Judith Weir's Ave Regina Caelorum for unaccompanied choir SSATBB.This piece was commissioned by Merton College Oxford as part of the Merton Choirbook a collection of music being assembled tocelebrate Merton College’s 750th anniversary in 2014.Ave Regina Caelorum was first performed on 8th July 2014 in Gloucester Cathedral as part of the Cheltenham Music Festival by the Choir of MertonCollege conducted by Benjamin Nicholas.

Arch Gwyn (Arranger). Par ARCH GWYN. Gwyn Arch presents some hot and spicy choral arrangements of five classics of Latin America, written specially for SATB chorus and guaranteed to thrill and delight at any occasion! The pieces include Sloop John B , Guantanamera and, of course, Jobim's much-loved Girl From Ipanema . Full Piano accompaniments are included where required. Add a funky dash of sunshine to your choral repertoire! / Niveau : Assez Facile / Feuillet / SATB

Nico Muhly's I Cannot Attain Unto It for SSATB choir. Dedicated to the Manhattan Choral Ensemble.

Martyr was commissioned by St Albans Chamber Choir in celebration of the fiftieth anniversary of their founding. It was premiered by the St Albans Chamber Choir and the Royal Philharmonic Orchestra in St Albans Abbey on 24 January 2009 under the direction of John Gibbons. Martyr was written as a counterpart to Haydn's Missa in Angustiis ('Nelson' Mass) using the same orchestration as Haydn's original version. In venues where an organ is present the optional organ part should always be used. The four SATB solo parts should be performed by a group of singers placed to the side or to the front of the orchestra away from the main chorus. Although written withindividual 'professional' solo voices in mind the solo parts may also be performed by a semi-chorus with for example two or three voices to a part.SATB chorusSATB solo3 Trumpets in Bb (3rd off-stage)TimpaniOrgan (optional)String Orchestra: (minimum desks 2.2.2.2.1)

Motet for five voices (SATBB) for Feasts of the Blessed Virgin Mary. Edited by H.B. Collins.

The issue of the Magnificat and Nunc Dimittis by Thomas Tallis is a vexed one for scholars as the only surviving manuscript is incomplete. In this manifestation the editors have set the Magnificat and Nunc Dimittis to Gregorian ‘tones’ and employed verses by Thomas Tallis with faux bourdon. The notation is partially in Gregorian neumes on a four-line staff and partially in modern notation.The work alternates between chanted unison phrases and five part SSATB Choral verse.

Written by Giles Swayne in 1995 based around the poem ' The Tiger' by William Blake . The work is for SATB choir and SSSATB soloists. A separate line for hands and feet is included on the score with fingerclicking and foot stomping adding to the percussive feel of the work.This is the full score showing all vocal parts and the body percussion line. ...African influences are also felt in Swayne’s Blake setting The Tiglet which bristles with foot stamping finger clicking and sharp vocal projectiles... Robert Levett International Record Review 01 February 2007The Tiglet (part of Swayne's work The Tiger) features some 'wild syllabic interjections half sung and half shouted' which have to be heard to be believed!Church Music Quarterly 01 December 2006 Listen to a sample here

POD-Pawe ukaszewski's Like As The Waves for SSATBB choir unaccompanied. This vocal work is a setting of Shakespeare's Sonnet LX. Like as the waves make towards the pebbledshore So do our minutes hasten to their end;Each changing place with that which goes before In sequent toil all forwards do contend.Nativity once in the main oflight Crawls to maturity wherewith being crown'd Crooked eclipses 'gainst his glory fight And time that gave doth now his gift confound.Time doth transfix the flourishset on youth And delves the parallels in beauty's brow Feeds on the rarities of nature's truth And nothing stands but for his scythe to mow.And yet to times in hope myverse shall stand Praising thy worth despite his cruel hand. - William Shakespeare A Piano part is included for rehearsal purposes. Duration: 4 minutes.

Scored for Chorus SATB and Organ Parry’s Magnificat and Nunc Dimittis alternates unison lines with Chorally complex phrases in both movements. It includes examples of Parry’s characteristic forward-looking harmonies.Composer and Organist Hubert Parry creator of the great hymn Jerusalem among many other works was not intended by his family for a career in music. When he finished at Eton in 1966 he spent the summer studying composition in Germany before matriculating at Exeter College Oxford where he read law and modern history. During his time there he did very little composition but did create this Magnificat and Nunc Dimittis in D.

Par WAGNER / DOYEN. from 'Die Meistersinger' (Solo and SATB chorus) / Opéra-opérette / Répertoire / Choeur à 4 Voix (SATB) Sans Accompagnement