A Must-Have Collection of Well-Known Songs, Including Several Bassoon Features!. If you've been taking bassoon lessons for a while, you're probably eager to learn some familiar songs. The First 50 Songs You Should Play on the Bassoon includes a wide variety of favorite songs, from pop hits and movie themes to folk songs and classical melodies, several of which originally featured bassoon! Songs include: All of Me · All You Need Is Love · Fight Song · The Fool on the Hill · God Bless America® · The Godfather (Love Theme) · Hallelujah · Happy · Hello · Hey Jude · I Will Always Love You · In the Hall of the Mountain King · Theme from Jaws · Just Give Me a Reason · Let It Go · Livin' on a Prayer · The Pink Panther · Pure Imagination · Roar · Rolling in the Deep ·Satin Doll · Shake It Off · The Sorcerer's Apprentice · Stand by Me · Stay with Me · This Is Me · What a Wonderful World · and more. / Pop and rock / Date parution : 2020-04-11/ Recueil / Basson

Arrangé par Louise Howden, ce medley d'airs écossais pour Basson Quatuor comprend: The Skye Boat Song, Ye Banks and Braes, Loch Lomond et Amazing Grace. Score and parts. / Basson

Par GALLOIS PASCAL. This new Bassoon method by the celebrated Bassoonist, Pascal Gallois, outlines for the first time extended techniques and different ways of creating sound on Bassoon. An indispensable and practical tool for composers, performers and teachers. Topics covered: Traditional Effects and Current Sounds; Spectral Effects; Percussive Effects; Effects Without the Reed; Vibrato; Air Noise / Pédagogie / Répertoire / Basson

from Tone and Performance Studies. Par WEISSENBORN JULIUS. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. / Pièce de concert / Recueil / Basson

Par NELSON ERIC. Mel Bay's new fingering and scale chart for bassoon is an indispensable reference guide for bassoonists as well as educators. The fingering diagrams are clear and easily understandable, with clear photographs of the keys of the bassoon. The scales can be used together with those of other instruments in the series. Included in the chart are: - Fingering diagrams for the most common fingerings for all the notes in the standard range of the bassoon - A separate chart of the most common and useful alternate fingerings - All twelve major and relative minor scales and arpeggios - Chromatic scale - Cross-references to alternate fingerings used in specific scale and arpeggios / Niveau : Débutant / All Styles - Fingering Chart / Etude / Basson

Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.

Book/CD Pack-Book/CD Pack. This collections for Bassoon was personally selected and performed by world-famous performing artist and educator Leonard Sharrow. On the accompanying CDs the first track features the solo performance with piano accompaniment and the second track is the piano accompaniment only. Edited by Linda Rutherford. Contents: Two Sketches (Siennicki) · Chanson Triste (Tchaikovsky) · Arioso and Humoreske (Weissenborn) · Three Baroque Dances (Boismartier) · Sonata No. V (Galliard) · Romanze (Siennicki) · Menuetto (Beethoven) · Two Impromptus (Siennicki).

L'édition fait partie du syllabus Trinity 2007 (catégorie 1), l'édition fait partie du syllabus ABRSM été 2006 (grade 1, 2) / Basson Et Piano

Par SAGGIONE J.. / Niveau : Avancé à Confirmé / CLASSIQUE / Répertoire / Basson

Basson et Piano. Par PLAYS JEAN-BERNARD / GRAS CHRISTOPHE. Grâce au compositeur Jean-Claude Soldano, les éditions du même nom ont pu voir le jour dans les années 2000 et ainsi publier des oeuvres de petits compositeurs essentiellement français. C'est le cas du recueil dénommé Tendresse (basson et piano) de Plays J.B. / Gras Christophe qui a été composé pour Basson / Niveau : 1er Cycle, 2ème Année / Répertoire / Basson

Livres de solos qui vise à étendre pour la fabrication de musique souple, groupe ! Maintenant disponible pour cuivres, de cordes et de bois ! Temps de la session est idéal pour les nombreuses situations musicales - solos, individu et enseignement de groupe, concerts de l'école ou justes amis, faire de la musique à la maison. Solos ou ensembles - le choix est le vôtre ! / Basson (Ensemble A Vent-Bois) Et Piano Ad Libitum

'Abracadabra vent est un cours établi et populaire offrant une solide formation en technique de base pour flûte, hautbois, clarinette, saxophone et basson. Progression minutieuse et une musique entraînante pour inspirer les débutants. Maintenant dans sa troisième édition, la série best-seller Abracadabra vent a un nouveau look frais et contemporain et nouveaux CD supplémentaires pour jouer sur. Entièrement mis à jour avec du nouveau matériel et des airs que les débutants veulent vraiment jouer, ces tuteurs sont tenus de mettre innombrables enfants sur un chemin clair de progrès et de plaisir avec leur instrument choisi. Les tuteurs d'initiation pour les bois, comportant: - chansons soigneusement classés et des airs-clear orientation sur la théorie et la flexibilité de la technique, suffisamment pour répondre enseignement les compétences individuelles des approches-Ensemble enseignées par des duos et des trios CD-playalong pour la pratique de la maison '. / Basson