extrait du - excerpt from Série I Vol. 9. Par DEBUSSY CLAUDE. Cette édition critique de la Petite Suite constitue un tiré à part des OEUVRES COMPLETES DE CLAUDE DEBUSSY, Série I, volume 9. Les titres des mouvements de la Petite Suite, notamment ' Cortège ' et ' Ballet ', évoquent aussi bien la Première Suite d'orchestre que l'univers poétique des Fêtes galantes de Paul Verlaine (' Cortège ', ' En bateau ') dont Debussy avait mis en musique plusieurs poèmes dès 1882. L'oeuvre fut cédée à l'éditeur Durand, Schoenewerk and Cie le 8 décembre 1888. Elle parut au début de l'année suivante, le dépôt légal ayant été effectué le 12 février 1889. On a beaucoup de mal à imaginer que la PetiteSuite qui fut une des meilleures ventes de l'éditeur Durand du vivant du compositeur fut d'abord boudée par les auditeurs qui la découvrirent. / Niveau : Intermédiaire / Répertoire / Piano 4 Mains

Piano 2 et 4 mains / Concept du jeu de position - Mise en page très claire - Styles variés (films, chansons, classique, jazz?) - CD audio de 75 min de grande qualité - 9 morceaux à 4 mains pour travailler à deux - 5 rencontres musicales qui permettent de s'initier dès le début aux plaisirs de musique d'ensemble

Students Will Be Delighted with this charming duet features themes from That Some Of Beethoven 's most famous compositions. Part of the fun Will Be Analyzing the music to see Where the melodies from Für Elise, the Moonlight Sonata and Symphony #5 and 9 are used. Intertwined with thesis melodies That is a theme evokes suspense, aptly Reflecting the title. Written in A minor and 4/4 meter, the suspense is traded back and forth Between the primo and secondo share That Are Equal in Difficulty. / Piano 4 Mains

Per Pianoforte A Quattro Mani (O Due Pianoforti). Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire à Avancé / Répertoire / Piano 4 Mains

The 8th volume of Kurtág's outstanding piano miniatures includes 16 of his personal musical notes, messages composed between 1982 and 2005. Just as in the case of the earlier volumes Kurtág dedicates most of these pieces to members of his artistic and intellectual circle of friends, although some of them are homages.
Contenu:
1. Flower we are ... (embracing sounds)
2. One more voice from far away
3. Responsorium (Pilinszky: Egy hófehér kar)
4. Hommage a J. S. B.
5. Dirge
6. Study to Pilinszky's 'Hölderlin' (position exercise)
7. Beating - Quarrelling
8. A quiet farewell to Endre Székely
9. Pilinszky János: Waltz - for two pianos
10. Faltering
11. Flowers we are ... for Miyako
12. Flowers we are ... (alio modo) for Miyako
13. In memoriam Sebő.k György
14. ... tot ziens Jan ...
15. ... a solemn air ...
16. Flowers we are ... - for piano, upright piano and percussion

9 Haunting Classical Duets. Par . Parfois, la musique vieille de plusieurs centaines d'années est la meilleure musique pour Halloween ! Kevin Olson a arrangé avec talent certaines des musiques les plus sinistres des grands compositeurs. Parfait pour les concerts d'Halloween mais aussi pour tout autre moment de l'année ! / Date parution : 2022-10-12/ Recueil / Piano 4 Mains

Easy to medium difficulty original Piano DuetsInstrument : piano (4 hands)Nombre de Pages : 64The edition is part of the Trinity syllabus 2007 (grade advanced recital)Content : L.v. Beethoven: Gavotta F-Dur - P. Tschaikowsky: Fünf russische Volkslieder - J.F.X. Sterkel: Allegro - R. Volkmann: Ländler, op. 39/7 - C.M.v. Weber: Moderato, op.10/1 - F. Kuhlau: Menuett aus op. 44/3 - L.v. Beethoven: Marcia, op. 45/1 - F. Schubert: Militärmarsch, op. 51/1 - R. Schumann: Bilder aus dem Osten, op. 66/2 und 4 - G. Bizet: Schaukelpferd, op. 22/4 - J. Brahms: Liebeslieder-Walzer, op. 52a/9, 10, 11 und 15 - A. Dvorák: Walzer g-Moll, op. 54/5

extrait du - excerpt from Série I Vol. 9-Claude Debussy's Premiere Suite D'Orchestre for Piano 4-hands.

1.Au Clair de la Lune; 2.Il pleut Bergère; 3.Berceuse; 4.Valse; 5.Mélodie; 6.Refrain; 7.Carillon; 8.Rêverie; 9.Chanson de Table; 10.Caprice; 11.Bluette; 12.Muse écossaise; 13.A l'Eglise; 14.Pastorale enfantine

16 intermediate Piano Duets in their orignal form written by 9 composers from the 18th 19th and 20th centuries. Each duet has been carefully edited and fingered for ease in performance by intermediate students. These duets can be used as supplementary material for any course of study. They are excellent repertoire selections for group lessons ensemble classes or monster concerts. Students will be motivated by music making with friends as they aquire security with tempo and rhythm provided by ensemble performance.

Niveau Moyenne. Par . Un voyage musical à travers les pièces les plus emblématiques des prestigieux catalogues Durand-Salabert-Eschig, de Claude Debussy, Maurice Ravel et Erik Satie à Désiré-Émile Inghelbrecht, Constantin Silvestri et Alexandre Tansman. Les pièces sont classées par ordre de difficulté et constituent une édition indispensable pour un voyage dans l'univers du piano à travers le répertoire à quatre mains du siècle dernier. / Date parution : 2023-06-01/ Recueil / Piano 4 Mains

Voila un magnifique receuil de 8 grandes chansons Françaises pour piano à 4 mains. Inclus un CD Audio avec le duo et séparement les piano 1 et 2.

This collection of 45 piano duets (for one piano, four hands) consists of selections for teachers and students at the elementary to late elementary levels. Duet repertoire from the 18th, 19th, and early 20th centuries are included by such composers as Cui, Diabelli, Enke, Foote, Godowsky, Gurlitt, Löw, Reinecke, Sartorio, and more. Students will improve in musicianship, ensemble performance, fingering, and rhythmic control while enjoying this delightful duet literature. To facilitate reading, the primo and secondo parts are on separate pages. The comb binding creates a lay-flat book that is perfect for study and performance. Essential ornamentation is realized in footnotes, both parts contain measure numbers for convenient reference, and brief composer biographies are included. / Piano 4 Mains