Thomas Pitfield was one of the last survivors of a generation of English composers who came to prominence after World War Two and revitalised English music following the deaths of Elgar Holst and Delius. This is his work Sonatina scored for Clarinet and Piano.

The present score is a photographic reproduction of the work as it appears in Carl Nielsen Works Published by the Carl Nielsen Edition The Royal Library Copenhagen Series IV; Juvenilia et Addenda. Volume 1. For a detailed account of the genesis and reception of the work a description of the preserved source materialand a detailed editorial commentary please refer to the Volume in question.The above mentioned texts are also accessible at the following website:https://www.kb.dk/da/kb/nb/mta/cnu/forord_kilder.html. Possible errata will also be documented on this website.The CN-number (CN00052) at the bottom of each music pagerefers to the Volume inquestion as does the pagina. The WH-number found below on this page(as well as on the music pages bottom right) identifies the present score.

12 Easy Pieces for Bb Clarinet and Piano. This edition presents you with an array of musical highlights from various countries. It offers easy-to-play yet musically challenging arrangements for clarinet and piano, and enables you to learn the pieces systematically and at three different tempi with professional accompaniments. The recordings begin with the concert version of each piece, following which you will hear the piano accompaniment at slow and medium tempo to help you practise. Having mastered these slower versions, you?ll now be ready to play with piano accompaniment at the original tempo. All of the versions were recorded live. The CD tracks are also available in downloadable MP3 format.

Edward Gregson completed Tributes in the summer of 2010. Lasting some 16 minutes, there are five pieces in the set, each dedicated to a different composer and a different clarinettist (with whom Gregson had long musical associations). Each of the dedicatee composers wrote wonderfully for the Clarinet and, as a tribute to them, Gregson tried to invade, indeed imitate, their stylistic worlds in these pieces. They are as follows: To Francis Poulenc (for Emma Johnson) - a rather dreamy toccata, lyrical in feel, but interrupted by typically quirky and disruptive rhythmic episodes. To Gerald Finzi (for John Bradbury) - slow and lyrical with long melodic arches. To Igor Stravinsky (for Linda Merrick) - asymmetric rhythms dominate, with wide leaps in the solo line and bitonal harmony on the Piano. To Olivier Messiaen (for Nicholas Cox) - based on the ravishing slow movement for Cello in his Quartet for the End of Time, a seamless melody is woven around ever-changing repeated chords on the Piano. To Béla Bartók (for Michael Collins) - the most virtuoso of the set - after a slow introduction, a swirling folk-like dance unfolds, mirroring Bartok's penchant for simple modal shapes and ostinati rhythms. / Clarinette Et Piano

'Klassik für Kinder' wants to introduce clarinet pupils to the beauty of Baroque, Classical and Romantic concert literature. Cautiously, not only original clarinet literature was taken up, but catchy tunes and themes from the opera (The Freeshooter, The Magic Flute and others) and the concert hall (Four Seasons, Capriccio Italy, Reverie and others) were used as well. The edition starts with a piece from the Renaissance period, followed by the great composers of the Baroque, European Classical and Romantic eras and completed by several discoveries off the common concert programmes (Blasius, Reinagel, Sullivan). Four centuries of music history which will make the pupils enjoy classical music. The pieces are presented in easy arrangements and can be mastered after about two years of tuition, with the three-line octave being left out.

Par SATIE ERIK / RAE JAMES (Arr.). James Rae follows the success of his best-selling ?Debussy Clarinet Album? (UE 21'264) with this selection of arrangements of piano music by Erik Satie. It draws from the well-known ?Gymnopédies? and ?Gnossiennes? as well as other hits such as ?Jack in the Box? and ?Sonatina Bureaucratique?. The clarinet part is of moderate difficulty and the frequent sparseness of Satie?s writing lends itself, for the most part, to an undemanding piano accompaniment. The end result is a book of ideal concert material for two students to tackle together./ Recueil / Clarinette et Piano

Par PAINPARE HUBERT. Edited by the International Clarinet Association\'s former Pedagogy Chair, Paula Corley, this delightful recital piece for clarinet and piano begins with rubato flourishes in the introduction. The theme is a melodic, legato waltz, followed by several variations of increasing technical flourishes and acrobatics. Grade 4, Duration ca. 7\'. / Date parution : 2022-09-20/ Répertoire / Clarinette et Piano

Par OLLONE D'. Composed for the Paris Conservatoire contest, Fantaisie Orientale is a piece by Max d'Ollone for Bb Clarinet and Piano accompaniment. Really melodious, this piece is quite complex to play. This work starts slowly, with some accelerations, followed by a more quiet and melancholic part. The end is more lyrical and features some trills and numerous accidentals. Max d'Ollone (1875-1959) is a French musician who won the first Grand Prix de Rome in 1897. He was a great professor and composer, who produced numerous pieces including ballets, symphonies and chamber music./ Répertoire / Clarinette en Sib et Piano

This book is part of an instrumental series arranged for Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Horn in F, and Trombone. The arrangements are completely compatible with each other and can be played together or as solos. Each book contains a carefully edited part that is appropriate for the Level 2-3 player and a fully orchestrated accompaniment CD. Each song on the CD includes a DEMO track, which features a live instrumental performance, followed by the PLAY-ALONG track itself. Titles are: from Episode I: Augie's Great Municipal Band * Duel of the Fates * Qui-Gon's Funeral * Star Wars (Main Title); from Episode II: Across the Stars * The Imperial March * May the Force Be with You * The Meadow Picnic; from Episode III: Battle of the Heroes * Princess Leia's Theme * The Throne Room.

Sonates pour clarinette op. 120 Editeur: Johannes Behr, Egon Voss Doigtés: Klaus Schilde Edition Urtext, reliure paperback pour clarinette en Si bémol édition révisée remplace HN 274 Pages: 87 (VIII, 59, 20), Dimension 23,5 x 31,0 cm N° d'article HN 987 · ISMN M-2018-0987-8 En 1894, Johannes Brahms proposa au clarinettiste Richard Mühlfeld de lui rendre visite à Ischl, son lieu de villégiature préféré, en ajoutant: «ce serait formidable si vous pouviez apporter votre clarinette en si bémol et si vous n'étiez pas trop pressé» ' car les deux Sonates op. 120 étaient prêtes à être testées. Les premières exécutions dans un cadre privé suivirent immédiatement, ce que la presse relata élogieusement: «Les Sonates [...] sont merveilleuses et feront sensation». Avec notre édition de ces 'uvres majeures du répertoire des clarinettistes, nous poursuivons notre révision des sonates en duo de Brahms d'après la nouvelle édition complète des 'uvres de Brahms.