SKU: BA.BA10557
ISBN 9790006553068. 33 x 25.8 cm inches. Language: German.
The Complete Vocal Works Johann Pachelbel is known today as a composer of organ music and of a world-famous instrumental canon which frequently features in concert programmes and recording catalogues. However, the same can be said of only a few of his vocal compositions. At most, the motets appear occasionally in church music repertoire. Pachelbelâ??s arias, vocal concerti and large-scale Magnificats have received little attention up to now. Church musicians and musicologists have long wished for a critical edition of these important works, which survive in Pachelbelâ??s manuscript and were largely composed in his main places of work, Erfurt and Nuremberg . As always with such ventures, new discoveries are to be expected regarding the body of works, source material and the context of the works. This concerns not only beautiful music, but rather a deepening of our understanding of Pachelbel as a key figure between southern and central German traditions, and the recognition of an oeuvre which has all too often been pushed into the shadows by the mighty Bach. The Critical Edition The edition aims to make available all of Johann Pachelbelâ??s surviving vocal works in the best possible form. It is edited by the Institut für Musikwissenschaft at the University of Erlangen-Nuremberg and the Institut für Kirchenmusik at the Kunstuniversität Graz. Two volumes per year are planned. As a chronological order is not possible in many cases, the individual works have been arranged according to scoring within their groups. Fragments and works where Johann Pachelbelâ??s authorship is doubtful appear at the end of the respective group. Each volume includes an introduction (Ger/Eng) and a Critical Commentary (Ger). Format 25.5 x 32.5 cm; cloth-bound
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49046753
ISBN 9781705154229. UPC: 196288021810.
With the Petrarch settings, I am continuing my preoccupation with classical Italian literature, after setting Michelangelo in 2011 and Ariosto in 2013. The gesture and harmony of the piece are developed entirely from the text and from the sensations that are expressed there. Petrarch's poetry is an exploration of beauty and pain that begins again and again: beauty that lies in pain and pain that is causedby beauty. Anno Schreier.
SKU: GI.G-9610
UPC: 785147961000. Latin. Text Source: Attr. Ambrose of Milan, 340–397. Text by Ambrose of Milan.
Composer's Notes When I met Kelsey Rose in Oxford in St. Stephen’s House chapel over the summer of 2017, we had both just attended a very moving candlelit concert by Westminster Williamson Voices, featuring my setting of “Tenebrae lumini.†I was delighted to be asked to write a piece for compline in Princeton University Chapel, celebrating the 150th anniversary of the Anglican/Episcopal chaplaincy at Princeton University. “Aurora†is the result of that meeting. Composing by commission often throws up some interesting challenges. The piece had to fit both as an accompanying piece to the plainchant of compline, whilst simultaneously being a celebratory anthem. I was instantly drawn back to the poetry and hymns of St. Ambrose of Milan, particularly “Aurora iam spargit polum.†Fragments of chant (both real and imagined) are used to create the powerful imagery of the descending golden light of dawn. The piece reaches its climax with the plea for the despair of night to “vanish,†which it then does, leaving the sopranos alone on a high G.
SKU: JK.00929
Patriotic anthem for mixed chorus (SSATB) and piano, with text adapted from The New Colossus, a poem by Emma Lazarus graven on a tablet within the pedestal on which the Statue of Liberty stands.Composer: David Len Allen Lyricist: Text adapted from The New Colossus by Emma Lazarus Difficulty: Medium Performance time: 3:00.
SKU: MN.60-7000
UPC: 688670670008. English.
Straight-f orward setting of German chorale tune O DASS ICH TAUSEND ZUNGEN HATTE. Choir setting of stanza 2 manageable SSATB.
SKU: JK.01660
Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
Original arrangement for mixed chorus (SSATB), about our Father in Heaven and our fathers on earth: From soothing hands under quiet skies, to the reflection of wond'ring eyes. He gently hums heaven's lullaby. Beautiful harmony between the voices.Composer: Julie Webb Lyricist: Julie Webb Difficulty: Medium Performance time: 2:30Reference: Psalm 82:6, Mosiah 4:15, Doctrine and Covenants 14:7.
SKU: GI.G-005820
Latin, English.
SKU: HL.1458421
UPC: 196288210573. 6.75x10.5 inches.
With words by Stephanie Dietz, this beautiful composition from Rob Dietz is a beautiful composition with a propulsive time signature mixed with lush and ever-present vocal textures. Perfect for choirs looking to expand their contemporary a cappella repertoire!
SKU: GH.CG-7491
ISBN 9790070005609. Text: Barbro Lindgren.
Fran barnskivan Goda' goda'. Arrangemang for blandad kor a cappella. Ingar i serien med VIBA FEMBA-arr.
