He Hath Entered The Heven is a work by John Tavener originally composed for Upper Voices. This is the Part for the Handbells which can be used for either the Upper Voices or the Mixed Voices version.Lasting around 8 minutes it was commissioned by Lady Margaret Hall Oxford and first performed on the 16th of January 1983 by the Lady Margaret Hall Choir.

This uplifting arrangement of the popular communion song features flowing lines which highlight the simple melody and occasional ornaments thrown in for timbral interest. A key change before the last verse serves to bring a greater sense of awe and majesty as the piece rises before fading away to a peaceful conclusion. This uplifting arrangement of the popular communion song features flowing lines which highlight the simple melody and occasional ornaments thrown in for timbral interest. A key change before the last verse serves to bring a greater sense of awe and majesty as the piece rises before fading away to a peaceful conclusion.

This title is a collection of two-octave handbell arrangements. All of the titles are on treble clef. These titles are for a mixture of Lent Palm Sunday and Easter; and they are mostly fairly short not more than a few lines.They would be excellent for spicing up hymns in congregational singing. Titles in the collection include: Ah Dearest Jesus ? Beneath the Cross of Jesus ? O Sacred Head Now Wounded.? All Glory Laud and Honor ?Hosanna Loud Hosanna ? Were You There ? Alleluia the Strife Is O'er ? and Jesus Christ Is Risen Today and more.

This festive Easter celebration opens with a fanfare and a triumphant statement of the hymn tune LLANFAIR commonly paired the the hymn texts 'Jesus Christ Is Risen Today' and 'Hail the Day that Sees Him Rise.' The middle section gives ringers a unique opportunity for expression through a subdued moment combining handbells and handchimes with vibrato technique. Momentum returns for a grand restatement of the opening with a herald-like closing reflecting our joy in the risen Savior!This festive Easter celebration opens with a fanfare and a triumphant statement of the hymn tune LLANFAIR commonly paired the the hymn texts 'Jesus Christ Is Risen Today' and 'Hail the Day that Sees Him Rise.' The middle section gives ringers a unique opportunity for expression through a subdued moment combining handbells and handchimes with vibrato technique. Momentum returns for a grand restatement of the opening with a herald-like closing reflecting our joy in the risen Savior!

Alternating gentle lyrical passages with triumphant bold sections this arrangement of the beloved hymn is sure to enhance your worship throughout the church year. The melody passes back and forth freely between the handbells and piano with each part contributing to the harmony texture and overall effect of the piece. A key change on the last verse draws the piece to its final joyous ending. Alternating gentle lyrical passages with triumphant bold sections this arrangement of the beloved hymn is sure to enhance your worship throughout the church year. The melody passes back and forth freely between the handbells and piano with each part contributing to the harmony texture and overall effect of the piece. A key change on the last verse draws the piece to its final joyous ending.

The Hal Leonard Handbell Method is designed for anyone just learning to ring handbells. Whether you're an experienced musician or you don't read music at all yet, this step-by-step guide will teach you the basic skills and techniques you need for ringing in a handbell or handchime choir. Instructions include: Ringing and Damping - Basic Music Reading - Practice and Performance Pieces - Staccato Techniques - Dynamics - Stretches and Warm-Ups - and more! A helpful Director's Guide is also included, offering insights and rehearsal suggestions for several pieces in the book. Instructional material is demonstrated clearly with photos and illustrations throughout. / Handbell / cloche musicale

This is a perfect selection to open a worship service. The tune OLD 100TH better known to most people as the Doxology is given suitable Level 1 techniques of LV echo shake and martellato in this delightful setting in which everyone gets a turn at playing the melody at some point. This is a perfect selection to open a worship service. The tune OLD 100TH better known to most people as the Doxology is given suitable Level 1 techniques of LV echo shake and martellato in this delightful setting in which everyone gets a turn at playing the melody at some point.

Commissioned for the 2020 Handbell Musicians of America Area 5 Spring Festival_x000D_ in Louisville, Kentucky, this piece starts open and stately before launching with_x000D_ rhythmic energy into a Bluegrass-infused toe-tapper. It brilliantly pairs the_x000D_ Freeman Lewis hymn tune BOURBON (?I Take My Refuge in the Lord?) with a_x000D_ Daniel Teasley hymn of similar assurance. Marts, mallets, plucks, ring-touches_x000D_ and more are sure to excite your concert audiences and congregations alike; and_x000D_ the optional band (fiddle, tambourine, bass, and guitar/mandolin/banjo) may be_x000D_ added in any combination for extra charm!

At last, Howard Shore's mystical music from The Lord of the Rings comes to handbells in a finely-crafted medley by Kathleen Wissinger. Ringers and audiences will love returning to the Shire, Rivendell, and Mt. Doom every time this piece is performed in concert or festival. For three to seven octaves of handbells, with optional 3-5 octaves of chimes. Level 3. / Hand Bells

This original composition sparkles as syncopated rhythms shakes and stopped techniques make your toes tap and your feet want to dance. Mallets martelatte thumb damp and shakes bring this song alive making it a perfect festival or worship opener. This original composition sparkles as syncopated rhythms shakes and stopped techniques make your toes tap and your feet want to dance. Mallets martelatte thumb damp and shakes bring this song alive making it a perfect festival or worship opener.