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Noël! 2 - Carols And Anthems For Advent, Christmas And Epiphany
26.10
Noël! 2 - Carols And Anthems For Advent, Christmas And Epiphany
Chorale SATB
SATB, Orgue
Novello & Co Ltd.
Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mi...
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Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)
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Graham Kendrick Paul Baloche: What Can I Do?: SATB: Vocal Score
11.25
Graham Kendrick Paul Baloche: What Can I Do?: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Integrity Music
When we see the beauty of a sunset the evening sky or the mystery of a galaxy ...
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When we see the beauty of a sunset the evening sky or the mystery of a galaxy what can we do but thank the Lord and give our lives to Him? This can be worship leader or soloist driven and choir background vocals alternatelylead and support. Orchestration includes score and parts for Flute 1 2 Oboe Clarinet 1 2 Trumpet 1 2 3 Horn 1 2 (Alto Sax) Trombone 1 2 (Tenor Sax/Baritone TC) Trombone 3/Tuba Percussion 1 2 Harp Rhythm Violin 1 2 Viola (Clarinet 3) Cello/Bassoon (Bass Clarinet) String Bass and Keyboard String Reduction. CD Accompaniment Trax also available. Duration: Approx. 4:00
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Donna Butler: I Am God: SATB: Vocal Score
13.75
Donna Butler: I Am God: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hinshaw Music Inc.
In addition to general use this anthem by collaborators Pam Martin and Donna Bu...
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In addition to general use this anthem by collaborators Pam Martin and Donna Butler could be used on a number of special occasions and for communion.
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Jonathan Dove: Arion and the Dolphin: Mixed Choir: Vocal Score
14.95
Jonathan Dove: Arion and the Dolphin: Mixed Choir: Vocal Score
Chorale SSATB
Peters
Music runs through the story of Arion which begins with a singing competition i...
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Music runs through the story of Arion which begins with a singing competition in Sicily. Arion wins the prize and this puts his life in danger: his newfound wealth excites the greed of the sailors who are supposed to be bringing him back to Corinth and they threaten to kill him. They allow Arion to sing one last song and the power of his singing attracts dolphins to the ship. At the end of his song he jumps overboard and one of the dolphins carries him to safety. So Arion’s musical gift gets him into trouble but it is also his salvation. The idea of being rescued by a music-loving dolphin is very appealing. In Robert Graves’account of the myth the dolphin could not bear to be parted from Arion and accompanied him back to court where “it soon succumbed to a life of luxury.” However Herodotus says that after his rescue and return to Corinth Arion failed to return the dolphin to the sea and it died there. Apollo placed the dolphin among the stars and next to it Arion’s lyre in recognition of his musical skill. This is one of the mythical explanations of the origins of the constellations Delphinus and Lyra. It seems natural to sing a story that has singing at its heart. When I was asked by the Nicholas Berwin Charitable Trust to write a choral work for Making Music something that would be within reach of many choirs and involve children this story struck me as ideal: the men of the chorus could be the bloodthirsty sailors and the women could create an atmosphere of mystery for the arrival of the dolphins represented by children’s voices. There would be one solo voice: Arion the marvellous singer. Andrew Fardell the conductor who was advisor to this commission had suggested that I might use the same instrumentation as a popular arrangement of Orff’s Carmina Burana a work that as well as using children’s chorus features a solo countertenor. I thought the magical otherworldly quality of this
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I Am Loved as I Love: SATB: Vocal Score
11.25
I Am Loved as I Love: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Partition]
Schirmer
Yale Glee Club Series-Using the sturdy but lilting Shaker tune Jeffrey Douma ha...
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Yale Glee Club Series-Using the sturdy but lilting Shaker tune Jeffrey Douma has crafted a beautiful a cappella setting appropriate for any good high school or college choir. With a text that is as important today as it was when it waswritten Wherever I am called whatever I can do shall be done in the name of the good and true this can be a powerful learning experience for all involved.
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Per Nørgård Adolph Wolfli: D'Monstrantz Vöögeli: SATB: Vocal Score
Chorale SATB
SATB
[Vocal Score]
Wilhelm Hansen
The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per ...
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The Disturbing Duckling-D'Monstrantz Vöögeli (The Disturbing Duckling) by Per Nørgård. Work for bird voices (CD) and human voices (12 SATB soloists) with text (sung in German) by Adolf Wölfli (1864-1930). A CD of Bird Song is available separately - use product code KP00830. Text (sung in German): Adolf Wölfli (1864-1930).Programme note:'D´Monstrantz Vöögeli' is the main (and middle) movement of my three-movement choir suite 'The Alarming Duckling' the title of which is borrowed from a painting from 1959 by the Danish artist Asger Jorn apainting which - as this choral piece - is partly based on 'found objects': Asger Jorn painted on top of an idyllic old fashioned landscape painting with a house and trees - and he painted a very disturbing alarming duckling. It may be ugly the duckling but in any case it is most peculiar in its surroundings with spontaneous colorful wide painted feathers standing and looking dreamy beyond a birch in the golden light of the afternoon (a very big duckling indeed!) In 'D´Monstrantz Vöögeli' the dark nightly visions are unfolding with texts by the Swiss schizophrenic artist Adolf Wölfli (1864-1930). His transcending poems prose paintings and ideas inspired me for many compositions in the 1980s i.e. Symphony nr. 4 ('Indischer Roosen-Gaarten und Chinesischer Hexensee' - Hommage a Wölfli') The opera The Divine Circus and a series of choral works. The piece is written for 12 vocal soloists - singing whistling screaming and whispering. In 'D´Monstrantz Vöögeli' - for a choir of humans and birds - many 'found objects' are used: The tape/cd only contributes with unmanufactured birdsong - even though using full half and fourth speed so it is easier to understand and learn from the brilliant birds (especially the fantastic American Musician Wren
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Canons I (HINDEMITH PAUL)
35.52
Canons I (HINDEMITH PAUL)
Chorale SATB
SATB A Cappella
Schott
Par HINDEMITH PAUL. These canons now published for the first time document Hinde...
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Par HINDEMITH PAUL. These canons now published for the first time document Hindemith's fondness of composing little parodistic works with a wink on certain occasions. More than 30 artistic postcard-sized works were written by the composer. In strict counterpoint, he used them to convey season's greetings, congratulations on birthdays and anniversaries, and thanks to friends, colleagues and cultural institutions. Some of these witty and entertaining pieces have been released on recordings several times, but they have not been available in printed editions yet. Our first edition now enables every choir and every small singing group to find a canon of the appropriate level of difficulty and perform it on many occasions with great success with the audience./ Répertoire / Choeur a Cappella
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I Love All Beauteous Things (WEIR JUDITH)
6.50
I Love All Beauteous Things (WEIR JUDITH)
Chorale SATB
SATB, Orgue
[Partition]
Chester
Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Jud...
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Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Judith Weir's special new choral piece I Love All Beauteous Things Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include this approachable setting of Robert Bridges' poem. Directed by Andrew Carwood, the St Paul's Cathedral Choir will perform I love all beauteous things as part of the National Service of Thanksgiving which will take place on at 11am on 10 June in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury will give the address and the Prime Minister will read a lesson. The event will be televised live on BBC1. Judith Weir comments: 'It is a particular honour to contribute new music for this great occasion, and a pleasure to write a choral version of Robert Bridges' beautiful verse.' Preview the score here Download the digital sheet music here COMPOSER'S NOTE At the suggestion of Michael Hampel, Precentor of St Paul's Cathedral, I have set words by Robert Bridges, who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer, whose poetry has inspired me before in The Voice of Desire, a song-cycle for mezzo-soprano and piano. This short, fast-tempo setting aims to emulate the swift, fleet-footed rhyme and metre of the two-verse poem, with its unobtrusive but telling reference to 'man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen, generously supported by the Boltini Trust. Performed at the National Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral, London, on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir, Master of the Queen's Music, words by Robert Bridges, Poet Laureate in the year HM The Queen was born. Duration c. 3½ minutes I LOVE ALL BEAUTEOUS THINGS words by Robert Bridges OM (1844-1930) Poet Laureate 1913-30 I love all beauteous things, I seek and adore them - God hath no better praise, And man in his hasty days Is honoured for them. I too will something make And joy in the making - Altho' to-morrow it seem Like the empty words of a dream Remembered on waking. (I love all beauteous things, etc…)/ Feuillet / Choeur Mixte (SATB) et Orgue
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Charles-Marie Widor: Mass Op. 36: SATB: Vocal Work
Chorale SATB
[Vocal Score]
Shawnee Press
Charles-Marie Widor is best known for the Toccatta the finale from his Fifth Sy...
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Charles-Marie Widor is best known for the Toccatta the finale from his Fifth Symphony for Organ but the real heart of his compositional oeuvre lies in the ten Organ symphonies and there is much to be discovered in the rest of his compositional output. This Mass was originally written in 1878 for a choir of Baritones the Chorus of the seminary next door to St Sulpice in Paris the church where he was temporary Organist for sixty-four years and mixed Chorus and two Organs. Although Widor lived in Paris during the years of the radicalism of the decades following World War I he retained a conservatism in composition and musicianship that is evident in this powerfulMass.The entire work has been transposed one half step lower ‘to avoid the awkward key of F sharp major’.
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Jared Anderson: Glorified: SATB: Vocal Score
11.25
Jared Anderson: Glorified: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Integrity Choral
“Praise belongs to You what can I do but sing? The greatest joy I've foun...
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“Praise belongs to You what can I do but sing? The greatest joy I've found is to lay a crown before my King.” The lyrics paint thpicture of a God who deserves to be glorified and the call for us to lay down our livesto honor Him. Available separately: SATB CD Accompaniment Trax Orchestration. Duration:ca. 4:50.
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The Lost Birds
44.40
The Lost Birds
Chorale SATB
Boosey and Hawkes
An Extinction Elegy. Par TIN CHRISTOPHER. The Lost Birds is a musical memorial t...
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An Extinction Elegy. Par TIN CHRISTOPHER. The Lost Birds is a musical memorial to bird species driven to extinction by humankind. Sweeping and elegaic, it's a haunting tribute to those soaring flocks that once filled our skies, but whose songs have since been silenced. It's a celebration of their feathered beauty: their symbolism as messengers of hope, peace, and renewal. But it's also a warning about our own tenuous existence on the planet: that the fate that befell those once soaring flocks foreshadows our own extinction. / Niveau : moyen - avancé / Date parution : 2024-02-16/ Répertoire / Ch?ur Mixte et Piano
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Tudor Anthems - Fifty Motets And Anthems: SATB: Vocal Score
19.99
Tudor Anthems - Fifty Motets And Anthems: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Novello & Co Ltd.
Tudor and Stuart monarchs reigned during a period of political and ecclesiastica...
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Tudor and Stuart monarchs reigned during a period of political and ecclesiastical turmoil out of which occurred profound developments in musical style.Tudor Anthems (the term loosely applied to cover the years 1520 to 1640) anthologises some of the finest English musical works of that era. It includes sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Byrd Dering Gibbons Morley Mundy Parsons Philips Smith Taverner and Tomkins.A comprehensive collection and indispensable resource for any choir's library prepared in an easilyunderstood performing edition by Lionel Pike.'This is an excellent book. It offers variety the familiar and the less so all levels of difficulty and excellent value. Choirs who invest in a set could cover this aspect of their repertoire for years to come.'Andrew Gant (Choir & Organ - March/April 2011) 'A new Tudor anthem anthology will inevitably invite comparison with the popular Oxford Book of Tudor Anthems but Lionel Pike's collection largely avoids overlap with the OUP book and its contents certainly do not disappoint.' Matthew O'Donovan (Early Music Today - March/May 2011)'For many choirs and choral societies the Oxford Book of Tudor Anthems has been a standard source for this wonderful repertoire since it was first published in 1978. This new edition from Novello is now a serious competitor (why have we had to wait so long!). At almost the same price as the OUP volume and with 50 anthems (OUP had 34) this anthology is remarkable value for money. Before considering the contents it is worth mentioning its weight. My choir complains at holding the New Church Anthem Book and this is the same weight as the NCAB paperback (i.e. over a kilogram) and almost A4 in size. Lionel Pike
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Dominick DiOrio: I Am: SATB: Vocal Score
11.25
Dominick DiOrio: I Am: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schirmer
Dale Warland Choral Series-This musical setting of the famous Mary Elizabeth Fry...
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Dale Warland Choral Series-This musical setting of the famous Mary Elizabeth Frye poem Do Not Stand at My Grave and Weep begins very placidly and takes the refrain of I Am as a mantra for existence. The use of a dramaticSoprano solo is both a musical and theatrical choice with the soloist communicating as if from beyond death to those still alive. The chorus is also a character interaction at times reclusive or electric but always with asteely presence.
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Samuel Adler: Uv'shofar Gadol: SATB: Vocal Score
3.75
Samuel Adler: Uv'shofar Gadol: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schirmer
No. 3 from Four Prayers from the High Holyday Liturgy-Four Prayers from the High...
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No. 3 from Four Prayers from the High Holyday Liturgy-Four Prayers from the High Holyday Liturgy.I. Hayom Harat Olam (11908)II. Ayl Melech Yoshayv (11909)III. Uv'shofar Gadol (11910)IV. Avinu Malkaynu Chanayno (11911)Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue.The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.'The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York.Uv'shofar Gadol is for SATB choir a cappella with Tenor soloist.
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Billy Martin Joseph M. Martin: Lord Is It I? (from Song of the Shadows): SATB:
Chorale SATB
Shawnee Press
“Lord Is It I?” is one of the most dramatic moments in the best-sel...
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“Lord Is It I?” is one of the most dramatic moments in the best-selling Holy Week cantata Song of the Shadows. It mournfully recounts the events of the Last Supper and the fear each disciple harbors as theyask “Lord is it I?” We are reminded that Jesus was betrayed not only for thirty pieces of silver but also by Peter's denial. And we are compelled to question our own hearts – Lord is it I? Achingly beautiful and filled with emotion that will make a lasting impression.
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Judith Weir: Judith Weir: I Love All Beauteous Things: SATB: Vocal Score
4.50
Judith Weir: Judith Weir: I Love All Beauteous Things: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Chester
Master of the Queen’s Music Judith Weir was commissioned by St Paul&rsqu...
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Master of the Queen’s Music Judith Weir was commissioned by St Paul’s Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen’s 90th birthday in 2016.The piece is now available from Chester Music so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include thisapproachable setting of Robert Bridges’ poem.Directed by Andrew Carwood the St Paul’s Cathedral Choir performed I love all beauteous things as part of the National Service of Thanksgiving whichtook place on at 11am on 10 June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury gave the address and the Prime Minister read a lesson. Judith Weircomments:'It is a particular honour to contribute new music for this great occasion and a pleasure to write a choral version of Robert Bridges’ beautiful verse.'COMPOSER’S NOTEAt the suggestion of Michael Hampel Precentor of St Paul’s Cathedral I have set words by Robert Bridges who was Poet Laureate from 1913–1930. Bridges was an outstanding humanitarian and writer whose poetry hasinspired me before in The Voice of Desire a song-cycle for mezzo-soprano and piano. This short fast-tempo setting aims to emulate the swift fleet-footed rhyme and metre of the two-verse poem with its unobtrusive but tellingreference to ‘man in his hasty days’.J.W.Commissioned by the Chapter of St Paul’s Cathedral to mark the 90th birthday of HM The Queen generously supported by the Boltini Trust. Performed at theNational Service of Thanksgiving for HM The Queen’s birthday at St Paul’s Cathedral London on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh.Music by Judith Weir Master of
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Noel Regney Gloria Shayne: Do You Hear What I Hear: Mixed Choir and Accomp.:
11.25
Noel Regney Gloria Shayne: Do You Hear What I Hear: Mixed Choir and Accomp.:
Chorale SATB
[Vocal Score]
Brookfield Press
This Christmas standard is one of the most recorded holiday songs of our time. T...
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This Christmas standard is one of the most recorded holiday songs of our time. This arrangement awakens the beloved song to new possibilities dressing it in a sophisticated suit of traditional choral elements and light jazz. The creative crescendo of the original song unfolds verse by verse as the news of the Christ Child's birth goes from the shepherd boy to the people everywhere. The call and response format is maintained but refreshed by shimmering chords and creative counterpoint. A study in choral color don't miss the opportunity of sharing this wonderful Christmas classic with your audience.
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John Jacob Niles: I Wonder As I Wander: SATB: Vocal Score
11.25
John Jacob Niles: I Wonder As I Wander: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schirmer
I Wonder As I Wander by John Jacob Niles arranged by Keith Christopher for SATB...
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I Wonder As I Wander by John Jacob Niles arranged by Keith Christopher for SATB chorus with Piano accompaniment and optional Flute.This Christian folk hymn was inspired by a song heardby Niles at a fundraising meeting for evangelicals which he attended in Murphy North Carolina. Niles wrote of the moment he first heard the tune:'A girl had stepped out to the edge of the littleplatform attached to the automobile. She began to sing. Her clothes were unbelievable dirty and ragged and she too was unwashed. Her ash-blond hair hung down in long skeins.... But best of all she was beautiful and in heruntutored way she could sing. She smiled as she sang smiled rather sadly and sang only a single line of a song'.Niles requested that the girl repeat the fragment seven times paying her a quarter perperformance and left with 'three lines of verse a garbled fragment of melodic material—and a magnificent idea'. He completed his composition on October 4 1933 and I Wonder As I Wander was firstperformed on December 19 1933 at the John C. Campbell Folk School in Brasstown North Carolina.
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Soon I Will Be Done: Mixed Choir a Cappella: Vocal Score
17.50
Soon I Will Be Done: Mixed Choir a Cappella: Vocal Score
Chorale SATB
[Vocal Score]
Gentry Publications
Premiered at the ACDA National Convention 2015 this piece marks the first doubl...
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Premiered at the ACDA National Convention 2015 this piece marks the first double choir arrangement for a Spiritual. In a few short years Stacy Gibbs has earned the reputation as the most sought-after arranger of Spirituals in the U.S. Stacey's writing is always a pleasure to sing but this one is special with the antiphonal choirs playing off one another and wailing sounds building a climactic finish. An obvious festival work for school. Medium difficulty.
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Boudleaux Bryant: Tribute to the Everly Brothers: Mixed Choir a Cappella: Vocal
13.75
Boudleaux Bryant: Tribute to the Everly Brothers: Mixed Choir a Cappella: Vocal
Chorale SATB
[Vocal Score]
Hal Leonard
Choral Medley-The passing of Phil Everly has reminded the world once again of th...
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Choral Medley-The passing of Phil Everly has reminded the world once again of the great rock and roll legacy of the Everly Brothers. Influencing groups from Simon and Garfunkel to the Beatles their signature harmonies and performances are timeless! Enjoy this 4-minute tribute of three of their hit songs: All I Have to Do Is Dream Bye Bye Love Wake Up Little Susie.
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The Novello Book Of British Folksongs
29.39
The Novello Book Of British Folksongs
Chorale SATB
SATB, Piano
Novello & Co Ltd.
The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable col...
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The Novello Book Of British Folksongs For Mixed-Voice Choirs is an enjoyable collection of diverse tunes that have descended from the folksongs across the British Isles. A variety of arrangements are included, both old and new, of well-loved tunes as well as some lesser-known pieces. All 34 tunes are arranged for SATB Chorus with Piano accompaniment, making this a brilliant way to enhance your choir's repertoire.This Book Of British Folksongs offers a grand selection of favourite folk tunes arranged by composers such as Ralph Vaughan Williams, Gustav Holst, Paul Mealor and George Dyson. Tunes like A-Hunting We Will Go, Auld Lang Syne, Bonny At Morn, Come Lasses And Lads and Scarborough Fair suggest the sheer diversity on offer here. From sad tunes to happy songs, the arrangements here are at once beautiful and touching, coming truly to life when sung by a Mixed-Voice Choir. These thirty four folk songs will enrich a performance programme, whether as one part or the entirety. Choirs of all types and abilities will be able to discover their favourite arrangements, either the most beautiful, the funniest, or the most enjoyable to sing. With the country experiencing a revival in singing traditional folksongs, this collection is a great way to experience the unabashed joy that performing these British tunes can bring. With a great number of favourite tunes as well as some lesser-known songs, this collection includes songs like There Were Three Ravens, Yarmouth Town, My Love Is Like A Red, Red Rose, Dance To Your Daddy and The Rio Grande, as well as an extensive and fascinating introduction by Jeremy Summerly.The wonderful thing about singing folksongs is they are like a window into our country's history. They are occasionally funny, often dramatic, but always enjoyable to sing, and their diversity reflects the different people, landscapes and cultural history of the British Isles. These folk tunes can be traced back through British history, evolving through the oral tradition, continually changing lyrics and melody, being amended and sculpted according to the people who sung them. These timeless tunes have been recorded in this innovative Novello Book Of British Folksongs For Mixed-Voice Choir, however, the joy of these songs is you can put your own spin on them, adapting them to how you want them sung and continuing their legacy. This wonderful collection is a fantastic addition to any choir's performance repertoire, and is sure to lead to success for the choir and audience for many years to come. / Choeur Mixte (SATB) Et Piano
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Novello Choral Pops : Showtunes
13.57
Novello Choral Pops : Showtunes
Chorale SATB
SATB, Piano
Novello & Co Ltd.
All I Ask Of You is the love song that triggers the Phantom of The Opera's jealo...
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All I Ask Of You is the love song that triggers the Phantom of The Opera's jealous campaign of retribution in Andrew Lloyd Webber's legendary musical - Cliff Richard and Sarah Brightman took it for a spin in 1986 and had a hit single. Big Spender became even more popular than the 1966 musical from which it came - 'Sweet Charity' - and Shirley Bassey did much to popularise it later. Written specifically for Colm Wilkinson, Bring Him Home is the emotional song from Act II of Les Misérables while I Have A Dream is a no less emotional Abba number that is included in the record-breaking stage musical Mamma Mia. Last Night Of The World is the haunting dance hall song from Miss Saigon that marks the fateful promise made by the US airman to take Kim with him when he leaves Vietnam. This volume in the Novello Choral Pops collection contains all five of these musical theatre favourites, arranged for SATB Choir with Piano accompaniment. / Choeur Mixte (SATB) Et Piano
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Peter Dickinson: Lullaby: SATB: Vocal Score
3.25
Peter Dickinson: Lullaby: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Novello & Co Ltd.
LULLABY from The Unicorns (1967/82/86) 'The Lullaby from ‘The Unicorns&rsq...
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LULLABY from The Unicorns (1967/82/86) 'The Lullaby from ‘The Unicorns’ arose from an opera libretto I commissioned from John Heath-Stubbs (1918-2006) in the late 1960s. In his story two unicorns are discovered in a remote part of Africa. Both the East and West want to obtain them for research so they send out rival expeditions. The Western technique is to lure the unicorn with a young girl singing a lullaby. Both East and West capture unicorns but the mythical animals escape in the end. I never completed the opera but I made a six movement suite from it called The Unicorns. There arethree songs and three instrumental numbers and the first performance was given with Elisabeth Söderström and Solna Brass under Lars-Gunnar Björklund at Ekensbergskyrkan Solna Sweden on 31 October 1982. This version was recorded (Albany TROY 760) and my arrangement of the three songs for voice and piano was recorded by Marilyn Hill Smith (Albany TROY365). The career of the Lullaby continued with a version for clarinet and piano which I premiered with Jack Brymer aboard the Sea Princess in the Mediterranean on 29 September 1986. The oboe version was for Sarah Francis and Duke Dobing and I have recorded it for flute and piano (Naxos 8.572287). Lullaby can be played with a variety of solo instruments and is also available for piano left hand and piano solo which I have recorded.' - Peter Dickinson
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Charles Strouse Martin Charnin: Annie 'medley' (SATB): SATB: Vocal Score
14.95
Charles Strouse Martin Charnin: Annie 'medley' (SATB): SATB: Vocal Score
Chorale SATB
[Vocal Score]
Hal Leonard
She's America's sweetheart! Perform this delightful 7-minute medley in your next...
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She's America's sweetheart! Perform this delightful 7-minute medley in your next concert. Includes: I Don't Need Anything But You It's the Hard-Knock Life Maybe You're Never Fully Dressed Without a Smile Tomorrow. Available: SATB SAB 2-Part IPak (Flute Clarinet Trumpet I & II Tenor Sax Trombone Synthesizer Guitar Bass Drums and Timpani/Bells) ShowTrax CD. Approx. Time: 7:00.
14.95 GBP - vendu par Musicroom GB
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Only in America (Choral Medley): Mixed Choir a Cappella: Vocal Score
29.95
Only in America (Choral Medley): Mixed Choir a Cappella: Vocal Score
Chorale SATB
[Vocal Score]
Hal Leonard
# 1 Hits Made in the U.S.A.-Celebrate the vast and varied music of America with ...
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# 1 Hits Made in the U.S.A.-Celebrate the vast and varied music of America with this 30-minute choral tribute. From the uplifting Only in America opening singers and audiences will enjoy over 25 #1 hits from the big band era through the present day. With choreography and performance suggestions by John Jacobson it's easy to involve the entire school to make your show a tribute to our America's musical heritage. With six flexible sections you can perform it as a whole or as individual medleys. Songs include: Only in America Solid Gold Sentimental Journey Tuxedo Junction Cheek to Cheek Pennies from Heaven Gettin' in the Mood Tennessee Waltz Always on My Mind I Hope You Dance The Music Goes'Round and Around Sixteen Tons Itsy Bitsy Teeny Weeny Yellow Polkadot Bikini Dominique Who Let the Dogs Out Purple People Eater We Will Rock You At the Hop Jail house Rock Good Vibrations I'm a Believer Respect Night Fever Smooth Ain't No Mountain High Enough I Will Remember You Let it Be Turn the Beat Around. Available SATB Director SATB Singer SAB Director SAB Singer 2-Part Director 2-Part Singer ShowTrax CD and Preview CD. Performance Time: approx. 30:00.
29.95 GBP - vendu par Musicroom GB
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CHESTER BOOK OF MADRIGALS BK.2 LOVE & MARRIAGE
14.75
CHESTER BOOK OF MADRIGALS BK.2 LOVE & MARRIAGE
Chorale SATB
SATB, Piano
[Partition]
Chester
The Chester Books Of Madrigals offer an exciting collection of secular European ...
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The Chester Books Of Madrigals offer an exciting collection of secular European madrigals, partsongs and rounds from the 16th and early 17th centuries, newly edited from early sources by Anthony G. Petti, who contributes copious historical notes to each volume. <br>The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages, with an English translation (for non-English texts) provided at the head of each piece. / Classique / Partition /
14.75 EUR - vendu par Note4Piano
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David Yazbek: I Won't Let You Down: Mixed Choir a Cappella: Vocal Score
1.99
David Yazbek: I Won't Let You Down: Mixed Choir a Cappella: Vocal Score
Chorale SATB
SAB
[Vocal Score]
Hal Leonard
from Tootsie. Broadway veteran David Yazbek hasn't written original music for a ...
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from Tootsie. Broadway veteran David Yazbek hasn't written original music for a production that didn't go on to be nominated for Best Original Score at the Tony Awards. This astonishing 5-for-5 streak is currently capped by his work on Tootsie, a musical adaptation of the 1982 film of the same name. ?I Won't Let You Down? is an in-show audition piece, starting out lethargic, but morphing into something grandiose and memorable by the end--a showstopper!
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David Yazbek: I Won't Let You Down: Mixed Choir a Cappella: Vocal Score
1.99
David Yazbek: I Won't Let You Down: Mixed Choir a Cappella: Vocal Score
Chorale SATB
[Vocal Score]
Hal Leonard
from Tootsie. Broadway veteran David Yazbek hasn't written original music for a ...
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from Tootsie. Broadway veteran David Yazbek hasn't written original music for a production that didn't go on to be nominated for Best Original Score at the Tony Awards. This astonishing 5-for-5 streak is currently capped by his work on Tootsie, a musical adaptation of the 1982 film of the same name. ?I Won't Let You Down? is an in-show audition piece, starting out lethargic, but morphing into something grandiose and memorable by the end--a showstopper!
1.99 GBP - vendu par Musicroom GB
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Don Besig Nancy Price: This Lonesome Valley: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Shawnee Press
Don Besig and Nancy Price have woven the traditional songs “Lonesome Vall...
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Don Besig and Nancy Price have woven the traditional songs “Lonesome Valley ” and “Nobody Knows the Trouble I've Seen ” with adapted and new words into an ethereal Lent and Holy Week meditation. The useof optional flute (part provided in the octavo) enhances the airy quality of the piece. There's also an opportunity for an optional solo and a cappella portions. First telling of Jesus and his pending fate in the lonesome valley the message moves on to remind us that “nobody knows the trouble and pain like Jesus.” Finally we all have our “lonesome valleys” to walk but He will not let us walk alone. This easy-to-learn anthem willprove to be very effective.
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Fleetwood Mac Glee Cast: Rumours: Mixed Choir a Cappella: Vocal Score
17.50
Fleetwood Mac Glee Cast: Rumours: Mixed Choir a Cappella: Vocal Score
Chorale SATB
[Vocal Score]
Hal Leonard
Glee Sings the Music of Fleetwood Mac-In Season Two the Glee cast devoted a ful...
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Glee Sings the Music of Fleetwood Mac-In Season Two the Glee cast devoted a full episode dedicated Fleetwood Mac's 1977 hit-powerhouse Rumours. Opening with the bright pop sounds of “I Don't Want to Know ” it moves into the sultry“Dreams ” and building into “Don't Stop ” this 6-minute choral tribute spans the generations in its appeal! Available separately: SATB 3-Part Mixed 2-Part ShowTrax CD. Combo parts available digitally(tpt 1 tpt 2 tsx tbn syn el gtr ac gtr b dm). Duration: ca. 5:45.
17.50 GBP - vendu par Musicroom GB
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