Over the Rainbow is a standard that has become forever associated with its most famous interpreter, Judy Garland. Her troubled adult years only added poignancy to her guileless interpretation of the song, preserved on celluloid in The Wizard of Oz when she was seventeen. The song would also do something similar for Eva Cassidy whose 1992 version brought her posthumous fame almost a decade later. Arranged beautifully by Christopher Hussey for TTBB choir with Piano accompaniment, this anthem of hope has not lost its bitter-sweet yearning. / Choeur TTBB Et Piano

The Novello Barbershop series offers unaccompanied arrangements of a variety of well-loved songs from the 1940s to the 1970s.Arranger Nicholas Hare has endeavoured to share the interest among all the voice parts but each singer should be aware at all times of who has the melody so that it is allowed to stand out. A discreet use of soloists is often appropriate.Blend and balance of the harmony is another vital element in successful performance of this music and vibrato should be kept in check so that the chords are clean and perfectly in tune. The various vocalisations (ah ooh mm etc.) may be considered as suggestions only and variedaccording to the performance conditions.Arranged specifically for male-voice groups (from as few as four voices in some numbers to a full choir) the songs are notated on two staves for easy Piano rehearsal.Sing this Latin-American number with a strong sense of rhythm even in the smoother sections.

Eugene Rogers Choral Series-Combining two traditional spirituals Come and go with me and Come and go with me to my Father's House Brandon Waddles has created an arrangement that harkens the sounds of an African-American work song and Southern male gospel quartet. Brandon uses the a cappella style of the spiritual the extended harmonies of jazz and the motivic and rhythmic drive of gospel in this arrangement to make the pairing of these two selections a joyous community expression.

from Newsies-This tune is from Disney's Newsies which saw the return of the live action musical in 1992. Although it never gained popular recognition or cinema coverage the score was written by Jack Feldman and Alan Menken and contains a number of terrific songs Seize The Day being among the best of them. Arranged for two tenor and two bass vocals by Roger Emerson.

Brothers Sing On! Jonathan Palant Choral Series-This beautiful folk song has been arranged many times. Rarely if ever have the words and music been so beautifully merged. Both love and despair are delicately depicted in this beautiful new setting by Connor Koppin.

Here's a stunning new a cappella setting of the #1 pop hit by Bette Midler. These powerful lyrics and a timeless melody will create an unforgettable concert moment. Magical! Available for SATB SSAA and TTBB a cappella. Performance Time: Approx. 3:40.

Eric Lane Barnes has a very unique writing style and he has done it again with the choral Glee! This creative a cappella gem is quite entertaining hearkening back to the days of the glee club songs of Yale and Harvard.This work is an excellent tool to teach harmonics. Listen to the middle section that contains a sequence of ascending diminished 7th chords with lyrics announcing the definition of the word “glee.” Novel yet eloquentin its style and performance possibilities Glee is “gleefully” a winner for any program.

Collection for Male Voices-This collection is a fantastic resource for introducing the music of the English Renaissance composer John Dowland to the male ensemble. The five well-known and representative works include Come Again Sweet Love Fine Knacks for Ladies His Golden Locks My Thoughts Are Wing'd With Hopes Sleep Wayward Thoughts.

Many people think this song is called 'Memories' (as that is the opening lyric) but the song has the same name as the film in which it appeared in 1973 - 'The way we were'. With words written by Alan and Marilyn Bergman and music by Marvin Hamlisch this arrangement for male voice choir is by Gwyn Arch. Duration 2½ minutes

G-Dur. Par FROHLICH FRIEDRICH THEODOR. Langue : Allemand/ Répertoire / Choeur TTBB

Long associated with barbershop quartets this classic arrangement is a perfect starting point for groups new to the style.Available separately: TTBB a cappella and VoiceTrax CD. Performance Time: Approx: 2:30.

from The Little Mermaid-(from The Little Mermaid). From The Little Mermaid Kiss The Girl is available in a fantastic a cappella arrangement. Fun Latin rhythms and a variety of vocal inflections make this a great change of pace for any concert! Available: SATB a cappella TTBB a cappella. Performance Time: Approx. 2:45.