Par TAYLOR SUE. Blow the Oboe and Blow the Bassoon are comprehensive tutors, each published in two volumes, with separate piano accompaniment books for the teacher. They combine to give students the greatest possible pleasure from the development of their musical potential. Starting off with the very basics, Sue Taylor gradually introduces more difficult material. Each volume includes studies, playing pieces, scales, arpeggios and much more. These tutor books are set as prescribed teaching material on the current AMEB (Australian Music Examination Board) manual of syllabuses for both Oboe and Bassoon. / Date parution : 2023-10-31/ Méthode / Basson

Par DUCKETT RICHARD / LOANE C.. Team Woodwind is designed for everyone who wants to learn to play woodwind. This method: presents a flexible course which can be tailored to suit each student is ideal for individual, group or class tuition contains plenty of carefully graded music in a wide variety of styles encourages ensemble playing with varied repertoire for mixed wind group and integrates with ensemble music in Team Brass offers more than 40 pieces which can be played in unison between flute and clarinet contains over 50 well-known titles selected from the worlds of pop, jazz and the shows, as well as traditional and folk material provides imaginative piano accompaniments for selected pieces and chord symbols where appropriate develops instrument-related aural skills, improvisation and composition offers helpful notes for the teacher, together with clear ensemble scores./ Méthode / Basson

The world's favourite educational series! Easy pieces that combine classical technique with the sounds and styles of popular music - jazz blues rock 'n' roll and reggae.

C. Paul Herfurth. Un premier livre à l'enseignement en groupe, la classe ou leçons individuelles. Utilise les hymnes familiers et chansons folkloriques de donner une formation musicale approfondie. / Basson

Fg. Par GERNOT WOLFGANG. ...clever, finely-crafted, interesting modern work for the bassoon (...) Wolfgang's style is fundamentally atonal, but highly developmental, utilizing very interesting melodic and rhythmic motives to bind the music together. The influences of jazz and rock are clearly audible, and the entire structure has a wonderful sense of finesse and completion. (...) If you are looking for a tough-but-fun composition for your next performance, this neat work will fill the bill very well. I recommend it strongly to all you brave bassoonists out there looking for a nifty challenge. (Double Reed, Vol. 31.No. 2) ...This little sketch for bassoon, which highlights both its energetic and its lyrical capabilities, is quite delightful. Even multiphonics are used imaginatively and to musically sensible effect, rather than displaying their more common function as exercises in ugliness. ...' (Walter Simmons, Fanfare Magazine, August 2008)/ Répertoire / Basson

Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant le basson.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - quatre volumes.Volume 1 (Réf. 5941) : François Henri Joseph CASTIL-BLAZE - Joseph FETIS (1) - J. KUFFNER - - Etienne OZY - (1) - Antoine REICHAVolume 2 (Réf. 5942) : Frederic BERR - BLUMER - Alexandre Etienne CHORON (1-2) - François Joseph FETIS (2) - Jean Georges KASTNER (1 à 4)Volume 3 (Réf. 5943) : Hestor BERLIOZ - Victor CORNETTE - Charles DUPART - Etienne HERAL et OZY - Etienne OZY(2) - J. WILLENT et J.B. BORDIGNIVolume - 4 (Réf. 5944) : Eugène JANCOURTTable des matières : Volume 1 :Ozy Etienne : Nouvelle méthode de basson - 1803Reicha Antoine : Cours de composition musicale - 1816Castil-Blaze François Henri Joseph : Dictionnaire de la musique moderne - 1821Fétis François Joseph : Revue musicale - 1828Kuffner J. : Principes élémentaires - 1828Volume - 2 :Berr Frédéric : Méthode complète de basson - 1836Choron Alexandre Etienne : Manuel complet de musique - 1836Choron Alexandre Etienne et Lafage Juste Adrien Lenoir : Nouveau manuel de musique - s.d.Kastner Jean Georges : Traité général d'instrumentation - 1836Fétis François Joseph : Manuel des compositeurs - 1837Kastner Jean Georges : Cours d'instrumentation - c.1837Kastner Jean Georges : Supplément au cours d'instrumentation - c.1837Kastner Jean Georges : Supplément au traité d'instrumentation - après 1837Blumer : Nouvelle méthode facile et progressive - 1840Volume - 3 :Ozy Etienne : Méthode de basson - 1843Berlioz Hector : Grand traité d'instrumentation - 1844Willent J. et Bordogni J.B. : Méthode complète pour le basson - 1844Cornette Victor : Méthode de basson - c.1854Dupart Charles : Méthode polyphonique - 1859Héral et Ozy Etienne : Petite méthode de basson - s.d.Volume - 4 :Jancourt Eugène : Méthode théorique et pratique - 1847Téléchargez le catalogue Anne Fuzeau Classique / Basson / 912 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Par HARRIS PAUL. Now more than ever, the ability to sight-read fluently is an essential part of the training of musicians of any instrument. This workbook is designed to help young musicians overcome the nerves that often cause sight-reading problems, by giving them thorough technical grounding as well as confidence boosting strategies. This book is designed especially for bassoon players working for the Grades 1-5 examinations. Step by step it helps the player to build up a complete picture of each piece, first through rhythmic and melodic exercises related to specific problems, then by the study of a prepared piece with associated questions for the student to answer, then finally to the real, unprepared sight-reading test itself. / Niveau : Facile / Etude / Basson

Sound Innovations: Ensemble Development for Advanced Concert Band builds upon the concepts in Ensemble Development for Intermediate Concert Band with 399 new exercises that are more technically and musically challenging, including over 70 chorales written by some of today's most renowned composers for concert band, including: Roland Barrett, Chris Bernotas, Andrew Boysen, Ralph Ford, Rossano Galante, David Gillingham, Stephen Melillo, Robert Sheldon,Todd Stalter, Jack Stamp, Randall Standridge, and Michael Story. This book is a valuable resource in helping students grow in their understanding and abilities as ensemble musicians. Exercises are grouped by key and presented in a variety of intermediate to advanced difficulty levels. Where possible, several exercises in the same category are provided to allow variety while accomplishing the same goals. Its flexibility makes it perfect for large ensemble rehearsals, lessons, and studio use. / Basson

Follow-up to Anselma's New Bassoon Method, Book 1.Brings aspiring bassonists from Adam and Eve to Mozart. In this second book, we are already a bit closer to Mozart than to the apple tree - o)Completely revised and happily optimized edition, fully packed with great bassoon pieces.- Slow and steady wins the bassoon race! The beautiful little pieces are progressing slowly but continuously for an effortless learning experience.- lovely and tasty exercises, etudes and duets that delight childrens' (and big childrens') ears- pitch range book 2: Bb - g1 (chromatically)- original music from various renaissance and baroque composers, Anselma Veit and Julius Weissenborn- traditional pieces and entertaining music are combined for enjoyment and variety- in many duets both parts can be mastered by the student- chapters with rhythm only exercises for gettin' the groove- chapters with study pieces to apply and train newly introduced notes and rhythms- chapters with sight reading tests to see what sticksHumorously illustrated by the amazing Fritz Kotrba, who even made a google search for 'stylish girl's hairstyle? for a special contemporary look and artwork.A bassoon method that makes progress easy and learning fun and effortlessly. It helps you making learning fun and effective. For a colorful learning experience that builds naturally a strong foundation and makes you fall in love with music making. The new standard method! / Basson

Brings aspiring bassonists from Adam and Eve to Mozart. Completely revised and happily optimized edition, fully packed with great bassoon pieces.- Slow and steady wins the bassoon race! The beautiful little pieces are progressing slowly but continuously for an effortless learning experience.- lovely and tasty exercises, etudes and duets that delight childrens' (and big childrens') ears- pitch range book 1: F-g + bb, f#, eb, c# ab, E-C (bass register)- original music from various renaissance and baroque composers, Anselma Veit and Julius Weissenborn- traditional pieces and entertaining music are combined for enjoyment and variety- in many duets both parts can be mastered by the student- chapters with rhythm only exercises for gettin' the groove- chapters with study pieces to apply and train newly introduced notes and rhythms- chapters with sight reading tests to see what sticksHumorously illustrated by the amazing Fritz Kotrba, who even made a google search for 'stylish girl's hairstyle? for a special contemporary look and artwork.A bassoon method that makes progress easy and learning fun and effortlessly. The new standard method! / Basson

Bassoon-Metamorphoses after Britten was written for Melinda Maxwell for UYMP's Signals volume of new music for Oboe. It was first performed by Melinda at York University on 24th November 2010.I - A MountainII -FixationIII - FlowersIV - Fountains Metamorphoses after Britten by philipvenables 'Metamorphoses after Britten arejust that: four miniatures each inspired by one of Benjamin Britten’s Six Metamorphoses after Ovid for solo oboe. Each movement over its short course transforms gradually from one thing to another ending with the exception ofFountains in a short cathartic coda. Some of the movements also take specific musical elements from Britten’s pieces.I very much viewed these pieces as musical Haiku and in that sense I hope they embody a sense ofpeace brevity and simplicity.The oboe version of Metamorphoses after Britten is dedicated to Melinda Maxwell.The saxophone version of Metamorphoses after Britten with an additional movement is dedicated to Vickiand Andrew Vaughan'      - Philip Venables     

Music through the Ages in Two Volumes. Par DENLEY IAN. Morceaux de temps est une passionnante série de répertoire qui explore la richesse de la musique écrite du seizième siècle à nos jours. Les pièces sont présentées chronologiquement au sein de chaque volume et tous comprennent l'année où ils ont été écrits que sa série permet à l'élève d'obtenir une sensation réelle pour les différents styles de musique à travers le temps, en fournissant la confiance de la performance et de l'expérience dès les premiers stades. Le livre se révélera une source inestimable, variée de plus amples reper étude et considérant/ Recueil / Guitare Basse

Livres de solos qui vise à étendre pour la fabrication de musique souple, groupe ! Maintenant disponible pour cuivres, de cordes et de bois ! Temps de la session est idéal pour les nombreuses situations musicales - solos, individu et enseignement de groupe, concerts de l'école ou justes amis, faire de la musique à la maison. Solos ou ensembles - le choix est le vôtre ! / Basson (Ensemble A Vent-Bois) Et Piano Ad Libitum

Faisant partie de la catégorie Musiques De Films et Comédies musicales cette partition Cendrillon (extraits de la bande originale du film de Walt Disney) composée par l'ingénieux Livingstone Jerry / Macl David / Al Hoffman vous coutera aux alentours de 10C. De ce fait, pour un prix qui reste plus qu'abordable, vous pourrez assouvir votre passion qui est Basson.Grâce aux éditions Robert Martin qui ont imprimé cette partition en la référençant sous le numéro PROU04541, vous pourrez réellement vous faire plaisir. / Basson / Partition