A genre-defying collection of songs for female vocal trio Songspin Songbook is a collaboration between Juice Vocal Ensemble and UYMP funded by an Arts Council England grant. Described as “the 21st century’s answer to the Swingles or King’s Singers” (The Times) Juice have emerged as the face of a revitalised experimental scene for vocal music. Songspin Songbook publishes songs from their debut album Songspin. The album was released on Nonclassical in 2011 to critical acclaim winning an international Independent Music Award for Best Contemporary Classical Album in 2012. Featuring remixes by the likesof Camille producer MaJiker and Björk collaborator Mikhail Karikis the album was reviewed by The Observer as “eighteen immaculately achieved tracks spanning Elisabeth Lutyens to Gabriel Prokofiev via folk song and avant garde enchant and enthrall”. Songspin also featured the premiere recording of Elisabeth Lutyens' Of The Snow which The Telegraph described of a performance by Juice as 'an amazing sustained piece of virtuosity'.  Songspin Songbook was edited by James Whittle and Paul Sild.  Artwork designed by Christopher Leedham and Martin Scheuregger.

This mini-collection contains two songs about praise – the driving “He Put a New Song in My Heart” based on Psalm 40:3 and the sweetly flowing “Let All People Praise the Lord.” Both will be learnedquickly and are loaded with meaning for the singers: He put a new song in my heart a hymn of praise to the Lord and King; and the opening line of “Let All People Praise the Lord” is As long as there arevoices and as long as people sing there will always be a song to praise the Lord. Use the two together for a thematic presentation or as two separate anthems. An electric bass part is available for “He Put a NewSong...” which really adds an enthusiastic bounce. Appropriate any time during the year “Praise Again and Again” gives you two serviceable anthems and stretches your music budget too! Quality and value!

This book contains dazzling new Choral versions of five chart-topping pop songs. The arrangements are by Vocal coach and Choral director Mark De-Lisser and are recorded by ACM Gospel Choir. These crowd-pleasing songs have been selected for their positive lyrics and overall heart-warming feel, making them a joy to sing and listen to. Arranged for SAT Choir with the occasional solo part, this pack includes two CDs with performance backing tracks, full demonstrations and individual rehearsal tracks of each Vocal line recorded by members of ACM Gospel Choir. The scores feature Piano parts and chord symbols for band accompaniment. Helpful hints for performing each piece are also included in this book, giving you everything you need to learn these well-loved songs. / Choeur SAT Et Piano

This volume includes five songs by the Danish artists Kim Larsen and Anne Linnet arranged for SSA and Rythm Section. Two of the featured songs are taken from Anne Linnet's 1986 album 'Barndommens Gade' while the other three are from Kim Larsen's album 'Forklædt Som Voksen' from the same year.

Can't Help Falling in Love/Let It Be Me-Two classic songs from the '60s combine beautifully in this nostalgic pairing that will evoke the images of mirror balls a gym decorated for prom and that special someone in your arms! Includes: Can't Help Falling in Love (Elvis Presley) Let It Be Me (The Everly Brothers).

SSA-Thomas Simaku's Three Albanian Folk Songs for two Sopranos and Alto.This piece was published in 2001 and was written for the Norwegian Mediaeval Trio. The first performance took place atBirmingham Early Music Festival 10th November 2001.Also available as a version for female choir.

From the Beatles 1969 album Abbey Road these two songs were paired within the climactic medley on Side 2 of the LP and together are an excellent musical showcase enjoyed by Beatles fans everywhere. This setting is accessible with touches of harmonic variation that provide just the right amount of contemporary flavor for pop and jazz choirs and their audiences.

Two songs from the hit musical and popular film Thoroughly Modern Millie by Jimmy Van Heusen arranged for upper voices (SSA) and Piano by Jeanine Tesori.

2-Part/SAB-Here is essential repertoire for those Sundays when you are numbers challenged! Snow Sundays beware here are stunning numbers easily learned and proven successful with limited personnel. Two-part and easy SAB numbers from ourarchive of bestsellers make this the best value of the season. Some include organ accompaniment and all are appropriate for traditional and blended worship settings. Includes music by some of today's leading writers – DonBesig Benjamin Harlan Hal H. Hopson Joseph M. Martin Ruth Elaine Schram James M. Stevens and others. Anthems include: Come Thou Fount; Consider the Lilies; Peace Like a River; Come with Shouting; We Bring Our Thanks;Sing Forever to the Lord; A Closing Prayer; and more.

Uses: General senior choirs revivalScripture: II Corinthians 13:4 Luke 11:9 I Peter 5:7 John 20:15Weaving two pre-existing songs into a tapestry of worship these songs are cooperative not onlyin musical content but also textual emphasis. With two anthems in the set this octavo is a real budget stretcher. The first anthem joins “Tell It to Jesus” and “What a Friend We Have in Jesus” while thesecond piece brings together “Just a Closer Walk with Thee” and “In the Garden.” These have become standard anthems for festivals and their SAB voicing makes them perfect for churches of any size.

Two beloved Christmas songs captured in one dramatic setting! Flowing quite naturally from 'Silent Night, Holy Night' to 'O Holy Night,' then pairing the two, this ingenious setting is beautifully done! In 3 voicings for treble and mixed choirs, and singers of all ages! Optional flute part included. / Choeur SAB

Phillip Neil Martin's Human Drum for three voices (SSA). Duration: 3 minutes Composed: 2006 Also published as part of UYMP's Songspin Songbook ISMN M 57036 603 3. Human Drum was a collaboration with the Juice Vocal Ensemble. The piece began in the recording studio where I recorded Juice singing notated fragments I’d popped together and also their own improvisations. I then edited and cut up all the audio into very tiny fragments in a myriad of ways to make a short rhythm-based electronic 3 part vocal piece. This forms part of my larger work Voices of the Asylum for voices human beatbox electronics fashion andspace. The final track bares very little resemblance to the original recording studio session. Several weeks after I had finished Human Drum Juice asked me to transcribe the audio so they could sing the piece live (which wasn’t easy to do after all the cutting and processing!) therefore coming full circle! There are now two versions of Human Drum the studio electronic track and the ‘live’ notated version. Human Drum is dedicated to the Juice Vocal Ensemble with affection. First performed by Juice Vocal Ensemble on 3rd May 2007 at York Spring Festival Sir Jack Lyons Concert Hall University of York.