A Must-Have Collection of Well-Known Songs, Including Several Bassoon Features!. If you've been taking bassoon lessons for a while, you're probably eager to learn some familiar songs. The First 50 Songs You Should Play on the Bassoon includes a wide variety of favorite songs, from pop hits and movie themes to folk songs and classical melodies, several of which originally featured bassoon! Songs include: All of Me · All You Need Is Love · Fight Song · The Fool on the Hill · God Bless America® · The Godfather (Love Theme) · Hallelujah · Happy · Hello · Hey Jude · I Will Always Love You · In the Hall of the Mountain King · Theme from Jaws · Just Give Me a Reason · Let It Go · Livin' on a Prayer · The Pink Panther · Pure Imagination · Roar · Rolling in the Deep ·Satin Doll · Shake It Off · The Sorcerer's Apprentice · Stand by Me · Stay with Me · This Is Me · What a Wonderful World · and more. / Pop and rock / Date parution : 2020-04-11/ Recueil / Basson

Par VAUGHAN WILLIAMS RALPH. The Bassoon part for Vaughan Williams' Six Studies in English Folk Song, adapted for Bassoon by Alan Hawkins. The piano accompaniment (Ref. H47) can be purchased separately./ Etude / Basson

A collection of 11 songs arranged for the instrumentalist arranged by Carl Strommen. For the instrumentalist wanting to play in a jazz style. Jazz-style Arrangements with a Variation. Piano Accompaniment available: IMP0710B

Grade 3-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun.Four pieces for bassoon and piano by Graham Sheen.Drunken Sailor - the sequelThis needs a plaintive tone especially in the upper register where the dynamics are particularly important. To capture the mood of the piece those slurs in bars 35 and 36 for example might even be close to a glissando. Use your imagination to recreate the sailor's state of health!The Vulgar BoatmanNot only more 'hidden' melodies but moreappalling puns! (Volga Boatman for those not versed in Russian folksongs). This is like a waltz: it is written in 3/4 time but played so as to give the impression of one beat in bar. The melodies need to be well sustained so that we hear four eight or even more bars as a single phrase. Clues for the musical detective:- in addition to the Volga Boatman you might spot just a hint of 'Sailing down the River on a Sunday Afternoon' 'We Sail the Ocean Blue' (H.M.S. Pinafore) The Eton Boat Song and even Wagner's Flying Dutchman.Last Tango in HarrisEveryone must surely know these thinly disguised Scottish tunes but can you make them sound like a tango? Bear in mind that tangos are not jazz: the rhythm is quite strict but the tango character is in the tone and the phrasing. Notice how expressive the occasional shorter note value can be as in bars 4 and 5 in the bassoon part.Rheumanian StretchesOr was that Rumanian Sketches? This is a chance to play the main melody in two registers of the bassoon. Try to make a good even sound in both octaves. This piece requires careful counting since the phrases in the bassoon part don't always begin where you might expect. Think of this piece as a song.

The magnificent interweaving of harmonies and dialogue-like Voices in Handel’s For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah’s words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'.

Music through the Ages in Two Volumes. Par DENLEY IAN. Morceaux de temps est une passionnante série de répertoire qui explore la richesse de la musique écrite du seizième siècle à nos jours. Les pièces sont présentées chronologiquement au sein de chaque volume et tous comprennent l'année où ils ont été écrits que sa série permet à l'élève d'obtenir une sensation réelle pour les différents styles de musique à travers le temps, en fournissant la confiance de la performance et de l'expérience dès les premiers stades. Le livre se révélera une source inestimable, variée de plus du étude et considérant reperA policier Lot (The Pirates Of Penzance) (Sullivan) - salle de bal Waltz (la veuve joyeuse) (Lehar) - mars de Brian Boru - Buonaparty (Vaughan Williams) - gâteau-marche (Easy danses Ii) (Seiber) - bovins-appel (25 chansons folkloriques norvégien et danses Op.17) (Gr Damkol Damkol (Beizai) - East Meets West (Denley) - Gopak (Moussorgski) - Little Drummer Boy - mars (Anna Magdalena Notebook) (C.P.E. Bach) - mars de les Egyptiens (Aida) (Verdi) - Menuet (12 Danses allemandes) (Haydn) - Menuet (Telemann) - Pavana PSIS/ Recueil / Basson

from Tone and Performance Studies. Par WEISSENBORN JULIUS. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. Julius Weissenborn is best remembered today for the teaching material written for use at the Leipzig Conservatorium where he taught bassoon from 1882. His two famous tutor books are still the most popular bassoon etudes in use today, well over 120 years after they were written. This anthology represents the first-ever publication that contains all 11 of the extant full recital pieces for bassoon and piano that Weissenborn envisioned as the third part to this tutor in a single volume. Southern Music is proud to present this fine collection of Tone and Performance Studies to players of all levels, edited by veteran Principal Bassoonist for the Detroit Symphony, Robert Williams. / Pièce de concert / Recueil / Basson

The world's favourite educational series! Easy pieces that combine classical technique with the sounds and styles of popular music - jazz blues rock 'n' roll and reggae.

Five recital pieces for the young performer with piano accompaniment in modern or popular styles demanding a good deal of partnership with the piano.