoy Mama Goose for its wild blend of rockin' and rhymin' music movement and just plain fun! Children find delight in the familiarity of rhythmic chant predictable patterns or a playful tune. MarkBurrows' Mama Goose collections have earned an A+ from music and classroom teachers as he gives a contemporary musical nod to nursery rhymes that are integral to nurturing literacy and reinforcing lessons learned in the K-3classroom. This whimsical budget-stretcher includes three previously published bestselling collections: Gettin' Down with Mama Goose; Gettin' Down AGAIN with Mama Goose; and Gettin' Down All Around with Mama Goose.For Grades K-3.

Fun for all!! The chorale style opening soon turns into a rousing funky-jazzy-gospel riff-style roof-raiser that will have your audience tapping along. It's nice for the concert band to get the opportunity to play something 'jazzy' once in a while and you know the audience will love it as much as the band does.Plenty of opportunity to study jazz-style phrasing in the concert band interesting Percussion parts a catchy tune and good linear motion for all move GETTIN' GOSPEL to the 'top of the list'. The only danger here is that the band might like it a little TOO much and want to play it every day.

Fun for all!! The chorale style opening soon turns into a rousing funky-jazzy-gospel riff-style roof-raiser that will have your audience tapping along. It's nice for the concert band to get the opportunity to play something 'jazzy' once in a while and you know the audience will love it as much as the band does.Plenty of opportunity to study jazz-style phrasing in the concert band interesting Percussion parts a catchy tune and good linear motion for all move GETTIN' GOSPEL to the 'top of the list'. The only danger here is that the band might like it a little TOO much and want to play it every day.

Who's Next was released in 1971 and is still considered by rock critics to be one of the greatest rock albums of all time. Here in full guitar TAB transcriptions are all the legendary songs from this landmark record. Titles: Baba O'Riley - Bargain - Love Ain't for Keepin' - My Wife - The Song Is Over - Getting in Tune - Going Mobile - Behind Blue Eyes - Won't Get Fooled Again. / Guitare

Getting Into Rock Guitar is a simplistic approach to learning the language of rock guitar. Written from a player’s perspective this book demonstrates how to apply basic concepts and put them into your playing today. The materialcovers essential scales rhythms and techniques that make up the rock idiom. With over one hundred examples and play-along tracks Getting into Rock will help guide you to becoming not just a rock guitarist but a complete rockmusician. Written in notation and tablature.

General Musicianship texts-The Getting Started series are step-by-step guides introducing key skills to the beginner musician. In turn they enable teachers to cover all aspects of music in a time-limited lesson. Getting Started with Keyboard Musicianship is an enjoyable and practical introduction to basic keyboard harmony that teaches young musicians the fundamentals that will aid their musical progression. Designed to be used alongside instrumental/singing lessons this book is packed with activities to do at home as part of practice time.

The Getting Into Bluegrass Banjo book and audio by Alan Munde is the accumulation of successful teaching concepts developed in his 40 plus years as a professional bluegrass musician and teacher.Munde presents a straight-forward and well-founded course of bluegrass Banjo essentials. Designed for those who have never played a stringed instrument to those taking up bluegrass Banjo as a second instrument. Access toonline audio available provided. Getting Started - Covers the parts of the Banjo hand positions first picking patterns pull-offs hammer-ons slides exercise songs ending with the professional sounding'Levelland Mountain Breakdown.' Review of Rolls New rolls and combinations of Rolls with Examples - Offers the most used rolls in bluegrass Banjo playing with often-played examples of each. The player learns many ofthe licks used in the style with an example of how to combine them to make a solo. Roll Logic - How to place a melody into the several different roll patterns. Tools and Techniques - Helps develop left handtechniques through the use of intervals of thirds and sixths. Creating Solos to Songs - At the heart of the book is this revealing section with many examples of how to create many many solos to the song 'JesseJames.' Songs - Put to use all you have learned on these great standards 'Ground Hog ' 'Wildwood Flower' (two versions) 'Nine Pound Hammer ' 'Worried Man Blues ' 'Lost All MyMoney ' 'Old Country Church ' 'Kneel at the Cross ' and 'Train 45.'

Getting Into Blues Violin is a comprehensive workshop that specifically addresses improvisation techniques through exercises and ear training studies that relate to the featured licks and scales. Theoriginal tunes by the author  Marty Laster address various technical challenges and old blues standards are also included to build an authentic blues repertoire. The book next touches on the influence of the blueson swing bluegrass Cajun and Gypsy styles while teaching improvisational techniques in each. It pays tribute to the great Blues violinists of the past and present with bios and some photos. Finally ways to develop and varybreaks are explored. The text touches on many aspects of Violin techniques as it relates to the blues and has an easygoing tone that is sometimes humerous. The book begins at a moderate level of difficulty but quickly movesto intermediate material; reaching fairly advanced territory by the end. Both violinists who have been playing a couple of years and serious classical players can benefit from Getting Into Blues Violin. Audiodownload available online.