Here is a touching standard from The Music Man in a beautiful a cappella setting by Kirby Shaw. The jazz harmonies will enchant your singers and your audience. Available for SATB and SSAA a cappella. Performance Time: Approx. 2:25.

This poignant story about a young life lost too early touched listeners around the world when released by The Band Perry. This contemporary a cappella setting is an appropriate choice for those more reflective concert occasions. / Choeur SSAA A Cappella

Now available in a stunning SSAA voicing selected lines from Louise Driscoll's poem set here in a vibrant and grand setting will become a signature piece for your women's and mixed choirs. Beginning with vocal fanfare then long melodic and harmonic lines sing above a rhythmic and driving piano accompaniment arriving to a final and celebratory finish. A must for inspirational programming. Now available in a stunning SSAA voicing selected lines from Louise Driscoll's poem set here in a vibrant and grand setting will become a signature piece for your women's and mixed choirs. Beginning with vocal fanfare then long melodic and harmonic lines sing above a rhythmic and driving piano accompaniment arriving to a final and celebratory finish. A must for inspirational programming.

(from Les Misérables). The rousing chorus from Les Misérables will be a powerful closer for any performance. Your men's chorus will bring down the house!

A setting of a poem from nativity 'Her Maker's Maker' by Michael Symmons Roberts, 'New-made for a king' was commissioned by Andreas Klatt for Farnham Youth Choir. Mainly Scored in four parts, the choral texture is homophonic, the harmony rich yet approachable by young performers, with a decorative piano accompaniment. In the mold of a lullaby, the room's over-riding is calm troubled Towards the close by indistinct pp. lontano interjections from the piano, in response to the poem's closing portentous words. / Choeur SSAA Et Piano

What do you get when you give Mark Hayes two favorite winter songs to arrange? You get this incredible work of “Winter Wonderland” and “Let It Snow” together in one arrangement! The orchestration isspectacular as only Mark can do. Smart vocal lines that sing with the greatest of ease help make this a must-have choral for your holiday or winter program.

Upbeat and uptempo, this joyous anthem could be used in both worship and concert. Its accessible Vocal writing alternates between unison and harmonic passages and a straightforward Piano part further supports the choir, making this a perfect choice for church or school mixed choirs. / Choeur SSAA Et Piano

Aejlies which means ?Holy? was originally composed as part of a commissioned work for the Sámi church festival in Norway in 2013. The theme for the festival was ?Holy Ground! Holy World? referring to the understanding among our Sámi ancestors as well as other indigenous groups that the land we are living on - Mother Earth - is Holy and should be treated with respect and honour. The theme is also inspired by the biblical words ?Take your sandals off your fee for the place where you are standing is holy ground!? (Exodus 3 5) which resonates with how indigenous traditions relate to nature.Only one word is sung in this work which takes inspiration from the Sámiyoik tradition where one often only uses very few words in combination with so called yoik syllables. These syllables have no linguistic meaning but are an important part of this ancient vocal tradition allowing the human voice to describe something without the limitations words and language sometimes have.

A Capella-Stacey Gibbs wants to “bring life” to the spiritual for use in the concert hall. This arrangement confirms why his arrangements are so popular: the rhythms and harmonies are fun to sing and he builds things up to arousing finish. This arrangement for women's voices reminds us to “keep your hand on the plow as you climb higher and higher...just hold on.”

A tremendously fun arrangement South African greeting song that exclaims 'Bless you in the name of the father!' The use of a soloist and percussion bring this setting to life. A perfect closer for your concert festival or honor choir.

This rousing arrangement for women's chorus of this traditional French song will become a favorite of both your singers and your audiences. The piano accompaniment and the use of body percussion add to the excitement and help to tell the story of young girls who were tricked by devious sailors.

The original version of Bryce Dessner's To The Sea was premiered on 2nd November 2011 during the 'Monstrance' installation in collaboration with Matthew Ritchie at L & M Arts Los Angeles. Theversion for strings was commissioned by the Brooklyn Youth Chorus and first performed on 19th May 2012. This is the Vocal Score arranged for SSAA Chorus. Composer Bryce Dessner is perhapsbest known as the guitarist from the band The National but he is also an acclaimed composer in his own right.

Commissioned by the 2012 ACDA Women's Choir R and S Commissioning Consortium, the entire piece drives toward the last line of the Stacy Gnall poem 'big brother, I am catching up to you.? One long, rhythmic race, this selection will be a wonderful contrast to much of the repertoire often included in women's choral concerts. / Choeur SSAA A Cappella