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My Songs Know What You Did In The Dark
13.10
My Songs Know What You Did In The Dark
Fanfare
Hal Leonard
The latest hit by the American rock group Fall Out Boy! With over 2,000,000 digi...
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The latest hit by the American rock group Fall Out Boy! With over 2,000,000 digital downloads and known by all, this alternative rock hit provides intense contrast and rich musical material that translates seamlessly to the marching band idiom. / Marching Band
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My Songs Know What You Did In The Dark
92.20
My Songs Know What You Did In The Dark
Fanfare
Hal Leonard
The latest hit by the American rock group Fall Out Boy! With over 2,000,000 digi...
(+)
The latest hit by the American rock group Fall Out Boy! With over 2,000,000 digital downloads and known by all, this alternative rock hit provides intense contrast and rich musical material that translates seamlessly to the marching band idiom. / Marching Band (score parties)
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Elburg Fantasy (DE HAAN JACOB)
57.00
Elburg Fantasy (DE HAAN JACOB)
Fanfare
[Conducteur]
-
Intermédiaire/avancé
De Haske Publications
Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortifi...
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Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents. Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre. / Niveau : 4 / Pièce de concert / Répertoire / Fanfare
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Elburg Fantasy (DE HAAN JACOB)
219.00
Elburg Fantasy (DE HAAN JACOB)
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
De Haske Publications
Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortifi...
(+)
Par DE HAAN JACOB. This musical fantasy depicts the history of the Dutch fortified town of Elburg. The work begins with an atmospheric medieval picture of the Convent of St Agnes, the nunnery that was built in the first half of the 15th century. We hear the sound of the convent bells together with an upward motif, which will reappear later in the work. Next, the rest of Elburg is featured, including the fortress - from which the bells of the Sint-Nicolaaskerk (Saint Nicholas Church) are ringing. Then, cheerful sounds can be heard at the Vischpoort (Fish Gate), where a dancing group is performing a 16th century French folk dance (a branle des chevaux). We also hear old wagons rumbling over the town’scobble stones. Trade made this Hanseatic town a lively place. The repetitive upward motif first heard in the introduction now develops into a more distinct feature, reflecting the mercantile spirit of the town residents. Then follows the slow middle movement, in which the clock has been turned back to the time when Elburg was still lying on the Zuiderzee (which was a bay of the North Sea), and was struggling with floods. After the second St. Marcellus Flood (1362) and the water flood of 1367 it was decided that the town would be relocated. We now hear the theme of branle des chevaux in a minor key, followed by a death bell sounding in remembrance of the drowned citizens of the former town. Back in our own time, a slow, expressive theme in Baroque style mirrors Elburg’s tranquil places, such as the Feithenhof (Feithen Court) and the Weduwenhofje (Widow Court). Then the bustle returns with motifs from the introduction, followed by an attractive theme in which present-day Elburg is portrayed with its many tourists. Now, suddenly, there is an echo from the past, depicting the dramatic floods and wars that once plagued the town. This leads to the grand closing theme: branle des chevaux is heard for a final time from the perspective of the historic town centre. / Niveau : 4 / Pièce de concert / Répertoire / Fanfare
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Kevin Houben: Thyellene: Fanfare: Score
27.99
Kevin Houben: Thyellene: Fanfare: Score
Fanfare
The Battle on the Heath On 24 January 1597, the ?Tielenheide? - a stretch of moo...
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The Battle on the Heath On 24 January 1597, the ?Tielenheide? - a stretch of moorland near the Belgian village of Tielen, south of Turnhout-was the scene of a great battle. Prince Maurice of Nassau, commander of the Dutch army, crushingly defeated Count Varax, a Burgundian general of the Spanish army. In military circles, the Battle of Turnhout caused quite a stir: a Spanish army of five thousand men was initially held up for hours through daring short moves by fifteen cavalrymen and a few hundred foot-soldiers -and subsequently, this Spanish army was overpowered by barely a thousand cavalrymen, without the help of the infantrymen. New weaponry proved its value that day. The Dutch cavalrymen were not armed with spears, as previously, but with long, carbine-like pistols . Before the pikemen of the Spanish army could stick their fearsome, six-metre-long spears into the ground to protect themselves against the onrushing horses, they were shot to pieces or knocked down. During the battle, the state troops seized a number of flags, which would embellish the Ridderzaal (Knights? Hall) in The Hague for years.In a contemporary Dutch military magazine, the victory at the ?Tielenheide? has been described as ? the heaviest blow ever delivered by the Dutch cavalry?. The location where the battle took place is no langer moorland: it is now a pine forest planted more than a century age, to meet the demand for wood in the old coalmines of Limburg . Part of the forest is now the military territory of the Third Paratroop Batallion, and part is now the De Waal nature reserve: it is not accessible to the public. In Tielen there is still a street called the Tielenheide, near the former moorland.
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The Earl Of Oxford's March (BYRD WILLIAM)
29.30
The Earl Of Oxford's March (BYRD WILLIAM)
Fanfare
[Conducteur]
-
Intermédiaire/avancé
Anglo Music
Arr. Philip Sparke. Par BYRD WILLIAM. The Battell was written during the late 14...
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Arr. Philip Sparke. Par BYRD WILLIAM. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas. The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book. Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances. / Niveau : 4 / Transcription / Répertoire / Fanfare
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The Earl Of Oxford's March (BYRD WILLIAM)
151.80
The Earl Of Oxford's March (BYRD WILLIAM)
Fanfare
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Anglo Music
Arr. Philip Sparke. Par BYRD WILLIAM. The Battell was written during the late 14...
(+)
Arr. Philip Sparke. Par BYRD WILLIAM. The Battell was written during the late 14th Century when England was in a mood of national celebration after victory over the Spanish and French Armadas. The movement which Byrd called Marche Before The Battell became known as The Earl of Oxford?s Marchand it appears with that title in an early manuscript copy of the Fitzwilliam Virginal Book. Written while Byrd was at the height of his powers, it still stirs the soul to this day. A perfect opener for your concert performances. / Niveau : 4 / Transcription / Répertoire / Fanfare
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Andreas Ludwig Schulte: Like a Child: Fanfare Band: Score & Parts
132.99
Andreas Ludwig Schulte: Like a Child: Fanfare Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Gobelin Music Publications
The young have the future. This is the statement made at the beginning of â€...
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The young have the future. This is the statement made at the beginning of ‘Like a Child’ by Andreas Ludwig Schulte. The opening radiates strength and ambition but one is also made to wonder which direction will be chosen which choices will have to be made.After the introduction the first steps on the path of life are taken still somewhat unsteadily (the 3/4th time used illustrates this uncertainty). However the child has now set off and will meet the future with an open mind unafraid even though experience will teach it how easily it can be hurt.Fortunately it is sometimes allowed to be vulnerable and it discovers there will always be someone to offer shelter support and love. (Adagio) The last part breathes a far greater independence. Youth is able to face the future it can even take on the whole world!
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Styx: The Best of Times/Too Much Time on My Hands: Marching Band: Score & Parts
54.99
Styx: The Best of Times/Too Much Time on My Hands: Marching Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Hal Leonard
Recorded by Styx-Featuring two of the best-known hits from the group STYX this ...
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Recorded by Styx-Featuring two of the best-known hits from the group STYX this production/concert number starts with effective woodwind colors and a brief trumpet solo. The low brass carry the lead on the rockin' Too Much Time... before turningit over to the entire ensemble for a strong finish.
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Jerry Herman: We Need a Little Christmas: Marching Band: Score & Parts
54.99
Jerry Herman: We Need a Little Christmas: Marching Band: Score & Parts
Fanfare
[Conducteur et Parties séparées]
Hal Leonard
This well-known Christmas classic from the musical Mame is given the special mar...
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This well-known Christmas classic from the musical Mame is given the special marching band make-over in this version. Jay Bocook uses a variety of scoring styles key changes and dramatic effects in creating an impressive production designed for holiday parades.
54.99 GBP - vendu par Musicroom GB
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