Vocal Score-A bright festive arrangement of the catchy Dutch carol with intricate Organ. Suitable for more advanced choirs. Perfect for Advent and Christmas.

O that we were there! is a text taken from the Christian hymn In Dulci Jubilo. It expresses a longing to be present at the Incarnation of Christ but it also conveys a longing to be out of the world oftime and space and in an eternal world.This work was written for Sherborne Girls in gratitude for having educated my daughters Theodora and Sofia. It is dedicated to the memory of Blossom Perronelle Barrow who died ofcancer aged 12.

O Radix Jesse by Polish composer Pawe ukaszewski is arranged here for unaccompanied SSAA Chorus with divisions. Pawe ukaszewski is part of a younger generation of Polishcomposers who specialise in sacred and choral music. After studying composition and receiving two Ph.Ds ? ukaszewski's work has been performed throughout Europe and the rest of the world. Thiscomposition ?O Radix Jesse is a setting of the Magnificant antiphons used in Christian advent and Catholic Mass.? The haunting harmonies created by the unaccompanied chorus inthis composition are sure to remain with audiences for a long time having been intricately crafted by this master of spiritual music. Please note that the lyrics are inLatin. David Lindley in the September 2015 issue of the Organists' Review writes that? ukaszewski's music 'is often compared to that of Górecki Pärt and John Tavener and this piece manifests thefamily resemblance.'

(Field Butterfly)-The Field Butterfly is a humorous song about the alikeness of a field butterfly to a 1900 Filipino lady dressed in her glamorous formal dress with tall butterfly sleeves. She struts swaying her hips down the aisle of the church as everyone looks on. The Filipino choral arrangements that George Hernandez has written are some of the most popular in the Pavane catalog. Also available in SATB divisi P1364. For high school and college treble choirs. Medium difficulty.

'Hey Brother' 'Levels' and 'Without you' are now available for six-part mixed or female choir. The arrangements offer a wide variety of vocal and choral possibilities and attention has been paid that all parts are of the same musical standard. Whether homophonic or unisono they artfully intertwine from one passage to the next. However for all their sophistication the arrangements remain manageable and easy to learn displaying the typical groove of each Avicii song within a multi-layered texture.